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Sybille Bedford, whose last book, "Jigsaw", was shortlisted for the Booker Prize, writes on travel, evoking Europe and the past, and justice, with accounts of the "Lady Chatterley's Lover" case and the trials of, among others, Jack Ruby and 22 former staff of Auschwitz.

The year is 1357. The Inquisition rages throughout medieval France, searching ruthlessly for heretics. In an epic tale of passion, mystery, and unspeakable danger, one woman faces the flames...and triumphs. Mother Marie Françoise, born Sybille, is a midwife with a precocious gift for magic -- a gift that makes her a prime target for persecution at the hands of the Church. She flees her village and takes refuge in a Franciscan sisterhood. Before long, Sybille's unusual powers bring her under the scrutiny of the Inquisition. Michel, a pious and compassionate monk sent to hear her confession, finds himself drawn more intimately into Sybille's life and destiny than either of them could have imagined. Like a magician herself, Jeanne Kalogridis weaves a tale of star-crossed love, of faith and heresy, of mysticism and witchcraft, against a fascinating historical backdrop -- the Black Death, the Hundred Years' War, and the catastrophic defeat of France at the hands of the English. The result is a page-turning novel about one of the most intriguing periods in history.

In this dazzling conjunction of subject and author, the great English novelist Aldous Huxley, the “wholly civilized man,” is brought wholly alive in a magnificent full-scale biography by the brilliant English novelist Sybille Bedford, an intimate friend of the Huxleys through four decades. With a pointillistic richness of moment, place, and talk, she re-creates not only the private Huxley and the literary Huxley but the entire intellectual and social era to which he was central. Despite the almost total loss of his sight at age sixteen, Huxley became a titan and cultural hero of the decades after World War I, on terms with the outstanding writers and artists of his day, from D. H. Lawrence to Stravinksy and Auden. He had two separate and large careers as Crome Yellow and Point Counter Point, flag-bearer of England's Bright Young People through the 1920s, and romancer of glittering women; and later, in America, as the increasingly philosophical and utopian thinker, and a pioneering explorer of the frontiers of the human mind. Drawing on his letters and diaries, the memories of his intimates, and her own sharp and sensitive comprehension of Huxley's writings, Mrs. Bedford has written a masterful biography. "Her novelist's eye," writes V. S. Pritchett, "brings the writer to life. Huxley becomes a living, deeply attractive presence, while his great contemporaries flash through these pages in memorable and moving encounters. Mrs. Bedford's biography stands as the major work on a major figure in the literary and intellectual history of the twentieth century."

The Kaiser's Germany is the setting of Sybille Bedford's first and best-known novel, in which two families-one from solid, upholstered Jewish Berlin, the other from the somnolent, agrarian Catholic South -become comically, tragically, irrevocably intertwined. Each family, writes the author, stood confident of being able to go on with what was theirs, while in fact they were playthings, often victims, of the now united Germany and what was brewing therein. Did the monstrous thing that followed have its foundation in families such as these? Writing about them made me think so. Hence the title.

At the terrible heart of the modern age lies Auschwitz. In a total inversion of earlier hopes about the use of science and technology to improve, extend, and protect human life, Auschwitz manipulated the same systems to quite different ends.In Sybille Steinbacher's terse, powerful new book, the reader is led through the process by which something unthinkable to anyone on earth in the 1930s had become a sprawling, industrial reality during the course of the Second World War. How Auschwitz grew and mutated into an entire dreadful city, how both those who managed it and those who were killed by it came to be in Poland in the 1940s, and how it was allowed to happen, is something everyone needs to understand.

The Kaiser's Germany is the setting of Sybille Bedford's first and best-known novel, in which two families-one from solid, upholstered Jewish Berlin, the other from the somnolent, agrarian Catholic South -become comically, tragically, irrevocably intertwined. Each family, writes the author, stood confident of being able to go on with what was theirs, while in fact they were playthings, often victims, of the now united Germany and what was brewing therein. Did the monstrous thing that followed have its foundation in families such as these? Writing about them made me think so. Hence the title.

Novelist Sybille Bedford watched courts closely—and with remarkable insight—in England, Germany, Switzerland, France, and Austria. There, she found stories of human frailty and impulsive action, among both the defendants facing judgment in court and the judges and juries deciding their fates. Their tales are fascinating and resonate today. Not only are the social and political differences apparent in these countries and in their machinery of crime and justice, but also their historic perceptions of fairness and order are laid bare. In the process, Bedford recounts the compelling saga of a father on trial in Germany for killing the man who repeatedly exposed himself to the defendant's young daughter, the immigrant in Switzerland who swiped a watch to impress a chambermaid, the Algerians in France who shot up a series of Parisian cafes, and the English woman sentenced for forgetting to pay for her butter while she was distracted by sudden news that her father was dying. Scores of other gripping stories are shared, across several cultures and systems. Although this book has long been recognized as an outstanding account of comparative legal systems and courtroom procedure, it does not read at all like a dry legal study. Bedford focuses on the real people involved, and writes with depth and feeling, leading to the wide acclaim this classic book has enjoyed over the years. It is accessible and interesting to a general audience, students, and those interested in how courts work and judges act—at the most basic level.

Before returning to the Old World after World War II, Sybille Bedford resolved to see something more of the New. I had a great longing to move, she said, to hear another language, eat new food, to be in a country with a long nasty history in the past and as little present history as possible. And so she set out for Mexico--and, incidentally, to write what Bruce Chatwin called the best travel book of the twentieth century, a book of marvels, to be read again and again and again.

Shortlisted for the Booker Prize, Sybille Bedford's latest novel walks the borderline between autobiography and fiction. It picks up where A Legacy leaves off, leading us from the Kaiser's Germany into the wider Europe of the 1920s and the limbo between world wars. The narrator, Billi, tells the story of her apprenticeship to life, and of her many teachers: her father, a pleasure-loving German baron; her brilliant, beautiful, erratic English mother; and later, on the Mediterranean coast of France, the Huxleys, Aldous and Maria. Jigsaw, wrote the Sunday Times, is the most unusual, most resonant of all Sybille Bedford's unusual and resonant books.

An autobiographical novel based on Sybille Bedford's highly unusual childhood, moving from a south-German Schloss full of animals and expensive wines to a nonconformist family in the North of England.

In this dazzling conjunction of subject and author, the great English novelist Aldous Huxley, the “wholly civilized man,” is brought wholly alive in a magnificent full-scale biography by the brilliant English novelist Sybille Bedford, an intimate friend of the Huxleys through four decades. With a pointillistic richness of moment, place, and talk, she re-creates not only the private Huxley and the literary Huxley but the entire intellectual and social era to which he was central. Despite the almost total loss of his sight at age sixteen, Huxley became a titan and cultural hero of the decades after World War I, on terms with the outstanding writers and artists of his day, from D. H. Lawrence to Stravinksy and Auden. He had two separate and large careers as Crome Yellow and Point Counter Point, flag-bearer of England's Bright Young People through the 1920s, and romancer of glittering women; and later, in America, as the increasingly philosophical and utopian thinker, and a pioneering explorer of the frontiers of the human mind. Drawing on his letters and diaries, the memories of his intimates, and her own sharp and sensitive comprehension of Huxley's writings, Mrs. Bedford has written a masterful biography. "Her novelist's eye," writes V. S. Pritchett, "brings the writer to life. Huxley becomes a living, deeply attractive presence, while his great contemporaries flash through these pages in memorable and moving encounters. Mrs. Bedford's biography stands as the major work on a major figure in the literary and intellectual history of the twentieth century."

A fresh take on a timeless fairy tale This stunning edition of the favorite fable about a little girl in red on her journey through the woods makes brilliant use of laser die-cut paper and silhouette-like illustrations to enliven every page. Sybille Schenker’s evocative and exquisite illustrations bring a unique beauty and graphic excellence to this beloved favorite.

Sybille Bedford once wrote that travel writing is inseparable from the writer's tastes, idiosyncrasies, and general temperament--it is what happens to him when he is confronted with a column, a bird, a sage, a cheat, a riot; wine, fruit, dirt; the delay in the dirt, the failing airplane. Pleasures and Landscapes is what happened to Mrs. Bedford when, at the peak of her literary powers, she traveled through France, Italy, and the rest of Europe for Vogue, Esquire, and other magazines --eight classic essays that secure her a place at the table with A. J. Liebling and M. F. K. Fisher.

Detailed step-by-step instructions and illustrations for making a range of lively, creative flower figures. Many of the figures are recognizable from Elsa Beskow's popular picture books, and from Sybille von Olfers' The Story of the Root Children. Activities are organized by season, making the book ideal for decorating a nature corner or seasonal table in the home or classroom.