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Ever look at a modern skyscraper or a vacant lot and wonder what was there before? Or maybe you have passed an old house and been curious about who lived there long ago. This richly illustrated new book celebrates Columbus, Ohio’s, two-hundred-year history and supplies intriguing stories about the city’s buildings and celebrated citizens, stopping at individual addresses, street corners, parks, and riverbanks where history was made. As Columbus celebrates its bicentennial in 2012, a guide to local history is very relevant.Like Columbus itself, the city’s history is underrated. Some events are of national importance; no one would deny that Abraham Lincoln’s funeral procession down High Street was a historical highlight. But the authors have also included a wealth of social and entertainment history from Columbus’s colorful history as state capital and destination for musicians, artists, and sports teams. The book is divided into seventeen chapters, each representing a section of the city, including Statehouse Square, German Village, and Franklinton, the city’s original settlement in 1797. Each chapter opens with an entertaining story that precedes the site listings. Sites are clearly numbered on maps in each section to make it easy for readers to visit the places that pique their interest. Many rare and historic photos are reproduced along with stunning contemporary images that offer insight into the ways Columbus has changed over the years.A Historical Guidebook to Old Columbus invites Columbus’s families to rediscover their city with a treasure trove of stories from its past and suggests to visitors and new residents many interesting places that they might not otherwise find. This new book is certain to amuse and inform for years to come.

Emerson, author of the Lady Appleton and Diana Spaulding mystery series, turns her hand to how it’s done in this useful guide to writing historical crime fiction. Drawing on her own works and those of her fellow historical-mystery writers (Kerry Greenwood, Alan Gordon, Carola Dunn, and others), she lays out, in commonsense sequence, the stages of planning and writing a historical mystery. Chapters on choosing setting and character, research, crafting a plot, and selling your book offer much of the same information as similar chapters in other how-to books for mystery writers, but the information is nicely tailored for this particular genre. The core of the book is Emerson’s personal take on writing and selling historical mysteries, but it also includes contributions from over forty other historical mystery writers ―practical advice, anecdotes, and suggestions for research―and input from assorted editors, booksellers, and reviewers. For both historical mystery writers and readers.

Book is in NEW condition. 2.15

One of the most important developments of Western civilization has been the growth of historical consciousness. Consciously or not, history has become a form of thought applied to every facet of human experience; every field of human action can be studied, described, or understood through its history. In this extraordinary analysis of the meaning of the remembered past, John Lukacs discusses the evolution of historical consciousness since its first emergence about three centuries ago.

This two-volume primary-source collection provides a diverse selection of voices from the nation’s past while emphasizing the important social, political, and economic themes of a U.S. history survey course. Edited by one of the authors of The American Promise and designed to complement the textbook, Reading the American Past features over 150 documents, each accompanied by a headnote and questions for discussion to encourage students’ understanding of the sources.

Historical ecology is a research framework which draws upon diverse evidence to trace complex, long-term relationships between humanity and Earth. With roots in anthropology, archaeology, ecology and paleoecology, geography, and landscape and heritage management, historical ecology applies a practical and holistic perspective to the study of change. Furthermore, it plays an important role in both fundamental research and in developing future strategies for integrated, equitable landscape management. The framework presented in this volume covers critical issues, including: practicing transdisciplinarity, the need for understanding interactions between human societies and ecosystem processes, the future of regions and the role of history and memory in a changing world. Including many examples of co-developed research, Issues and Concepts in Historical Ecology provides a platform for collaboration across disciplines and aims to equip researchers, policy-makers, funders, and communities to make decisions that can help to construct an inclusive and resilient future for humanity.

    Despite Wisconsin's rich history, no historical atlas has been produced in the state since 1878. Wisconsin's Past and Present, created by the Wisconsin Cartographers' Guild, has filled this void with a fascinating and colorful portrait of the state's complex development. This useful and entertaining guide, produced to mark 150 years of statehood, provides a lasting resource for map lovers and history buffs of all ages, and anyone interested in Wisconsin's heritage. The Atlas features more than 100 pages of historic and geographic data, including full-color maps, descriptive text, photos, and illustrations.    The Atlas highlights the peoples and cultures, economy and land, and socio-political landscape of Wisconsin—from Native American mounds to weather hazards to labor history. Situated at the intersections of natural and cultural regions, Wisconsin has always been an area "on thecutting edge." It formed a boundary between the glaciated and unglaciated regions of North America, which evolved into the "tension line" between the Northwoods and the Central Plains. It later became the meeting ground among Native American nations, and a new home to diverse groups of immigrant settlers, who introduced cutting-edge political and economic ideas to the rest of the country. Wisconsin still serves as a borderland between the agricultural Midwest, the industrial Great Lakes, and the Northern forests. The Atlas explores the history of indigenous cultures, immigrant groups, natural resources, agriculture, industries, boundaries, political and social movements, and government institutions in lively detail.

Historians go to great lengths to avoid confronting discontinuity, searching for explanations as to why such events as the fall of the Berlin Wall, George W. Bush's invasion of Iraq, and the introduction of the euro logically develop from what came before. Moved by the Past radically breaks with this tradition of predating the past, incites us to fully acknowledge the discontinuous nature of discontinuities, and proposes to use the fact that history is propelled by unforeseeable leaps and bounds as a starting point for a truly evolutionary conception of history. Integrating research from a variety of disciplines, Eelco Runia identifies two modes of being "moved by the past": regressive and revolutionary. In the regressive mode, the past may either overwhelm us―as in nostalgia―or provoke us to act out what we believe to be solidly dead. When we are moved by the past in a revolutionary sense, we may be said to embody history: we burn our bridges behind us and create accomplished facts we have no choice but to live up to. In the final thesis of Moved by the Past, humans energize their own evolution by habitually creating situations ("catastrophes" or sublime historical events) that put a premium on mutations. This book therefore illuminates how every now and then we chase ourselves away from what we were and force ourselves to become what we are. Proposing a simple yet radical change in perspective, Runia profoundly reorients how we think and theorize about history.

In these fifteen essays, one Of Germany's most distinguished philosophers of history invokes an extraordinary array of witnesses and texts to explore the concept of historical time. The witnesses include politicians, philosophers, theologians, and poets, and the texts range from Renaissance paintings to the dreams of German citizens in the 1930s. Using these remarkable materials, Koselleck investigates the relationship of history to language, and of language to the deeper movements of human understanding.

In this original and timely work, David Arnold draws upon the history of Asia, Africa, Latin America and Europe, to explain the origins and characteristics of famine. He considers whether some societies are more vulnerable to famine than others, and contests the assumption that those affected by famine are simply passive 'victims'. He compares the ways in which individuals and states have responded to the threat of mass starvation, and the relation of famine to political and social power.

This pioneering volume provides a blueprint for managing the challenges of ocean conservation using marine historical ecology―an interdisciplinary area of study that is helping society to gain a more in-depth understanding of past human-environmental interactions in coastal and marine ecosystems and of the ecological and social outcomes associated with these interactions. Developed by groundbreaking practitioners in the field, Marine Historical Ecology in Conservation highlights the innovative ways that historical ecology can be applied to improve conservation and management efforts in the oceans. The book focuses on four key challenges that confront marine conservation: (1) recovering endangered species, (2) conserving fisheries, (3) restoring ecosystems, and (4) engaging the public. Chapters emphasize real-world conservation scenarios appropriate for students, faculty, researchers, and practitioners in marine science, conservation biology, natural resource management, paleoecology, and marine and coastal archaeology. By focusing on success stories and applied solutions, this volume delivers the required up-to-date science and tools needed for restoration and protection of ocean and coastal ecosystems.

Among the most accomplished historians of his generation, John Lukacs has written more than twenty books and hundreds of essays and reviews. His scholarship encompasses the history of the modern age, focusing especially on the political, ideological, intellectual, and military struggles of the twentieth century. Integral to that project has been Lukacs's effort to clarify and interpret the evolution of thought and consciousness during the approximately 500 years that constitute "modern" history. As the modern age passes, as the institutions, ideas, values, and experiences that composed the life of the era recede and disappear, Lukacs has assumed the responsibility to "think about thinking." And for Lukacs, no aspect of thought is more important to understanding the modern age than the emergence of historical consciousness. Remembered Past: John Lukacs on History, Historians, and Historical Knowledge: A Reader draws together Lukacs's scattered and diverse writings on history. The volume serves at once as an introduction to this essential aspect of Lukacs's thought and an indispensable compendium of his most important writings on the subject. In the essays, reviews, commentaries, and book chapters collected in Remembered Past, Lukacs addresses the problem of historical knowledge, evaluates the contributions of historians and writers who have used, and often abused, history, and examines the significance of place in developing a sense of the past. He concludes with a consideration of the twentieth century and the task of reading, writing, and teaching history. Significantly, this authorized "reader" also includes a complete bibliography of Lukacs?s writings through 2003.

Newly available in paperback, Historical literatures recovers a rich, vibrant and complex tradition of Restoration and early eighteenth century English historical writing. Highlighting the wide variety of historical works being printed and read in England between the years 1660 and 1740, it demonstrates that many of the genres that we now view primarily as literary – verse satire and panegyric, memoir, scandal and chronicle – were also being used to represent historical phenomena. In surveying some of this period’s 'historical literatures', it argues that many satirists, secret historians and memoirists made their choice of historical subject matter a topic of explicit commentary, presenting themselves as historians or inscribing their works in an English historical tradition. By responding to other varieties of history in this self-conscious way, writers like Andrew Marvell, John Dryden, Delarivier Manley, Daniel Defoe and John Evelyn were able to pioneer influential new techniques for representing their nation’s past.

In these fifteen essays, one Of Germany's most distinguished philosophers of history invokes an extraordinary array of witnesses and texts to explore the concept of historical time. The witnesses include politicians, philosophers, theologians, and poets, and the texts range from Renaissance paintings to the dreams of German citizens in the 1930s. Using these remarkable materials, Koselleck investigates the relationship of history to language, and of language to the deeper movements of human understanding.

Leading readers to archaeological sites from Canada to the Caribbean and through time from the era of early Norse voyages to World War II, this book describes compelling discoveries unearthed by archaeologists in search of North America's historical past. The essays challenge our ideas about the continent as they reveal how native and immigrant peoples interacted with their environment and each other over the course of five centuries.            Through the work of more than 30 archaeological teams, readers learn about the rich diversity of historical archaeology, exploring the who, what, where, when, how, and why of the discipline. The authors explain how they dissect soils, recover fragile objects, document each element of excavation, and piece together the many fragments of evidence from archives, libraries, and laboratories.            The tales in Unlocking the Past are organized into five themes. "Cultures in Contact" unravels the contributions of architecture, landscape, food, dining, burial practices, and other factors to our understanding of everyday life in the past. "Challenging and Changing Environments" highlights the techniques, resources, and questions that historical archaeologists use to understand the roots of ways of thinking about and acting on the land. Through burial remains left beneath streets and tall buildings, "Building Cities" portrays urban life in large cities like New York, World Heritage cities like Quebec, and industrial cities like Oakland, California. "Making a Living in Rural America" explores the rural tradition in North American history as archaeologists "read" the traces of ancient farms, ranches, potteries, and mills. "Cultures in Conflict" introduces the archaeology of colonial wars, the U.S. Civil War, the epic Battle of Little Bighorn, and World War II.    

This volume explores the genre of the historical novel and the variety of ways in which writers choose to represent the past. How does an author’s nationality or gender impact their artistic choices? To what extent can historical novels appeal to a transnational audience? This study demonstrates how histories can communicate across national borders, often by invoking or deconstructing the very notion of nationhood. Furthermore, it traces how the concerns of the postmodern era, such as postmodern critiques of historiography, colonialism, identity, and the Enlightenment, have impacted the genre of the historical novel, and shows this impact has not been uniform throughout Western culture. Not all historical novels written during the postmodern era are postmodern. The historical novel as a genre occupies a problematic, yet significant space in Cold War literary currents, torn between claims of authenticity and the impossibility of accessing the past. Historical novels from England, America, Germany, and France are compared and contrasted with historical novels from Sweden, testing a variety of theoretical perspectives in the process. This pitting of a center against a periphery serves to highlight traits that historical novels from the West have in common, but also how they differ. The historical novel is not just a local, regional phenomenon, but has become, during the postmodern era, a transnational tool for exploring how we should think of nations and nationalism and what a society should, or should not, look like.

This volume explores the genre of the historical novel and the variety of ways in which writers choose to represent the past. How does an author’s nationality or gender impact their artistic choices? To what extent can historical novels appeal to a transnational audience? This study demonstrates how histories can communicate across national borders, often by invoking or deconstructing the very notion of nationhood. Furthermore, it traces how the concerns of the postmodern era, such as postmodern critiques of historiography, colonialism, identity, and the Enlightenment, have impacted the genre of the historical novel, and shows this impact has not been uniform throughout Western culture. Not all historical novels written during the postmodern era are postmodern. The historical novel as a genre occupies a problematic, yet significant space in Cold War literary currents, torn between claims of authenticity and the impossibility of accessing the past. Historical novels from England, America, Germany, and France are compared and contrasted with historical novels from Sweden, testing a variety of theoretical perspectives in the process. This pitting of a center against a periphery serves to highlight traits that historical novels from the West have in common, but also how they differ. The historical novel is not just a local, regional phenomenon, but has become, during the postmodern era, a transnational tool for exploring how we should think of nations and nationalism and what a society should, or should not, look like.

In 1916 a clearly agitated Henry Ford famously proclaimed that "history is more or less bunk." Thirteen years later, however, he opened the outdoor history museum Greenfield Village in Dearborn, Michigan. It was written history's focus on politicians and military heroes that was bunk, he explained. Greenfield Village would correct this error by celebrating farmers and inventors.The village eventually included a replica of Thomas Edison's Menlo Park, New Jersey, laboratory, the Wright brothers' cycle shop and home from Dayton, Ohio, and Ford's own Michigan birthplace. But not all of the structures were associated with famous men. Craft and artisan shops, a Cotswold cottage from England, and two brick slave cabins also populated the village landscape. Ford mixed replicas, preserved buildings, and whole-cloth constructions that together celebrated his personal worldview.Greenfield Village was immediately popular. But that only ensured that the history it portrayed would be interpreted not only by Ford but also by throngs of visitors and the guides and publicity materials they encountered. After Ford's death in 1947, administrators altered the village in response to shifts in the museum profession at large, demographic changes in the Detroit metropolitan area, and the demands of their customers. Jessie Swigger analyzes the dialogue between museum administrators and their audiences by considering the many contexts that have shaped Greenfield Village. The result is a book that simultaneously provides the most complete extant history of the site and an intimate look at how the past is assembled and constructed at history museums.

Injustices of the past cast a shadow on the present. They are the root cause of much harm, the source of enmity, and increasingly in recent times, the focus of demands for reparation. In this groundbreaking philosophical investigation, Janna Thompson examines the problems raised by reparative demands and puts forward a theory of reparation for historical injustices. The book argues that the problems posed by historical injustices are best resolved by a reconciliatory view of reparative justice and an approach that explains how people acquire intergenerational responsibilities and entitlements. It ranges in its subject matter from the claims of indigenous people to land stolen from their ancestors to the growing movement for reparations for slavery. The book provides an original and convincing answer to the questions of how citizens can have reparative responsibilities for wrongs committed before they were born, and why descendants of victims may be entitled to compensation for historical injustices such as slavery. It also explains how members of nations can make recompense for injustices of the past without ignoring the inequities of the present.Taking Responsibility for the Past is a significant contribution to philosophical and legal debates about reparative justice, and at the same time an accessible and thought-provoking book for general readers.

Modernity in the late eighteenth century transformed all domains of European life -intellectual, industrial, and social. Not least affected was the experience of time itself: ever-accelerating change left people with briefer intervals of time in which to gather new experiences and adapt. In this provocative and erudite book Reinhart Koselleck, a distinguished philosopher of history, explores the concept of historical time by posing the question: what kind of experience is opened up by the emergence of modernity? Relying on an extraordinary array of witnesses and texts from politicians, philosophers, theologians, and poets to Renaissance paintings and the dreams of German citizens during the Third Reich, Koselleck shows that, with the advent of modernity, the past and the future became 'relocated' in relation to each other.The promises of modernity -freedom, progress, infinite human improvement -produced a world accelerating toward an unknown and unknowable future within which awaited the possibility of achieving utopian fulfillment. History, Koselleck asserts, emerged in this crucial moment as a new temporality providing distinctly new ways of assimilating experience. In the present context of globalization and its resulting crises, the modern world once again faces a crisis in aligning the experience of past and present. To realize that each present was once an imagined future may help us once again place ourselves within a temporality organized by human thought and humane ends as much as by the contingencies of uncontrolled events.