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BOOKS OF THE YEAR 2017 in The Sunday Times, Spectator, Mail on Sunday, Observer andFinancial Times'A landmark biography' The Times, Books of the Year'One of our generation's greatest biographers' London Review of Books'Witty, spirited, richly crowded with incident and character - a joy to read' ProspectThe long-awaited portrait of a literary master from one of our generation's greatest biographers, author of the definitive and acclaimed Matisse: The LifeAnthony Powell: the literary genius who gave us A Dance to the Music of Time, an undisputed classic of English literature. Spanning twelve spectacular volumes and written over twenty-five years, his comic masterpiece teems with idiosyncratic characters, capturing twentieth century Britain through war and peace.Drawing on Powell's letters and journals, and the memories of those who knew him, Hilary Spurling explores his life. Investigating the friends, relations, lovers, acquaintances, fools and geniuses who surrounded him, she reveals the comical and tragic events that inspired one of the greatest fictions of the age.*Discover Anthony Powell's A Dance to the Music of Time series, available in paperback and e-book from Arrow.

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Dust jacket design by Char Lappan. A guide to Powell's 12 volume serial novel. Includes indexes of characters, books, paintings and places in addition to a synopsis, plus his introduction. Includes bibliographical references. Originally published in England in 1977.

To earn the reputation of a literary giant within the generation of Waugh, Orwell, and Greene is no mean feat. To do so with the grace and genius that characterized Anthony Powell—whose twelve-volume A Dance to the Music of Time is possibly the only English-language work to match the majestic scope of Proust's Remembrance of Things Past—is nothing short of spectacular. Yet Powell himself remains absent from his writing; he was, said the New York Times, "a writer of mordant succinctness who rewards the reader while revealing little of himself."Powell did eventually reveal himself in four volumes of memoirs, published between 1976 and 1982. This edition of Anthony Powell's Memoirs is an abridged and revised version of those volumes, a version that has never before been published in this form in the United States. The result is not only a fascinating view of Powell as a man and an author but also a unique history of British literary society and the social elite Powell lampooned and moved within from the twenties through the eighties. From Eton and Oxford to his life as a novelist and critic, Powell observes all—the obscenity trial sparked by Lady Chatterley's Lover; Shirley Temple's libel suit after Graham Greene reviewed Wee Willie Winkie "with even more than his usual verve"—and paints vivid portraits of Kingsley Amis, V.S. Naipaul, T.S. Eliot, Virginia Woolf, and countless others. Most importantly, Powell's lively memoirs banish all thought of the man as a relic of the British gentry. He was a modernist, a Tory, and more than a little interested in genealogy and peerage, but a man who, according to Ferdinand Mount, "miraculously knew what life was like."

Third in a series of journals, this book includes the author's memories of Evelyn Waugh, Philip Larkin, John Betjamin, Kingsley Amis, and Marlene Dietrich.

Suggesting that the literary world is just beginning to realize the extent of Anthony Powell's achievements, Nicholas Birns provides a fresh examination of the British writer's career and growing reputation in this introduction to his work. Birns takes a global view of Powell's corpus, situating his works in context and explaining his place among Evelyn Waugh, Graham Greene, and Henry Green, in the second generation of British modernists. Birns adds to the understanding of how Powell and his compatriots pioneered a "next wave" modernism in which experimentation and traditional narrative combined in a sustainable mode.Birns offers readings of Powell's entire oeuvre, including the novels Afternoon Men, Venusberg, and The Fisher King, and his journals, which appeared in print between 1995 and 1997. Looking especially closely at A Dance to the Music of Time, the twelve-volume sequence of novels that is Powell's masterpiece, Birns sets the series in its social and historical context, emphasizing the role that both world wars and the cold war played in Powell's life and writing. He makes a particular study of the novel's dominating force - the arrogant, opportunistic Widmerpool, a social climber who delights in his own good fortune and gloats over the sufferings of others. While noting Widmerpool's central position, Birns illumines Powell's subtle aesthetic resistance, epitomized by minor characters and the voice of the narrator, against Widmerpool and his ilk. Birns shows that instead of setting forth a single champion against evil, Powell subtly communicates a half-melancholy, half-humorous sensibility in which he invites the reader to share.

Dust jacket design by Char Lappan. A guide to Powell's 12 volume serial novel. Includes indexes of characters, books, paintings and places in addition to a synopsis, plus his introduction. Includes bibliographical references. Originally published in England in 1977.

Powell, Anthony, Faces In My Time: The Memoirs Of Anthony Powell, Volume III

Suggesting that the literary world is just beginning to realize the extent of Anthony Powell's achievements, Nicholas Birns provides a fresh examination of the British writer's career and growing reputation in this introduction to his work. Birns takes a global view of Powell's corpus, situating his works in context and explaining his place among Evelyn Waugh, Graham Greene, and Henry Green, in the second generation of British modernists. Birns adds to the understanding of how Powell and his compatriots pioneered a "next wave" modernism in which experimentation and traditional narrative combined in a sustainable mode.Birns offers readings of Powell's entire oeuvre, including the novels Afternoon Men, Venusberg, and The Fisher King, and his journals, which appeared in print between 1995 and 1997. Looking especially closely at A Dance to the Music of Time, the twelve-volume sequence of novels that is Powell's masterpiece, Birns sets the series in its social and historical context, emphasizing the role that both world wars and the cold war played in Powell's life and writing. He makes a particular study of the novel's dominating force - the arrogant, opportunistic Widmerpool, a social climber who delights in his own good fortune and gloats over the sufferings of others. While noting Widmerpool's central position, Birns illumines Powell's subtle aesthetic resistance, epitomized by minor characters and the voice of the narrator, against Widmerpool and his ilk. Birns shows that instead of setting forth a single champion against evil, Powell subtly communicates a half-melancholy, half-humorous sensibility in which he invites the reader to share.

In shrink wrap. Looks like an interesting title!

size: 6x9 pages: 197 (includes index) Columbia University Press 1976

Paperback Original. The covers have only very slight edge wear. Very slight spotting to the top edges of the pages. One small stain to the inside of the front cover where there is a trace of some writing in pencil. Faint mark to the first page but the pages are otherwise unmarked. First printing.

The first novel Anthony Powell published following the completion of his epic A Dance to the Music of Time, O, How the Wheel Becomes It! fulfills perhaps every author’s fantasy as it skewers a conceited, lazy, and dishonest critic. A writer who avoids serving in World War II and veers in and out of marriage, G. F. H. Shadbold ultimately falls victim to the title’s spinning—and righteous—emblem of chance. Sophisticated and a bit cruel, Wheel’s tale of posthumous vengeance is, nonetheless, irresistible. Written at the peak of the late British master’s extraordinary literary career, this novel offers profound insight into the mind of a great artist whose unequaled style, ear for dialogue, and eye for irony will delight devotees and new readers alike.

To earn the reputation of a literary giant within the generation of Waugh, Orwell, and Greene is no mean feat. To do so with the grace and genius that characterized Anthony Powell—whose twelve-volume A Dance to the Music of Time is possibly the only English-language work to match the majestic scope of Proust's Remembrance of Things Past—is nothing short of spectacular. Yet Powell himself remains absent from his writing; he was, said the New York Times, "a writer of mordant succinctness who rewards the reader while revealing little of himself."Powell did eventually reveal himself in four volumes of memoirs, published between 1976 and 1982. This edition of Anthony Powell's Memoirs is an abridged and revised version of those volumes, a version that has never before been published in this form in the United States. The result is not only a fascinating view of Powell as a man and an author but also a unique history of British literary society and the social elite Powell lampooned and moved within from the twenties through the eighties. From Eton and Oxford to his life as a novelist and critic, Powell observes all—the obscenity trial sparked by Lady Chatterley's Lover; Shirley Temple's libel suit after Graham Greene reviewed Wee Willie Winkie "with even more than his usual verve"—and paints vivid portraits of Kingsley Amis, V.S. Naipaul, T.S. Eliot, Virginia Woolf, and countless others. Most importantly, Powell's lively memoirs banish all thought of the man as a relic of the British gentry. He was a modernist, a Tory, and more than a little interested in genealogy and peerage, but a man who, according to Ferdinand Mount, "miraculously knew what life was like."

Messengers Of Day, Vol 2: The Memoirs Of Anthony Powell, by Powell, Anthony

A collection of Anthony Powell's best critical writing over a period of four decades, drawn from his regular reviews for the "Daily Telegraph", occasional humorous pieces for "Punch" and more sustained pieces of critical and anecdotal writing on writers. The first section on British writers looks at John Aubrey, Rudyard Kipling, Conrad and Thomas Hardy. The second part looks at American writers such as Henry James, James Thurber and Dashiel Hammett, and included is a section on Powell's contemporaries such as Cyril Connolly, George Orwell, Nancy Mitford, Graham Greene, Osbert Lancaster and others. The book closes with a discussion of Proust.

Unsavory artists, titled boobs, and charlatans with an affinity for Freud—such are the oddballs whose antics animate the early novels of the late British master Anthony Powell. A genius of social satire delivered with a very dry wit, Powell builds his comedies on the foibles of British high society between the wars, delving into subjects as various as psychoanalysis, the film industry, publishing, and (of course) sex. More explorations of relationships and vanity than plot-driven narratives, these slim novels reveal the early stirrings of the unequaled style, ear for dialogue, and eye for irony that would reach their caustic peak in Powell’s epic A Dance to the Music of Time. In Agents and Patients, we return to London with the newly wealthy, memorably named Blore-Smith: an innocent, decent enough chap . . . and a drip. Vulnerable to the machinations of those with less money and more lust, Blore-Smith falls victim to two con artists whose ploys carry him through to the art galleries and whorehouses of Paris, Berlin, and beyond. Written from a vantage point both high and necessarily narrow, Powell’s early novels nevertheless deal in the universal themes that would become a substantial part of his oeuvre: pride, greed, and what makes people behave as they do. Filled with eccentric characters and piercing insights, Powell’s work is achingly hilarious, human, and true.

light wear to the book and jacket, flaps clipped, a small sticker scar to the front endpaper, pages browned as usual. 8vo, 210 pp. We specialize in the works of and about Anthony Powell. Books and other items ship promptly with a tracking number and (generally over $15.00) jacket protectors if applicable. Clean recycled packing material will be used when possible. The Book Shed has a been a member of the Vermont Antiquarian Bookseller's Association since 1997. An online bookseller with a bookshop sensibility!

Written from a vantage point both high and deliberately narrow, the early novels of the late British master Anthony Powell nevertheless deal in the universal themes that would become a substantial part of his oeuvre: pride, greed, and the strange drivers of human behavior. More explorations of relationships and vanity than plot-driven narratives, Powell’s early works reveal the stirrings of the unequaled style, ear for dialogue, and eye for irony that would reach their caustic peak in his epic, A Dance to the Music of Time. Powell’s sophomore novel, Venusberg, follows journalist Lushington as he leaves behind his unrequited love in England and travels by boat to an unnamed Baltic state. Awash in a marvelously odd assortment of counts and ladies navigating a multicultural, elegant, and politically precarious social scene, Lushington becomes infatuated with his very own, very foreign Venus. An action-packed literary precursor to Wes Anderson’s The Grand Budapest Hotel, Venusberg is replete with assassins and Nazis, loose countesses and misunderstandings, fatal accidents and social comedy. But beyond its humor, this early installment in Powell’s literary canon will offer readers a welcome window onto the mind of a great artist learning his craft.

Anthony Powell's celebrated early novel turns to English rural society to caricature a socially aspiring artist and his disastrous ambition to marry well.