1232 products were found matching your search for The Omnipresent Past Historical in 1 shops:

Emerson, author of the Lady Appleton and Diana Spaulding mystery series, turns her hand to how it’s done in this useful guide to writing historical crime fiction. Drawing on her own works and those of her fellow historical-mystery writers (Kerry Greenwood, Alan Gordon, Carola Dunn, and others), she lays out, in commonsense sequence, the stages of planning and writing a historical mystery. Chapters on choosing setting and character, research, crafting a plot, and selling your book offer much of the same information as similar chapters in other how-to books for mystery writers, but the information is nicely tailored for this particular genre. The core of the book is Emerson’s personal take on writing and selling historical mysteries, but it also includes contributions from over forty other historical mystery writers ―practical advice, anecdotes, and suggestions for research―and input from assorted editors, booksellers, and reviewers. For both historical mystery writers and readers.

Historical ecology is a research framework which draws upon diverse evidence to trace complex, long-term relationships between humanity and Earth. With roots in anthropology, archaeology, ecology and paleoecology, geography, and landscape and heritage management, historical ecology applies a practical and holistic perspective to the study of change. Furthermore, it plays an important role in both fundamental research and in developing future strategies for integrated, equitable landscape management. The framework presented in this volume covers critical issues, including: practicing transdisciplinarity, the need for understanding interactions between human societies and ecosystem processes, the future of regions and the role of history and memory in a changing world. Including many examples of co-developed research, Issues and Concepts in Historical Ecology provides a platform for collaboration across disciplines and aims to equip researchers, policy-makers, funders, and communities to make decisions that can help to construct an inclusive and resilient future for humanity.

Book is in NEW condition. 2.15

One of the most important developments of Western civilization has been the growth of historical consciousness. Consciously or not, history has become a form of thought applied to every facet of human experience; every field of human action can be studied, described, or understood through its history. In this extraordinary analysis of the meaning of the remembered past, John Lukacs discusses the evolution of historical consciousness since its first emergence about three centuries ago.

[ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: Eighth ] Publisher: Bedford/St. Martin's Pub Date: 9/6/2019 Binding: Paperback Pages: 320 Eighth edition.

This two-volume primary-source collection provides a diverse selection of voices from the nation’s past while emphasizing the important social, political, and economic themes of a U.S. history survey course. Edited by one of the authors of The American Promise and designed to complement the textbook, Reading the American Past features over 150 documents, each accompanied by a headnote and questions for discussion to encourage students’ understanding of the sources.

How can we use visual and material culture to shed light on the past? Ludmilla Jordanova offers a fascinating and thoughtful introduction to the role of images, objects and buildings in the study of past times. Through a combination of thematic chapters and essays on specific artefacts - a building, a piece of sculpture, a photographic exhibition and a painted portrait - she shows how to analyse the agency and visual intelligence of artists, makers and craftsmen and make sense of changes in visual experience over time. Generously illustrated, and drawing on numerous examples of images and objects from 1600 to the present, this is an essential guide to the skills that students need in order to describe, analyse and contextualise visual evidence. The Look of the Past will encourage readers to think afresh about how they, like people in the past, see and interpret the world around them.

William G. Dever is recognized as the doyen of North American archaeologist-historians who work in the field of the ancient Levant. He is best known as the director of excavations at the site of Gezer but has worked at numerous other sites, and his many students have led dozens of other expeditions. He has been editor of the Bulletin of the American Schools of Oriental Research, was for many years professor in the influential archaeology program at the University of Arizona, and now in retirement continues actively to write and publish. In this volume, 46 of his colleagues and students contribute essays in his honor, reflecting the broad scope of his interests, particularly in terms of the historical implications of archaeology.

Among the most accomplished historians of his generation, John Lukacs has written more than twenty books and hundreds of essays and reviews. His scholarship encompasses the history of the modern age, focusing especially on the political, ideological, intellectual, and military struggles of the twentieth century. Integral to that project has been Lukacs's effort to clarify and interpret the evolution of thought and consciousness during the approximately 500 years that constitute "modern" history. As the modern age passes, as the institutions, ideas, values, and experiences that composed the life of the era recede and disappear, Lukacs has assumed the responsibility to "think about thinking." And for Lukacs, no aspect of thought is more important to understanding the modern age than the emergence of historical consciousness. Remembered Past: John Lukacs on History, Historians, and Historical Knowledge: A Reader draws together Lukacs's scattered and diverse writings on history. The volume serves at once as an introduction to this essential aspect of Lukacs's thought and an indispensable compendium of his most important writings on the subject. In the essays, reviews, commentaries, and book chapters collected in Remembered Past, Lukacs addresses the problem of historical knowledge, evaluates the contributions of historians and writers who have used, and often abused, history, and examines the significance of place in developing a sense of the past. He concludes with a consideration of the twentieth century and the task of reading, writing, and teaching history. Significantly, this authorized "reader" also includes a complete bibliography of Lukacs?s writings through 2003.

    Despite Wisconsin's rich history, no historical atlas has been produced in the state since 1878. Wisconsin's Past and Present, created by the Wisconsin Cartographers' Guild, has filled this void with a fascinating and colorful portrait of the state's complex development. This useful and entertaining guide, produced to mark 150 years of statehood, provides a lasting resource for map lovers and history buffs of all ages, and anyone interested in Wisconsin's heritage. The Atlas features more than 100 pages of historic and geographic data, including full-color maps, descriptive text, photos, and illustrations.    The Atlas highlights the peoples and cultures, economy and land, and socio-political landscape of Wisconsin—from Native American mounds to weather hazards to labor history. Situated at the intersections of natural and cultural regions, Wisconsin has always been an area "on thecutting edge." It formed a boundary between the glaciated and unglaciated regions of North America, which evolved into the "tension line" between the Northwoods and the Central Plains. It later became the meeting ground among Native American nations, and a new home to diverse groups of immigrant settlers, who introduced cutting-edge political and economic ideas to the rest of the country. Wisconsin still serves as a borderland between the agricultural Midwest, the industrial Great Lakes, and the Northern forests. The Atlas explores the history of indigenous cultures, immigrant groups, natural resources, agriculture, industries, boundaries, political and social movements, and government institutions in lively detail.

How can we use visual and material culture to shed light on the past? Ludmilla Jordanova offers a fascinating and thoughtful introduction to the role of images, objects and buildings in the study of past times. Through a combination of thematic chapters and essays on specific artefacts - a building, a piece of sculpture, a photographic exhibition and a painted portrait - she shows how to analyse the agency and visual intelligence of artists, makers and craftsmen and make sense of changes in visual experience over time. Generously illustrated, and drawing on numerous examples of images and objects from 1600 to the present, this is an essential guide to the skills that students need in order to describe, analyse and contextualise visual evidence. The Look of the Past will encourage readers to think afresh about how they, like people in the past, see and interpret the world around them.

Historians go to great lengths to avoid confronting discontinuity, searching for explanations as to why such events as the fall of the Berlin Wall, George W. Bush's invasion of Iraq, and the introduction of the euro logically develop from what came before. Moved by the Past radically breaks with this tradition of predating the past, incites us to fully acknowledge the discontinuous nature of discontinuities, and proposes to use the fact that history is propelled by unforeseeable leaps and bounds as a starting point for a truly evolutionary conception of history. Integrating research from a variety of disciplines, Eelco Runia identifies two modes of being "moved by the past": regressive and revolutionary. In the regressive mode, the past may either overwhelm us―as in nostalgia―or provoke us to act out what we believe to be solidly dead. When we are moved by the past in a revolutionary sense, we may be said to embody history: we burn our bridges behind us and create accomplished facts we have no choice but to live up to. In the final thesis of Moved by the Past, humans energize their own evolution by habitually creating situations ("catastrophes" or sublime historical events) that put a premium on mutations. This book therefore illuminates how every now and then we chase ourselves away from what we were and force ourselves to become what we are. Proposing a simple yet radical change in perspective, Runia profoundly reorients how we think and theorize about history.

This pioneering volume provides a blueprint for managing the challenges of ocean conservation using marine historical ecology―an interdisciplinary area of study that is helping society to gain a more in-depth understanding of past human-environmental interactions in coastal and marine ecosystems and of the ecological and social outcomes associated with these interactions. Developed by groundbreaking practitioners in the field, Marine Historical Ecology in Conservation highlights the innovative ways that historical ecology can be applied to improve conservation and management efforts in the oceans. The book focuses on four key challenges that confront marine conservation: (1) recovering endangered species, (2) conserving fisheries, (3) restoring ecosystems, and (4) engaging the public. Chapters emphasize real-world conservation scenarios appropriate for students, faculty, researchers, and practitioners in marine science, conservation biology, natural resource management, paleoecology, and marine and coastal archaeology. By focusing on success stories and applied solutions, this volume delivers the required up-to-date science and tools needed for restoration and protection of ocean and coastal ecosystems.

Newly available in paperback, Historical literatures recovers a rich, vibrant and complex tradition of Restoration and early eighteenth century English historical writing. Highlighting the wide variety of historical works being printed and read in England between the years 1660 and 1740, it demonstrates that many of the genres that we now view primarily as literary – verse satire and panegyric, memoir, scandal and chronicle – were also being used to represent historical phenomena. In surveying some of this period’s 'historical literatures', it argues that many satirists, secret historians and memoirists made their choice of historical subject matter a topic of explicit commentary, presenting themselves as historians or inscribing their works in an English historical tradition. By responding to other varieties of history in this self-conscious way, writers like Andrew Marvell, John Dryden, Delarivier Manley, Daniel Defoe and John Evelyn were able to pioneer influential new techniques for representing their nation’s past.

A historical atlas about people and ideas. Its themes range from exploration, colonization, wars, and political movements to issues such as family and gender relations, ethnicity, class, education, religion, demography, and disease. Each of the 120 full-color double-page spreads considers a historical debate or theme in detail, supported by graphs and illustrations and bound together by an authoritative text.

The twelfth century witnessed the sudden appearance and virtual disappearance of an important literary genre—the Old French verse chronicle. These poetic histories of the British kings, which today are treated as fiction, were written contemporaneously with Latin prose narratives, which are regarded as historical accounts. In this pathfinding study, however, Jean Blacker asserts that twelfth-century authors and readers viewed both genres as factual history.Blacker examines four Old French verse chronicles—Gaimar's Estoire des Engleis (c. 1135), Wace's Roman de Brut (c. 1155) and Roman de Rou (c. 1160–1174), and Benoît de Sainte-Maure's Chronique des Ducs de Normandie (c. 1174–1180) and four Latin narratives—William of Malmesbury's Gesta Regum (c. 1118–1143) and Historia Novella (c. 1140–1143), Orderic Vitalis's Historia Ecclesiastica (c. 1118–1140), and Geoffrey of Monmouth's Historia Regum Britanniae (c. 1138). She compares their similarity in three areas—the authors' stated intentions, their methods of characterization and narrative development, and the possible influences of patronage and audience expectation on the presentation of characters and events.This exploration reveals remarkable similarity among the texts, including their idealization of historical and even legendary figures, such as King Arthur. It opens fruitful lines of inquiry into the role these writers played in the creation of the Anglo-Norman regnum and suggests that the Old French verse chronicles filled political, psychic, and aesthetic needs unaddressed by Latin historical writing of the period.

Alon Confino seeks to rethink dominant interpretations of the Holocaust by examining it as a problem in cultural history. As the main research interests of Holocaust scholars are frequently covered terrain - the anti-Semitic ideological campaign, the machinery of killing, the brutal massacres during the war - Confino's research goes in a new direction. He analyzes the culture and sensibilities that made it possible for the Nazis and other Germans to imagine the making of a world without Jews. Confino seeks these insights from the ways historians interpreted another short, violent, and foundational event in modern European history - the French Revolution. The comparison of the ways we understand the Holocaust with scholars' interpretations of the French Revolution allows Confino to question some of the basic assumptions of present-day historians concerning historical narration, explanation, and understanding.

Language: EnglishPages: 320About The bookThe Maratha period of the seventeenth and eighteenth centuries, when an independent Maratha state successfully resisted the Mughals, is a defining era in Indian history. Prachi Deshpande examines the invocation of this period in various political projects, including anticolonial Hindu nationalism and the non-Brahman movement, as well as popular debates throughout the nineteenth and twentieth centuries over the meanings of tradition, culture, colonialism, and modernity. Deploying a rich body of literary and cultural sources, Deshpande highlights shifts in history writing in early modern western India, as well as the deep connection between historical and literary narratives. She also shows how historical memory provided a space for Indians to negotiate among their national, religious, and regional identities, pointing out historys pervasive potential for shaping politics within thoroughly divers societies. A study of

Reading films, television dramas, reality shows, and virtual exhibits, among other popular texts, Engaging the Past examines the making and meaning of history for everyday viewers. Contemporary media can encourage complex interactions with the past that have far-reaching consequences for history and politics. Viewers experience these representations personally, cognitively, and bodily, but, as this book reveals, not just by identifying with the characters portrayed. Some of the works considered in this volume include the films Hotel Rwanda (2004), Good Night and Good Luck (2005), and Milk (2008); the television dramas Deadwood, Mad Men, and Rome; the reality shows Frontier House, Colonial House, and Texas Ranch House; and The Secret Annex Online, accessed through the Anne Frank House website, and the Kristallnacht exhibit, accessed through the Unites States Holocaust Museum website. These mass cultural texts cultivate what Alison Landsberg calls an "affective engagement" with the past, tying the viewer to an event or person and fostering a sense of intimacy that does more than transport the viewer back in time. Affect, she suggests, can also work to disorient the viewer, forcibly pushing him or her out of the narrative and back into his or her own body. By analyzing these specific popular history formats, Landsberg shows the unique way they provoke historical thinking and produce historical knowledge, prompting a reconsideration of what constitutes history and an understanding of how history works in the contemporary mediated public sphere.

Redrawing the Historical Past examines how multiethnic graphic novels portray and revise U.S. history. This is the first collection to focus exclusively on the interplay of history and memory in multiethnic graphic novels. Such interplay enables a new understanding of the past. The twelve essays explore Mat Johnson and Warren Pleece’s Incognegro, Gene Luen Yang’s Boxers and Saints, GB Tran’s Vietnamerica, Scott McCloud’s The New Adventures of Abraham Lincoln, Art Spiegelman’s post-Maus work, and G. Neri and Randy DuBurke’s Yummy: The Last Days of a Southside Shorty, among many others.The collection represents an original body of criticism about recently published works that have received scant scholarly attention. The chapters confront issues of history and memory in contemporary multiethnic graphic novels, employing diverse methodologies and approaches while adhering to three main guidelines. First, using a global lens, contributors reconsider the concept of history and how it is manifest in their chosen texts. Second, contributors consider the ways in which graphic novels, as a distinct genre, can formally renovate or intervene in notions of the historical past. Third, contributors take seriously the possibilities and limitations of these historical revisions with regard to envisioning new, different, or even more positive versions of both the present and future. As a whole, the volume demonstrates that graphic novelists use the open and flexible space of the graphic narrative page―in which readers can move not only forward but also backward, upward, downward, and in several other directions―to present history as an open realm of struggle that is continually being revised.Contributors: Frederick Luis Aldama, Julie Buckner Armstrong, Katharine Capshaw, Monica Chiu, Jennifer Glaser, Taylor Hagood, Caroline Kyungah Hong, Angela Lafien, Catherine H. Nguyen, Jeffrey Santa Ana, and Jorge Santos.