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Charlie, Alvin & the gang return for another killer covers album that puts the Subs' unique spin on a dozen rock classics! Includes brilliant reworkings of well known songs by Led Zeppelin, Velvet Underground, The Stooges, Neil Young, The Who, Queen and more! Available on both CD and vinyl in your choice of BLUE or WHITE!

Limited red vinyl LP pressing. 2018 release, the first covers album from legendary British punkers UK Subs. Includes supercharged punk rawk versions of songs that inspired the band throughout their career from MC5's classic "Kick Out The Jams" and Bowie's glam hit "Suffragette City" to modern stoner rock heroes QOTSA's "Feel Good Hit Of The Summer" and more! Led by founding member and vocalist Charlie Harper along with longtime members Alvin Gibbs on bass and Jamie Oliver on drums with newcomer

Honoré Sharrer (1920–2009) was a major art world figure in 1940s America, celebrated for exquisitely detailed paintings conveying subtly subversive critiques of the political and artistic climate of her time. This book offers the first critical reassessment of the artist: a leftist, female painter committed to figuration in an era when anti-Communist sentiment and masculine Abstract Expressionism dominated American culture. Her brightly colored, humorous, and distinctly feminine paintings combine elements of social realism and surrealism to seductive and disquieting effect. This publication is a timely reevaluation of an artist who pushed the boundaries of figurative painting with playfulness and biting wit.

Art today is in deep crisis. Criticism seems to have abandoned any notion of evaluation, the public has been denied the possibility of understanding, and aesthetics have lost all legitimacy. Formerly, artists claimed their right to decide for themselves what counted as a work of art, thanks to the subversion of the established criteria of aesthetic judgment. But that very subversion is today the object of subsidy and support by museums and galleries, anxious to display their liberalism. A new and ambiguous game of complicity and antagonism has united artists and institutions.Yet, however much the alliance of subversion and subsidy aims to exclude it, aesthetic judgment remains a necessity. Whatever the nature of a work of art, it can only be one if the artistic quality it claims for itself can be justified and shared. As symbol it cannot be reduced to a symptom; as an object of judgment it cannot depend on simple individual preferences. Thus it is now urgent to find aesthetic arguments that pay proper attention to the internal logic of artworks, arguments that are rigorous without claiming absolute truth.

RARE Advance Reading Copy-Uncorrected Proof-Not For Sale. 1st Edition-Stated. 1st Printing-Full # Line. New copy. Never read. Trade paperback format. Inlaid letter from the Editor. BEAUTIFUL copy of Book & Cover. This book was Withdrawn from circulation by the Publisher-some Lawsuit. COLLECTOR'S COPY.

Pointing to the many contradictions between the Bible and the practice of the church, Jacques Ellul asserts in this provocative and stimulating book that what we today call Christianity is actually far removed from the revelation of God. / Successive generations have reinterpreted Scripture and modeled it after their own cultures, thus moving society further from the truth of the original gospel. The church also perverted the gospel message, for instead of simply doing away with pagan practice and belief, it reconstituted the sacred, set up its own religious forms, and thus resacralized the world. / Ellul develops several areas in which this perversion is most obvious, including the church's emphasis on moralism and its teaching in the political sphere. The heart of the problem, he says, is that we have not accepted the fact that Christianity is a scandal; we attempt to make it acceptable and easy — and thus pervert its true message. / Ultimately, however, Ellul remains hopeful. For, in spite of all that has been done to subvert the message of God, the Holy Spirit continues to move in the world. “Christianity,” writes Ellul, “never carries the day decisively against Christ.”

Unread book in perfect condition.

Honoré Sharrer (1920–2009) was a major art world figure in 1940s America, celebrated for exquisitely detailed paintings conveying subtly subversive critiques of the political and artistic climate of her time. This book offers the first critical reassessment of the artist: a leftist, female painter committed to figuration in an era when anti-Communist sentiment and masculine Abstract Expressionism dominated American culture. Her brightly colored, humorous, and distinctly feminine paintings combine elements of social realism and surrealism to seductive and disquieting effect. This publication is a timely reevaluation of an artist who pushed the boundaries of figurative painting with playfulness and biting wit.

Text clean and tight; 8vo 8" - 9" tall; 352 pages

Pointing to the many contradictions between the Bible and the practice of the church, Jacques Ellul asserts in this provocative and stimulating book that what we today call Christianity is actually far removed from the revelation of God. Successive generations have reinterpreted Scripture and modeled it after their own cultures, thus moving society further from the truth of the original gospel. The church also perverted the gospel message, for instead of simply doing away with pagan practice and belief, it reconstituted the sacred, set up its own religious forms, and thus resacralized the world. Ellul develops several areas in which this perversion is most obvious, including the church's emphasis on moralism and its teaching in the political sphere. The heart of the problem, he says, is that we have not accepted the fact that Christianity is a scandal; we attempt to make it acceptable and easy--and thus pervert its true message. Ultimately, however, Ellul remains hopeful. For, in spite of all that has been done to subvert the message of God, the Holy Spirit continues to move in the world. "Christianity," writes Ellul, "never carries the day decisively against Christ."

Pointing to the many contradictions between the Bible and the practice of the church, Jacques Ellul asserts in this provocative and stimulating book that what we today call Christianity is actually far removed from the revelation of God. / Successive generations have reinterpreted Scripture and modeled it after their own cultures, thus moving society further from the truth of the original gospel. The church also perverted the gospel message, for instead of simply doing away with pagan practice and belief, it reconstituted the sacred, set up its own religious forms, and thus resacralized the world. / Ellul develops several areas in which this perversion is most obvious, including the church's emphasis on moralism and its teaching in the political sphere. The heart of the problem, he says, is that we have not accepted the fact that Christianity is a scandal; we attempt to make it acceptable and easy — and thus pervert its true message. / Ultimately, however, Ellul remains hopeful. For, in spite of all that has been done to subvert the message of God, the Holy Spirit continues to move in the world. “Christianity,” writes Ellul, “never carries the day decisively against Christ.”

Unread book in perfect condition.

Based on access to secret documents and interviews with many of the participants, Subversion as Foreign Policy is an extraordinary account of civil war in Indonesia provoked by President Eisenhower and Secretary of State John Foster Dulles, and resulting in the killing of thousands of Indonesians and the destruction of much of the country's air force and navy."This startling new book reveals a covert intervention by the United States in Indonesia in the late 1950s involving, among other things, the supply of thousands of weapons, the creation and deployment of a secret CIA air force and logistical support from the Seventh Fleet. The intervention occurred on such a massive scale that it is difficult to believe it has been kept almost totally secret from the American public for nearly 40 years. And this CIA operation proved to be even more disastrous than the Bay of Pigs". -- San Francisco Chronicle"An exemplary study of an ignominious chapter of the Cold War in Southeast Asia". -- Journal of Asian Studies"Subversion as Foreign Policy is a remarkable book.... The Kahins have provided a rare insight into the workings of U.S. policy towards Indonesia, both clandestine and official". -- London Times Literary Supplement

Pointing to the many contradictions between the Bible and the practice of the church, Jacques Ellul asserts in this provocative and stimulating book that what we today call Christianity is actually far removed from the revelation of God. Successive generations have reinterpreted Scripture and modeled it after their own cultures, thus moving society further from the truth of the original gospel. The church also perverted the gospel message, for instead of simply doing away with pagan practice and belief, it reconstituted the sacred, set up its own religious forms, and thus resacralized the world. Ellul develops several areas in which this perversion is most obvious, including the church's emphasis on moralism and its teaching in the political sphere. The heart of the problem, he says, is that we have not accepted the fact that Christianity is a scandal; we attempt to make it acceptable and easy--and thus pervert its true message. Ultimately, however, Ellul remains hopeful. For, in spite of all that has been done to subvert the message of God, the Holy Spirit continues to move in the world. "Christianity," writes Ellul, "never carries the day decisively against Christ."

This account of US foreign policy reveals the story of the covert activity in Indonesia undertaken by President Eisenhower and Secretary of State John Foster Dulles in the late 1950s.

This collection of Felix Guattari's essays, lectures, and interviews traces the militant anti-psychiatrist and theorist's thought and activity throughout the 1980s ("the winter years"). Concepts such as "micropolitics," "schizoanalysis," and "becoming-woman" open up new horizons for political and creative resistance in the "postmedia era." Guattari's energetic analyses of art, cinema, youth culture, economics, and power formations introduce a radically inventive thought process engaged in liberating subjectivity from the standardizing and homogenizing processes of global capitalism.

From the fateful days of the Munich crisis in September 1938 to the final coup in February 1948, the Communists gradually infiltrated Czechoslovakia. This is the record of that tragic conquest, written by the former head of Jan Masaryk's Cabinet in the Czechoslovak Ministry of Foreign Affairs. Mr. Korbel reveals the gradual erosion of all areas of the nation’s life-political, economic, cultural, military, social-by Communist techniques. He traces the hopeless attempts at coexistence on the part of such democratic statesmen as Edvard Benes and Jan Masaryk, as they tried to negotiate with such Communists as Klement Gottwald and Stalin himself. The campaign of infiltration followed a preconceived plan, first capturing the mind through persuasion and protestations of nationalism, freedom, democracy; then moving inexorably from the local to the national level, in labor unions, political organizations, channels of communication, the police, the army, the government. This is a moving and objective record of an important event in modern history, and a revealing case study of the Communist capture of a country. Mr. Korbel has based his account on interviews with participants, on unpublished memoirs and documents, on Communist materials published after their seizure of power, and on his own firsthand knowledge and experience.Originally published in 1959.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

A fascinating excursion into a thriving subculture, this book explores the feminist significance of tattoos, noting that women's involvement with tattoo accelerated in both the suffragist '20s and the feminist '70s. Author Margot Mifflin uncovers the subversive relationship between women and tattoo, from society ladies who want to sever their identification with "natural" beauty, to the healing powers that tattoo's color and symbolism can provide for a mastectomy survivor. 100 photos, some in color.