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Welcome to Q Road, in Greenland Township, where the old way of life is colliding with the new. On the same acres where farmers once displaced Potawatomi Indians, suburban developers now supplant farmers and Q road (or "Queer Road," as the locals call it) has become home to an unlikely mix of people. The neighbors include a sixth-generation farmer and his rifle-toting child bride, and evangelical bartender, a tabloid-reading agoraphobe, a philandering window salesman, and an asthmatic boy who longs for the love of a good father.These folks all smell the pig manure from the Whitby farm and share the same grand views of the Kalamazoo River and the oldest barn in the township -- until one disastrous October afternoon. Bonnie Jo Campbell's first novel combines offbeat humor, eccentric characters, and unique insights into modern rural America, where family traditions have flown the coop and only the cycle of the seasons remains. At the heart of this tale are three characters so integrally connected and devoted to the Harland farm that they might not survive anywhere else; their lives, their livelihoods, and their sometimes violent love for one another are all rooted in the soil of this square mile. As The Village Voice said of Campbell's story collection, she "crystallizes those moments when benumbed everyday routine is briefly jolted by dizzy instants of lucidity." It may take a spring tornado or a lightning bolt in the garden to get the folks of Q Road to pause in their work, but when they lift their gaze collectively, it can be life-altering. Brilliant atumn foliage creates the backdrop for the rich and ragged human landscape of rural southwestern Michigan, a place Campbell has explored in her award-winning short stories. In this passionate and funny novel she digs even deeper, to reveal the beauty and strangeness of her ferocious women, confused men, and hungry children.

Recreates the arrival of the Vikings in North America, as rival Greenland women, Freydis and Gudrid, battle each other and the Skraelings and Inuit, the Amerindians they plan to supplant

Many believers are increasingly aware of the Jezebel spirit, a demonic spirit of control, one intending to supplant true authority. Individuals ruled by the flesh, who cooperate with this spirit, sow discord, presumption, rebellion, insubordination and a host of other marks of Satan's kingdom. In this biblical, balanced, and eye-opening study, Steve Sampson, a gifted prophetic teacher, explains the origins and history of this insidious spirit, as well as how it functions through leaders in positions of spiritual authority. Because the Jezebel spirit is fueled by self-centeredness and self-promotion, Sampson helps readers understand how our flesh must be ruled by God and put under subjection to the Holy Spirit. He also offers readers clear signals of the presence of this spirit and specific direction for those who find themselves battling this subtle and destructive influence.

The Marine Officer's Guide, 7th Edition describes in detail the Marine Corps as a mili­tary institution of the United States and, in so doing, delineates the characteris­tics of the men and women who constitute the Corps. The Guide supplements, but does not supplant, official regulations and instructions. It can help an officer to acquire quickly a stockpile of information, but it does not relieve the officer of his or her obligation to know the published regulations that govern our Corps. I have endeavored to provide sound advice and up-to-date information on pro­fessional matters of note to the Marine officer. I have described customs and usages that are current and not at variance with "the book." I have also deleted some practices that have become anachronistic, and persons in search of nostal­gic material can refer to preceding editions for them. Many a well-worn copy sits ready at hand on the bookshelves of the officer corps, and officers of all grades have grown accustomed to its reliability and utility. This seventh edition reflects all the changes in the organization of the Corps fostered by the evolving military establishment of the United States. A modern corps, shaped in so many ways by the Great Pacific War of 1941-1945, now reflects the Gulf Conflicts and the passing of the era of superpower rivalry and the century of the world wars. What remain remarkably unchanged, however, are the character of the Marine Corps and the keen pursuit of excellence in the profession of arms that its of­ficer corps reflects.

Socialism was man's most ambitious attempt to supplant religion with a doctrine claiming to ground itself in “science.” Each failure to create societies of abundance or give birth to “the New Man” inspired more searching for the path to the promised land: revolution, communes, social democracy, communism, fascism, Arab socialism, African socialism. None worked, and some exacted a staggering human toll. Then, after two centuries of wishful thinking and bitter disappointment, socialism imploded in a fin de siècle drama of falling walls and collapsing regimes. It was an astonishing denouement but what followed was no less astonishing. After the hiatus of a couple of decades, new voices were raised, as if innocent of all that had come before, proposing to try it all over again. Joshua Muravchik traces the pursuit of this phantasm, presenting sketches of the thinkers and leaders who developed the theory, led it to power, and presided over its collapse, as well as those who are trying to revive it today. Heaven on Earth is a story filled with character and event while at the same time giving us an epic chronicle of a movement that tried to turn the world upside down―and for a time succeeded.

Most people who have a sense of reverence for life also have a sense of there being a strong feminine principle at the heart of life and not just the familiar male God. White Eagle, a spiritual teacher of enormous influence, speaks of a divine Feminine who neither supplants the masculine God nor is dominated by him. Most books on this subject are either academic or polemical. White Eagle On Divine Mother, The Feminine, And The Mysteries is neither. Rather, it will inspire. Included in this book is a substantial amount of teaching about ancient worship, Mary, the myth of Isis and Osiris and the stone monuments that are to be found all around the world. It is, also, a book about initiation on a path that is rich with understanding of all that life brings.

1513, King James IV lies dead on Flodden's field, his young heir entrusted to two loyal lairds. There are many who seek to supplant or control the boy-king, and as he grows, his protectors struggle against the threats. This trilogy paints a picture of the turbulent life of the weak-willed king.

In 1956 Harry Belafonte’s Calypso became the first LP to sell more than a million copies. For a few fleeting months, calypso music was the top-selling genre in the US—it even threatened to supplant rock and roll. Stolen Time provides a vivid cultural history of this moment and outlines a new framework—black fad performance—for understanding race, performance, and mass culture in the twentieth century United States. Vogel situates the calypso craze within a cycle of cultural appropriation, including the ragtime craze of 1890s and the Negro vogue of the 1920s, that encapsulates the culture of the Jim Crow era. He follows the fad as it moves defiantly away from any attempt at authenticity and shamelessly embraces calypso kitsch. Although white calypso performers were indeed complicit in a kind of imperialist theft of Trinidadian music and dance, Vogel argues, black calypso craze performers enacted a different, and subtly subversive, kind of theft. They appropriated not Caribbean culture itself, but the US version of it—and in so doing, they mocked American notions of racial authenticity. From musical recordings, nightclub acts, and television broadcasts to Broadway musicals, film, and modern dance, he shows how performers seized the ephemeral opportunities of the fad to comment on black cultural history and even question the meaning of race itself.

What precisely, W. J. T. Mitchell asks, are pictures (and theories of pictures) doing now, in the late twentieth century, when the power of the visual is said to be greater than ever before, and the "pictorial turn" supplants the "linguistic turn" in the study of culture? This book by one of America's leading theorists of visual representation offers a rich account of the interplay between the visible and the readable across culture, from literature to visual art to the mass media.

Red cover with blacklettering. (ix), 1139 pp : illustrations. "This work is [primarily a thematic index,] designed to complement but not supplant the various Vogel catalogs."--Page viii. Contents as follows: Composer index with incipits -- Index to first lines -- Thematic locator index -- Index to sources. VG, top left front cover bumped slightly

In Beyond the Score: Music as Performance, author Nicholas Cook supplants the traditional musicological notion of music as writing, asserting instead that it is as performance that music is loved, understood, and consumed. This book reconceives music as an activity through which meaning is produced in real time, as Cook rethinks familiar assumptions and develops new approaches. Focusing primarily but not exclusively on the Western 'art' tradition, Cook explores perspectives that range from close listening to computational analysis, from ethnography to the study of recordings, and from the social relations constructed through performance to the performing (and listening) body. In doing so, he reveals not only that the notion of music as text has hampered academic understanding of music, but also that it has inhibited performance practices, placing them in a textualist straightjacket.Beyond the Score has a strong historical emphasis, touching on broad developments in twentieth-century performance style and setting them into their larger cultural context. Cook also investigates the relationship between recordings and performance, arguing that we do not experience recordings as mere reproductions of a performance but as performances in their own right. Beyond the Score is a comprehensive exploration of new approaches and methods for the study of music as performance, and will be an invaluable addition to the libraries of music scholars - including musicologists, music theorists, and music cognition scholars - everywhere.Publication of this book was supported by the AMS 75 PAYS Endowment of the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation.

Socialism was man's most ambitious attempt to supplant religion with a doctrine claiming to ground itself in “science.” Each failure to create societies of abundance or give birth to “the New Man” inspired more searching for the path to the promised land: revolution, communes, social democracy, communism, fascism, Arab socialism, African socialism. None worked, and some exacted a staggering human toll. Then, after two centuries of wishful thinking and bitter disappointment, socialism imploded in a fin de siècle drama of falling walls and collapsing regimes. It was an astonishing denouement but what followed was no less astonishing. After the hiatus of a couple of decades, new voices were raised, as if innocent of all that had come before, proposing to try it all over again. Joshua Muravchik traces the pursuit of this phantasm, presenting sketches of the thinkers and leaders who developed the theory, led it to power, and presided over its collapse, as well as those who are trying to revive it today. Heaven on Earth is a story filled with character and event while at the same time giving us an epic chronicle of a movement that tried to turn the world upside down―and for a time succeeded.

Lucy Bregman guides the reader through the wealth of recent literature on death and dying, giving special attention to the autobiographical narratives of terminally ill people and to books offering counsel to the dying, their caregivers, and the bereaved. She argues that this literature should supplement, not supplant, Christian understandings of death.

New York became the National meeting point for culture and commerce in the mid nineteenth century, and it has been the center of the art world in America ever since. Picturing New York in the literal sense, did not begin until near the centruys end, when images of the modern city came to supplant the time-honored fields of portraiture, history and genre painting, and landscape. The rise of the cityscape coincided with the urbanization of America, with New York at the heart of the cultural shift. Artists both local and transplanted began to portray the urban scene, focusing first on life in the city and later on its singular built environment. Because the cityscape is a pictorial mode developed in the post-photographic era, documentation was never its primary purpose, leading to styles of expression as diverse as the city itself. Honoring the tradition of urban imagery, the Museum of the City of New ork has long been interested in the artists who have captured the city on canvas and paper. Peter Ruta, whose work this exhibition represents, is the first artist to be examined in a new series of exhibitions entitled Picturing New Yor.

By the time of American Civil War things had changed from the Age of Fighting Sail - steam power and explosive shells were transforming naval warfare. Iron was beginning to supplant wood. Britain had just finished HMS Warrior, an iron-hulled warship and coastal ironclads dominated the waters off the United States. The changes meant that ships sank, during battles instead of afterwards. The fights were no less bloody, but in addition to flying splinters, a host of other dangers were added - burst steam boilers, fire due to exploding shells, and the burst from the shells themselves. But, just as in the age of sail, warship captains that won one-on-one battles with another warship became as famous as modern sports stars. During the course of the American Civil War, three single ship actions were fought between Union cruisers and Confederate raiders: CSS Florida vs. USS Wachusett, CSS Alabama vs. USS Hatteras, and CSS Alabama vs. USS Kearsarge. This book will present those, with an emphasis on the most famous battle: Alabama's fight with Kearsarge. Next to the battle between USS Monitor and CSS Virginia, no other naval duel of the American Civil War drew as much interest. That story is told from the eyes of the participants filtered through the lens of historical analysis available since the battles were fought. This includes archeological studies of wrecks of some of these ships, making this book an indispensible guide for anyone interested in Civil War and naval history.

William Eskridge and John Ferejohn propose an original theory of constitutional law whereby, while the Constitution provides a vision, our democracy advances by means of statutes that supplement or even supplant the written Constitution.

Socialism was man's most ambitious attempt to supplant religion with a doctrine claiming to ground itself in "science." Indeed, no religion ever spread so far so fast. Yet while socialism had established itself as a fact of life by the beginning of the 20th century, it did not create societies of abundance or give birth to "the New Man." Each failure inspired new searches for the path to the promised land: revolution, communes, social democracy, Communism, Fascism, Third World socialism. None worked, and some exacted staggering human tolls. Then, after two hundred years of wishful thinking and fitful governance, socialism suddenly imploded in a fin du siecle drama of falling walls and collapsing regimes. In Heaven on Earth, Joshua Muravchik traces this fiery trajectory through sketches of the thinkers and leaders who developed the theory, led it to power, and presided over its collapse. We see such dreamers and doers as the French revolutionary Gracchus Babeuf, whose "Conspiracy of Equals" were the first to try to outlaw private property; Robert Owen, who hoped to plant a model socialist utopia in the United States; Friedrich Engels, who created the cult of Karl Marx and "scientific" socialism; Benito Mussolini, self proclaimed socialist heretic and inventor of Fascism; Clement Attlee, who rejected the fanatics and set out to build socialism democratically in Britain; Julius Nyerere, who merged social democracy and communism in the hope of making Tanzania a model for the developing world; and Mikhail Gorbachev, Deng Xiaoping and Tony Blair, who became socialism's inadvertent undertakers. Muravchik's accomplishment in Heaven on Earth is to tell a story filled with character and event while at the same time giving us an epic chronicle of a movement that tried to turn the world upside down--and for a time succeeded.

When Horatio Hellpop resigns as Nexus, the mantle of cosmic executioner falls to the vengeful and dangerous Loomis sisters. It isn't long before the amazing power that accompanies the office begins to corrupt Stacy and Michana Loomis, and the nigh-omnipotent Merk must supplant them with a new, nobler host! Collects issues #53–#65 of Nexus volume 2 and issues #2–#4 of The Next Nexus! * Features early work from Adam Hughes, Peter David, and Phil Hester! * Over 400 pages!

"His book...supplant[s] all others, even the immensely successful History of Western Philosophy by Bertrand Russell."―A. C. Grayling Already a classic, this landmark study of early Western thought now appears in a new edition with expanded coverage of the Middle Ages. This landmark study of Western thought takes a fresh look at the writings of the great thinkers of classic philosophy and questions many pieces of conventional wisdom. The book invites comparison with Bertrand Russell's monumental History of Western Philosophy, "but Gottlieb's book is less idiosyncratic and based on more recent scholarship" (Colin McGinn, Los Angeles Times). A New York Times Notable Book, a Los Angeles Times Best Book, and a Times Literary Supplement Best Book of 2001.

Ryan is amused when a heart pendant arrives in the mail--but when a graphic heart surgery video somehow supplants an advertising demo he's watching, with a voiceover that says "your heart belongs to me," he's no longer smiling. As the harassment escalates, Ryan feels like he's under siege, expecially when he begins to catch glimpses of a mysterious woman stalking him--a woman who looks just like the 26-year-old donor of the heart that's keeping him alive.