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The Works of Alexander Pope, Volume 1 showcases the brilliance of one of the 18th century's most distinguished poets. This collection encompasses a variety of Pope's notable writings, including his incisive satire, poignant verse, and sharp epigrams. Renowned for his mastery of the heroic couplet, Pope's poetry reflects both the wit and moral undertones characteristic of the neoclassical movement. Key works in this volume, such as "An Essay on Criticism" and "The Rape of the Lock," delve into themes of art, society, and human folly, while exhibiting his unparalleled skill in blending form and substance. This volume not only highlights Pope's literary artistry but also provides insight into the cultural milieu of his time. Readers will appreciate Pope's keen observations and enduring wisdom, making this collection a vital read for anyone interested in the evolution of English literature and the power of language.

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Good condition. This is the average used book, that has all pages or leaves present, but may include writing. Book may be ex-library with stamps and stickers. 2.47

Excerpt from The Complete Poetical Works of Alexander PopeDryden died May 1, 1701, some days before Pope was twelve; so early must he therefore have felt the power of harmony, and the zeal of genius. IV ho does not wish that Dryden could have known the value of the homage that was paid him, and foreseen the greatness of his young admirer?About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

État de NEUF / AS NEW condition 9781904997054 9781904997054 5 1010D

"I love this city, and always shall. I write about it. I dream about it. I walk its streets and see something new each day - traces of faded lettering on the stone, still legible, but just; some facade that I have walked past before and not noticed; an unregarded doorway with the names, in brass, of those who lived there sixty years ago, the bell-pulls sometimes still in place, as if one might summon long-departed residents from their slumbers." Edinburgh is a city of stories - a place that has witnessed everything from great historical upheavals, to the individual lives of a remarkable cast of characters. Every spire, cobblestone, bridge, close and avenue has a tale to tell. In this sumptuous new book, Alexander McCall Smith curates his own, distinctive story of Edinburgh - combining his affectionate, incisive wit with a wealth of stunning imagery drawn from Scotland's national collection of architecture and archaeology. Through a series of photographs, maps, drawings and paintings - many never before published - he takes the reader on a unique tour. Just like the city's architecture, the book can move in an instant from sweeping views to secret, hidden vignettes. This is a story of famous landmarks and lost buildings; the people who made them; the people who lived in them. 'A Work of Beauty' is an intimate portrait of a city by one of Scotland's greatest storytellers.

Edited by Alexander Lipton (Quant of the Year, 2000), this volume is a collection of Lipton's important and original papers on financial engineering written over his 20-year career as a preeminent quant working for leading financial institutions in New York, Chicago, and London. The papers cover topics ranging from the volatility smile problem, credit risk, macroeconomics and monetary circuit, and exotic options, summarizing Lipton's fundamental contributions to these areas. In addition to papers published in leading academic and practitioner-oriented journals, this volume contains a detailed introduction and two previously unpublished chapters. Some of the seminal papers in this book cover local-stochastic volatility models, passport options, credit value adjustments for credit default swaps, and asymptotics for exponential Lévy processes and their volatility smile. Alexander Lipton is one of the most respected quants of his generation and the first recipient of the prestigious Quant of the Year award by Risk Magazine. Readership: Undergraduate and graduate students of quantitative finance and banking, as well as industry professionals.

Book is in NEW condition. 1.27

"I love this city, and always shall. I write about it. I dream about it. I walk its streets and see something new each day - traces of faded lettering on the stone, still legible, but just; some facade that I have walked past before and not noticed; an unregarded doorway with the names, in brass, of those who lived there sixty years ago, the bell-pulls sometimes still in place, as if one might summon long-departed residents from their slumbers." Edinburgh is a city of stories - a place that has witnessed everything from great historical upheavals, to the individual lives of a remarkable cast of characters. Every spire, cobblestone, bridge, close and avenue has a tale to tell. In this sumptuous new book, Alexander McCall Smith curates his own, distinctive story of Edinburgh - combining his affectionate, incisive wit with a wealth of stunning imagery drawn from Scotland's national collection of architecture and archaeology. Through a series of photographs, maps, drawings and paintings - many never before published - he takes the reader on a unique tour. Just like the city's architecture, the book can move in an instant from sweeping views to secret, hidden vignettes. This is a story of famous landmarks and lost buildings; the people who made them; the people who lived in them. 'A Work of Beauty' is an intimate portrait of a city by one of Scotland's greatest storytellers.

Edited by Alexander Lipton (Quant of the Year, 2000), this volume is a collection of Lipton's important and original papers on financial engineering written over his 20-year career as a preeminent quant working for leading financial institutions in New York, Chicago, and London. The papers cover topics ranging from the volatility smile problem, credit risk, macroeconomics and monetary circuit, and exotic options, summarizing Lipton's fundamental contributions to these areas. In addition to papers published in leading academic and practitioner-oriented journals, this volume contains a detailed introduction and two previously unpublished chapters. Some of the seminal papers in this book cover local-stochastic volatility models, passport options, credit value adjustments for credit default swaps, and asymptotics for exponential Lévy processes and their volatility smile. Alexander Lipton is one of the most respected quants of his generation and the first recipient of the prestigious Quant of the Year award by Risk Magazine. Readership: Undergraduate and graduate students of quantitative finance and banking, as well as industry professionals.

Alexander Dorner's radical ideas about the purpose of museums and art, examined through his tenure as Director of the RISD Museum.Alexander Dorner (1893–1957) became Director of the Rhode Island School of Design Museum in 1938, and immediately began a radical makeover of the galleries, drawing on theories he had developed in collaboration with modernist artists during his directorship of the Provinzialmuseum in Hanover, Germany. Dorner's saturated environments sought to inspire wonderment and awe, immersing the museum visitor in the look and feel of a given period. Music, literature, and gallery talks (offered through a pioneering audio system) attempted to recreate the complex worlds in which the objects once operated. Why Art Museums? considers Dorner's legacy and influence in art history, education, and museum practice. It includes the first publication of a 1938 speech made by Dorner at Harvard as well as galleys of Dorner's unpublished manuscript, “Why Have Art Museums?,” both of which explore the meaning and purpose of museums and art in society.In Germany, Dorner formed close relationships with the Bauhaus artists and made some of the first acquisitions of works by Lázló Moholy-Nagy, Kazimir Malevich, El Lissitzky, and others. The Nazi regime actively opposed Dorner's work, and he fled Germany for the United States. At the RISD Museum, Dorner clashed with RISD officials and Providence society and contended with wartime anti-German bias. His tenure at RISD was brief but highly influential. The essays and unpublished material in Why Art Museums? make clear the relevance of Dorner's ideas about progressive education, public access to art and design, and the shaping of environments for experience and learning.Copublished with the RISD Museum

Coauthor of the famous Scottish National Covenant, moderator of the Glasgow General Assembly that defied King Charles I, and member of the Westminster Assembly, Alexander Henderson (1583-1646) led Scotland during the tumultuous period of the British Revolutions. He influenced Scotland as a Covenanter, preacher, presbyterian, and pamphleteer and earned an important place in the nation's history. Despite his numerous accomplishments, no modern biography of Henderson exists. In Riots, Revolutions, and the Scottish Covenanters, L. Charles Jackson corrects this omission. He avoids the extremes of casting Henderson as a forerunner to liberty or as a theological tyrant and instead places his actions in their historical setting, presenting this important leader as he saw himself: primarily a minister of the gospel who was struggling to live faithfully as he understood it. Using neglected and, in some cases, new sources, Jackson reassesses the role of religion in early modern Scotland as reflected in the life of Alexander Henderson. Table of Contents: Introduction 1. The Preparation 2. The Covenanter 3. The Preacher 4. The Presbyterian 5. The Pamphleteer 6. The Collapse of the Cause

Excerpt from The Elements of Gaelic Grammar: Based on the Work of the Rev. Alexander Stewart But it was found that a considerable number Of Nouns remained, which though ending in a Consonant and having a Broad characteristic, were not declined in the Singular. This class must form a Fourth Declension or be included in the First. I have preferred the latter alternative as being the more simple way. Regarding this classification it is to be remarked that Nouns of the Second Declension are so peculiarly distinct from all others, that they must form a class by themselves. There can be no question regarding them. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Includes the complete text of Shakespeare's plays, poems, and sonnets

Alexander Calder (1898 - 1976) is widely considered to be one of the most important American sculptors of the 20th century. He is best known for his colorful, whimsical abstract public sculptures and his innovative mobiles, kinetic sculptures powered by motors or air currents, which embraced chance in their aesthetic. Born into a family of accomplished artists, Calder's work first gained attention in Paris in the 1930s and was soon championed by the Museum of Modern Art in New York, resulting in a retrospective exhibition in 1943. Calder's work is in many permanent collections, most notably in the Whitney Museum of American Art, but also the Guggenheim Museum; the Museum of Modern Art; the National Gallery of Art, Washington, D.C.; and the Centre Georges Pompidou. Although primarily known for his sculpture, Calder was a prodigious artist with a restless creative spirit, whose diverse practice included painting and printmaking, miniatures (such as his famous Cirque Calder), children's book illustrations, theater set design, jewelry design, tapestries and rugs, and political posters. In addition to sculptures, Calder painted throughout his career, beginning in the early 1920s. His many projects from this period include pen-and-ink line drawings of animals for a 1931 publication of Aesop's fables. As Calder's sculpture moved into the realm of pure abstraction in the early 1930s, so did his prints. The thin lines used to define figures in the earlier prints and drawings began delineating groups of geometric shapes, often in motion. Calder also used prints for advocacy, as in poster prints from 1967 and 1969 protesting the Vietnam War. This book is from an exhibit entitled WILD WORK: ANIMALS DRAWINGS BY ALEXANDER CALDER first held at the National Museum of Wildlife Art in Jackson, Wyoming, from June 3 - October 24, 2004.