24 products were found matching your search for Television Operations in 3 shops:

From the bestselling author of more than 75 electronics books-totaling sales of well over one million copies-comes the ultimate "how it works" and "how to fix it" reference for all types of television equipment. Readers will find complete troubleshooting tips and techniques for all TV sets and monitors now in common use... along with those that are just emerging, such as improved definition (IDTV) and high definition (HDTV) systems. This highly practical desktop guide has ready-made markets among professional technicians and engineers, as well as hobbyists and students.

When precision and flexibility are paramount in your film and television production, the Canon OU-700 Remote Operation Unit for EOS C700 offers a durable, high-quality solution for remote camera control. This innovative and compact unit is specifically engineered to complement the Canon EOS C700, ensuring flawless compatibility and seamless integration with your camera system.The OU-700 Remote Operation Unit boasts a user-friendly 7-inch touch screen interface, providing intuitive control over essential camera functions such as start/stop recording, zoom, focus, and iris adjustments. This advanced touch screen feature sets the OU-700 apart from alternatives, offering a larger and more interactive experience than typically found on remote units.Designed with the needs of a dynamic production environment in mind, the OU-700 can be mounted directly to the right side of the EOS C700 for immediate access or operated from a distance using an optional extension cable. This versatility is crucial for shoots that require camera placement in challenging or inaccessible locations, ensuring that the director of photography and camera operators maintain full control over the shot, regardless of the camera's position.Ideal for collaborative settings, the OU-700 allows multiple crew members to interact with the camera without interference. By enabling a camera assistant to manage settings remotely, the focus puller and camera operator can concentrate on capturing the perfect shot without obstruction. The robust construction of the OU-700 ensures it withstands the rigors of on-set use, making it a reliable addition to any professional camera setup.In summary, the Canon OU-700 Remote Operation Unit for EOS C700 is an indispensable tool for filmmakers and videographers seeking to enhance their control and efficiency during production. Its combination of a large touch screen, dedicated compatibility with the EOS C700, and the ability to facilitate teamwork makes it a superior choice for industry professionals.

Now updated (first edition, 1986) with three new chapters on high-definition television, this reference for engineers engaged in design and development, as well as in maintenance and operation, reflects all of the revolutionary changes in television engineering, media, systems, and components that have taken place in the past 25 years from cable and satellite distribution to new color picture displays. It covers, in order: the basic theory of television, the concept of television signal generation, television signal transmission and distribution, image generation, hardware, reference standards and data, and high-definition television. Acidic paper. Annotation copyright Book News, Inc. Portland, Or.

The educational director of Sesame Street unfolds the television series' beginnings and operations

Learn how to direct television programs, understand complex directing tasks, and learn the fundamentals of studio production procedure in this back-to-basics guide to studio-based productions. Learn about lighting, set, camera operations, floor direction, technical direction, audio, tape, graphics, prompting, and assistant directing. As it's one of the most challenging types of programming, the live newscast is used to illuminate television producing and directing procedures for your newscast or other program genre. You'll soon be able to direct any type of studio-based program with ease. * A short, quick, easy-reference guide to multicamera TV directing* Heavily illustrated and written in the popular Media Manual format, designed for use on the job

What’s your impression of the CIA? A bumbling agency that can’t protect its own spies? A rogue organization prone to covert operations and assassinations? Or a dedicated public service that advances the interests of the United States? Astute TV and movie viewers may have noticed that the CIA’s image in popular media has spanned this entire range, with a decided shift to more positive portrayals in recent years. But what very few people know is that the Central Intelligence Agency has been actively engaged in shaping the content of film and television, especially since it established an entertainment industry liaison program in the mid-1990s. The CIA in Hollywood offers the first full-scale investigation of the relationship between the Agency and the film and television industries. Tricia Jenkins draws on numerous interviews with the CIA’s public affairs staff, operations officers, and historians, as well as with Hollywood technical consultants, producers, and screenwriters who have worked with the Agency, to uncover the nature of the CIA’s role in Hollywood. In particular, she delves into the Agency’s and its officers’ involvement in the production of The Agency, In the Company of Spies, Alias, The Recruit, The Sum of All Fears, Enemy of the State, Syriana, The Good Shepherd, and more. Her research reveals the significant influence that the CIA now wields in Hollywood and raises important and troubling questions about the ethics and legality of a government agency using popular media to manipulate its public image.

This is a practical guide to successful television production techniques, examining the technical operations, the underlying skills of camerawork, sound, lighting etc, associated crafts, and the work of the television director. It has been extensively revised and augmented, to reflect current practices. As well as extended information about current equipment and the latest techniques, there are new detailed sections on how to light, step by step, single-camera shooting, using the production switcher (vision mixer), recorded sound effects, post-production editing and audio sweetening, shooting on location, videotape editing methods, etc. But still the emphasis is on imaginative and creative interpretation, and effective program making. Because "The Technical of Television Production" is used by a wide range of teaching establishments, the text has been rearranged and developed to be even more "user friendly". Detailed technical topics are covered in digests in the extended glossary to avoid interrupting the flow of the general text. A number of new illustrations have been added.

The educational director of Sesame Street unfolds the television series' beginnings and operations

What’s your impression of the CIA? A bumbling agency that can’t protect its own spies? A rogue organization prone to covert operations and assassinations? Or a dedicated public service that advances the interests of the United States? Astute TV and movie viewers may have noticed that the CIA’s image in popular media has spanned this entire range, with a decided shift to more positive portrayals in recent years. But what very few people know is that the Central Intelligence Agency has been actively engaged in shaping the content of film and television, especially since it established an entertainment industry liaison program in the mid-1990s. The CIA in Hollywood offers the first full-scale investigation of the relationship between the Agency and the film and television industries. Tricia Jenkins draws on numerous interviews with the CIA’s public affairs staff, operations officers, and historians, as well as with Hollywood technical consultants, producers, and screenwriters who have worked with the Agency, to uncover the nature of the CIA’s role in Hollywood. In particular, she delves into the Agency’s and its officers’ involvement in the production of The Agency, In the Company of Spies, Alias, The Recruit, The Sum of All Fears, Enemy of the State, Syriana, The Good Shepherd, and more. Her research reveals the significant influence that the CIA now wields in Hollywood and raises important and troubling questions about the ethics and legality of a government agency using popular media to manipulate its public image.

The single universal bit of advice that working journalists give students is "learn to write well". Solid writing is the key to any successful and solid broadcast news operation. In Writing and Producing Television News, Second Edition author Eric Gormly uses contemporary news events as an engaging backdrop to teach students the fundamentals of writing news for television and cable. Author Gormly draws on his extensive background as a television journalist to explain how real newsrooms work. The text reviews basic grammar, introduces students to industry-specific terminology and the particular rules for TV newswriting, appraises the basics of a television news story, and reveals how television writing differs from writing for other media. The core of the book develops various story formats, and gives step-by-step instruction on how to transform basic information into properly scripted, solid stories. Included in this edition are the latest in script formatting; an in-depth look at new writing styles; interviews with and observations of working journalists from major television markets; an expanded chapter detailing the process of producing a television newscast; and up-to-date information about applying for jobs and internships in today's television marketplace. Newly expanded, packed with student exercises for hands-on learning, and fully illustrated with photos, line drawings, and charts, Writing and Producing Television News, Second Edition prepares students to perform from the moment they hit the newsroom.

This work studies television reporting of the US at war since World War II, including detailed coverage of television‘s role in the Gulf. Cumings offers insights into the everyday operations of the media and assesses the possibilities of mobilizing them for political purposes. At the centre of this volume is the tale of Cumings‘ own experience as expert consultant to a Thames Television production—Korea: The Unknown War. The book also features film reviews, anecdotes and several invectives against an array of media executives, retired soldiers and bureaucrats.

Get this book at FreemanTV.com - Weird Stuff is an encyclopedia of the occult and magic in pop culture, politics, and new technologies. There has never been a book like it! Explore “High Profile Rituals” on prime-time television. Understand how your children are being programmed to kill with “Princess/Warrior” propaganda. Discover the truth about science fiction and technologies used to control your mind. Weird Stuff goes where only the few dare tread! Where else will you find Aleister Crowley, Walt Disney, Lady Gaga, the Queen, and Barack Obama all in one conspiracy theory?Weird Stuff has the power to open the minds of the most ardent critics and leads them in with it’s pop culture style while giving the understanding to transcend the propaganda and find themselves empowered by the new-found knowledge.Weird Stuff is a occult conspiracy encyclopedia in an easy-to-read fully illustrated tabloid magazine format.

At 4:30 a.m. on September 5, 1972, a band of Palestinian terrorists took eleven Israeli athletes and coaches hostage at the Summer Olympics in Munich. More than 900 million viewers followed the chilling, twenty-hour event on television, as German authorities desperately negotiated with the terrorists. Finally, late in the evening, two helicopters bore the terrorists and their surviving hostages to Munich’s little-used Fürstenfeldbruck airfield, where events went tragically awry. Within minutes all of the Israeli athletes, five of the terrorists, and one German policeman were dead. Why did the rescue mission fail so miserably? And why were the reports compiled by the German authorities concealed from the public for more than two decades? Reeves takes on a catastrophe that permanently shifted the political spectrum with a fast-paced narrative that covers the events detail by detail. Based on years of exhaustive research, One Day in September is the definitive account of one of the most devastating and politically explosive tragedies of the late twentieth century, one that set the tone for nearly thirty years of renewed conflict in the Middle East.

Get this book at FreemanTV.com - Weird Stuff is an encyclopedia of the occult and magic in pop culture, politics, and new technologies. There has never been a book like it! Explore “High Profile Rituals” on prime-time television. Understand how your children are being programmed to kill with “Princess/Warrior” propaganda. Discover the truth about science fiction and technologies used to control your mind. Weird Stuff goes where only the few dare tread! Where else will you find Aleister Crowley, Walt Disney, Lady Gaga, the Queen, and Barack Obama all in one conspiracy theory?Weird Stuff has the power to open the minds of the most ardent critics and leads them in with it’s pop culture style while giving the understanding to transcend the propaganda and find themselves empowered by the new-found knowledge.Weird Stuff is a occult conspiracy encyclopedia in an easy-to-read fully illustrated tabloid magazine format.

Now entering its seventh season, 24 remains one of the most popular serial dramas on television, with millions of devoted fans around the world. These same viewers can immerse themselves in the world of 24 with this illustrated operations manual, full of vital information for all new agents of the elite Counter Terrorist Unit. Readers will discover: CTU History and Hierarchy (including floorplans and evacuation procedures) How to Interrogate and "Turn" a Terrorist How to Establish (and Protect) a False Identity How to Negotiate a Hostage Situation How to Parachute from an Airplane And much, much more Illustrated with dozens of stills from the show and packaged with a high-tech slipcase, 24: The Official CTU Operations Manual blends real-life information with the heart-stopping drama of TV's most exciting thriller.

Are you looking for a durable and reliable GPI trigger box that offers advanced functionality and user-friendly operation? The gBOX GPI Trigger Box is a high-quality solution designed to meet the needs of professionals in broadcast television, streaming media networks, multi-room editing facilities, and various audio/video/multimedia studios. This versatile device converts up to 48 General Purpose Interface (GPI) inputs and outputs to 100/10baseT Ethernet, USB, or a serial interface, ensuring compatibility with a wide range of systems.With the capability to connect up to 8 gBOX units to a master gBOX, users can expand their control to a total of 432 GPI inputs and outputs, providing ample capacity for complex setups. The gBOX is particularly ideal for applications that require remote sending of numerous GPI contacts from one location to another over IP, offering an economical and professional interface for computer-based automations and control systems.When equipped with an Ethernet Interface (#920394), the gBOX can function as either a server or client, facilitating device control across local or global networks. This feature allows for seamless integration with LAN, WAN, and Internet control setups, enabling you to manage switchers, computer systems, cameras, monitors, projectors, and other devices with ease.The gBOX's Ethernet communication over TCP/IP is compatible with any host computer running any operating system that supports the TCP/IP protocol. This ensures that the gBOX can be integrated into virtually any existing network infrastructure without compatibility issues. Additionally, the gBOX can be linked with other gBOX units to extend the reach beyond traditional GPI cable lengths.Configurable as a server, the gBOX passively awaits connections from client devices, while in client mode, it actively seeks to establish a connection with a server gBOX. This flexibility allows for tailored setup according to specific network requirements. The gBOX's operation modes, set by rear panel DIP switches, include Server and Client for Ethernet interfaces, and GPI to serial conversion for serial interfaces.For enhanced functionality, the gBOX works with the optional eBOX io, which provides opto-isolated inputs and relay outputs for additional control possibilities. The device features a rear panel power switch, a locking power connector, and a universal power supply for secure and stable operation.The gBOX can also be used in conjunction with the sBOX - Remote Trigger Box - to provide hot buttons for triggering GPIs, further enhancing its user-friendly aspect. Optional Standard interface cards extend control capabilities over 10/100 Base-T (Ethernet), USB, RS-422, or RS-232, making the gBOX GPI Trigger Box a comprehensive solution for your interface and control needs.

Before you settle for any video switcher, consider the 4K HDMI 4x4 Matrix Video Switcher in Black, a distinguished member of the Genesis Digital Matrix series by Hall Technologies. This high-quality, durable, and versatile device is designed to deliver exceptional video quality and intuitive operation, embodying the superior standards synonymous with Hall Technologies' video matrix switchers.This efficient 4x4 cross-point switch comes in a compact 1-RU enclosure, making it a sleek and professional addition to any setup. It's not just about looks, though. This switcher is a powerhouse, supporting HDMI resolutions up to 4K at 60Hz4:4:4, ensuring your video quality is second to none.The 4K HDMI 4x4 Matrix Video Switcher is also compatible with HDCP 2.2 and 1.4, 3D, deep-color, and a range of audio standards including PCM, Dolby, DTS, and HD. This ensures that it can seamlessly integrate with your existing equipment and deliver the best possible audio-visual experience.One of the standout features of this user-friendly switcher is its intelligent EDID calculation for each input, based on the EDID of the connected sinks. This feature, combined with the ability to save and recall multiple matrix routing configuration presets, offers you unparalleled control over your video switching.The switcher also includes a two-line character LCD on its front panel. This display not only shows the current video routing but also facilitates the creation or recall of presets, making operation a breeze.Whether you're setting up for conference rooms, multimedia presentations, digital signage, or houses of worship, the 4K HDMI 4x4 Matrix Video Switcher in Black is a versatile solution designed to meet your needs.

It's time to revolutionize your film and television production with the Blackmagic Ethernet Switch 360P, a pioneering Ethernet switch specifically engineered for the broadcasting industry. With its high-performance capabilities and low latency, this Ethernet switch ensures seamless and efficient operations.The Blackmagic Ethernet Switch 360P is designed with all Ethernet connections located at the rear, providing a neat, secure, and user-friendly setup. It features 16 rapid 10G Ethernet ports and 2 ultra-high-speed 100G Ethernet QSFP sockets, compatible with both copper cables and optical fiber modules.One of the standout features of this Ethernet switch is the built-in router panel on the front, enabling you to set 2110 IP multicasting using familiar video routing. This eliminates the need for a team of IT technicians, making it a simple plug-and-play solution for television work.The Blackmagic Ethernet Switch 360P is not just about functionality; it's also about convenience. The rear placement of all network connections aligns with the network ports on your broadcast equipment, simplifying cable management. Unlike standard data switches with front connections that can lead to messy cabling, this switch ensures a clean and secure setup.The switch also includes router settings, eliminating the need for an IT team. You can easily update SMPTE-2110 IP multicast settings using a regular Videohub router style front panel, a feature that's familiar and user-friendly for the television industry.With the Blackmagic Ethernet Switch 360P, you can build small 2110 IP systems, such as fly away kits or small broadcast vans, without the need for complex multicast settings or an IT technician. It also allows you to expand storage and manage gear remotely, thanks to its 16 independent 10G Ethernet connections and 2 extreme speed 100G Ethernet connections.The switch also features a Video Router Panel for easy 2110 IP Multicast settings, allowing you to create self-contained 2110 IP systems without the need for complex IT configurations. The front panel, similar to a Blackmagic Videohub router, includes a machined metal spin knob, color LCD, and shortcut buttons for easy operation.The Blackmagic Ethernet Switch 360P also comes with an HDMI monitoring feature with real-time speed graphs, providing a visual status display of each Ethernet connection. This feature allows you to anticipate and address issues before they occur, ensuring smooth and uninterrupted operations.In summary, the Blackmagic Ethernet Switch 360P is a high-performance, user-friendly, and efficient solution designed to meet the unique needs of the television industry. It's more than just an Ethernet switch; it's a game-changer in broadcast technology.

Under the demands of dynamic film and television production, the GS16 Gimbal Support Vest emerges as an indispensable tool for professional filmmakers and photographers. Crafted with durability in mind, this vest is designed to facilitate flexible and safe operation while ensuring a comfortable user experience during extended shoots.The GS16's ergonomic design significantly reduces pressure on the shoulders by efficiently redistributing the weight of your equipment to the waist and legs. This allows for steady and stable shooting, even when you're on the move-whether conducting interviews while jogging, capturing footage from a moving vehicle, or balancing on a board.Featuring a high-tech construction that combines robust materials with an elastic nylon belt, the GS16 Gimbal Support Vest is engineered to be versatile and functional. Its adjustability ensures a tailored fit, accommodating various user heights without compromising on style or comfort.Compatible with most standard arm types and designed to support gimbals and camera setups weighing 12 lbs and up, this vest is a testament to Came-TV's commitment to quality and innovation. The GS16 Gimbal Support Vest is not just equipment; it's a reliable partner for those who demand excellence in their craft and wish to maintain their health while pursuing their passion for visual storytelling.

Before diving into the world of wireless camera control, consider the Autoscript WC-IP Wireless Controller and WB-IP Wireless Base Station package. This innovative bundle is specifically designed for seamless prompting and script operation, making it an essential tool for film and television production, live events, and any other application requiring a reliable wireless camera system.The WC-IP Wireless Controller, a high-quality product from Autoscript, is a custom-designed wireless scroll control that fits discreetly in the palm of your hand. It's optimized for on-screen talent operation, featuring a forward/reverse joystick for intuitive text scrolling. The controller also boasts three story navigation buttons and two programmable function buttons, providing enhanced control options when needed. All buttons are managed within the user-friendly WinPlus-IP interface, where they can be enabled, disabled, or assigned as required.Designed for use in bustling studios, the WC-IP is easily configured and paired with a WB-IP base station (not included) within WinPlus-IP. The controller's long-life battery status can be monitored in WinPlus-IP or via a discreet LED status display on the controller itself. Recharging is simple with a standard USB-C cable. Each WC-IP connects with a single WB-IP base station, maintaining a stable connection over a distance of up to 100m/300ft. This ensures smooth, uninterrupted script scrolling, even in large-scale productions or with highly mobile on-screen talent.The WB-IP Wireless Base Station, when paired with the WC-IP Wireless Controller (not included), creates a comprehensive solution for studios where talent needs to be in control and on the move. The base station transmits control data from the WC-IP to the software application and sends configuration data to the WC-IP. With a range of up to 30m (100ft), the WB-IP can be discreetly positioned in locations like the lighting grid, making it suitable for both large and small studios.The WB-IP operates using Power over Ethernet, requiring just one Ethernet cable for both power and network connectivity. LED indicators on the base station clearly display power and network connectivity status, which is also displayed in the WinPlus-IP device management window. This durable, portable, and high-quality wireless controller and base station package from Autoscript offers unparalleled flexibility and control for your wireless camera system.