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Contains Results of Tucci's Field Investigations and Perceptions.

Contains Results of Tucci's Field Investigations and Perceptions.

VII, 359 Seiten ; Mit zahlreichen Abbildungen im Text, XXII/10 Tafeln und 1 Faltkarte Beiträge zur Südasienforschung : Südasien-Institut Universität Heidelberg 55 - Innen teils etwas gebräunt, sauberer, guter Zustand. Softcover, Broschur mit den üblichen Bibliotheks-Markierungen, Stempeln und Einträgen, innen wie außen, siehe Bilder. (Evtl. auch Kleber- und/oder Etikettenreste, sowie -abdrücke durch abgelöste Bibliotheksschilder). Einband sehr gut erhalten. In Englisch B13-01-04F S38 Sprache: Englisch Gewicht in Gramm: 785

Following her bestselling Life Along the Silk Road, Susan Whitfield widens her exploration of the great cultural highway with a new captivating portrait focusing on material things. Silk, Slaves, and Stupas tells the stories of ten very different objects, considering their interaction with the peoples and cultures of the Silk Road—those who made them, carried them, received them, used them, sold them, worshipped them, and, in more recent times, bought them, conserved them, and curated them. From a delicate pair of earrings from a steppe tomb to a massive stupa deep in Central Asia, a hoard of Kushan coins stored in an Ethiopian monastery to a Hellenistic glass bowl from a southern Chinese tomb, and a fragment of Byzantine silk wrapping the bones of a French saint to a Bactrian ewer depicting episodes from the Trojan War, these objects show us something of the cultural diversity and interaction along these trading routes of Afro-Eurasia.   Exploring the labor, tools, materials, and rituals behind these various objects, Whitfield infuses her narrative with delightful details as the objects journey through time, space, and meaning. Silk, Slaves, and Stupas is a lively, visual, and tangible way to understand the Silk Road and the cultural, economic, and technical changes of the late antique and medieval worlds.     

. with dustjacket, 1993, Serindia Publications, illus , bumpbing to cover at bottom corner, and light dent to top spine, light scuffing to dustjacket, text clean & bright

Over 200 photographs illustrate the development of the stupa from the time of the Buddha onwards, in all Buddhist lands.

A close analysis of the architecture of the stupa―a Buddhist symbolic form that is found throughout South, Southeast, and East Asia. The author, who trained as an architect, examines both the physical and metaphysical levels of these buildings, which derive their meaning and significance from Buddhist and Brahmanist influences.

A close analysis of the architecture of the stupa―a Buddhist symbolic form that is found throughout South, Southeast, and East Asia. The author, who trained as an architect, examines both the physical and metaphysical levels of these buildings, which derive their meaning and significance from Buddhist and Brahmanist influences.

A revealing allegory of obstacles and successes on the spiritual path, Legend is the tale of the construction of the Great Stupa at Boudhanath in Nepal.

In his preface to The Symbolism of the Stupa Prof. Craig Reynolds writes ''The stupa is a symbolic form that pullulates throughout South Southeast and East Asia. In its Indian manifestations it is an extreme case in terms of architectural function: it has no use and has a basic simplicity. In this state of the art' study Adrian Snodrass reads the stupa as a cultural artifact. The monument concretizes metaphysical principles and generates multivalent meanings in ways that can be articulated with literary texts and other architectural forms.'' This study analyses a pattern of interrelated meanings generated by the form of the stupa. It does so by reference to myth, to ritual and to doctrine, viewing the architectural form from within the conceptual framework of the tradition to which it belongs. This approach involves questions of aim and methodology. A deeper understanding of a symbol is gained by studying the grid or net formed by its symbolic homologies.The pattern of meaning that emerges from the juxtaposition of cognate symbols does not exhaust the significance of the symbol, which is ultimately beyond worlds, but it reinforces its intimations, indicating a logical cohesion and integrity which in itself is an intimation of the all-pervasiveness of Principle. It is precisely this pattern of inter-reflection or symbols that this study attempts to delineate. By bringing together cognate symbols in apposition, it attempts to mark out the field of symbolic interactions which the stupa generates.

In his preface to The Symbolism of the Stupa Prof. Craig Reynolds writes ''The stupa is a symbolic form that pullulates throughout South Southeast and East Asia. In its Indian manifestations it is an extreme case in terms of architectural function: it has no use and has a basic simplicity. In this state of the art' study Adrian Snodrass reads the stupa as a cultural artifact. The monument concretizes metaphysical principles and generates multivalent meanings in ways that can be articulated with literary texts and other architectural forms.'' This study analyses a pattern of interrelated meanings generated by the form of the stupa. It does so by reference to myth, to ritual and to doctrine, viewing the architectural form from within the conceptual framework of the tradition to which it belongs. This approach involves questions of aim and methodology. A deeper understanding of a symbol is gained by studying the grid or net formed by its symbolic homologies.The pattern of meaning that emerges from the juxtaposition of cognate symbols does not exhaust the significance of the symbol, which is ultimately beyond worlds, but it reinforces its intimations, indicating a logical cohesion and integrity which in itself is an intimation of the all-pervasiveness of Principle. It is precisely this pattern of inter-reflection or symbols that this study attempts to delineate. By bringing together cognate symbols in apposition, it attempts to mark out the field of symbolic interactions which the stupa generates.

Transcending architecture and archaeology, the stupa is the living embodiment of Buddhist teachings – a harmonising of the physical with the spiritual. It remains one of the oldest and most persistent religious symbols still in everyday use. This beautifully illustrated, full-colour hardback explores the spread of stupa building across India and Asia, encapsulating the lasting appeal and allure of stupas to travellers, scholars and those interested in architecture and religion. Buddhist Stupas in Asia: The Shape of Perfection is a lavish exploration of this religious and architectural icon of Asia and India. more than 250 beautiful photographs ten pages of transparent architectural overlays depicting plans and elevations of major stupas exhaustive coverage of 13 countries: India, Thailand, Sri Lanka, Java, Cambodia, Myanmar, Laos, Nepal, Tibet, China, Japan, Korea and Vietnam learned and authoritative narration to explain the symbolism, rituals and mystic power associated with these monuments, great and small detailed investigations of the world’s most significant Buddhist sites, from Angkor in Cambodia to Borobudur in Java, the largest Buddhist monument in the world

Barthoux's excavations at the site, in 1926-28, un covered many thousands of images, sensitively rend ered in stucco in the Gandharan Greco-Buddhist style and originally created to adorn the walls of over 500 commemorative stupas. Barthoux's work was hampered by resistance from local Mullahs, and despite his valiant efforts only a fraction of

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.34

In this wide-ranging exploration of the creation and use of Buddhist art in Andhra Pradesh, India, Catherine Becker examines how material remains and visual experiences shape and reveal essential human concerns.Shifting Stones, Shaping the Past addresses the fundamental Buddhist question of how humanity progresses centuries after the passing of its teacher, the Buddha Sakyamuni. How might the Buddha's distant teachings be made immediate and accessible? Beginning with an analysis of the spectacular relief sculptures that once adorned the stupas. Over a period of almost two millennia, many of these stupas have fallen into disrepair. While it is tempting to view these monuments as ruins, they are by no means "dead." Turning to the 20th and 21st centuries, Becker analyzes examples of new Buddhist imagery, recent state-sponsored tourism campaigns, and new devotional activities at the sites in order to demonstrate that the stupas of Andhra Pradesh and their sculptural adornments continue to engage the human imagination and are even ascribed innate power and agency. Shifting Stones, Shaping the Past reveals intriguing parallels between ancient uses of imagery and the new social, political, and religious functions of these objects and spaces.

An artisan who captures Maine’s summer air in her sun-and-sea-dyed yarns. A weaver and a poet whose Buddhist stupa sits near the barns of their Massachusetts farm. Two scientists turned sheep farmers whose flock grazes in the shadows of Montana’s Bridger Mountains. A Navajo sheep herder and craftsman in the Black Mesa region of Arizona whose endangered breed of sheep were rescued from extinction. These are just a few of the captivating portraits of America’s fiber farms and ranches featured in Shear Spirit.Part coffee-table book, part inspirational work, and part pattern guide, Shear Spirit connects knitters to the yarn-producing community in a new and intimate way. Filled with stunning photographs, fascinating essays, and heartwarming profiles, this book follows the writer and photographer to 10 fiber farms and ranches across America-from the Willamette Valley of Oregon to the coast of Maine-capturing the essence of the people, places, and animals that, together, create yarn. Twenty projects featuring yarns from the farms surveyed will inspire knitters everywhere.A visual journey to America’s fiber farms and ranches plus a rich inside look at the challenging but rewarding lives of the people who have devoted their lives to harvesting and spinning fleece into yarn, Shear Spirit takes fiber enthusiasts of all ages and interests right to the source of their common passion.

More than 400 Buddhist art objects from the Collection Christian H. LutzFirst publication of the the unique collection of tsha-tshasWith a foreword by His Holiness the 14th Dalai LamaTsha-Tsha are terracottas, or unfired earthenware figures, in the form of cast-sculptured stupas/chörten (reliquaries) or reliefs, which are decorated in a variety of religious motifs in bas-relief or half-relief. These votive offerings in earth or loam are produced by hand by believers or monks with models (casts) and serve many different purposes in every day religious life. With the depiction of over 360 objects, this book offers an outstanding review of the diverse manifestations and the extensive iconography of these exceptional ritual objects from the Buddhist cultural sphere.Text in German.

With vivid photography and insightful commentary, this travel pictorial shines a light on the Buddhist art and architecture of Borobudur.The glorious ninth–century Buddhist stupa of Borobudur—the largest Buddhist monument in the world—stands in the midst of the lush Kedu Plain of Central Java in Indonesia, where it is visited annually by over a million people. Borobudur contains more than a thousand exquisitely carved relief panels extending along its many terraces for a total distance of more than a kilometer. These are arranged so as to take the visitor on a spiritual journey to enlightenment, and one ascends the monument past scenes depicting the world of desire, the life story of Buddha, and the heroic deeds of other enlightened beings—finally arriving at the great circular terraces at the top of the structure that symbolize the formless world of pure knowledge and perfection.

This true account of the scandal that enveloped the discovery in 1898 of an inscribed casket said to contain the ashes of the Buddha, is set against the background of the high noon of the British Raj. In January 1898 a British landowner, William Claxton Peppé, excavated a large Buddhist brick stupa on his estate close to India’s border with Nepal. At a depth of 24 feet he uncovered a huge stone coffer. What made this discovery so important was an inscription found on the top of one of the reliquary caskets - declaring it to contain ashes of the Buddha. This news aroused world-wide interest since no other so well authenticated relics of the Buddha had ever been found. But almost immediately it became known that a German archaeologist, Dr Anton Führer, working nearby at the same time had not only made bogus claims and faked his results but had also been associated with the dig. Führer was quickly unmasked by a British magistrate who himself had a stake in the excavation.

Based on Vedas and Brahmanas, a practical perspective on Vedic religion. the Purva and Karma Mimamsa, founded by Jaimini, discuss sacred rituals and rewards from performance. With an elaborate introduction detailing the principles of Mimamsa in solving problems of interpretation. The translation of the Stupa is simple, with notes. reprint.