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William Shakespeare, the most celebrated poet in the English language, left behind nearly a million words of text, but his biography has long been a thicket of wild supposition arranged around scant facts. With a steady hand and his trademark wit, Bill Bryson sorts through this colorful muddle to reveal the man himself.Bryson documents the efforts of earlier scholars, from today's most respected academics to eccentrics like Delia Bacon, an American who developed a firm but unsubstantiated conviction that her namesake, Francis Bacon, was the true author of Shakespeare's plays. Emulating the style of his famous travelogues, Bryson records episodes in his research, including a visit to a bunkerlike room in Washington, D.C., where the world's largest collection of First Folios is housed. Bryson celebrates Shakespeare as a writer of unimaginable talent and enormous inventiveness, a coiner of phrases ("vanish into thin air," "foregone conclusion," "one fell swoop") that even today have common currency. His Shakespeare is like no one else's—the beneficiary of Bryson's genial nature, his engaging skepticism, and a gift for storytelling unrivaled in our time.

While for a long time the study of medieval logic focused on editorial projects and reconstructions of central medieval doctrines such as the theories of signification, supposition, consequences, and obligations, nowadays the spectrum of analysis has broadened and is increasingly informed by modern logical research, whose perspective is then applied to medieval logic. Promoting this tendency, logicians and researchers concerned with semantics in the Gesellschaft f r Philosophie des Mittelalters und der Renaissance (GPMR) founded a working group bringing together medieval logic and modern applied logic. The present volume is a seminal document of these interests and activities. It analyzes theories in medieval logic which are useful for solving questions of recent logic and explains crucial parts of medieval logic, philosophy, and theology by applying techniques of present-day logic.

The Red Gaze is one long poem divided into smaller poems on imagination and time, beginning with "Nostalgia" and ending with "Supposition." Within the quietude of these poems, a gentle music unfurls; precise and generous. The idea of imagination propels The Red Gaze; references and allusions to art, literature, and history create what has become a signature of Barbara Guest's work--the poem as the event itself. There is something very immediate, alive, and mysterious about these poems. Reading, we inhabit the art--for a brief time suspended in its vision. Over the past decade, Guest has increasingly come to be seen as a major force in innovative poetics. These new poems are delicate, rarified, and unshakable.

In recent criticism, Samuel Beckett's prose has been increasingly described as a labor of refusal: not only of what traditionally has made possible narrative and the novel but also of the major conventional suppositions concerning the primacy of consciousness, subjectivity, and expression for the artistic act. Beginning from the premise that Beckett never betrays his belief in "the impossibility to express," Saying I No More explores the Beckettian refusal. Katz posits that the expression of voicelessness in Beckett is not silence, that the negativity and negation so evident in the great writer's work are not simply affirmed, but that the valorization of abnegation, emptiness, impotence, or the "no" can all too easily become itself an affirmation of power or an inverted imposition of force.

The first full-length novel by Chinese author Can Xue to appear in EnglishFive Spice Street tells the story of a street in an unnamed city whose inhabitants speculate on the life of a mysterious Madam X. The novel interweaves their endless suppositions into a work that is at once political parable and surreal fantasia. Some think X is 50 years old; others that she is 22. Some believe she has occult powers and has thereby enslaved the young men of the street; others think she is a clever trickster playing mind games with the common people. Who is Madam X? How has she brought the good people of Five Spice Street to their knees either in worship or in exasperation? The unknown narrator takes no sides in the endless interplay of visions, arguments, and opinions. The investigation rages, as the street becomes a Walpurgisnacht of speculations, fantasies, and prejudices. Madam X is a vehicle whereby the people bare their souls, through whom they reveal themselves even as they try to penetrate the mystery of her extraordinary powers.Five Spice Street is one of the most astonishing novels of the past twenty years. Exploring the collective consciousness of this little street of ordinary people, Can Xue penetrates the deepest existential anxieties of the present day—whether in China or in the West—where the inevitable impermanence of identity struggles with the narrative within which identity must compose itself.

While for a long time the study of medieval logic focused on editorial projects and reconstructions of central medieval doctrines such as the theories of signification, supposition, consequences, and obligations, nowadays the spectrum of analysis has broadened and is increasingly informed by modern logical research, whose perspective is then applied to medieval logic. Promoting this tendency, logicians and researchers concerned with semantics in the Gesellschaft f r Philosophie des Mittelalters und der Renaissance (GPMR) founded a working group bringing together medieval logic and modern applied logic. The present volume is a seminal document of these interests and activities. It analyzes theories in medieval logic which are useful for solving questions of recent logic and explains crucial parts of medieval logic, philosophy, and theology by applying techniques of present-day logic.

One of the most important contributions to our understanding of the psalms, The Psalms in Israel's Worship by Sigmund Mowinckel has largely provided the framework and suppositions of modern Psalms study. Fully revised from the original Norwegian edition and now featuring a substantial new foreword by James Crenshaw, this classic work (two volumes in one) argues that the psalms originated in actual temple worship and were used regularly to add drama to Israel's adoration of Yahweh. Throughout this fascinating work, Mowinckel carefully explores the relationship of the various psalm types to the congregation's devotional life, including hymns of praise from Israel's national festivals, psalms of lamentation and penitence, and personal or private psalms of thanksgiving. Other topics include the psalms' relationship to prophecy and wisdom, their composition and collection, their style and performance, and the technical terminology involved in Psalms study.

Thousands of books and articles and documentary films have been made extolling the virtues of the jeep, but, until now, the complete story of its origins have remained largely a mystery, shrouded by fragmentary, conflicting and incomplete evidence; conjecture, supposition or outright guessing. After over 15 years of painstaking research, William Spear's definitive new book WARBABY sets out the true story of how the jeep came to be. The history is not only revealed in full, but emerges as one of the most interesting and exciting stories in automotive history, from beginning to end filled with dozens of compelling characters in dramatic, high risk situations. The book is an important new page of history about what may be the most significant vehicle in American automotive history . Whether your interest is in industrial design, history, politics, biography, research, simple curiosity about the cars themselves or just interest in an old fashioned good story, WARBABY covers the territory. WARBABY is a "real book" in the old fashioned sense. It is not an amateurish 'print on demand' digital printout which will have it's indistinctly printed pages falling out after a couple of years. This is intended to be a treasured volume, professionally laid out and expensively printed on high quality paper with a hard, cloth-covered back, stitched together in the time honored way and meant to be a feature in your library for decades to come. A major financial commitment has been made by the author/publisher to insure that the physical book lives up to the high quality of its content. 400 pages of 8.5 x 11.5 of heavy, highest quality paper weighing six pounds; Hard back book with olive drab cloth cover and debossed with gold foil imprints.· Traditional stitched construction with head and tail pieces; not just glued together. · Professionally laid out and beautifully organized.· Only 1000 copies printed.

The history of strategic bombing is inextricably intertwined with the history of the Royal Air Force. This book explores the question of doctrinal development in the RAF. It employs a neo-Clausewitzian analysis to reveal that the RAF based the preparation of its strategic bombing force on supposition and hypothesis. Rather than review the evidence of the First World War objectively to determine the fundamental principles of strategic bombing, the RAF adopted a subjective approach. The failure to develop a realistic theory of strategic bombing and to test it through a dialectical process resulted in a lack of attention to the equally necessary element of doctrine. Bomber Command was incapable of carrying out a strategic bombing campaign because it failed in peace to develop the necessary doctrine.

Suppose there is no God. This supposition implies that human life is meaningless, that there are no moral obligations and hence people can do whatever they want, and that the notions of virtue and vice, right and wrong, and good and evil have no place in the universe. Erik J. Wielenberg believes this view to be utterly erroneous and, in this thought-provoking book, he explains the reasons why. He argues that, even if God does not exist, human life can still have meaning, humans do have moral obligations, and human virtue is still possible. Wielenberg offers readers a cognent explanation of the ethical implications of naturalism--a view that denies the existence of the supernatural in human life. In his view virtue exists in a godless universe but it is significantly different from virtue in a Christian universe, and he develops naturalistic accounts of humility, charity, and hope. The overarching theme of Virtue and Value in a Godless Universe is what ethics might look like without God. Erik Wielenberg takes readers on an extraordinary tour of some of the central landmarks of this under-explored territory.

This book covers the research processes that contributed to the BBC TV series "Walking with Dinosaurs". How was the information obtained, what suppositions have been made and how did this translate to the programme? Creatures featured include ceratopsians, iguanodontids and ankylosaurs.

"Readers interested in the origin and development of Wojtyła's early thought on marriage, sexuality and the family, or on Aquinas's metaphysical, moral and teleological suppositions, or on his teaching on marriage, will find rich resources, clear prose and illuminating exegesis, calmly and accessibly presented. The treatment of Aquinas's theology of marriage is the best I have read." – Theology" Fr. Petri's work will undoubtedly play a crucial role in the philosophical and theological assimilation of St. John Paul II's thought and magisterial teaching." - Thomistica.net

Finally, a practical guide to mixed methods research has been written with health and human services professionals in mind. Watkins and Gioia review the fundamentals of mixed methods research designs and the general suppositions of mixed methods procedures, look critically at mixed method studies and models that have already been employed in social work, and reflect on the contributions of this work to the field. But what is most important is that they lead the reader through considerations for the application of the mixed methods research in social work settings. The chapters of this book are structured so that readers can (figuratively) walk through the mixed methods research process using nine steps. Chapters one, five, and six provide supplemental material meant to serve as grounding for chapters two, three, and four, which outline nine steps in the mixed methods research process, and specific to social work research. This is a short and practical guide not just for learning about mixed methods research, but also doing it.

We need to understand the impossible. Francesco Berto and Mark Jago start by considering what the concepts of meaning, information, knowledge, belief, fiction, conditionality, and counterfactual supposition have in common. They are all concepts which divide the world up more finely than logic does. Logically equivalent sentences may carry different meanings and information and may differ in how they're believed. Fictions can be inconsistent yet meaningful. We can suppose impossible things without collapsing into total incoherence. Yet for the leading philosophical theories of meaning, these phenomena are an unfathomable mystery. To understand these concepts, we need a metaphysical, logical, and conceptual grasp of situations that could not possibly exist: Impossible Worlds. This book discusses the metaphysics of impossible worlds and applies the concept to a range of central topics and open issues in logic, semantics, and philosophy. It considers problems in the logic of knowledge, the meaning of alternative logics, models of imagination and mental simulation, the theory of information, truth in fiction, the meaning of conditional statements, and reasoning about the impossible. In all these cases, impossible worlds have an essential role to play.

The history of strategic bombing is inextricably intertwined with the history of the Royal Air Force. This book explores the question of doctrinal development in the RAF. It employs a neo-Clausewitzian analysis to reveal that the RAF based the preparation of its strategic bombing force on supposition and hypothesis. Rather than review the evidence of the First World War objectively to determine the fundamental principles of strategic bombing, the RAF adopted a subjective approach. The failure to develop a realistic theory of strategic bombing and to test it through a dialectical process resulted in a lack of attention to the equally necessary element of doctrine. Bomber Command was incapable of carrying out a strategic bombing campaign because it failed in peace to develop the necessary doctrine.

This study describes the embedding of the Gospel of John in the city life of Ephesus. It uses the epigraphical and historical materials of first-century Ephesus as the point of reference for a reading of John.The study is a specific demonstration of the linguistic supposition that the use of the same (combination of) words in different co-texts evokes semantic similarities and dissimilarities which influence the process of giving meaning to a text. Reading John against the background of Ephesus influences its impact.Five topics have been selected: the use of names; the use of the titles for the emperors and Artemis in relation to the titles used for Jesus; the social city life; the group formations; and the function of the high priests in relation to the imperial cult.

"Readers interested in the origin and development of Wojtyła's early thought on marriage, sexuality and the family, or on Aquinas's metaphysical, moral and teleological suppositions, or on his teaching on marriage, will find rich resources, clear prose and illuminating exegesis, calmly and accessibly presented. The treatment of Aquinas's theology of marriage is the best I have read." – Theology" Fr. Petri's work will undoubtedly play a crucial role in the philosophical and theological assimilation of St. John Paul II's thought and magisterial teaching." - Thomistica.net

The 1932-33 Norton Lectures are among the best and most important of Eliot's critical writings. Tracing the rise of literary self-consciousness from the Elizabethan period to his own day, Eliot does not simply examine the relation of criticism to poetry, but invites us to "start with the supposition that we do not know what poetry is, or what it does or ought to do, or of what use it is; and try to find out, in examining the relation of poetry to criticism, what the use of both of them is." Eliot begins with the appearance of poetry criticism in the age of Dryden, when poetry became the province of an intellectual aristocracy rather than part of the mind and popular tradition of a whole people. Wordsworth and Coleridge, in their attempt to revolutionize the language of poetry at the end of the eighteenth century, made exaggerated claims for poetry and the poet, culminating in Shelley's assertion that "poets are the unacknowledged legislators of mankind." And, in the doubt and decaying moral definitions of the nineteenth century, Arnold transformed poetry into a surrogate for religion. By studying poetry and criticism in the context of its time, Eliot suggests that we can learn what is permanent about the nature of poetry, and makes a powerful case for both its autonomy and its pluralism in this century.

In this groundbreaking study, Christopher Warren argues that early modern literary genres were deeply tied to debates about global legal order and that today's international law owes many of its most basic suppositions to early modern literary culture. Literature and the Law of Nations shows how the separation of scholarship on law from scholarship on literature has limited the understanding of international law on both sides. Warren suggests that both literary and legal scholars have tacitly accepted tendentious but politically consequential assumptions about whether international law is "real" law. Literature and the Law of Nations recognizes the specific nature of early modern international law by showing how major writers of the English Renaissance-including Shakespeare, Milton, and Hobbes-deployed genres like epic, tragedy, comedy, tragicomedy, and history to shore up the canonical subjects and objects of modern international law. Warren demonstrates how Renaissance literary genres informed modern categories like public international law, private international law, international legal personality, and human rights. Students and scholars of Renaissance literature, intellectual history, the history of international law, and the history of political thought will find in Literature and the Law of Nations a rich interdisciplinary argument that challenges the usual accounts by charting a new literary history of international law.

In this groundbreaking study, Christopher Warren argues that early modern literary genres were deeply tied to debates about global legal order and that today's international law owes many of its most basic suppositions to early modern literary culture. Literature and the Law of Nations shows how the separation of scholarship on law from scholarship on literature has limited the understanding of international law on both sides. Warren suggests that both literary and legal scholars have tacitly accepted tendentious but politically consequential assumptions about whether international law is "real" law. Literature and the Law of Nations recognizes the specific nature of early modern international law by showing how major writers of the English Renaissance-including Shakespeare, Milton, and Hobbes-deployed genres like epic, tragedy, comedy, tragicomedy, and history to shore up the canonical subjects and objects of modern international law. Warren demonstrates how Renaissance literary genres informed modern categories like public international law, private international law, international legal personality, and human rights. Students and scholars of Renaissance literature, intellectual history, the history of international law, and the history of political thought will find in Literature and the Law of Nations a rich interdisciplinary argument that challenges the usual accounts by charting a new literary history of international law.