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The classic reproduction vintage print, 1652 map of early north America, reflects a time when California was shown as a separate island and the northwest portion of the continent was unexplored. As an added bonus this map is decorated with drawings of ships and native wildlife. This fascinating piece of history is printed on heavyweight matte art paper made to last. This historic looking print is ready to frame, mount, or display as a poster directly on the wall. Color: Multicolor.

Book by Scholz-Hansel, Michael

One of the most memorable creative personalities of the Baroque age and arguably the most forcefully expressive and influential woman painter in history, the Roman-born Artemisia Gentileschi (1593–1652/3) has become the central figure in the recovery of the history of art produced by women. Applying a rigorous methodology, this profusely illustrated study with interpretative text and catalogue raisonné embeds Gentileschi’s pictorially and emotionally compelling pictures within the actual sociocultural contexts in and for which they were created.The interpretive text analyzes key pictures and primary literary evidence to reveal the sweep of Artemisia’s oeuvre, chart her travels, define her standing with artists and patrons of the period, investigate the links between her financial situations and the artistic decisions that she made, and assess the validity of proposals regarding her activity as a still-life painter, her access to professional organizations, her level of literacy, and the nature of her subject matter. Exploring the question of the interrelationships among Gentileschi’s gender and experiences as a woman, the state of her psyche, and her art, the text also confronts—and often challenges—the widely embraced feminist interpretation of her pictures. Many of the conclusions in the text are supported by an extensive register of archival documents and by the very core of the study: the first and only catalogue raisonné of Artemisia’s autograph works, each of the fifty-seven pictures exhaustively investigated as to basic factual information, condition and color, iconography, history, documentation and dating, existing copies, and bibliography. Catalogues of misattributed and lost paintings complete this comprehensive volume.

The Spanish Baroque artist and printmaker, Jusepe de Ribera (1591–1652), has long been celebrated for his depictions of human suffering—faces contorted in pain, mutilated bodies, sagging flesh, and deformed bodies. This new volume explores, for the first time, the theme of violence in Ribera's work to demonstrate how his images are neither the product of his supposed sadism nor the expression of a purely aesthetic interest, but rather involve a complex artistic, religious and cultural engagement in the depiction of bodily suffering, challenging visitors to look beyond the shocking imagery.Born in Játiva, Valencia, Ribera spent most of his career in Naples, southern Italy, where he influenced many Neapolitan masters including Salvator Rosa and Luca Giordano. He is often regarded as the heir to Caravaggio for his dramatic use of light and shadow, and his practice of painting directly from the live model. His prints and paintings alike had an enormous impact on the development of Baroque art all over Europe.

The Spanish Baroque artist and printmaker, Jusepe de Ribera (1591–1652), has long been celebrated for his depictions of human suffering—faces contorted in pain, mutilated bodies, sagging flesh, and deformed bodies. This new volume explores, for the first time, the theme of violence in Ribera's work to demonstrate how his images are neither the product of his supposed sadism nor the expression of a purely aesthetic interest, but rather involve a complex artistic, religious and cultural engagement in the depiction of bodily suffering, challenging visitors to look beyond the shocking imagery.Born in Játiva, Valencia, Ribera spent most of his career in Naples, southern Italy, where he influenced many Neapolitan masters including Salvator Rosa and Luca Giordano. He is often regarded as the heir to Caravaggio for his dramatic use of light and shadow, and his practice of painting directly from the live model. His prints and paintings alike had an enormous impact on the development of Baroque art all over Europe.