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An innovative rug collection mixing ultra-soft multicolored polyester pile in a creamy loop construction, for a unique high-low structure, adding a sophisticated 3D-effect to every design. The combination of the richness in color, strengthened by the lush sheen, and the visual structural relief effect, is what makes this collection stand out. These supple rugs in blends of cream and black tones, cream and dark blue hues and cream and warm brown shades, are non-shedding and will certainly add a touch of glamour to every room. Pattern: Chevron.

An innovative rug collection mixing ultra-soft multicolored polyester pile in a creamy loop construction, for a unique high-low structure, adding a sophisticated 3D-effect to every design. The combination of the richness in color, strengthened by the lush sheen, and the visual structural relief effect, is what makes this collection stand out. These supple rugs in blends of cream and black tones, cream and dark blue hues and cream and warm brown shades, are non-shedding and will certainly add a touch of glamour to every room. Pattern: Chevron.

An innovative rug collection mixing ultra-soft multicolored polyester pile in a creamy loop construction, for a unique high-low structure, adding a sophisticated 3D-effect to every design. The combination of the richness in color, strengthened by the lush sheen, and the visual structural relief effect, is what makes this collection stand out. These supple rugs in blends of cream and black tones, cream and dark blue hues and cream and warm brown shades, are non-shedding and will certainly add a touch of glamour to every room. Color: Charcoal. Pattern: Chevron.

An innovative rug collection mixing ultra-soft multicolored polyester pile in a creamy loop construction, for a unique high-low structure, adding a sophisticated 3D-effect to every design. The combination of the richness in color, strengthened by the lush sheen, and the visual structural relief effect, is what makes this collection stand out. These supple rugs in blends of cream and black tones, cream and dark blue hues and cream and warm brown shades, are non-shedding and will certainly add a touch of glamour to every room. Color: Grey. Pattern: Chevron.

Size: 8.5x11.25 inches, 460pp., illus. Text in French. Near new condition, covers bright, text clean and binding tight in a lightly worn and chipped dust jacket which is now in a clear protective mylar sleeve.

A travers l'analyse de trois communautés tessinoises du XIXe siècle (Cevio dans le val Maggia, Aquila dans le val de Blenio et Arzo-Meride dans le Mendrisiotto), l'ouvrage explique le fonctionnement de la famille comme composante primaire et reflet du tissu démographique et d'un écosystème pauvre favorisant la recherche de ressources complémentaires à celles fournies par le milieu local. La présente étude, basée sur des sources démographiques et des archives notariales, décrit les multiplicités des vocations économiques. Elle démontre également dans quelle mesure les formes migratoires ont joué un rôle central pour la survie des familles et influencé ses modes et ses stratégies de reproduction et d'exclusion.

Description du livre: Sweden 2001. This collection of 83 drawings from the 15th century comes from the famous collection built up by Vasari during the mid-6th century, which then came t o the museum through the efforts of Pierre Crozat and Carl Gustaf Tessin. B y reason of its beauty and the complexity of its historical role, this coll ection now occupies a unique position among all the treasures of the Nation almuseum. Catalogue includes an index of masters and their drawings, both t opographically and chronologically arranged., English, Year2001, Illust. B/ W79, Illust. Color56, ISBN9171006265, Clothbound w/ jacket, In Pristine Condition, Index. Pages 124,-Euro 205,00.- ( Drawings in swedish public collections )xx Language : English Text Size: Quarto Coll. B 66

Neuware - Following the exhibition Tendenzen-Neuere Architektur im Tessin in Zurich in 1975, contemporaneous architecture in Ticino became the subject of fervent coverage in Swiss and international publications. This extended essay argues that the critical attention emancipated the narratives of Ticino architecture from the actual conditions of production, leading to the paradoxical divergence of its historiography from its history. Placing well-known external constructs, such as the notion of the School of the Ticino, against the robust skepticism of local architects and historians, the essay chronicles the long-term consequences of the misalignment between autonomous theory and situated knowledge.