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From Plato to the New Testament, banquets held an important place in creating community, sharing values, and connecting with the divine.

This book presents the first well-preserved set of sympotic pottery which served a Late Archaic house in the Athenian Agora. The deposit contains household and fine-ware pottery, nearly all the figured pieces of which are forms associated with communal drinking. Since it comes from a single house, the pottery also reflects purchasing patterns and thematic preferences of the homeowner. The multifaceted approach adopted in this book shows that meaning and use are inherently related, and that through archaeology one can restore a context of use for a class of objects frequently studied in isolation.

In his brilliant dialogue, Symposium, Plato presents an imaginary dinner-party set in Athens in 416 BC where the guests include Aristophanes, Socrates and the most popular Athenian of his day, golden boy Alcibiades. The sequence of dazzling speeches culminates in Socrates' famous account of the views of Diotima, a prophetess who taught him that love is our means of trying to attain goodness.

Ships from the UK. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.

Cloaked in sophistication, the well-bred guests at a London dinner party are seething with subtle violence while awaiting the arrival of a guest who is being murdered as they eat

This book presents the first well-preserved set of sympotic pottery which served a Late Archaic house in the Athenian Agora. The deposit contains household and fine-ware pottery, nearly all the figured pieces of which are forms associated with communal drinking. Since it comes from a single house, the pottery also reflects purchasing patterns and thematic preferences of the homeowner. The multifaceted approach adopted in this book shows that meaning and use are inherently related, and that through archaeology one can restore a context of use for a class of objects frequently studied in isolation.

Essays attempt to develop a theory of poetry that includes the works of primitive as well as developed societies, and examine American Indian, African, and Asian poetry forms

In his celebrated masterpiece, Symposium, Plato imagines a high-society dinner-party in Athens in 416 BC. The guests--including the comic poet Aristophanes and Plato's mentor Socrates--each deliver a short speech in praise of love. The sequence of dazzling speeches culminates in Socrates' famous account of the views of Diotima, a prophetess who taught him that love is our means of trying to attain goodness, and a brilliant sketch of Socrates himself by a drunken Alcibiades, the most popular and notorious Athenian of the time. Engaging the reader on every page, this new translation conveys the power, humor, and pathos of Plato's creation and is complemented by full explanatory notes and an illuminating introduction.

Book is in NEW condition. 0.43

Book is in NEW condition. 0.39

xvii plus 523 pages. Glossy boards binding is sound. A clean and an unmarked copy. Dust jacket has served its purpose of protecting the book, but it is torn without loss of material, and sunfaded on the spine.

128 pages. 9.00x6.00x0.35 inches. In Stock.

Physical description; 121, [1] p. ; 18 cm. Series; Penguin classics ; 24. Subjects; Socrates. Love — Early works to 1800.

In this text Plato uses a dinner party as a scene for a series of speeches by the guests. From these there emerges a complete and complex philosophy of love. The pivot of the argument is Socrates' speech in which sensuality is transcended and we move from the sensible world to the ideal world. Just as the preceding speeches are vital to the theme and scheme of progression, so to is the character sketch of Socrates by Alcibiades which rounds off the dialogue.

Book by Donald Patten, Donald Chittick, Stuart Nevins, R. Clyde McCone, C. E. Allan Turner, H. Hewitt Tier

The Symposium and the Phaedrus are combined here because of their shared theme: a reflection on the nature of erotic love, the love that begins with sexual desire but can transcend that origin and reach even the heights of religious ecstasy. This reflection is carried out explicitly in the speeches and conversations in the dialogues, and implicitly in the dramatic depiction of actions and characters. Thus, the two dialogues deal with a theme of enduring interest and are interesting for both their literary and their philosophical character.In addition to the introduction, the book contains substantial commentaries and thorough endnotes. Key Greek terms are discussed for readers who are unfamiliar with the language. A special feature is a discussion on the importance of the dramatic and literary aspects of the dialogues for interpreting their philosophical content.The introductions deal with the nature of the dialogues themselves as philosophical texts and with Plato’s philosophical assumptions and key concepts, as well as with the necessary background of Athenian society. The endnotes clarify any ambiguities and obscurities in the original text, identifying all references to people, places, gods, et cetera.The commentaries are designed to open up the dialogues for the reader, showing the issues that have been debated by commentators and considering some of the responses to them. They are designed to stimulate further reflection.

Bram Stoker's bestseller Dracula was first published in 1897. In 1901, Stoker revised and edited the book for a new edition. As the last work Stoker did on the book, it stands as the definitive author's cut-but has been out of print ever since. All other versions in print use the out-of-date text from 1897. Includes Stoker's story "Dracula's Guest" and an introduction written by Stoker in 1901 for the Icelandic edition of Dracula.

 It has been said that, after the Bible, Plato's dialogues are the most influential books in Western culture. Of the dialogues, the Symposium is the most delightful and accessible, requiring no special knowledge of ancient Greek philosophy or customs. Dramatizing a party in fifth-century B.C. Athens, the deceptively unassuming Symposium introduces—in the guise of convivial after-dinner conversation—profound ideas about the nature of love. In Phaedrus, here published together with the Symposium, Plato discusses the place of eloquence in expounding truth. In both dialogues, Socrates plays the leading role, by turns teasing, arguing, analyzing, joking, inspiring, and cajoling his followers into understanding ideas that have remained central to Western thought through the centuries.

Symposium on the Foundations of Modern Physics 1993 is the fourth in a series of conferences held in Joensuu, Finland, in the years 1985, 1987 and 1990 and is devoted to offering discussions on foundational problems of quantum mechanics and other fundamental physical theories, taking into account new experimental developments. The surveying of the progress with respect to fundamental questions of the quantum theory of measurement forms the guiding line of thought of the present Symposium, the main themes discussed being: the interrelation of quantum measurement and irreversibility; the physics of information (concerned with questions of information processing and quantum noise); quantum interference and mesoscopic quantum effects (searching for the micro-macro borderline); and the quantum-classical relationship (the need for classical pointer and their realisation).

A model of the kind of text one needs for lecture courses: the translation is extremely readable and made even more accessible by intelligent printing decisions (on dividing the text, spacing for clarification, etc.); the notes are kept to a minimum but appear when they are really needed for comprehension and are truly informative. And the introduction admirably presents both basic information and a sense of current scholarly opinion. --S. G. Nugent, Princeton University