58 products were found matching your search for T0sensor in 3 shops:

How does the Canon EF Lens to Fuji X-Mount T Speed Booster ULTRA 0.71x Adapter revolutionize your photography experience? This innovative adapter magnifies at 0.71x, effectively reducing the crop factor of mirrorless cameras with DX-sized sensors (APS-C), such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x. The ULTRA design employs cutting-edge materials at the pinnacle of glassmaking technology. As a result, it is well-corrected for use with virtually all full-frame SLR lenses, regardless of exit pupil distance. This makes the Speed Booster ULTRA a high-performing accessory with professional-grade f/2.8 zoom lenses like the 24-70mm f/2.8 and 70-200mm f/2.8 zooms by Canon and Nikon. It transforms these lenses into 17-50mm f/2.0 and 50-142mm f/2.0 high-speed zooms, respectively. Moreover, high-speed fixed focal length lenses such as a 50mm f/1.2 are transformed into a 35.5mm f/0.9 lens, delivering excellent contrast and resolution from the center to the edges of the image. Unlike other manufacturers who use an aluminum ring painted black on the camera-body-side, this adapter uses precision-machined brass with chromium plating on both the camera-body and the lens sides. This ensures smooth mounting, an attractive appearance, and durability. The lens side of the adapter features a robust leaf-spring structure, enhancing the adapter-lens connection and ensuring the lens's tightness to reduce wear and prevent focus errors and optical alignment issues. Metabones employs a matte-black treatment to minimize internal reflection, maintaining the maximum optical quality possible with the lens. All Metabones Adapters uphold this tradition of uncompromising precision, robust build quality, and superior finish. The new Smart Adapter series introduces industry-leading electronic interfacing technology from Canada, offering true electronic control of the lens' aperture directly from the camera body. Both camera-side and lens-side of the adapter are made of brass, precision-machined and plated with chromium. The adapter is designed to reach infinity focus while maintaining the correct registration distance required to maintain the optical quality of CRC lenses or lenses with floating elements. It allows the camera to automatically choose the aperture in P or S exposure modes, or you can manually adjust on the camera body in A or M modes. The adapter also supports EXIF data such as lens identification, focal length, and aperture, making it an essential tool for professional photographers and photography enthusiasts alike.

The Rokinon 10mm T3.1 Cine Lens for Nikon F Mount is a wide-angle lens optimised for digital cinematography. The lens produces an image circle that will cover APS-C sized sensors or smaller. For use with a follow focus unit, the focus and aperture rings feature industry-standard 0.8 pitch gearing. The aperture ring is also de-clicked to allow for smooth iris pulls while shooting. Focus, aperture, and depth of field markings are on the side of the lens to aid focus pullers, who typically operates on the side of the camera.

Save time and hassle with our EGT sensors that come with our exclusive exhaust bung repair kit. If you break off the old sensor in the exhaust housing bung, you won't have to worry about matching the correct threads and waiting for another part to arrive - a solution you can't get from the dealer. All Dorman products are engineered in the United States and backed by 100 years of automotive aftermarket experience. Our solutions are thoroughly tested and inspected, and if you experience any difficulty installing or using our parts, we have a dedicated technical support team of ASE Blue Seal certified professionals ready to help. To learn more about our quality and innovation, visit DormanProducts.com.

The Sony CineAlta 85mm T2.0, PL Mount has a fast maximum aperture of T2, with a circular 9 blade iris. These lenses are designed for Sony's CineAlta 4K cameras, including the PMW-F5 and F55 and cover Super 35mm sized sensors.

The Cinema 50-135mm T3.0 with Canon EF Mount covers Super 35mm image sensors, does not exhibit focus shift while zooming, and a has constant T3.0 maximum aperture over the entire zoom range. The lens features an all-metal housing optimized for video and digital cinema use and provides manual focus control with an easy-to-read distance scale, and a click-less aperture ring for smooth iris pulls. The focus, aperture, and zoom rings all have standard 0.8 pitch gears for use with follow focus systems.

The Sony CineAlta 85mm T2.0, PL Mount has a fast maximum aperture of T2, with a circular 9 blade iris. These lenses are designed for Sony's CineAlta 4K cameras, including the PMW-F5 and F55 and cover Super 35mm sized sensors.

The Sony CineAlta 85mm T2.0, PL Mount has a fast maximum aperture of T2, with a circular 9 blade iris. These lenses are designed for Sony's CineAlta 4K cameras, including the PMW-F5 and F55 and cover Super 35mm sized sensors.

The Cinema 50-135mm T3.0 with Canon EF Mount covers Super 35mm image sensors, does not exhibit focus shift while zooming, and a has constant T3.0 maximum aperture over the entire zoom range. The lens features an all-metal housing optimized for video and digital cinema use and provides manual focus control with an easy-to-read distance scale, and a click-less aperture ring for smooth iris pulls. The focus, aperture, and zoom rings all have standard 0.8 pitch gears for use with follow focus systems.

The Sony CineAlta 85mm T2.0, PL Mount has a fast maximum aperture of T2, with a circular 9 blade iris. These lenses are designed for Sony's CineAlta 4K cameras, including the PMW-F5 and F55 and cover Super 35mm sized sensors.

The Cinema 50-135mm T3.0 with PL Mount covers Super 35mm image sensors, does not exhibit focus shift while zooming, and a has constant T3.0 maximum aperture over the entire zoom range.

Metabones Canon EF to Micro Four Thirds Speed BoosterTM SUPER16 adapters are designed exclusively for Blackmagic Design cameras with Super 16mm sensor size, such as Blackmagic Mirco Cinema Camera (BMMCC), Micro Studio Camera 4K (BMMSC 4K) and the original Pocket Cinema Camera HD(BMPCC).They cannot be attached to any other M43 cameras such as JVC, Olympus or Panasonic cameras and they are not compatible with the newly released Blackmagic Pocket Cinema Camera 4K (BMPCC4K).The 0.58x Speed Booster SUPER16 reduces the crop factor of the Blackmagic Design cameras with Super 16mm sensor size from 3.02x to 1.75x and produces the largest aperture optics currently available, with a maximum output aperture of f/0.74.Key FeaturesOptical• Canon EF mount lens to M43 mount camcorders, specific for Blackmagic Design cameras with Super16mm sensor size• Increase maximum aperture by 1 2/3stop. (with a maximum output aperture of f/0.74)• Increase MTF• Makes lens 0.58x wider• Patented 6-element/4-group optical design by Caldwell Photographic in the USAElectronic• Lens iris/aperture is set by the controls on the camera body• Smooth iris support with the latest Canon (2009+), Tamron (SP series 2013+) and Sigma (2016+) lens models• Image stabilization (IS) lens support• Push autofocus if supported by camera• Electronic manual focusing (e.g. EF 85/1.2L II and discontinued EF 50/1.0L)• Cinema EOS lens support (CN-E 18-80mm T4.4 L), including AF (requires external 5V power via micro USB port), auto iris and servo zoom• Powered by camera body. With most lenses, no external power source requiredMechanical• The tripod foot is detachable and compatible with Arca Swiss, Markins and Photo Clam ball heads• Flocking to reduce internal reflection• Rubber gasket protects M43 mount connection from dust and moisture• Aluminum alloy and brass construction with chromium plating• Satin surface finish

Single hole deck mount electronic sensor faucet with polished chrome plated brass body and 4-1/8 in. rigid gooseneck, 0.5 GPM vandal resistant non-aerated spray device, AC/DC control module with internal flow control setting switches, temperature control mixing valve with check valves and 18 in. flexible stainless steel supply hoses with 3/8 in. compression connections. Certified to ASME A112.18.1/CSA B125.1, NSF 61-Section 9, NSF 372 and UL 1951. Meets ADA ANSI/ICC A117.1 requirements.

Become a master of visual storytelling with the Canon CINE-SERVO 50-1000mm T5.0-8.9 ultra-telephoto zoom lens. Designed to deliver superior 4K performance, this lens is a perfect match for Super35mm large-format single-sensor cameras. Whether you're into broadcast or cinema-style production, this lens is versatile enough to accommodate both, thanks to its removable Digital Drive unit. Available in both EF- and PL- mount versions, this lens boasts the world's longest focal length (75-1500mm with its built-in 1.5x extender) and highest (20x) magnification among super 35mm zoom lenses as of October 16, 2014. This makes it an ideal choice for sports coverage, nature documentaries, and other long-zoom field productions. Despite its powerful capabilities, the CINE-SERVO 50-1000mm T5.0-8.9 lens maintains a compact form factor of only 15.9 inches in length and a lightweight design of just 14.6 lbs. This makes it easy to carry and use with major brands of single-sensor Super35mm cameras. The lens conforms to industry-standard camera-to-lens communication protocols, including 12-pin serial communication (common to major broadcast camera brands) and Cooke's /i Technology. This ensures seamless integration with your existing equipment. Experience the thrill of capturing close-up 4K images of wildlife subjects while maintaining the necessary physical distances. The lens is ruggedly built to withstand the rigors of field production. Its removable Digital Drive unit allows for broadcast-style operation with a convenient zoom/rocker switch, programmable zoom and focus settings, and data connections for use with broadcast-type field/studio zoom and focus servo-demand controls. For cinema-style operation, simply remove the Drive unit. The lens features clearly engraved barrel markings, an 11-blade iris for smooth "bokeh" backgrounds, and is compatible with lens-support rods, matte boxes, and other cinema accessories. The lens can be converted to a PL-mount version by an authorized Canon service facility. The package includes the SS-41-IASD Full-Servo Kit, which offers full-servo lens control for Digital Drive IASE S ENG Lenses and Cine-Servo Lenses. The kit includes 2x CR-10 pan-bar clampers, FPD-400D Focus controller, and ZSD-300D Zoom controller. Please note that a Zacuto Z-CNYC Y-cable is required for attachment. In summary, the Canon CINE-SERVO 50-1000mm T5.0-8.9 lens offers a blend of versatility, power, and convenience, making it a valuable addition to any professional filmmaker's toolkit.

After extensive research and development, Canon presents the CINE-SERVO 50-1000mm T5.0-8.9 ultra-telephoto zoom lens, a versatile tool designed to deliver superior 4K performance for Super35mm large-format single-sensor cameras. This lens is a perfect blend of broadcast and cinema-style production capabilities, thanks to its removable Digital Drive unit. Offered in both EF- and PL- mount versions, this lens boasts the world's longest focal length of 75-1500mm when using its built-in 1.5x extender. As of October 16, 2014, it also holds the record for the highest magnification (20x) among super 35mm zoom lenses. Ideal for capturing sports events, nature documentaries, and other long-zoom field productions, this lens is compact and lightweight. With a length of just 15.9" and a weight of 14.6 lbs, it's easy to transport and handle. The CINE-SERVO 50-1000mm T5.0-8.9 lens is compatible with major brands of single-sensor Super35mm cameras and adheres to industry-standard camera-to-lens communication protocols. This includes the 12-pin serial communication common to major broadcast camera brands and Cooke's /i Technology. Designed for capturing close-up 4K images of wildlife subjects while maintaining safe shooting distances, this lens is ruggedly built for field use. Its removable Digital Drive unit offers broadcast-style operation with a convenient zoom/rocker switch, programmable zoom and focus settings, and data connections for use with broadcast-type field/studio zoom and focus servo-demand controls. When the Drive unit is removed, the lens supports Cinema-style operation. It features clearly engraved barrel markings, an 11-blade iris for smooth "bokeh" backgrounds, and compatibility with lens-support rods, matte boxes, and other cinema accessories. The lens can be converted to an EF-mount version by an authorized Canon service facility. The package includes the SS-41-IASD Full-Servo Kit, a comprehensive lens control kit for Digital Drive IASE S ENG Lenses and Cine-Servo Lenses. This kit includes 2x CR-10 pan-bar clampers, an FPD-400D Focus controller, and a ZSD-300D Zoom controller. Please note, a Zacuto Z-CNYC Y-cable is required for attachment. In conclusion, the Canon CINE-SERVO 50-1000mm T5.0-8.9 lens is a high-performance, versatile tool that caters to both broadcast and cinema-style productions, offering unparalleled focal length and magnification capabilities.

The Canon CINE-SERVO 50-1000mm T5.0-8.9 Ultra-telephoto Zoom Lens with EF-Mount provides 4K performance for Super35mm large-format single-sensor cameras and accommodates either broadcast or cinema-style production due to its removable Digital Drive unit. Available in EF- or PL- mount versions, the lens delivering the world's longest focal length (75-1500mm with its built-in 1.5x extender) and highest (20x) magnification among super 35mm zoom lenses as of October 16, 2014. The lens is great for sports, nature documentaries, and other types of long-zoom field production, yet it's easy to carry, has a relatively compact form factor of only 16.3 inches in length, and a weight of just 14.6 lbs. It can be used with major brands of single-sensor Super35mm cameras and conforms to industry-standard camera-to-lens communication protocols including 12-pin serial communication (common to major broadcast camera brands) and Canon EOS technology.The CINE-SERVO 50-1000mm T5.0-8.9 ultra-telephoto zoom lens allows for close-up 4K imaging of wildlife subjects while still maintaining the physical distances necessary in such shooting situations. Ruggedly built, its removable Digital Drive unit allows for broadcast-style operation with a convenient zoom/rocker switch, programmable zoom and focus settings, and data connections for use with broadcast-type field/studio zoom and focus servo-demand controls. Removal of the Drive unit enables Cinema-style operation; the lens includes clearly engraved barrel markings, an 11-blade iris to help achieve smooth "bokeh" backgrounds, and compatibility with lens-support rods, matte boxes, and other cinema accessories. Ultra Telephoto 50-1000mm (75-1500mm with Built-In 1.5x Extender) The CINE-SERVO 50-1000mm T5.0-8.9 ultra-telephoto zoom lens delivers the long focal length performance demanded by today's users of single-sensor large-format cameras for broadcast sports, nature cinematography, and digital filmmaking. With the world's longest focal length (75-1500mm with its built-in 1.5x extender) and highest (20x) magnification among super 35mm zoom lenses as of August 31, 2014, the CINE-SERVO 50-1000mm T5.0-8.9 ultra-telephoto zoom lens offers new creative opportunities possibilities for today's growing community of 4K, UHD, and HD image makers. Amazingly High Zoom Ratio of 20x With a 20:1 zoom range that extends from a wide 50mm up to 1000mm, the CINE-SERVO 50-1000mm T5.0-8.9 ultra-telephoto zoom lens is the longest Super 35mm telephoto lens in the industry to date. The increased use of single-sensor large-format (super 35mm) cameras for such broadcast applications as sports may require an even longer focal range, so this lens also features a built-in 1.5x extender, lengthening its focal length to 75-1500mm. New creative opportunities include enabling single-sensor large-format camera users to obtain close-up 4K imaging of wildlife subjects or sports players while still maintaining the physical distances necessary in...

When capturing cinematic visuals, the Cooke 50mm T2.0 S7/i Plus Prime Lens for PL Mount stands out as an exceptional choice for professionals seeking high-quality, reliable, and versatile optics. Engineered to accommodate a variety of sensor sizes, including 35mm, Super 35mm, Full Frame, and VistaVision, this lens is equipped to handle the expansive image circles up to at least 46.31mm, ensuring compatibility with the latest camera technologies.The Cooke S7/i Prime series is renowned for its 'Cooke Look,' which delivers a unique combination of warmth and sharpness that contributes to the emotional depth of the image. This 50mm prime lens is no exception, offering outstanding optical and mechanical performance with precise control over flare, veiling glare, distortion, and spherical aberrations even at full aperture, making it a reliable choice for demanding shooting conditions.Color consistency is key in multi-lens productions, and this lens is meticulously color-matched to the Anamorphic/i, S4/i, miniS4/i, 5/i, and Panchro/i Classic lenses, ensuring a seamless blend between shots. The intelligent /i Technology integration provides automatic capture of detailed lens metadata, such as lens settings, focusing distance, aperture, and depth-of-field, which is invaluable for post-production and visual effects work.Craftsmanship is at the heart of Cooke lenses, with traditional grinding and polishing techniques employed to achieve the highest levels of precision. The lens construction process includes rigorous metrology, high-temperature vacuum coating, precise edging, and thorough cleaning and assembly to ensure each lens meets Cooke's superior quality standards.The optical design of this lens is engineered for peak performance at full aperture, with large, clear focus scaling on both sides of the barrel to aid focus pullers in challenging lighting scenarios. The entrance pupil position is also engraved for accurate visual references. Compatibility is enhanced with a common fixed front diameter of 110mm across most Cooke S4/i Primes, along with standardized focus and iris drive gears.Durability is assured with a scratch-resistant PTFE hard-anodized finish, designed to withstand the rigors of professional use in any environment. The true T2 aperture provides excellent low-light capabilities and depth-of-field control, while the eight-leaf linear module iris assembly offers a smooth aperture range from T2 to T22.The lens features an Academy Award-winning cam-style focus movement, which, along with a large lens barrel diameter, allows for an extensive range of detailed focus markings, especially at close focus distances. The control of spherical aberration across the focal range eliminates the need for back focus adjustments when changing aperture settings.Designed with a favorable weight/size ratio, this lens is ideal for all shooting applications, including handheld and Steadicam, ensuring a comfortable balance with contemporary compact cameras. The...

Shoot 35mm, Super 35mm, Full Frame, VistaVision and beyond with the Cooke S7/i Primes, designed to cover the emergent full frame cinema camera sensors up to at least 46.31mm image circle.ConvenientWe have you covered with the ability to shoot in various formats, from 35mm to VistaVision - all with the Cooke Look.ReliableExcellent optical and mechanical performance, control of flare, veiling glare, distortion and spherical aberrations at full aperture.PracticalColor matched to Anamorphic/i, S4/i, miniS4/i, 5/i and Panchro/i Classic lenses.IntelligentSupplied with the next generation of /i Technology for automatic lens metadata capture.TechnologyThe /I Technology provides cinematographers and camera operators with vital information on lens setting, focusing distance, aperture and depth-of-field, hyperfocal distance, serial number, owner data, lens type and focal length in both metric and footage measurements. For zoom lenses, the zoom position is displayed.Handcrafted InnovationGrinding & PolishingTraditional polishing techniques are used to achieve the highest level of precision.MetrologyMore insights and measurements are taken than ever before to ensure superior quality.Coating & CementingMinerals are evaporated at a high temperature in a vacuum to create a thin film on the glass.EdgingEdging is carried out to ensure that glass diameters are perfectly round.Cleaning & AssemblyLenses are meticulously tested, checked, modified, cleaned and rechecked.Features:Optical DesignThe optics are designed to give maximum performance at full aperture with superior control of flare, distortion and spherical aberration.Focus ScalingLarge, clear numerals on both sides of the focus barrel benefit the focus puller when shooting under difficult lighting conditions. Plus the Entrance Pupil position is engraved on the lens./i ElectronicsAccessible via contacts in PL mount that sync with /i compatible cameras.CompatabilityAll Cooke S4/i Primes have a common fixed front diameter of 110mm, (except for 12mm, 150mm, 180mm, 300mm) with a focus drive gear of 140T x 0.8 mod and an iris drive gear of 1147 x 0.8Color BalanceAll S4/i prime lenses are color balanced, color-matched and compatible with Cooke 5/i, miniS4/i and Anamorphic/i.External FinishA scratch resistant PTFE hard anodised finish is provided on all Cooke lenses, providing a durable, hard-wearing surface to meet the most demanding environmental conditions.ApertureAll S4/i primes have a true T2 aperture and cover Super 35mm format.IrisAn eight-leaf linear module iris assembly is fitted into S4/i primes with an aperture range of T2 to T22.Index MarksEvery index mark is labelled. More detailed markings allow for more detailed focus control.Focus MovementOur Academy Award winning cam-style focus movement coupled with the added benefit of a large...

How the Canon CINE-SERVO 50-1000mm T5.0-8.9 Ultra-telephoto Zoom Lens for PL Mount revolutionizes your filming experience. This lens is designed to deliver superior 4K performance for Super35mm large-format single-sensor cameras, making it an ideal choice for both broadcast and cinema-style productions. The lens stands out in the market with its world's longest focal length of 75-1500mm, thanks to its built-in 1.5x extender, and the highest 20x magnification among Super 35mm zoom lenses as of October 16, 2014. This makes it a perfect choice for sports coverage, nature documentaries, and other long-zoom field productions. Despite its powerful performance, the lens maintains a compact form factor of only 16.3 inches in length and a lightweight design of just 14.6 lbs. This makes it easy to carry and use with major brands of single-sensor Super35mm cameras. The CINE-SERVO 50-1000mm T5.0-8.9 lens is designed to conform to industry-standard camera-to-lens communication protocols, including 12-pin serial communication and Canon EOS technology. This ensures seamless integration with your existing equipment. The lens also features a removable Digital Drive unit, which allows for broadcast-style operation with a convenient zoom/rocker switch, programmable zoom and focus settings, and data connections for use with broadcast-type field/studio zoom and focus servo-demand controls. The lens also boasts an 11-blade iris, which helps achieve smooth "bokeh" backgrounds, and is compatible with lens-support rods, matte boxes, and other cinema accessories. The CINE-SERVO 50-1000mm T5.0-8.9 lens is not just about long focal lengths. It also offers a high zoom ratio of 20x, extending from a wide 50mm up to 1000mm. This makes it the longest Super 35mm telephoto lens in the industry to date. The lens is designed to deliver 4K optical performance throughout the 20x zoom range, even when the 1.5x extender is used. This is made possible by Canon's leading-edge optical and optomechanical design tools and advanced glass materials. The lens is also designed for both cinema style and broadcast applications, thanks to its removable Digital Drive unit. This unit integrates a convenient zoom/rocker switch, programmable zoom and focus settings, and a 12-pin connector that carries standard broadcast lens serial communication. The lens also features an 11-blade iris for natural out of focus background, a removable Digital Drive unit with various user setting capabilities, and a slow zoom capability of 180 sec. or quick zoom of 1.5 sec. from wide end to tele end. The CINE-SERVO 50-1000mm T5.0-8.9 lens is also compliant with industry-standard camera-to-lens communication protocols, ensuring compatibility and maximum performance with multiple brands and models of 4K, UHD, and HD cameras. Finally, the lens is built for high durability and ruggedness, with a tough, optimal chassis structure, weather and shock resistance, and the environmental-performance capabilities needed to stand up...

It is with great pleasure that we introduce the Irix Cine 150mm T3.0 Macro 1:1 lens, a high-quality, professional-grade lens designed for full-frame sensor cinematography. This innovative lens is the first in a new line of cine lenses from Irix, renowned for their superior mechanical and optical quality. Designed for 8K UHD readiness, this lens features a complex optical system based on the same layout used in the acclaimed Irix 150mm f/2.8 Macro 1:1. The lens is composed of 12 optical elements arranged in 9 groups, including four high refractive index (HR) glass elements and three low-dispersion glass (ED) elements. This combination ensures superb high resolution, near-zero chromatic aberration, and almost no visible distortion, as low as 0.1%.The Irix Cine 150mm T3.0 Macro lens is equipped with an internal focusing system and designed to minimize breathing. The lens boasts a new MST lens positioning system, ensuring quiet and smooth rotation of the focus ring. The Multi Start Thread mechanism, coupled with a sealed housing, guarantees durable and long-lasting operation in various atmospheric conditions, even in the most demanding situations.The lens features a focus ring with a rotation angle increased to 270 degrees, facilitating easy and accurate focusing at any range. The lens will be available with both metric and imperial markings. The aperture mechanism in these optics has been given the highest attention, with eleven iris blades with rounded edges creating excellent bokeh and sharpness. The de-clicked aperture ranges from T3.0 to T32, with the aperture ring rotating 75 degrees.The Irix Cine 150mm T3.0 Macro lens stands out for its unique design and well-thought-out ergonomics. The focus gear-rings are shielded by a special ring, providing a larger area for better manual handling while remaining compatible with follow-focus systems. The markings on the lens are laser engraved and treated with UV fluorescent paint, enhancing readability in low light conditions.Built to withstand various weather conditions, the lens housing is equipped with several seals to protect against dust, rain, and accidental water splashes. The sealed construction ensures the safety of both the optical lens system and the camera sensor.This lens also features an innovative Magnetic Mount System for accessories, allowing for quick and easy attachment of a variety of dedicated accessories. The first of these new MMS accessories is the detachable and reversible lens hood (included with the lens).The Irix Cine 150mm T3.0 lens adheres to industry standards, ensuring compatibility with other filmmaking accessories. It has a standardized front diameter of 95mm for matte box, an 86mm front filter thread, unified distance between gear-rings, standardized 0.8 pitch module gears, unified angles of rotation, and similar weight. The lens is equipped with a removable support foot with a 1/4 thread, which stabilizes the lens when using a follow focus system and protects the camera...

From the renowned Irix brand comes the innovative and high-quality Irix Cine 150mm T3.0 Macro 1:1 lens, a professional-grade lens designed for Sony E and Meters cameras. This lens is the first in a new line of full-frame sensor cine lenses, ready to deliver stunning 8K UHD visuals. Built with a complex optical system based on the same layout used in the Irix 150mm f/2.8 Macro 1:1, this lens features 12 optical elements arranged in 9 groups. Four of these elements are high refractive index (HR) glass, and three are low-dispersion glass (ED), ensuring superb high resolution, nearly zero chromatic aberration, and almost no visible distortion. The Irix Cine 150mm T3.0 Macro 1:1 lens is equipped with an internal focusing system and is designed to minimize lens breathing. The focus ring offers quiet and smooth rotation, thanks to the new MST lens positioning system, created specifically for the Irix Cine range. The Multi Start Thread mechanism, combined with a sealed housing, ensures durable and long-term operation of the lens in various atmospheric conditions, even in the most demanding situations. The lens features an aperture mechanism with eleven iris blades with rounded edges, creating exceptional bokeh and sharpness. The de-clicked aperture ranges from T3.0 to T32, and the aperture ring rotates 75 degrees. The Irix Cine 150mm T3.0 Macro 1:1 lens stands out for its unique design and well-thought-out ergonomics. The focus gear-rings are shielded by a special ring, providing a larger area for better manual handling, while still being compatible with follow-focus systems. The markings on the lens are laser engraved and treated with UV fluorescent paint, improving readability in low light conditions. Designed to withstand various weather conditions, the lens housing is equipped with several seals to protect against dust, rain, and accidental water splashes. The lens also features a unique Magnetic Mount System for easy attachment of various dedicated accessories. The Irix Cine 150mm T3.0 lens is equipped with a removable support foot with a 1/4 thread, which stabilizes the lens when using a follow focus system, and protects the camera mount. The support foot can be attached on the bottom or top of the lens for convenience of use. In summary, the Irix Cine 150mm T3.0 Macro 1:1 lens is a versatile, durable, and high-quality tool for filmmakers and photographers seeking to capture stunning close-up shots with a professional-grade lens.