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In the early 1300s, Dante Alighieri set out to write the three volumes which make the up The Divine Comedy. Purgatorio is the second volume in this set and opens with Dante the poet picturing Dante the pilgrim coming out of the pit of hell. Similar to the Inferno (34 cantos), this volume is divided into 33 cantos, written in tercets (groups of 3 lines). The English prose is arranged in tercets to facilitate easy correspondence to the verse form of the Italian on the facing page, enabling the reader to follow both languages line by line. In an effort to capture the peculiarities of Dante's original language, this translation strives toward the literal and sheds new light on the shape of the poem. Again the text of Purgatorio follows Petrocchi's La Commedia secondo l'antica vulgata, but the editor has departed from Petrocchi's readings in a number of cases, somewhat larger than in the previous Inferno, not without consideration of recent critical readings of the Comedy by scholars such as Lanza (1995, 1997) and Sanguineti (2001). As before, Petrocchi's punctuation has been lightened and American norms have been followed. However, without any pretensions to being "critical", the text presented here is electic and being not persuaded of the exclusive authority of any manuscript, the editor has felt free to adopt readings from various branches of the stemma. One major addition to this second volume is in the notes, where is found the Intercantica - a section for each canto that discusses its relation to the Inferno and which will make it easier for the reader to relate the different parts of the Comedy as a whole.

Translated and edited by Thomas G. Bergin, this edition of The Divine Comedy is complete and features a new verse translation aimed at clarity over slavish literalness and ornate phraseology. Various passages that detail historical figures or are digressive discourses have been reduced to prose summaries. Includes pictorial representations of Hell, Purgatory, and the Cosmos, as well as a guide to Italian pronunciation. Also featured are an introduction, a list of principal dates in Dante's life, and a bibliography.

In this superb translation with an introduction and commentary by Allen Mandelbaum, all of Dante's vivid images--the earthly, sublime, intellectual, demonic, ecstatic--are rendered with marvelous clarity to read like the words of a poet born in our own age.

Book is in NEW condition. 2.47

565 pages. 9.00x6.00x1.41 inches. In Stock. This item is printed on demand.

Book is in NEW condition. 3.08

In the early 1300s, Dante Alighieri set out to write the three volumes which make the up The Divine Comedy. Purgatorio is the second volume in this set and opens with Dante the poet picturing Dante the pilgrim coming out of the pit of hell. Similar to the Inferno (34 cantos), this volume is divided into 33 cantos, written in tercets (groups of 3 lines). The English prose is arranged in tercets to facilitate easy correspondence to the verse form of the Italian on the facing page, enabling the reader to follow both languages line by line. In an effort to capture the peculiarities of Dante's original language, this translation strives toward the literal and sheds new light on the shape of the poem. Again the text of Purgatorio follows Petrocchi's La Commedia secondo l'antica vulgata, but the editor has departed from Petrocchi's readings in a number of cases, somewhat larger than in the previous Inferno, not without consideration of recent critical readings of the Comedy by scholars such as Lanza (1995, 1997) and Sanguineti (2001). As before, Petrocchi's punctuation has been lightened and American norms have been followed. However, without any pretensions to being "critical", the text presented here is electic and being not persuaded of the exclusive authority of any manuscript, the editor has felt free to adopt readings from various branches of the stemma. One major addition to this second volume is in the notes, where is found the Intercantica - a section for each canto that discusses its relation to the Inferno and which will make it easier for the reader to relate the different parts of the Comedy as a whole.

Book in very good, unmarked condition. Dust jack flap inside front cover has a crease. Your purchase benefits the world-wide relief efforts of Mennonite Central Committee.

Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. 2.39

Unread book in perfect condition.

This is the first volume of a new prose translation of Dante's epic - the first in twenty-five years. Robert Durling's translation brings a new power and accuracy to the rendering of Dante's extraordinary vision of Hell, with its terror, pathos, and sardonic humour, and its penetrating analyses of the psychology of sin and the ills that plague society.A newly edited version of the Italian text can be on facing pages, and this edition includes fully comprehensive notes as well as sixteen essays on special subjects.

New condition copy-clean pages tight binding

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

Dante's great poem of penance and hope. 410 pages. 7 x 4.2 inches. Bantam Classics, USA, 1983. Mass Market Paperback. A Verse Translation by Allen Mandelbaum. With an Introduction by Allen Mandelbaum. Drawings by Barry Moser. Notes by Laury Magnus, Allen Mandelbaum, Anthony Oldcorn, Daniel Feldman.

In the early 1300s, Dante Alighieri set out to write the three volumes which make the up The Divine Comedy. Purgatorio is the second volume in this set and opens with Dante the poet picturing Dante the pilgrim coming out of the pit of hell. Similar to the Inferno (34 cantos), this volume is divided into 33 cantos, written in tercets (groups of 3 lines). The English prose is arranged in tercets to facilitate easy correspondence to the verse form of the Italian on the facing page, enabling the reader to follow both languages line by line. In an effort to capture the peculiarities of Dante's original language, this translation strives toward the literal and sheds new light on the shape of the poem. Again the text of Purgatorio follows Petrocchi's La Commedia secondo l'antica vulgata, but the editor has departed from Petrocchi's readings in a number of cases, somewhat larger than in the previous Inferno, not without consideration of recent critical readings of the Comedy by scholars such as Lanza (1995, 1997) and Sanguineti (2001). As before, Petrocchi's punctuation has been lightened and American norms have been followed. However, without any pretensions to being "critical", the text presented here is electic and being not persuaded of the exclusive authority of any manuscript, the editor has felt free to adopt readings from various branches of the stemma. One major addition to this second volume is in the notes, where is found the Intercantica - a section for each canto that discusses its relation to the Inferno and which will make it easier for the reader to relate the different parts of the Comedy as a whole.

This edition features all three parts of Dante's great poem about the journey of the soul - "Inferno", "Purgatorio" and "Paradiso" - with explanatory notes on each canto. It includes Botticelli's illustrations of "The Divine Comedy", drawn in the 1480s.

The classic epic poem portrays an allegorical journey through hell and purgatory to reach heaven

The classic epic poem portrays an allegorical journey through hell and purgatory to reach heaven

The classic epic poem portrays an allegorical journey through hell and purgatory to reach heaven

Fifty artists from an array of different countries are showcased in this attractive volume that collects the international exhibition of fantasy works inspired by Dante's The Divine Comedy. Starting in Denmark and then traveling to other parts of the world, the collection spotlights Carsten Svennson, the Danish "Grand Old Man" in the genre of "Fantastic Fuguration." Additional artists that are featured include Mark Wilkinson, Gil Bruvel, David Bowers, Patrick Woodroffe, Steven Kenny, Agostino Arrivabene, Claus Brusen, and more. An accompanying CD with music written by Dutch composer Eugene Later is also included.