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This book by Luis Royo may be his best yet, focusing on exotic fantasy body art and body piercing as only Royo can create

Introducing the Subversive Candy Playsuit - a perfect blend of daring and comfort! Made with sculpting stretch fabric, this jumpsuit is not only comfortable to wear but also accentuates your curves in all the right places. Featuring an edgy one-shoulder styling, this jumpsuit also boasts an asymmetric cut-out with a lace-up closure, adding an unexpected twist to the design. The lace-up closure draws attention to your waistline, creating a flattering silhouette. This jumpsuit also comes with a hidden back zipper closure for an ease of wear. Hand wash in cold

Introducing the Subversive Candy Playsuit - a perfect blend of daring and comfort! Made with sculpting stretch fabric, this jumpsuit is not only comfortable to wear but also accentuates your curves in all the right places. Featuring an edgy one-shoulder styling, this jumpsuit also boasts an asymmetric cut-out with a lace-up closure, adding an unexpected twist to the design. The lace-up closure draws attention to your waistline, creating a flattering silhouette. This jumpsuit also comes with a hidden back zipper closure for an ease of wear. Hand wash in cold

Introducing the Subversive Candy Playsuit - a perfect blend of daring and comfort! Made with sculpting stretch fabric, this jumpsuit is not only comfortable to wear but also accentuates your curves in all the right places. Featuring an edgy one-shoulder styling, this jumpsuit also boasts an asymmetric cut-out with a lace-up closure, adding an unexpected twist to the design. The lace-up closure draws attention to your waistline, creating a flattering silhouette. This jumpsuit also comes with a hidden back zipper closure for an ease of wear. Hand wash in cold

Introducing the Subversive Candy Playsuit - a perfect blend of daring and comfort! Made with sculpting stretch fabric, this jumpsuit is not only comfortable to wear but also accentuates your curves in all the right places. Featuring an edgy one-shoulder styling, this jumpsuit also boasts an asymmetric cut-out with a lace-up closure, adding an unexpected twist to the design. The lace-up closure draws attention to your waistline, creating a flattering silhouette. This jumpsuit also comes with a hidden back zipper closure for an ease of wear. Hand wash in cold

Subversive III: Spelende De Mens Rmftm - LP 5060467883696

Even in the twenty-first century, some two-thirds of the world's peoples quietly live in non-modern, non-cosmopolitan places. In such places the multitudinous voices of the spirits, deities, and other denizens of the other-than-human world continue to be heard, continue to be loved or feared or both, continue to accompany human beings in all their activities. In Subversive Spiritualities, Frédérique Apffel-Marglin draws on a lifetime of work with the indigenous peoples of Peru and India to support her argument that the beliefs, values, and practices of such traditional peoples are ''eco-metaphysically true.'' In other words, they recognize that human beings are in communion with other beings in nature that have agency and are kinds of spiritual intelligences, with whom humans can be in relationship and communion. Ritual is the medium for communicating, reciprocating, creating and working with the other-than-humans, who daily remind the humans that the world is not for humans' exclusive use. Apffel-Marglin argues that when such relationships are appropriately robust, human lifeways are rich, rewarding and, in the contemporary jargon, environmentally sustainable. Her ultimate objective is to ''re-entangle'' humans in nature, by promoting a spirituality and ecology of belonging and connection to nature, and an appreciation of animistic perception and ecologies. Along the way she offers provocative and poignant critiques of many assumptions: of the ''development'' paradigm as benign (including feminist forms of development advocacy), of most anthropological and other social scientific understandings of indigenous religions, and of common views about peasant and indigenous agronomy. She concludes with a case study of the fair trade movement, illuminating both its shortcomings (how it echoes some of the assumptions in the development paradigms) and its promise as a way to rekindle community between humans as well as between humans and the other-than-human world.

This revealing portrait of the Dutch Empire repositions our understanding of modern empires from the terrestrial to the oceanic. It highlights the importance of shipping, port cities, and maritime culture to the political struggles of the 1920s and 30s. Port cities such as Jeddah, Shanghai, and Batavia were hotbeds for the spread of nationalism, communism, pan-Islamism, and pan-Asianism, and became important centers of opposition to Dutch imperialism through the circulation of passengers, laborers, and religious pilgrims. In response to growing maritime threats, the Dutch government and shipping companies attempted to secure oceanic spaces and maintain hegemony abroad through a web of control. Techniques included maritime policing networks, close collaboration with British and French surveillance entities ashore, and maintaining segregation on ships, which was meant to 'teach' those on board their position within imperial hierarchies. This innovative study exposes how anti-colonialism was shaped not only within the terrestrial confines of metropole and colony, but across the transoceanic spaces in between.

Even in the twenty-first century, some two-thirds of the world's peoples quietly live in non-modern, non-cosmopolitan places. In such places the multitudinous voices of the spirits, deities, and other denizens of the other-than-human world continue to be heard, continue to be loved or feared or both, continue to accompany human beings in all their activities. In Subversive Spiritualities, Frédérique Apffel-Marglin draws on a lifetime of work with the indigenous peoples of Peru and India to support her argument that the beliefs, values, and practices of such traditional peoples are ''eco-metaphysically true.'' In other words, they recognize that human beings are in communion with other beings in nature that have agency and are kinds of spiritual intelligences, with whom humans can be in relationship and communion. Ritual is the medium for communicating, reciprocating, creating and working with the other-than-humans, who daily remind the humans that the world is not for humans' exclusive use. Apffel-Marglin argues that when such relationships are appropriately robust, human lifeways are rich, rewarding and, in the contemporary jargon, environmentally sustainable. Her ultimate objective is to ''re-entangle'' humans in nature, by promoting a spirituality and ecology of belonging and connection to nature, and an appreciation of animistic perception and ecologies. Along the way she offers provocative and poignant critiques of many assumptions: of the ''development'' paradigm as benign (including feminist forms of development advocacy), of most anthropological and other social scientific understandings of indigenous religions, and of common views about peasant and indigenous agronomy. She concludes with a case study of the fair trade movement, illuminating both its shortcomings (how it echoes some of the assumptions in the development paradigms) and its promise as a way to rekindle community between humans as well as between humans and the other-than-human world.

Subversive Meals examines the Lord's Supper within the sociopolitical context of first-century Roman domination, and concludes that it was an anti-imperial praxis. Although the Christian communal meal looked much like a typical Roman banquet in structure, with a deipnon and a symposion, it was essentially different. The Roman meal supported the empire's ideology, honored Caesar and the gods, reinforced stratification among the masses, and upheld Rome's right to rule the world. The Christian meal, on the other hand, included hymns that extolled Jesus as Lord, prophecies that challenged Rome's ideological claims, and letters-read aloud-that promoted egalitarianism and instructed believers on how to live according to kingdom of God principles. Hence, the Christian banquet was an act of nonviolent resistance, or what James C. Scott calls a "hidden transcript"

Horror cinema flourishes in times of ideological crisis and national trauma--the Great Depression, the Cold War, the Vietnam era, post-9/11--and this critical text argues that a succession of filmmakers working in horror--from James Whale to Jen and Sylvia Soska--have used the genre, and the shock value it affords, to challenge the status quo during these times. Spanning the decades from the 1930s onward it examines the work of producers and directors as varied as George A. Romero, Pete Walker, Michael Reeves, Herman Cohen, Wes Craven and Brian Yuzna and the ways in which films like Frankenstein (1931), Cat People (1942), The Woman (2011) and American Mary (2012) can be considered "subversive." Nominated for BEST BOOK OF 2014 - RONDO HATTON CLASSIC HORROR AWARDS

Feminist therapy is more than a prescription of technique; it is a unique philosophy of psychotherapy. While much has been written on feminism and therapy, this bold book breaks new ground by making explicit and coherent the theoretical underpinnings of feminist therapy.Building on the revolutionary work of feminist scholars who have described how women employ strategies of knowing the world in a manner distinct from men, Laura S. Brown, noted for her pioneering work in the field of ethics and boundaries, shows how these insights should reshape the very nature of the therapeutic encounter. Therapy must be understood as an opportunity to help clients see the relationships between their behavior and the patriarchal society in which we are all embedded. Viewed in this light, feminist therapy affords both practitioner and client a chance to subvert the system in which women's lives have been devalued.With meticulous care, the author examines key features of the therapeutic encounter with a feminist lens: the power of the therapist; assessment and diagnosis; the nature of change; the ethics of practice; and differences in race, class, and sexual identity. She constructs a vision of therapy that helps the client develop a sense of entitlement to satisfying and equal relationships outside the therapist's office. She proposes that clients need help finding their mother tongue” and retelling their story in a language freed from the patriarchal notions that have shaped and limited their experience. Her vision of therapy considers the dilemmas faced by feminist therapists who must work within a mental health system that is inherently sexist and use its flawed or problematic tools for testing and treatment.This powerful vision of feminist therapy is grounded throughout with case examples that illustrate how a dialogue between therapist and client can be healing, subversive, and transformative all at once.

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This book by Luis Royo may be his best yet, focusing on exotic fantasy body art and body piercing as only Royo can create

The first biography of the legendary southern civil rights crusader introduces readers to the contributions of this extraordinary woman, and the witch hunt that targeted her in the 1950s.

Subversive Sounds probes New Orleans’s history, uncovering a web of racial interconnections and animosities that was instrumental to the creation of a vital American art form—jazz. Drawing on oral histories, police reports, newspaper accounts, and vintage recordings, Charles Hersch brings to vivid life the neighborhoods and nightspots where jazz was born. This volume shows how musicians such as Jelly Roll Morton, Nick La Rocca, and Louis Armstrong negotiated New Orleans’s complex racial rules to pursue their craft and how, in order to widen their audiences, they became fluent in a variety of musical traditions from diverse ethnic sources. These encounters with other music and races subverted their own racial identities and changed the way they played—a musical miscegenation that, in the shadow of Jim Crow, undermined the pursuit of racial purity and indelibly transformed American culture.“More than timely . . . Hersch orchestrates voices of musicians on both sides of the racial divide in underscoring how porous the music made the boundaries of race and class.”—New Orleans Times-Picayune 

Subversive Sounds probes New Orleans’s history, uncovering a web of racial interconnections and animosities that was instrumental to the creation of a vital American art form—jazz. Drawing on oral histories, police reports, newspaper accounts, and vintage recordings, Charles Hersch brings to vivid life the neighborhoods and nightspots where jazz was born. This volume shows how musicians such as Jelly Roll Morton, Nick La Rocca, and Louis Armstrong negotiated New Orleans’s complex racial rules to pursue their craft and how, in order to widen their audiences, they became fluent in a variety of musical traditions from diverse ethnic sources. These encounters with other music and races subverted their own racial identities and changed the way they played—a musical miscegenation that, in the shadow of Jim Crow, undermined the pursuit of racial purity and indelibly transformed American culture.“More than timely . . . Hersch orchestrates voices of musicians on both sides of the racial divide in underscoring how porous the music made the boundaries of race and class.”—New Orleans Times-Picayune 

Subversive is a book of interviews with fifty-two of the most radical people in the world. From all walks of life, some are famous, while others are almost completely unknown.These are people different to the rest of us. They want the world to change, and they are doing things to change it. Some are activists, some live in such a way that society has to take notice.Subversive doesn’t adopt a sensationalist tone. It approaches its subjects with a curiosity about what they believe in and how they lead their lives.Black Panthers, white nationalists, eco terrorists, unrepentant heroin users, The Cannibal Cop, meth makers, fetish pornographers, war protestors, 9-11 truthers, occultists, political agitators, sungazers, literary imposters, time travellers, flat earthers, anarcho-primitivists, murderers, and beyond.

In Subversive Spinoza, Antonio Negri spells out the philosophical credo that inspired his radical renewal of Marxism and his compelling analysis of the modern state and the global economy by means of an inspiring reading of the challenging metaphysics of the seventeenth-century Dutch-Jewish philosopher Spinoza. For Negri, Spinoza’s philosophy has never been more relevant than it is today to debates over individuality and community, democracy and resistance, and modernity and postmodernity.This collection of essays extends, clarifies and revises the argument of Negri’s influential 1981 book ‘The Savage Anomaly: The Power of Spinoza’s Metaphysics and Politics’ and links it directly to his recent work on constituent power, time and empire.