78 products were found matching your search for Taxi Life Supporter in 4 shops:

Our Taxi Cab Reversible Poncho – your ultimate on-the-go, day-to-night fashion fix. Be fashionably stylish wherever life takes you with our versatile pieces. From daytime events to evening adventures, our Taxi Cab Poncho ensures you're always dressed to impress. Don't let your busy schedule cramp your style – embrace effortless elegance with our chic designs. Get ready to elevate your on-the-go wardrobe. Soft, silky, and luxurious hand feel. Reversible with black on the inside. Extended neckline. All season wear. 100% Poly Charmeuse Machine wash cold. Tumble dry low. Do not bleach.

A personal account of a Labour supporter's miserable eighteen years under a Tory government. A literary debut which combines wit with barbed insight from the author who has been a full time comedy writer since the voters of Battersea sacked him from his previous job as an MP's researcher for the House of Commons.

Buy with confidence! Book is in new, never-used condition 0.97

First published in 1932, The Taxi-Dance Hall is Paul Goalby Cressey’s fascinating study of Chicago’s urban nightlife—as seen through the eyes of the patrons, owners, and dancers-for-hire who frequented the city’s notoriously seedy “taxi-dance” halls. Taxi-dance halls, as the introduction notes, were social centers where men could come and pay to dance with “a bevy of pretty, vivacious, and often mercenary” women. Ten cents per dance was the usual fee, with half the proceeds going to the dancer and the other half to the owner of the taxi-hall. Cressey’s study includes detailed maps of the taxi-dance districts, illuminating interviews with dancers, patrons, and owners, and vivid analyses of local attempts to reform the taxi-dance hall and its attendees. Cressey’s study reveals these halls to be the distinctive urban consequence of tensions between a young, diverse, and economically independent population at odds with the restrictive regulations of Prohibition America. Thick with sexual vice, ethnic clashes, and powerful undercurrents of class, The Taxi-Dance Hall is a landmark example of Chicago sociology, perfect for scholars and history buffs alike.

Athanasios Katigas of Sykies (suburb of Thessaloniki, Greece), answered the divine call to a life of repentance after the fervent prayers of his quadriplegic childhood friend Savvas, and the sound instruction of a lay preacher, Panagiotis Panagiotides. Thanasi used the therapeutic discipline of our Church, to free himself from the nets of human passions by practicing strict obedience under his seasoned spiritual father Triantafyllos Xeros. Thanasi's love for Christ did not permit him to leave our Lord at home (as most of us do), but he took Him along on his daily route as a Cab driver. Thanasi's zeal for the word of God initiated hundreds of spiritual conversations, awakenings and transformations in his cab, with clients from all walks of life. Thanasi's genuine simplicity, a simplicity likened to the fishermen of Galilee served as pure oxygen for hundreds of souls that shared the space of his taxi, some battered and gasping for air from the oxidants of the secular lifestyle. In "The Tears of Repentance", printed multiple times in Greece, and hailed by dozens of Bishops, Thanasi relives some of the most intriguing personal and life changing encounters in his 25 year taxi career. Zoë Press is proud to be the only authorized retailer on Amazon.

Peyo, creator of The Smurfs, brings everybody's childhood fantasy to life in this charming graphic novel series! Benny Breakiron is an honest, polite little boy with an en exceptional quality: he possesses superhuman strength, can leap over huge distances, and can run unbelievably fast. This little kid packs quite a punch, and he devotes his play time to stopping crime and injustice.

This sitcom followed the life of a group of cabbies in New York. The group, employees of the Sunshine Cab Company, was made up a motley crew including Bobby (Jeff Conaway), a frustrated actor, Tony (Tony Danza), a struggling boxer, Louie (Danny DeVito), the tyrannical dispatcher, and Reverend Jim (Christopher Lloyd), a spacey ex-hippie. The classic ensemble sitcom was hailed by critics and audiences alike after premiering on ABC Sept. 12, 1978. It's a vehicle with heart, as well as humor, and wo

Un Tassinaro a New York (A Taxi Driver in New York) / Una Botta Vita (Taste of Life) (Original Motion Picture Soundtracks) Piero Piccioni - CD 8032628992780

Story of a Life: The Harry Chapin Box gathers 47 tracks on 3 CDs, culled from 14 albums released 1966-1998. Features the #1 hit single "Cat's in the Cradle," plus "Taxi," "W*O*L*D," "I Wanna Learn a Love Song," "Sequel," "Sunday Morning Sunshine" and much more including a rare Chapin Brothers track and a live version of "Taxi." Booklet includes insightful essays and tributes.

From the author of Becoming Mae West—an in-depth look at the Silver-Screen legend who forever changed America’s idea of the leading manTango pirate, gigolo, powder puff, Adonis—all have been used to describe the silent-film icon known as Rudolph Valentino. From his early days as a taxi dancer in New York City to his near apotheosis as the ultimate Hollywood heartthrob, Rudolph Valentino (often to his distress) occupied a space squarely at the center of controversy. In this thoughtful retelling of Valentino’s short and tragic life—the first fully documented biography of the star—Emily W. Leider looks at the Great Lover’s life and legacy, and explores the events and issues that made him emblematic of the Jazz Age. Valentino’s androgynous sexuality was a lightning rod for fiery and contradictory impulses that ran the gamut from swooning adoration to lashing resentment. He was reviled in the press for being too feminine for a man; yet he also brought to the screen the alluring, savage lover who embodied women’s darker, forbidden sexual fantasies.In tandem, Leider explores notions of the outsider in American culture as represented by Valentino’s experience as an immigrant who became a celebrity. As the silver screen’s first dark-skinned romantic hero, Valentino helped to redefine and broaden American masculine ideals, ultimately coming to represent a graceful masculinity that trumped the deeply ingrained status quo of how a man could look and act.

From the author of Becoming Mae West—an in-depth look at the Silver-Screen legend who forever changed America’s idea of the leading manTango pirate, gigolo, powder puff, Adonis—all have been used to describe the silent-film icon known as Rudolph Valentino. From his early days as a taxi dancer in New York City to his near apotheosis as the ultimate Hollywood heartthrob, Rudolph Valentino (often to his distress) occupied a space squarely at the center of controversy. In this thoughtful retelling of Valentino’s short and tragic life—the first fully documented biography of the star—Emily W. Leider looks at the Great Lover’s life and legacy, and explores the events and issues that made him emblematic of the Jazz Age. Valentino’s androgynous sexuality was a lightning rod for fiery and contradictory impulses that ran the gamut from swooning adoration to lashing resentment. He was reviled in the press for being too feminine for a man; yet he also brought to the screen the alluring, savage lover who embodied women’s darker, forbidden sexual fantasies.In tandem, Leider explores notions of the outsider in American culture as represented by Valentino’s experience as an immigrant who became a celebrity. As the silver screen’s first dark-skinned romantic hero, Valentino helped to redefine and broaden American masculine ideals, ultimately coming to represent a graceful masculinity that trumped the deeply ingrained status quo of how a man could look and act.

Charles Dickens was a phenomenon: a demonicly hardworking journalist, the father of ten children, a tireless walker and traveller, a supporter of liberal social causes, but most of all a great novelist - the creator of characters who live immortally in the English imagination: the Artful Dodger, Mr Pickwick, Pip, David Copperfield, Little Nell, Lady Dedlock, and many more. At the age of twelve he was sent to work in a blacking factory by his affectionate but feckless parents. From these unpromising beginnings, he rose to scale all the social and literary heights, entirely through his own efforts. When he died, the world mourned, and he was buried - against his wishes - in Westminster Abbey. Yet the brilliance concealed a divided character: a republican, he disliked America; sentimental about the family in his writings, he took up passionately with a young actress; usually generous, he cut off his impecunious children. Claire Tomalin, author of Whitbread Book of the Year Samuel Pepys, paints an unforgettable portrait of Dickens, capturing brilliantly the complex character of this great genius. Charles Dickens: A Life is the examination of Dickens we deserve.

In this remarkable book historian Daniel James presents the gripping, poignant life-story of Doña María Roldán, a woman who lived and worked for six decades in the meatpacking community of Berisso, Argentina. A union activist and fervent supporter of Juan and Eva Perón, Doña María’s evocative testimony prompts James to analyze the promise and problematic nature of using oral sources for historical research. The book thus becomes both fascinating narrative and methodological inquiry. Doña María’s testimony is grounded in both the local context (based on the author’s thirteen years of historical and ethnographic research in Berisso) and a broader national narrative. In this way, it differs from the dominant genre of women’s testimonial literature, and much recent ethnographic work in Latin America, which have often neglected historical and communal contextualization in order to celebrate individual agency and self-construction. James examines in particular the ways that gender influences Doña María’s representation of her story. He is careful to acknowledge that oral history challenges the historian to sort through complicated sets of motivations and desires—the historian’s own wish to uncover “the truth” of an informant’s life and the interviewee’s hope to make sense of her or his past and encode it with myths of the self. This work is thus James’s effort to present his research and his relationship with Doña María with both theoretical sophistication and recognition of their mutual affection. While written by a historian, Doña María’s Story also engages with concerns drawn from such disciplines as anthropology, cultural studies, and literary criticism. It will be especially appreciated by those involved in oral, Latin American, and working-class history.

The equestrian autobiography of The Princess Royal in which she writes about her life with horses from childhood to the present day. She is a former European three-day event champion, an amateur jockey and a strong supporter of Riding for the Disabled.

Finally, the war between science and religion is over. The winner? All of us. With supporters from an incredibly wide spectrum of backgrounds and beliefs, including five Nobel laureates, Thank God for Evolution! builds bridges, provides guidance, and restores realistic hope for humanity and the body of life as a whole. A movement has been growing over the past few decades that takes our common creation story -- the epic of cosmic, biological, and human evolution revealed by science -- as the basis for a meaningful view of our place in the universe. Reverend Michael Dowd, America's evolutionary evangelist, is at the forefront of this movement. This well informed, thoroughly researched, and inspired book proclaims a gospel billions of years old. Thank God for Evolution! presents in a lively and accessible manner the reasons why it is now possible to view evolution as a divine process; how current science shows that evolution is not meaningless blind chance; practical methods for using evolutionary insights to achieve greater personal fulfillment and thriving relationships; and how aligning with evolutionary trends can guide activists and others hoping to make our world a better place. As a Christian minister, Dowd especially addresses the concerns that Christians have about evolution, but this book contains insights that will appeal to people of all faiths and of no faith. Fun and uplifting, Thank God for Evolution! goes beyond the current debate to offer up a whole new way of thinking about science, religion, and the meaning and purpose of our lives.

In this remarkable book historian Daniel James presents the gripping, poignant life-story of Doña María Roldán, a woman who lived and worked for six decades in the meatpacking community of Berisso, Argentina. A union activist and fervent supporter of Juan and Eva Perón, Doña María’s evocative testimony prompts James to analyze the promise and problematic nature of using oral sources for historical research. The book thus becomes both fascinating narrative and methodological inquiry. Doña María’s testimony is grounded in both the local context (based on the author’s thirteen years of historical and ethnographic research in Berisso) and a broader national narrative. In this way, it differs from the dominant genre of women’s testimonial literature, and much recent ethnographic work in Latin America, which have often neglected historical and communal contextualization in order to celebrate individual agency and self-construction. James examines in particular the ways that gender influences Doña María’s representation of her story. He is careful to acknowledge that oral history challenges the historian to sort through complicated sets of motivations and desires—the historian’s own wish to uncover “the truth” of an informant’s life and the interviewee’s hope to make sense of her or his past and encode it with myths of the self. This work is thus James’s effort to present his research and his relationship with Doña María with both theoretical sophistication and recognition of their mutual affection. While written by a historian, Doña María’s Story also engages with concerns drawn from such disciplines as anthropology, cultural studies, and literary criticism. It will be especially appreciated by those involved in oral, Latin American, and working-class history.

Matt Weber has been shooting the streets of New York for the past 40 years, many of his images taken while running fares in his New York City taxi cab. His camera captures New York without pretense and with the love and attention that only a native could afford. Each image documenting the small yet extremely significant moments in the life of a city that never sleeps. Street Trip: Life in NYC is a compellingly curated collection of his finest street photography, an authentic look at daily life from someone who has consistently been ‘in the right place, at the right time’. His images are both timely and timeless and tell the stories of real life in the Big Apple in unfiltered and honest detail.

From such films as Mean Streets, Taxi Driver, and GoodFellas, Martin Scorsese has won a reputation as the most talented filmmaker of his generation. Now, with the director's full cooperation, esteemed critic David Ehrenstein examines every aspect of Scorsese's life and career in penetrating detail. Illustrated with numerous photographs, many rare.

Combining the history of country music's roots with portraits of its primary performers, this text examines the relationship between 'America's truest music' and the working-class culture that has constituted its principal source, nurtured its development, and provided its most dedicated supporters.

This biography tells the story of Hazel Lavery, one of London's most influential and beautiful women in the 1920s, a popular society hostess and fervent supporter of Ireland's independence. It details her birth into a wealthy Chicago family, her study of art and her marriage to the artist John Lavery, 24 years her senior. It goes on to examine the Laverys' life in London, where they became popular and entertained many celebrated figures, including Asquith, Bernard Shaw, Churchill, T.P. O'Connor, Beresford, and Shane Leslie, and later by Ramsey MacDonald and Evelyn Waugh. The work chronicles Hazel's assistance of the Irish national cause, using her house in London to play informal host to the Anglo-Irish Conference (1921). By the time of Hazel's death in 1935, the diplomatic links which she had fought to establish had been dismantled by de Valera, and she died believing her life had been utterly without purpose. This biography reveals the restless life of Hazel Lavery to be a pioneering one, drawing on interviews with her acquaintances and her daughter, Alice, and a cache of private correspondence and scrapbooks.