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Much speculation about what is known as Custer's Last Stand has come about because of the notion that no one lived to tell the tale. In fact, BrizÉe-Bowen reminds readers, hundreds of native warriors survived, and have much to say about the 1876 battle between the US and coalition forces in Montana. She presents and discusses 61 Sioux, Cheyenne, and Crow pictographic depictions of it, some representing 13 or more different artists. They have been published in battle histories, museums collections, and studies of Plains Indian art, but never before put together to offer a picture of events. She teaches geography, history, and government in Colorado. Annotation (c) Book News, Inc., Portland, OR (booknews.com)

Admire the majestic beauty of cheetahs with this vibrant artwork featuring a group of these graceful animals. Its dynamic illustration and bright tones add a pop of color and energy to your decor, perfect for animal lovers seeking captivating wall art. Waunakee, Wisconsin, this modern floating canvas art is sure to bring joy to your space. Our design team curates art that will fit perfectly in any room of your home. Showcase this art in your living room, bedroom, home office, kitchen, bathroom, nursery, or anywhere you want to bring a little beauty and charm to your walls. Specializing in home decor, we are continually bringing timeless works of art for the traditional decorator as well as trend-forward pieces for that eclectic art lover. Our high-quality framed canvas art also makes excellent gifts for birthdays, holidays, or housewarming parties. Printed on gallery-wrapped canvas and framed with a simple gallery frame this wall art is easy to display on the wall and will match with any decor style. The outer dimensions are 18 in. by 24 in. by 1.6 in. Print Name: Cheetah Coalition White. Color: Natural.

Nonfiction. Art. Activisim. Criticism and Theory. An anthology that explores the rise of activist public art that agitates for social change. Included are discussions of such leading and controversial artists as: the Guerrilla Girls, Gran Fury, Group Material, Women's Action Coalition, and the Artist and Homeless Collaborative.

An exploration of artworks that use weather or atmosphere as the primary medium, creating new coalitions of collective engagement with the climate crisis.In a time of climate crisis, a growing number of artists use weather or atmosphere as an artistic medium, collaborating with scientists, local communities, and climate activists. Their work mediates scientific modes of knowing and experiential knowledge of weather, probing collective anxieties and raising urgent ecological questions, oscillating between the “big picture systems view” and a ground-based perspective. In this book, Janine Randerson explores a series of meteorological art projects from the 1960s to the present that draw on sources ranging from dynamic, technological, and physical systems to indigenous cosmology. Randerson finds a precursor to today's meteorological art in 1960s artworks that were weather-driven and infused with the new sciences of chaos and indeterminacy, and she examines work from this period by artists including Hans Haacke, Fujiko Nakaya, and Aotearoa-New Zealand kinetic sculptor Len Lye. She looks at live experiences of weather in art, in particular Fluxus performance and contemporary art that makes use of meteorological data streams and software. She describes the use of meteorological instruments, including remote satellite sensors, to create affective atmospheres; online projects and participatory performances that create a new form of “social meteorology”; works that respond directly to climate change, many from the Global South; artist-activists who engage with the earth's diminishing cryosphere; and a speculative art in the form of quasi-scientific experiments. Art's current eddies of activity around the weather, Randerson writes, perturb the scientific hold on facts and offer questions of value in their place.

Minnesota's State Capitol: The Art and Politics of a Public Building tells the story of how private citizens, professional tradesmen, and public officials formed a coalition that got Minnesota's statehouse designed and built. Drawing on extensive research, Neil B. Thompson relates how several governors, a decade of hard work, and four million dollars contributed toward creating this magnificent testament to the sovereignty of the state, opened to the public for the first time in January 1905. This new edition is being published for the Capitol centennial celebration in 2005.As Thompson observes, the lavishly decorated capitol, designed by emerging young architect Cass Gilbert of St. Paul, is a gigantic Renaissance palace, erected with superb materials and expert workmanship, as well as a monument in marble to a moment in Minnesota's history when many residents felt that the frontier was passing away and they stood on the brink of a new age of urbanization and the modern era. With its huge dome (modeled after the one designed by Michelangelo for St. Peter's Cathedral in Rome), the stunning gold-leafed quadriga sculpture of driver and horses (executed by Daniel C. French and Edward C. Potter), and the vibrant paintings (by Kenyon Cox, John La Farge, Howard Pyle, Edwin H. Blashfield, and other noted artists), the capitol marked the beginning of Cass Gilbert's acclaimed career. After gaining national prominence for his design, Gilbert soon moved to New York, where he went on to design such landmarks as the Supreme Court Building in Washington, D.C., and the Woolworth Building in New York City.For a century now, the Minnesota State Capitol has continued to be the beating heart of state government and a splendid symbol dominating the skyline of the city of St. Paul and the world's perception of Minnesota itself.

Much speculation about what is known as Custer's Last Stand has come about because of the notion that no one lived to tell the tale. In fact, BrizÉe-Bowen reminds readers, hundreds of native warriors survived, and have much to say about the 1876 battle between the US and coalition forces in Montana. She presents and discusses 61 Sioux, Cheyenne, and Crow pictographic depictions of it, some representing 13 or more different artists. They have been published in battle histories, museums collections, and studies of Plains Indian art, but never before put together to offer a picture of events. She teaches geography, history, and government in Colorado. Annotation (c) Book News, Inc., Portland, OR (booknews.com)

Winner of a 2006 Coalition of Visionary Resources (COVR) Award Ever present in art and mythology, animals have made an indelible impression on our psyche. The Animals Divine Tarot can help us reconnect with the natural world and tune into animal energies for a more intuitive, insightful outlook on life. Gorgeous and graceful, Lisa Hunt's watercolor imagery showcases sacred creatures and deities from a myriad of cultures: Aztec, Incan, Indian, Japanese, African, Native American, Greek, Roman, and others. Bast, the cat-headed goddess of Egypt, proudly fulfills the High Priestess role while the adventurous coyote treads a rocky path as The Fool. Inspiring imagination and contemplation, this soulful tarot deck invites us to recognize our inner creatures and merge with our animal energies. Click here to view the artwork of the Animals Divine Tarot.

David Coltart is one of the most prominent political and human rights figures in Zimbabwe. In 2000, he was elected to Parliament and, following the creation of a ‘coalition’ government in September 2008, he was appointed Minister of Education, Sport, Arts and Culture, a position he held until August 2013. Over the years, Coltart has been threatened, detained, spuriously prosecuted and has survived several direct attempts on his life. For three decades, Coltart has kept detailed notes and records of all his work, including a meticulous diary of Cabinet dealings, the source material for much of his book.

Winner of a 2006 Coalition of Visionary Resources (COVR) Award Ever present in art and mythology, animals have made an indelible impression on our psyche. The Animals Divine Tarot can help us reconnect with the natural world and tune into animal energies for a more intuitive, insightful outlook on life. Gorgeous and graceful, Lisa Hunt's watercolor imagery showcases sacred creatures and deities from a myriad of cultures: Aztec, Incan, Indian, Japanese, African, Native American, Greek, Roman, and others. Bast, the cat-headed goddess of Egypt, proudly fulfills the High Priestess role while the adventurous coyote treads a rocky path as The Fool. Inspiring imagination and contemplation, this soulful tarot deck invites us to recognize our inner creatures and merge with our animal energies. Click here to view the artwork of the Animals Divine Tarot.

David Coltart is one of the most prominent political and human rights figures in Zimbabwe. In 2000, he was elected to Parliament and, following the creation of a ‘coalition’ government in September 2008, he was appointed Minister of Education, Sport, Arts and Culture, a position he held until August 2013. Over the years, Coltart has been threatened, detained, spuriously prosecuted and has survived several direct attempts on his life. For three decades, Coltart has kept detailed notes and records of all his work, including a meticulous diary of Cabinet dealings, the source material for much of his book.

The "I.M.A.G.I.N.E. PEACE NOW " exhibition (an acronym: Innovative Merger (of) Art (and) Guns (to) Inspire New Expressions(of) Peace Now), organized by Boris Bally, includes 94 works of compelling, peace-themed artworks made from decommissioned firearms from Pittsburgh?s ?Goods for Guns? Anti Violence Coalition.