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Features: Constructed with a special grip-coated frame to eliminate slippage when sweating. NO BOUNCE Snug, lightweight frame with a comfortable fit that prevents bouncing while you sprint for that 3pm nitro cold brew. ALL POLARIZED Glare-reducing, polarized lenses with UV400 protection block 100% of harmful UVA and UVB rays. Goodr 24 Limited Edition Biff Tannen’S Pleasure Paradise

Striking in its simplicity, this modern side table emphasizes clean lines and straightforward design. The table's seamless design is given extra dimension with the beveled banding around the edges. The plinth base anchors the look, while the natural wood-look finish adds texture and tonal variation to your living room, family room, or office. The open cube design creates flexible storage opportunities for your books, magazines, or crafting supplies. Color: Alder White.

Striking in its simplicity, this modern side table emphasizes clean lines and straightforward design. The table's seamless design is given extra dimension with the beveled banding around the edges. The plinth base anchors the look, while the natural wood-look finish adds texture and tonal variation to your your living room, family room, or office. The open cube design creates flexible storage opportunities for your books, magazines, or crafting supplies. Color: Black Grain.

Striking in its simplicity, this modern coffee table emphasizes clean lines and straightforward design. The table's seamless design is given extra dimension with the beveled banding around the edges. The plinth base anchors the look, while the natural wood-look finish adds texture and tonal variation to your living room, family room, or office. Color: Antiqued Gray Oak.

Striking in its simplicity, this modern coffee table emphasizes clean lines and straightforward design. The table's seamless design is given extra dimension with the beveled banding around the edges. The plinth base anchors the look, while the natural wood-look finish adds texture and tonal variation to your your living room, family room, or office. Color: Black Grain.

Second chances aren’t always easy. Sometimes, it takes some Rough Love.Bruce Tannen is better known by his nickname, Brutal, because once upon a time, he was a monster on the football field. Now, he’s a farmhand on what used to be his family’s land, and change is all around him. A new family, new expectations, and even new friends. It’s all just fine by him until he runs into the one woman to ever hold his heart. The past comes back with a wallop of a tackle that even he can’t take. Allyson left him a lifetime ago, but she’s the only thing that’s ever felt right... in his arms, in his heart, in his life. Something’s different, though. She’s a shadow of her former self, and he wonders what could’ve dulled her shine. He can help fight her demons to bring back that sunny smile he used to bask in, but should he?Allyson Meyers knew who she was and where she was going, but a wrong turn years ago took her on a journey she never imagined. Not even in her worst nightmares. It was ugly, but she’s stronger now for the one person who matters... her son, Cooper. Being a single mother is a burden she’s grateful to bear alone until she sees a pair of all-too-familiar broad shoulders and dark, knowing eyes that remind her of who she once was. Bruce was the one she'd left behind, the path she should’ve taken. It’s too bad you can’t rewrite history. But if she’s brave enough, maybe they could create a new future?

Singer-songwriters Deb Talan & Steve Tannen began writing together the night they met, and soon formed indie band The Weepies. On the strength of their simple yet insightful songwriting and distinctive harmonies, they quietly sold more than a million records, with over 17 million streams on Spotify, and 20 million views on YouTube. They married and had three children, rarely touring but continuing to release their music, five records over seven years. At 16 songs and almost an hour long, Sirens

Few people knew Lucille Ball the way Lee Tannen did. Lee first met Lucy as a child, but their close and enduring relationship began almost twenty-five years later. Now, Tannen gives us an intimate portrait of the "lost" Lucy years: from what life was like in her Beverly Hills and Palm Springs hideaways to how she traveled, what she ate, and how she entertained. I Loved Lucy reveals for the first time the private face of a beloved star whose public persona is the most famous in television history.

The Female Trickster presents a Post-Jungian postmodern perspective regarding the role of women in contemporary Western society by investigating the re-emergence of female trickster energy in all aspects of popular culture. Ricki Tannen explores the psychological aspects of what happened when women’s imagination was legally and psychologically enclosed millennia ago and demonstrates how the re-emergence of Trickster energy through the female imagination has the radical potential to effect a transformation of western consciousness. Examples are drawn from a diverse range of sources, from Jane Austen, and female sleuth narratives, to Madonna and Sex and the City, illustrating how Trickster energy is used not to maintain power and control but to integrate and unite the paradoxical through humour. Subjects covered include: imagination and metaphor the traditional trickster law and the imagination humour: Eros using logos the postmodern female trickster. This highly original perspective on women's role in contemporary culture will offer readers a new vision of how humour psychologically operates as a healthy adaptation to trauma and adversity. It will be of great interest to all analytical psychologists and psychoanalysts as well as those in women's, cultural, legal and literary studies.

The concept of framing has been pivotal in research on social interaction among anthropologists, sociologists, psychologists, and linguists. This collection shows how the discourse analysis of frames can be applied to a range of social contexts. Tannen provides a seminal theoretical framework for conceptualizing the relationship between frames and schemas as well as a methodology for the discourse analysis of framing in interaction. Each chapter makes a unique theoretical contribution to frames theory while showing how discourse analysis can elucidate the linguistic means by which framing is accomplished in a particular interactional setting. Applied to such a wide range of contexts as a medical examination, psychotic discourse, gender differences in sermon performance, boys' "sportscasting" their own play, teasing among friends, a comparison of Japanese and American discussion groups, and sociolinguistic interviews, the discourse analysis of framing emerges here as a fruitful new avenue for interaction analysis.

Few people knew America's comic sweetheart Lucille Ball the way Lee Tannen did. Lee first met Lucy as a child but cemented their close and enduring friendship as an adult. During the last ten years of Lucy's life--years mostly lived out of the spotlight and mainly around a backgammon table in New York, Beveryly Hills, Snowmass, Colorado and Palm Springs, Lee was fortunate enough to be sitting opposite Lucy. For the first time we get a glimpse of what it was like to be with Lucy, the way she truly was, and the way she chose to live. This is Lucy the way you've never seen her before; a warts and all look at arguably the most famous female entertainer of the twentieth century! Perhaps Lucy's daughter Lucie Arnaz summed it up best when she said,"What a wonderful look through the keyhole at this unique and complicated woman. A more perfect portrait of the the lost Lucy years I cannot imagine being drawn. It had me in tears. Good tears. People should read I LOVED LUCY."

This newly revised volume is both a lively introduction and practical guide to the main concepts and problems of intercultural communication. Viewed from within the framework of interactive sociolinguistics associated with Tannen, Gumperz, and others, the authors focus in particular on the discourse of westerners and of Asians, the discourse of men and women, corporate discourse and the discourse of professional organizations, and intergenerational discourse. Views intercultural communication from within the framework of interactive sociolinguistics, with an emphasis on discourse analysis Numerous examples demonstrate the relationship between culture and communication Outlines the methodology of ethnography, and shows how it is used for new research in intercultural communication Illustrates the value of ethnographic research for conducting training and consultation programs.

Written in readable, vivid, non-technical prose, this book, first published in 2007, presents the highly respected scholarly research that forms the foundation for Deborah Tannen's best-selling books about the role of language in human relationships. It provides a clear framework for understanding how ordinary conversation works to create meaning and establish relationships. A significant theoretical and methodological contribution to both linguistic and literary analysis, it uses transcripts of tape-recorded conversation to demonstrate that everyday conversation is made of features that are associated with literary discourse: repetition, dialogue, and details that create imagery. This second edition features a new introduction in which the author shows the relationship between this groundbreaking work and the research that has appeared since its original publication in 1989. In particular, she shows its relevance to the contemporary topic 'intertextuality', and provides a useful summary of research on that topic.

Laurie Kirszner and Stephen Mandell, best-selling authors with more than twenty-five years' experience teaching college writing, know what works in the classroom. In Patterns for College Writing, they offer a balance of classic and contemporary essays by writers like Sandra Cisneros, Deborah Tannen, E. B.White, and Henry Louis Gates Jr., providing students with exemplary models for their writing--and instructors with excellent, class-tested selections. With extensive headnotes before each reading, abundant apparatus after, and more examples of student writing than any other reader, Patterns has always been an exceptional resource for students. In the tenth edition, a new chapter on editing and proofreading in Part One, "The Writing Process," gives students more help recognizing and correcting errors common in their writing, while Part Two, "Readings for Writers," offers a greater number of informative and argumentative essays, preparing students better than ever for the demands of college writing.

Where there's "Smoke", there's fire...Former SEAL Steve "Smoke" Tannen is finding the transition back to civilian life more of a challenge than he'd expected. Not only is he dealing with the aftereffects of a horrific ordeal overseas, he doesn't know what normal is anymore. When his former team leader enlists his help in a project to help other vets, Steve doesn't hesitate to sign on with a new team.Samantha Appelhoff dreams of owning her own coffee and bake shop, but a persistent stalker and dark rumors about her past aren't making things easy. When the sexy, chivalrous guy moves in next door, she plans to keep her distance, but that's hard to do when he keeps showing up when least expected but always just when she needs him.Are they just nice neighbors or could they be something more than friends? The attraction is instant and their connection is real, but is that enough to convince Steve and Sam they can have their own happy ending?

This revised edition of Deborah Tannen's first discourse analysis book, Conversational Style--first published in 1984--presents an approach to analyzing conversation that later became the hallmark and foundation of her extensive body of work in discourse analysis, including the monograph Talking Voices, as well as her well-known popular books You Just Don't Understand, That's Not What I Meant!, and Talking from 9 to 5, among others.Carefully examining the discourse of six speakers over the course of a two-and-a-half hour Thanksgiving dinner conversation, Tannen analyzes the features that make up the speakers' conversational styles, and in particular how aspects of what she calls a 'high-involvement style' have a positive effect when used with others who share the style, but a negative effect with those whose styles differ. This revised edition includes a new preface and an afterword in which Tannen discusses the book's place in the evolution of her work.Conversational Style is written in an accessible and non-technical style that should appeal to scholars and students of discourse analysis (in fields like linguistics, anthropology, communication, sociology, and psychology) as well as general readers fascinated by Tannen's popular work. This book is an ideal text for use in introductory classes in linguistics and discourse analysis.

Laurie Kirszner and Stephen Mandell, best-selling authors with more than twenty-five years' experience teaching college writing, know what works in the classroom. In Patterns for College Writing, they offer a balance of classic and contemporary essays by writers like Sandra Cisneros, Deborah Tannen, E. B.White, and Henry Louis Gates Jr., providing students with exemplary models for their writing--and instructors with excellent, class-tested selections. With extensive headnotes before each reading, abundant apparatus after, and more examples of student writing than any other reader, Patterns has always been an exceptional resource for students. In the tenth edition, a new chapter on editing and proofreading in Part One, "The Writing Process," gives students more help recognizing and correcting errors common in their writing, while Part Two, "Readings for Writers," offers a greater number of informative and argumentative essays, preparing students better than ever for the demands of college writing.

The Female Trickster presents a Post-Jungian postmodern perspective regarding the role of women in contemporary Western society by investigating the re-emergence of female trickster energy in all aspects of popular culture. Ricki Tannen explores the psychological aspects of what happened when women’s imagination was legally and psychologically enclosed millennia ago and demonstrates how the re-emergence of Trickster energy through the female imagination has the radical potential to effect a transformation of western consciousness. Examples are drawn from a diverse range of sources, from Jane Austen, and female sleuth narratives, to Madonna and Sex and the City, illustrating how Trickster energy is used not to maintain power and control but to integrate and unite the paradoxical through humour. Subjects covered include: imagination and metaphor the traditional trickster law and the imagination humour: Eros using logos the postmodern female trickster. This highly original perspective on women's role in contemporary culture will offer readers a new vision of how humour psychologically operates as a healthy adaptation to trauma and adversity. It will be of great interest to all analytical psychologists and psychoanalysts as well as those in women's, cultural, legal and literary studies.

A notorious killer is back to terrorize Los Angeles, and only one man can stop him. Martial arts superstar Chuck Norris (An Eye For An Eye) packs a powerful punch I this exciting action-thriller about a tough L.A. cop's pursuit of a savage villain from his past. Adroitly directed by William Tannen (Flashpoint) with startling images and harrowing action scenes, Hero and the Terror is edge-of-your-seat suspense from beginning to end. Homicide detective Danny O'Brien (Norris) is known simply as Her