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"Rory Sutherland is as outspoken as he is creative. A champion of behavioural economics and an early adopter of new technologies, he is not one to stand still for too long. His creative output includes numerous blog posts, column inches and charismatic talks which often have a light-hearted, humourous and anecdotal tone that can be found in various online and offline locations. Many people in the creative industries are aware of Rory and his ideas, but there is not yet a single source for access to his writing or talks. This book acts as an introduction to Rory's key thoughts and ideas, and gives an insight into his unique character and personality-attempting to encapsulate the essence of Rory. The book takes you on a winding journey through blog posts interweaved with snippets of interviews, tweets and reference material to give a rich and engaging introduction to Rory's mind."

F. L. Griggs was universally acclaimed as one of the finest etchers of his time. An influential figure in British Romantic art, Griggs's work links that of Turner, Blake, and Samuel Palmer with the Neo-Romantics Graham Sutherland and John Piper. Written wtih great passion and skill, this scholarly and detailed account of Griggs's life and work fills an important gap.

If you're a good parent, you probably drive yourself batshit with worry. This book is for you. Based on his viral blog post and addressing concerns from "my baby won't poop" to "my boy likes girl toys" to "everything costs too much," David Vienna's wise and funny parenting advice will amuse and inform and remind you that (almost) nothing is worth freaking out about. Includes advice from actual experts! Great new dad gift that'll keep him calm, cool, and collected Paperback; 5.5 x 7.75 inches; 112 pages

The collection of Sikh portraits, formerly belonging to the Princess Bamba Sutherland (grand-daughter of Maharaja Ranjit Singh), provides a unique pictorial chronicle of the Sikh dunasty founded by the legendary 'Lion of the Punjab'. F. S. Aijazuddin, drawing on material from this and other sources, describe the life and times of Ranjit Singh, his son Sher Singh, and the vicissitudes of the Rani Jindan and her son Dulip Singh, in a series of witty biographical studies. He illustrates them with portraits by European artists such as August Schoefft, who visited Lahore in 1841, Queen Victoria's court painter Winterhalter, George Beechey, Emily Eden, G.T. Vigne and captain Goldingham. He also describes the circumstances, often hazardous, in which these paintings were completed. Through these studies, the author reconstructs the history of the Punjab from the late eighteenth century to the mid nineteenth century. The main feature of this work, however, is an analysis of a large composition by Schoefft entitles The Court of Lahore, in which over a hundred separate portraits are depicted. For the first time since it was exhibited in Vienna in 1855, an accurate identification of the principal characters in the Sikh Darbar, numbering almost fifty, has been made, and the reason for their inclusion by Schoefft explained. Extensive biographical notes to each one are provided. This scholarly and lively account of Sikh ruler and their portraits in the nineteenth century is a valuable contribution both to the social and cultural history of the Punjab.

The collection of Sikh portraits, formerly belonging to the Princess Bamba Sutherland (grand-daughter of Maharaja Ranjit Singh), provides a unique pictorial chronicle of the Sikh dunasty founded by the legendary 'Lion of the Punjab'. F. S. Aijazuddin, drawing on material from this and other sources, describe the life and times of Ranjit Singh, his son Sher Singh, and the vicissitudes of the Rani Jindan and her son Dulip Singh, in a series of witty biographical studies. He illustrates them with portraits by European artists such as August Schoefft, who visited Lahore in 1841, Queen Victoria's court painter Winterhalter, George Beechey, Emily Eden, G.T. Vigne and captain Goldingham. He also describes the circumstances, often hazardous, in which these paintings were completed. Through these studies, the author reconstructs the history of the Punjab from the late eighteenth century to the mid nineteenth century. The main feature of this work, however, is an analysis of a large composition by Schoefft entitles The Court of Lahore, in which over a hundred separate portraits are depicted. For the first time since it was exhibited in Vienna in 1855, an accurate identification of the principal characters in the Sikh Darbar, numbering almost fifty, has been made, and the reason for their inclusion by Schoefft explained. Extensive biographical notes to each one are provided. This scholarly and lively account of Sikh ruler and their portraits in the nineteenth century is a valuable contribution both to the social and cultural history of the Punjab.