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Humor, in one form or other, has been part of my life from the early beginning. My Dad always had a humorous tale to tell. Much of his pastime was spent reading joke books, or listening to comedy radio shows, then later, comedy television. He could take everyday events and find humor in them. He had a sharp mind and a good memory, enabling him to tell jokes and stories upon request. I guess a little of that rubbed off on me.As for Sven and Ole, they are popular with the large Scandinavian population in the Minnesota-Wisconsin region of the United States, just as Pat and Mike jokes are popular with the large Irish population in and around the Boston area. I like to think of these pairs as their region’s Dumb and Dumber. As for which is Dumb and which is Dumber, that’s for you to decide.Hoping this book brings many smiles to your faces and money to my wallet.

Warm and inviting, this contemporary coffee table was inspired by the modern charm of Danish style. Perched on three chic minimalist black iron legs, its casual luxe design features a smooth crafted wood top with a rich dark grey oak finish. Whether country-chic or metro-mod, a great addition to any home. Color: Dark Gray Oak/Black.

Thorsten Sven Lietz 2015 Torres - concert guitar - very finely built with excellent sound characteristics!Thorsten Sven Lietz was born in Marl, Wes...

Buy Denim Stretch Jeans Sven from Roy Roger's at Miinto. The world’s best fashion boutiques in one place.

The boom in the number of small, independent publishing houses over the past 15 years has led to a revival of risography. Artists and designers from all over the world have installed a “Riso” in their studios to produce small print runs inexpensively and independently of large printing houses. Smaller publishers in Latin America still print exclusively on the Risograph, on grounds of cost. Risography’s simple stencil printing process can print a huge color spectrum and create interesting optical effects through spot colors and coarse screening, and its homemade look has become a recognizable signifier of independent publishing.In this volume, part of Spector Books’ Discovered Series, German designer Sven Tillack (born 1986) approaches risography as a technical process and a specific aesthetic, considering how factors like color, paper, file preparation, printing and processing contribute to risography’s distinct look and recent revival.

1st edition. Hardbound, no dust jacket as issued. Text in Swedish & English.

A chance discovery of sixty-odd works of art in a filing cabinet in Kyoto University’s Department of Geography in 2014 triggered an investigation which soon morphed into a multi-disciplinary research project seeking to understand their origins and significance. The works were reproductions of sketches, watercolors, and maps produced by the Swedish explorer Sven Hedin, who had visited Kyoto in 1908, immediately after completing his third expedition exploring Central Asia. Through these works Hedin had recorded the people, temples, and landscapes of Tibet. But how they came to be reproduced, and what these reproductions were doing in Kyoto remains a mystery. Section I presents the sixty reproductions of Hedin’s work, alongside the originals, where possible, as well as contemporary photographs of the sites Hedin had depicted. Section II focuses on Hedin’s visit to Kyoto with a view to understanding the exchanges of ideas and values between the esteemed guest and his Japanese hosts and interlocutors, as well as investigating the mysteries surrounding the story of the reproductions.

A chance discovery of sixty-odd works of art in a filing cabinet in Kyoto University’s Department of Geography in 2014 triggered an investigation which soon morphed into a multi-disciplinary research project seeking to understand their origins and significance. The works were reproductions of sketches, watercolors, and maps produced by the Swedish explorer Sven Hedin, who had visited Kyoto in 1908, immediately after completing his third expedition exploring Central Asia. Through these works Hedin had recorded the people, temples, and landscapes of Tibet. But how they came to be reproduced, and what these reproductions were doing in Kyoto remains a mystery. Section I presents the sixty reproductions of Hedin’s work, alongside the originals, where possible, as well as contemporary photographs of the sites Hedin had depicted. Section II focuses on Hedin’s visit to Kyoto with a view to understanding the exchanges of ideas and values between the esteemed guest and his Japanese hosts and interlocutors, as well as investigating the mysteries surrounding the story of the reproductions.

First edition 1987, second printing. Published by Univ of Michigan Press. Hardcover in full cloth with DJ. Condition as new, square tight and clean book, no edgewear, corners not bumped, no names, no underlinings, no highlights, no bent page corners, not a reminder. DJ near fine, no tears, no chips, slight edgewear, not clipped. 8vo, 153 pages, illustrated.