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A full-grain leather backpack that is both stylish and practical, with its large capacity and well thought out details for comfort. Best choice for travelers, professionals, and students alike. Exterior made from full-grain cowhide (Vachetta leather) that will last you for decades. Interior lined with cotton. Leather Care: Moisturize With time and handling, leather can lose moisture and oils, leading to dryness, flaking, and wrinkling. To keep the leather supple, it should be moisturized regularly. We recommend using a quality leather balsam containing a blend of natural waxes and oils such as beeswax, jojoba oil, and avocado oil. Dip an application sponge or a soft cloth into the balsam and rub it gently over the bag. If the leather doesn’t absorb it all, wipe off the excess with a clean cloth. This should be done once every month or two. Time Resistance bags come pre-treated with a healthy coating of balsam, so you can start using them right away. Avoid Water Water can be detrimental to leather by robbing it of natural oils and causing discoloration and wrinkles. If you’ve been diligent with moisturizing and have chosen a balsam that contains beeswax, it will act as a barrier against moderate amounts of water. However, avoid exposing your bag to heavy rain. If your bag does get soaking wet, do not force-dry it with heat. Wipe it with a dry cloth and let it dry slowly at room temperature, ensuring it maintains its shape during the drying process. Extra Tips: Cover Up: Store your bag in the original dust bag, away from direct sunlight and humidity. Stuff it to maintain shape, but avoid using newspapers as they can smear. Air it every few weeks to prevent mold. No Alcohol: Avoid products containing alcohol or acetone as they can damage the leather. Stretch Marks: Do not overstuff your bag as leather stretches out but does not revert back. Humidity can accelerate this process. Smells: If your bag absorbs odors, place an open container of baking soda inside and leave it overnight to absorb the smells. Watch in awe as your bag grows more beautiful with age, becoming a true reflection of your journey.

A full-grain leather backpack that is both stylish and practical, with its large capacity and well thought out details for comfort. Best choice for travelers, professionals, and students alike. Exterior made from full-grain cowhide (Vachetta leather) that will last you for decades. Interior lined with cotton. Leather Care: Moisturize With time and handling, leather can lose moisture and oils, leading to dryness, flaking, and wrinkling. To keep the leather supple, it should be moisturized regularly. We recommend using a quality leather balsam containing a blend of natural waxes and oils such as beeswax, jojoba oil, and avocado oil. Dip an application sponge or a soft cloth into the balsam and rub it gently over the bag. If the leather doesn’t absorb it all, wipe off the excess with a clean cloth. This should be done once every month or two. Time Resistance bags come pre-treated with a healthy coating of balsam, so you can start using them right away. Avoid Water Water can be detrimental to leather by robbing it of natural oils and causing discoloration and wrinkles. If you’ve been diligent with moisturizing and have chosen a balsam that contains beeswax, it will act as a barrier against moderate amounts of water. However, avoid exposing your bag to heavy rain. If your bag does get soaking wet, do not force-dry it with heat. Wipe it with a dry cloth and let it dry slowly at room temperature, ensuring it maintains its shape during the drying process. Extra Tips: Cover Up: Store your bag in the original dust bag, away from direct sunlight and humidity. Stuff it to maintain shape, but avoid using newspapers as they can smear. Air it every few weeks to prevent mold. No Alcohol: Avoid products containing alcohol or acetone as they can damage the leather. Stretch Marks: Do not overstuff your bag as leather stretches out but does not revert back. Humidity can accelerate this process. Smells: If your bag absorbs odors, place an open container of baking soda inside and leave it overnight to absorb the smells. Watch in awe as your bag grows more beautiful with age, becoming a true reflection of your journey.

In this provocative study, Helen M. Luke takes the reader on an intense spiritual and symbolic journey. Beginning with the "dark wood," which the pilgrim must go through to find his path, Luke explores each of Dante's poetic images, down to the "white rose," the final emblem of joy and regeneration. This new edition is richly illustrated with reproductions in black and white of medieval manuscript paintings inspired by Dante's masterpiece.

Durante di Alighiero degli Alighieri, commonly known by his pen name Dante Alighieri or simply as Dante (1265 – 1321), was an Italian poet during the Late Middle Ages. His Divine Comedy, originally called Comedìa (modern Italian: Commedia) and later christened Divina by Giovanni Boccaccio, is widely considered the most important poem of the Middle Ages and the greatest literary work in the Italian language.In the late Middle Ages, most poetry was written in Latin, making it accessible only to the most educated readers. In De vulgari eloquentia (On Eloquence in the Vernacular), however, Dante defended the use of the vernacular in literature. He would even write in the Tuscan dialect for works such as The New Life (1295) and the Divine Comedy; this highly unorthodox choice set a precedent that important later Italian writers such as Petrarch and Boccaccio would follow.Dante was instrumental in establishing the literature of Italy, and his depictions of Hell, Purgatory and Heaven provided inspiration for the larger body of Western art. He is cited as an influence on John Milton, Geoffrey Chaucer and Alfred Tennyson, among many others. In addition, the first use of the interlocking three-line rhyme scheme, or the terza rima, is attributed to him. In Italy, he is often referred to as il Sommo Poeta ("the Supreme Poet") and il Poeta; he, Petrarch, and Boccaccio are also called "the three fountains" or "the three crowns".

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The description for this book, The Divine Comedy, I. Inferno, Vol. I. Parts 1 and 2: Text and Commentary. (Two volume set), will be forthcoming.

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Buy with confidence! Book is in acceptable condition with wear to the pages, binding, and some marks within 1.57

Continuing the paperback edition of Charles S. Singleton's translation of The Divine Comedy, this work provides the English-speaking reader with everything he needs to read and understand the Purgatorio. This volume consists of the prose translation of Giorgio Petrocchi's Italian text (which faces the translation on each page); its companion volume of commentary is a masterpiece of erudition, offering a wide range of information on such subjects as Dante's vocabulary, his characters, and the historical sources of incidents in the poem. Professor Singleton provides a clear and profound analysis of the poem's basic allegory, and the illustrations, diagrams, and map clarify points that have previously confused readers of The Divine Comedy.

Fifty artists from an array of different countries are showcased in this attractive volume that collects the international exhibition of fantasy works inspired by Dante's The Divine Comedy. Starting in Denmark and then traveling to other parts of the world, the collection spotlights Carsten Svennson, the Danish "Grand Old Man" in the genre of "Fantastic Fuguration." Additional artists that are featured include Mark Wilkinson, Gil Bruvel, David Bowers, Patrick Woodroffe, Steven Kenny, Agostino Arrivabene, Claus Brusen, and more. An accompanying CD with music written by Dutch composer Eugene Later is also included.

In this luxurious volume, 60 artists from 22 African countries explore Dante's The Divine Comedy, employing a broad range of artistic media such as painting, photography, sculpture, video, installation and performance. Structured as a triptych (distinguished by differing paper stocks) in the manner of Dante's famous poem, it includes five essays tracing the many ways in which artists have updated The Divine Comedy for our times. Among the participating artists are Ghada Amer, Joël Andrianomearisoa, Kader Attia, Sammy Balodji, Berry Bickle, Bili Bidjocka, Wim Botha, Zoulikha Bouabdellah, Mohamed Bourouissa, Nabil Boutros, Edson Chagas, Loulou Cherinet, Lawrence Chikwa, Kudzanai Chiurai, Christine Dixie, Dimitri Fagbohoun, Franck Abd-Bakar Fanny, Jellel Gasteli, Pélagie Gbaguidi, Kendell Geers, Frances Goodman, Nicholas Hlobo, Ato Malinda, Julie Mehretu, Wangechi Mutu, Mwangi Hutter, Youssef Nabil, Yinka Shonibare, Pascale Marthine Tayou, Guy Tillim, Guy Wouete and Dominique Zinkpè.

Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design. Describing Dante's descent into Hell midway through his life with Virgil as a guide, Inferno depicts a cruel underworld in which desperate figures are condemned to eternal damnation for committing one or more of seven deadly sins. As he descends through nine concentric circles of increasingly agonising torture, Dante encounters doomed souls including the pagan Aeneas, the liar Odysseus, the suicide Cleopatra, and his own political enemies, damned for their deceit. Led by leering demons, the poet must ultimately journey with Virgil to the deepest level of all. For it is only by encountering Satan, in the heart of Hell, that he can truly understand the tragedy of sin.

This edition features all three parts of Dante's great poem about the journey of the soul - "Inferno", "Purgatorio" and "Paradiso" - with explanatory notes on each canto. It includes Botticelli's illustrations of "The Divine Comedy", drawn in the 1480s.

Celebrated around the world as a literary monument, The Divine Comedy, completed in 1321 and written by Dante Alighieri (1265–1321), is widely considered the greatest work ever composed in the Italian language. The epic poem describes Dante’s journey through Hell, Purgatory, and Heaven, representing, on a deeper level, the soul’s path towards salvation.In the last few years of his life, Romantic poet and artist William Blake (1757–1827) produced 102 illustrations for Dante’s masterwork, from pencil sketches to finished watercolors. Like Dante’s sweeping poem, Blake’s drawings range from scenes of infernal suffering to celestial light, from horrifying human disfigurement to the perfection of physical form. While faithful to the text, Blake also brought his own perspective to some of Dante’s central themes.Today, Blake’s illustrations, left in various stages of completion at the time of his death, are dispersed among seven different institutions. This TASCHEN edition brings these works together again, alongside key excerpts from Dante’s masterpiece. Two introductory essays consider Dante and Blake, as well as other major artists who have been inspired by The Divine Comedy, including Sandro Botticelli, Michelangelo, Eugène Delacroix, Gustave Doré, and Auguste Rodin.With an intimate reading of Blake’s illustrations, and many close-ups to allow the most delicate of details to dazzle, this is a breathtaking encounter with two of the finest artistic talents in history, as well as with such universal themes as love, guilt, punishment, revenge, and redemption.

This edition gives a side-by-side parallel translation of Dante's Divine Comedy using Longfellow's translation. The Divine Comedy is an epic poem written by Dante Alighieri between 1308 and his death in 1321. It is generally considered to be the preeminent work of Italian literature and one of the greatest works of world literature. The poem is written in the Tuscan dialect, and the poem helped establish this dialect as the standardized Italian language. The poem is divided into three parts: Inferno, Purgatorio, and Paradiso. At the superficial level, the poem describes Dante's travels through Hell, Purgatory, and Heaven; but at a deeper level, it ia an allegory of the soul's journey towards God. In order to articulate this journey towards God, Dante uses on medieval Christian theology and philosophy, especially Thomistic philosophy and the Summa Theologica of Thomas Aquinas. Longfellow's translation is considered to be the best translation, overall. Longfellow, being a poet himself, was able to create a flowing translation that has not been surpassed.

Richly illustrated with black and white reproductions of paintings inspired by Dante’s masterpiece, Luke explores each of Dante’s poetic images, ending with the "white rose," the final emblem of joy and regeneration.

Richly illustrated with black and white reproductions of paintings inspired by Dante’s masterpiece, Luke explores each of Dante’s poetic images, ending with the "white rose," the final emblem of joy and regeneration.

Continuing the paperback edition of Charles S. Singleton's translation of The Divine Comedy, this work provides the English-speaking reader with everything he needs to read and understand the Purgatorio. This volume consists of the prose translation of Giorgio Petrocchi's Italian text (which faces the translation on each page); its companion volume of commentary is a masterpiece of erudition, offering a wide range of information on such subjects as Dante's vocabulary, his characters, and the historical sources of incidents in the poem. Professor Singleton provides a clear and profound analysis of the poem's basic allegory, and the illustrations, diagrams, and map clarify points that have previously confused readers of The Divine Comedy.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.91