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Telemann: Music for Flute Telemann / Kuijken - CD 4015023243224

This book is the first guide to research on the Baroque composer Georg Philipp Telemann (1681-1767) in any language. Although the scholarly 'Telemann Renaissance' is now a half-century old, there has never been a book intended to serve as a gateway for further study. Apart from a handful of biographies, dictionary entries, and annotated bibliographies (many of which are now severely out of date), students of Telemann's life and music have been left to dive into the secondary literature in order to get their bearings. Considering that this now burgeoning literature has mainly taken the form of German dissertations and conference proceedings, it is small wonder that the field of Telemann studies has been relatively slow to develop in the English-speaking world. And yet the veritable explosion of performances, both live and recorded, of the composer's music in recent decades has won him an ever-increasing following among musicians and concert-goers worldwide. As with other books in the Composer Compendia series, the book includes a brief biography, dictionary, works-list, and selective bibliography. STEVEN ZOHN is Laura Carnell Professor of Music History at Temple University.

Telemann: Twelve Fantasias for Flute without Bass Telemann / Fedotova - CD 9003643991149

This album features the complete 12 Telemann Fantasias performed on Friedrich von Huene's collection of eight 300 year old original instruments by the finest makers in Europe, including Bressan, Stanesby Junior, Denner, Scherer and Boekhout. In addtition to the 12 Fantasias, it also includes Telemann's Concerto in E minor for recorder, flute and strings on a matched pair of ivory original instruments by Georg Heinrich Scherer. The physical CD includes an excellent 24 page insert with photographs

Telemann Collection Various Artists - CD 5028421954400

Telemann / Scholl : Johannes-Passion TWV 5:34 Telemann / Scholl - CD 4011030250323

The year 2017 will mark the 250th anniversary of the death of Georg Philipp Telemann, one of the most prolific composers of the Baroque era. Giovanni Antonini and Il Giardino Armonico have taken this opportunity to pay tribute to his eclecticism in a programme juxtaposing works that move constantly between French and Italian stylistic traditions. On this release, Giovanni Antonini not only directs the ensemble, but also returns to the recorder, his own instrument of choice (as it was the compose

This book is the first guide to research on the Baroque composer Georg Philipp Telemann (1681-1767) in any language. Although the scholarly 'Telemann Renaissance' is now a half-century old, there has never been a book intended to serve as a gateway for further study. Apart from a handful of biographies, dictionary entries, and annotated bibliographies (many of which are now severely out of date), students of Telemann's life and music have been left to dive into the secondary literature in order to get their bearings. Considering that this now burgeoning literature has mainly taken the form of German dissertations and conference proceedings, it is small wonder that the field of Telemann studies has been relatively slow to develop in the English-speaking world. And yet the veritable explosion of performances, both live and recorded, of the composer's music in recent decades has won him an ever-increasing following among musicians and concert-goers worldwide. As with other books in the Composer Compendia series, the book includes a brief biography, dictionary, works-list, and selective bibliography. STEVEN ZOHN is Laura Carnell Professor of Music History at Temple University.

SACRED CANTATS - Philippe Jaroussky, Bach & Telemann - When Philippe Jaroussky - whose angelic voice seems almost timeless - sings works by Telemann and Bach, it becomes abundantly clear that the sheer emotional force and the purifying power of their music have not diminished one bit over the centuries. Philippe Jaroussky has established himself as the most admired countertenor of his generation, as confirmed by the French 'Victoires de la Musique' awards (Revelation Artiste Lyrique in 2004,

SACRED CANTATS - Philippe Jaroussky, Bach & Telemann - When Philippe Jaroussky - whose angelic voice seems almost timeless - sings works by Telemann and Bach, it becomes abundantly clear that the sheer emotional force and the purifying power of their music have not diminished one bit over the centuries. Philippe Jaroussky has established himself as the most admired countertenor of his generation, as confirmed by the French 'Victoires de la Musique' awards ('Revelation Artiste Lyrique' in 2004, '

Vienna Symphony Plays Mozart Grieg & Telemann Vienna Symphony Orchestra / Kitajenko, Dimitrij - CD 717281908153

Examines the lives and music of Heinrich Schutz, Johann Jacob Froberger, Dietrich Buxtehude, Henry Purcell, and Georg Philipp Telemann

The Telemann Collection Telemann Edition (13 CD) - The familiar yet unfamiliar father figure of Baroque music: he wrote orchestral suites, chamber music, operas, oratorios and cantatas, a vast output that has still not been fully explored. During his own lifetime he was hailed as one of the most prolific, versatile and innovative composers of his day: Georg Philipp Telemann. The early music movement has long held him in high regard and in recent decades has been responsible for the high-quality

Georg Philipp Telemann gave us one of the richest legacies of instrumental music from the eighteenth century. Though considered a definitive contribution to the genre during his lifetime, his concertos, sonatas, and suites were then virtually ignored for nearly two centuries following his death. Yet these works are now among the most popular in the baroque repertory. In Music for a Mixed Taste, Steven Zohn considers Telemann's music from stylistic, generic, and cultural perspectives. He investigates the composer's cosmopolitan "mixed taste"--a blending of the French, Italian, English, and Polish national styles-and his imaginative expansion of this concept to embrace mixtures of the old (late baroque) and new (galant) styles. Telemann had an equally remarkable penchant for generic amalgamation, exemplified by his pioneering role in developing hybrid types such as the sonata in concerto style ("Sonate auf Concertenart") and overture-suite with solo instrument ("Concert en ouverture"). Zohn examines the extramusical meanings of Telemann's "characteristic" overture-suites, which bear descriptive texts associating them with literature, medicine, politics, religion, and the natural world, and which acted as vehicles for the composer's keen sense of musical humor. Zohn then explores Telemann's unprecedented self-publishing enterprise at Hamburg, and sheds light on the previously unrecognized borrowing by J.S. Bach from a Telemann concerto. Music for a Mixed Taste further reveals how Telemann's style polonaise generates musical and social meanings through the timeless oppositions of Orient-Occident, urban-rural, and serious-comic.

Georg Philipp Telemann gave us one of the richest legacies of instrumental music from the eighteenth century. Though considered a definitive contribution to the genre during his lifetime, his concertos, sonatas, and suites were then virtually ignored for nearly two centuries following his death. Yet these works are now among the most popular in the baroque repertory. In Music for a Mixed Taste, Steven Zohn considers Telemann's music from stylistic, generic, and cultural perspectives. He investigates the composer's cosmopolitan "mixed taste"--a blending of the French, Italian, English, and Polish national styles-and his imaginative expansion of this concept to embrace mixtures of the old (late baroque) and new (galant) styles. Telemann had an equally remarkable penchant for generic amalgamation, exemplified by his pioneering role in developing hybrid types such as the sonata in concerto style ("Sonate auf Concertenart") and overture-suite with solo instrument ("Concert en ouverture"). Zohn examines the extramusical meanings of Telemann's "characteristic" overture-suites, which bear descriptive texts associating them with literature, medicine, politics, religion, and the natural world, and which acted as vehicles for the composer's keen sense of musical humor. Zohn then explores Telemann's unprecedented self-publishing enterprise at Hamburg, and sheds light on the previously unrecognized borrowing by J.S. Bach from a Telemann concerto. Music for a Mixed Taste further reveals how Telemann's style polonaise generates musical and social meanings through the timeless oppositions of Orient-Occident, urban-rural, and serious-comic.

Telemann Quartets Telemann / Ensemble Ventus Iucundus - CD 9003643991521

Florilegium is one of Britain's finest period instrument ensembles. Since their formation in 1991, they have established a reputation for stylish and exciting interpretations, from intimate chamber works to large-scale orchestral and choral repertoire. This two disc collection features eleven of the twenty-four works from Telemann's Essercizii Musici. This selection of solo sonatas and trio sonatas offers the listener an insight into the different styles and instrumental combinations that make u

Georg Philipp Telemann: A Portrait Telemann: A Portrait / Various - CD 5400439003750

This most important first release marks the start of a major extended project to record, close to entirety, the world's most famous, historic and valuable violins. Some of these prized instruments have not been played for centuries, being specially released for this Peter Sheppard Skaerved-created series by Divine Art Recordings and it's Athene label. This initial, double-disc album finds Mr. Skaerved playing the complete Telemann Violin and Flute Fantasies on the oldest violin of them all, the

Composer: Georg Philipp Telemann Trio Sonata Flute Publisher: Fentone Music Category: Solo Instrumental Series: Fentone Instrumental Books For...