23 products were found matching your search for Susan Slyomovics The Performance in 5 shops:

Tervis insulated drinkware delivers the ultimate combination of personality and performance for pure drinking enjoyment. Tervis Black-Eyed Susan Tumbler, 24 oz

Serial Number: ST240644Weight: 8.2 lbsOne of the most celebrated musicians of her generation, Susan Tedeschi s powerful vocal performances and dyna...

Serial Number: ST240656Weight: 7.8 lbsOne of the most celebrated musicians of her generation, Susan Tedeschi s powerful vocal performances and dyna...

Elevate your dabbing with the Blazy Susan Quartz Banger, featuring a durable 14mm male joint and a 25mm Flat Bottom Bucket for substantial dabs. The unique Blazy step & repeat pattern adds flair to your collection. Crafted for daily use, this banger promises top-notch performance for a superior concentrate experience. Hurry up to buy this quart banger from our online headshop.

Notorious, generous, tragic and cruel. That was Susan Hayward, the flamboyant and provocative star who won fame for her extraordinary performances in such classics as "I'll Cry Tomorrow" and "I Want to Live!". In "Red", Robert LaGuardia and Gene Arceri reveal the unexpurgated story of the determined yet vulnerable woman behind the fire-and-ice image. Based on ten years of exhaustive research and personal interviews with intimate sources including Hayward's older sister and close family friends - "Red" uncovers the dramatic details of Hayward's rise to stardom, her feverish romances, and the bitter sibling rivalry that destroyed her relationship with her family, and profoundly affected her life and career. From her earliest childhood struggles to her difficult marriages and attempted suicide, to her will to live and her confrontation with death, "Red" presents Susan Hayward as never before - as the passionate firebrand whose courage and dignity made her a real-life heroine and a star.

If you know what to look for, you can find almost anything in the personal ads, including the love of your life! Rosanna Arquette (PULP FICTION) is irresistible in her first starring role and pop star Madonna (Evita) gives a marvelously comic performance in this delightful madcap comedy about mistaken identity. Bored New Jersey housewife Roberta (Arquette) fills her days by reading the personals and following an ongoing romance between 'Jim' and 'Susan' (Madonna); mysterious drifters who appears

Creating Musical Theatre features interviews with the directors and choreographers that make up today's Broadway elite. From Susan Stroman and Kathleen Marshall to newcomers Andy Blankenbuehler and Christopher Gattelli, this book features twelve creative artists, mostly director/choreographers, many of whom have also crossed over into film and television, opera and ballet.To the researcher, this book will deliver specific information on how these artists work; for the performer, it will serve as insight into exactly what these artists are looking for in the audition process and the rehearsal environment; and for the director/choreographer, this book will serve as an inspiration detailing each artist's pursuit of his or her dream and the path to success, offering new insight and a deeper understanding of Broadway today. Creating Musical Theatre includes a foreword by four-time Tony nominee Kelli O'Hara, one of the most elegant and talented leading ladies gracing the Broadway and concert stage today, as well as interviews with award-winning directors and choreographers, including: Rob Ashford (How to Succeed in Business Without Really Trying); Andy Blankenbuehler (In the Heights); Jeff Calhoun (Newsies); Warren Carlyle (Follies); Christopher Gattelli (Newsies); Kathleen Marshall (Anything Goes); Jerry Mitchell (Legally Blonde); Casey Nicholaw (The Book of Mormon); Randy Skinner (White Christmas); Susan Stroman (The Scottsboro Boys); Sergio Trujillo (Jersey Boys); and Anthony Van Laast (Sister Act).

This touching ballad from the landmark musical Les Miserables established itself as a classic long before Susan Boyle's sensational performance, or...

From 1972 to 1975, Susan Meiselas spent her summers photographing and interviewing women who performed striptease for smalltown carnivals in New England, Pennsylvania and South Carolina. As she followed the girl shows from town to town, she portrayed the dancers on stage and off, photographing their public performances as well as their private lives. She also taped interviews with the dancers, their boyfriends, the show managers and paying customers. Meiselas' frank description of the lives of these women brought a hidden world to public attention. Produced during the early years of the women's movement, Carnival Strippers reflects the struggle for identity and self-esteem that characterized a complex era of change. This revised edition contains a new selection of Meiselas' black-and-white photographs together with the original interview excerpts. Additionally, an audio CD featuring a collage of participants' voices and a 1977 interview with the photographer are included. Essays by Sylvia Wolf and Deirdre English reflect on the importance of this body of work within the history of photography and the history of feminism.

Between 1978 and 1985 the BBC televised the entire Shakespeare canon of thirty-seven plays, a remarkable technical and dramatic accomplishment. Susan Willis, an American scholar in Shakespeare studies and performance, observed the making of a number of these television plays. Here she presents not only a full-scale history and analysis of the BBC series but an unprecedented eyewitness account of the productions, from planning and rehearsal to taping and editing.Willis shows how the technical elements of television distinguish these productions from stage and film, and she explains how differences in transmission, tastes, educational efforts, and critical responses made the productions a different experience on each side of the Atlantic. She assesses the diversity of styles used by such directors as Jonathan Miller, Elijah Moshinsky, and Jane Howell, for after the early filmic bias toward the productions, directors experimented with unit or stylized sets, Renaissance space and lighting effects, and varieties of scenic realism as methods of embodying Shakespeare's plays for television.The BBC Shakespeare Plays will give readers an accurate sense of television production, take Shakespeare buffs behind the scenes, and serve as an interpretive guide for teachers, thousands of whom have found the BBC productions to be vital classroom adjuncts in teaching Shakespeare.

"Narrator Susan Ericksen's performance vibrates with energy, as she portrays old and new characters in this series." --AudioFile on Desperation in Death, an Earphones Award winner. Homicide Detective Eve Dallas hunts a killer who turns a wedding party into a murder scene in the next novel by the #1 New York Times bestselling author, J.D. Robb, Passions in Death.On a hot August night, Lt. Eve Dallas and her husband, Roarke, speed through the streets of Manhattan to the Down and Dirty club, where a joyful, boisterous pre-wedding girls' night out has turned into a murder scene. One of the brides lies in a pool of blood, garroted in a private room where she was preparing a surprise for her fiancee--two scrimped and saved-for tickets to Hawaii. Despite the dozens of people present, useful witnesses are hard to come by. It all brings back some bad memories for Eve who once suffered an assault in the very same room--but she'd been able to fight back and survive. She'd gotten justice. And now she needs to provide some for poor young Erin. Eve knows that the level of violence and the apparent premeditation involved suggest a volatile mix of hidden, heated passion and ice-cold calculation. This is a crime that can be countered only by hard detective work and relentless dedication--and Eve will not stop until she finds the killer who destroyed this couple's dreams before the honeymoon even began. A Macmillan Audio production from St. Martin's Press. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Study more effectively and improve your performance at exam time with this comprehensive guide! Written by Susan McMurry, the Study Guide and Solutions Manual provide answers and explanations to all in-text and end-of-chapter exercises. Content has been updated to match the new in-text and end-of-chapter exercises.

On the evening of September 11, 2002, with the Statue of Liberty shimmering in the background, television cameras captured President George W. Bush as he advocated the charge for war against Iraq. This carefully staged performance, writes Susan Brewer, was the culmination of a long tradition of sophisticated wartime propaganda in America. In Why America Fights, Brewer offers a fascinating history of how successive presidents have conducted what Donald Rumsfeld calls "perception management," from McKinley's war in the Philippines to Operation Iraqi Freedom. Her intriguing account ranges from analyses of wartime messages to descriptions of the actual operations, from the dissemination of patriotic ads and posters to the management of newspaper, radio, and TV media. When Woodrow Wilson carried the nation into World War I, he created the Committee on Public Information, led by George Creel, who called his job "the world's greatest adventure in advertising." In World War II, Roosevelt's Office of War Information avowed a "strategy of truth," though government propaganda still depicted Japanese soldiers as buck-toothed savages. After examining the ultimately failed struggle to cast the Vietnam War in a favorable light, Brewer shows how the Bush White House drew explicit lessons from that history as it engaged in an unprecedented effort to sell a preemptive war in Iraq. Yet the thrust of its message was not much different from McKinley's pronouncements about America's civilizing mission. Impressively researched and argued, filled with surprising details, Why America Fights shows how presidents have consistently drummed up support for foreign wars by appealing to what Americans want to believe about themselves.

On the evening of September 11, 2002, with the Statue of Liberty shimmering in the background, television cameras captured President George W. Bush as he advocated the charge for war against Iraq. This carefully staged performance, writes Susan Brewer, was the culmination of a long tradition of sophisticated wartime propaganda in America. In Why America Fights, Brewer offers a fascinating history of how successive presidents have conducted what Donald Rumsfeld calls "perception management," from McKinley's war in the Philippines to Operation Iraqi Freedom. Her intriguing account ranges from analyses of wartime messages to descriptions of the actual operations, from the dissemination of patriotic ads and posters to the management of newspaper, radio, and TV media. When Woodrow Wilson carried the nation into World War I, he created the Committee on Public Information, led by George Creel, who called his job "the world's greatest adventure in advertising." In World War II, Roosevelt's Office of War Information avowed a "strategy of truth," though government propaganda still depicted Japanese soldiers as buck-toothed savages. After examining the ultimately failed struggle to cast the Vietnam War in a favorable light, Brewer shows how the Bush White House drew explicit lessons from that history as it engaged in an unprecedented effort to sell a preemptive war in Iraq. Yet the thrust of its message was not much different from McKinley's pronouncements about America's civilizing mission. Impressively researched and argued, filled with surprising details, Why America Fights shows how presidents have consistently drummed up support for foreign wars by appealing to what Americans want to believe about themselves.

From 1972 to 1975, Susan Meiselas spent her summers photographing and interviewing women who performed striptease for smalltown carnivals in New England, Pennsylvania and South Carolina. As she followed the girl shows from town to town, she portrayed the dancers on stage and off, photographing their public performances as well as their private lives. She also taped interviews with the dancers, their boyfriends, the show managers and paying customers. Meiselas' frank description of the lives of these women brought a hidden world to public attention. Produced during the early years of the women's movement, Carnival Strippers reflects the struggle for identity and self-esteem that characterized a complex era of change. This revised edition contains a new selection of Meiselas' black-and-white photographs together with the original interview excerpts. Additionally, an audio CD featuring a collage of participants' voices and a 1977 interview with the photographer are included. Essays by Sylvia Wolf and Deirdre English reflect on the importance of this body of work within the history of photography and the history of feminism.

Third in the Kennel Club Books’ Classics series, The Chihuahua recognizes the ever-popular pequeño perrito in one spectacular volume. Written by author, breeder, and handler, Susan Payne, this book’s engaging chapters on everything from the breed’s accomplishments in performance events, to their participation as service dogs make it much more than just another breed book.” With more than 150 vintage and modern photographs of the breed, this book is a must-have for every Chihuahua owner.

Opening the tightly guarded doors of the boardroom, Women on Board shows the way for directors to achieve high performance and be an essential part of a high-functioning board. This new book by KPMG’s Nancy Calderon and WomenCorporateDirectors’ Susan Stautberg prepares women to take their seat at the boardroom table—and to thrive and add significant value once they get there. Board service today requires a more complex set of skills, experiences, and leadership styles than ever before, making Women on Board essential reading both for women considering a directorship and for women currently serving on boards of public companies, private/family firms, or nonprofit organizations. Readers will discover how to make a board of directors visionary, the secrets to getting on the slate as a board candidate, the often unspoken rules of how a board really gets things done, and much more.

WEE SING Bible Songs 4-CD Set contains over 100 of your favorite Bible Songs. Includes reproducible activity pages. Created by Pamela Conn Beall and Susan Hagen Nipp. Ideal for schools, daycares, Sunday school, homeschool and family fun. Sung by kids!! Includes dual track for group sings and performances. With four CDs and an activity book, your kids will have hours of fun singing-a-long with over 100 favourite Bible songs as well as playing through pages of fun activities that tie into the music they are learning. The book includes related Scripture verses that are easy for your kids to learn as well as lyrics to all the songs on the four CDs. Plus, the pages of the activity book are reproducible so you can invite friends over to share the experience. Too many songs to list!

101 Sports Nutrition Tips is an excellent resource that helps athletes determine what, when, and how much to eat to optimize performance. With years of experience as a three-sport athlete and instructor, author Susan Kundrat combines knowledge and practical experience into this valuable collections of tips. Twelve chapters cover topics such as high-energy eating, fluids and hydration, healthy weight gain and loss, nutrition on the move, and sample meal plans.

From 1972 to 1975, Susan Meiselas spent her summers photographing and interviewing women who performed striptease for smalltown carnivals in New England, Pennsylvania and South Carolina. As she followed the girl shows from town to town, she portrayed the dancers on stage and off, photographing their public performances as well as their private lives. She also taped interviews with the dancers, their boyfriends, the show managers and paying customers. Meiselas' frank description of the lives of these women brought a hidden world to public attention. Produced during the early years of the women's movement, Carnival Strippers reflects the struggle for identity and self-esteem that characterized a complex era of change. This revised edition contains a new selection of Meiselas' black-and-white photographs together with the original interview excerpts. Additionally, an audio CD featuring a collage of participants' voices and a 1977 interview with the photographer are included. Essays by Sylvia Wolf and Deirdre English reflect on the importance of this body of work within the history of photography and the history of feminism.