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Virgil is traditionally ranked as one of Rome's greatest poets. His Aeneid has been considered the national epic of ancient Rome since the time of its composition. Modeled after Homer's Iliad and Odyssey, the Aeneid follows the Trojan refugee Aeneas as he struggles to fulfill his destiny and reach Italy; where his descendants Romulus and Remus were to found the city of Rome. Virgil's work has had wide and deep influence on Western literature, most notably Dante's Divine Comedy, in which Virgil appears as Dante's guide through Hell and Purgatory.

Volumes V and VI concern Dryden's most involved labor: the complete translation of Virgil into English. Volume VI contains books 7-12 of The Aeneid, as well as commentary and textual notes to the full works of Virgil translated in these two volumes.

The Romans saw an analogy between the ordered workings of the natural universe and the proper functioning of their own expanding empire, between orbis and urbs. Philip Hardie's new work explores Virgil's poetic and mythic transformation of this imperialist ideology with reference to such traditions as the poet/cosmologer, the use of allegory to extract natural-philosophical truths from mythology and poetry, poetic hyperbole, and the "universal expression."

Virgil Finlay left behind thirty-five years of fantasy and science-fiction art-work - and a reputation as the most meticulous pulp magazine illustrator of his generation. Finlay sold his first professional drawings to Weird Tales magazine in 1935 and within a year he had established himself as the finest artist in his field. Throughout the 1930's, 40s and 50s, Finlay reigned supreme as the acknowledged master of black-and-white fantasy, science fiction and horror illustration.Women of the Ages offers the best of Finlay's artwork - exquisite line drawings, which display the jewel-like rendering of Finlay's painstaking technique. Women of the Ages features ravishing illustrations from the pages of Weird Tales, Famous Fantastic Mysteries, Startling Stories, American Weekly and many others. This lavish cornerstone collection showcases the work of a unique 20th century artist.

Gertrude Stein and Virgil Thomson are known as much for their formidable egos as for their contributions to twentieth-century arts. That either could collaborate intimately with anyone is surprising. Yet Stein and Thomson did work together, magnificently so, most notably on the landmark opera Four Saints in Three Acts and the fanciful The Mother of Us All. This annotated collection of correspondence reveals the spark that existed between the two American masters over the course of their sometimes rocky friendship. The roughly 400 letters written between 1926-1946 record the fascinating nature of their partnership-their mutual excitement over evolving projects and their process for bringing together two often radical aesthetic sensibilities. The style of the letters is careful and forceful when the relationship is strained, but most often it is relaxed and affectionate. As a record of friendship the letters are particularly compelling, replete with love, support, and mutual fascination. Not surprisingly, the correspondence is stylistically remarkable-Stein being arguably the most innovative literary modernist and Thomson the author of crisp, insightful, irreverent music criticism, the most quoted of his century. In addition to their artistic partnership, the letters provide a revealing glimpse into their individual careers in the realms of literature and music, as they document a web of mutual friendships and the vibrant artistic community of the early twentieth century. The editors' notes contextualize this valuable exchange and add a layer of richness and accessibility. The volume will interest readers, critics, and scholars in music, literature, avant garde arts and modern culture more generally.

This book contains the edited text of Virgil's The Eclogues & Georgics, with an introduction to the life and works of Virgil, supplementary chapters discussing differences in the text, and a detailed textual commentary.

A masterful new verse translation of one of the greatest nature poems ever written. Virgil’s Georgics is a paean to the earth and all that grows and grazes there. It is an ancient work, yet one that speaks to our times as powerfully as it did to the poet’s. This unmatched translation presents the poem in an American idiom that is elegant and sensitive to the meaning and rhythm of the original. Janet Lembke brings a faithful version of Virgil’s celebratory poem to modern readers who are interested in classic literature and who relish reading about animals and gardens. The word georgics meansfarming. Virgil was born to a farming family, and his poem gives specific instructions to Italian farmers along with a passionate message to care for the land and for the crops and animals that it sustains. The Georgics is also a heartfelt cry for returning farmers and their families to land they had lost through a series of dispiriting political events. It is often considered the most technically accomplished and beautiful of all of Virgil’s work.

More than a decade ago, Wendell Clausen published his treatise Virgil's Aeneid and the Tradition of Hellenistic Poetry (Berkeley, 1987), based on his Sather Lectures given in 1982. What was originally intended as a revision of his work on Virgil turned into an entirely new book: three chapters (I, V, VI) have been rewritten, the other five revised.

A beautiful verse translation of the classic work with thirteen classic drawings.

This is the first volume of R. Deryck Williams' classic edition of the Aeneid, covering books I-VI. It includes the Latin text, with English introduction, an extensive commentary and notes by this renowned Virgilian scholar. Designed for upper school and university students, the commentary discusses the life and works of Virgil, the legend of Aeneas, structure and themes and Virgil's hexameter. It interprets the poetic methods and intentions of the Aeneid, and explains not only what Virgil says, but how he says it and why he says it in the particular way which he chooses. Williams considers the limitations and similarities of diction from English poets - particularly Spenser and Milton - in order to illuminate the literary impact of the Virgilian passage. Williams' aim was to be "concise rather than omissive" and his notes remain an example of clarity and good sense for any student approaching the first half of the Aeneid in whole or in part.

Gertrude Stein and Virgil Thomson are known as much for their formidable egos as for their contributions to twentieth-century arts. That either could collaborate intimately with anyone is surprising. Yet Stein and Thomson did work together, magnificently so, most notably on the landmark opera Four Saints in Three Acts and the fanciful The Mother of Us All. This annotated collection of correspondence reveals the spark that existed between the two American masters over the course of their sometimes rocky friendship. The roughly 400 letters written between 1926-1946 record the fascinating nature of their partnership-their mutual excitement over evolving projects and their process for bringing together two often radical aesthetic sensibilities. The style of the letters is careful and forceful when the relationship is strained, but most often it is relaxed and affectionate. As a record of friendship the letters are particularly compelling, replete with love, support, and mutual fascination. Not surprisingly, the correspondence is stylistically remarkable-Stein being arguably the most innovative literary modernist and Thomson the author of crisp, insightful, irreverent music criticism, the most quoted of his century. In addition to their artistic partnership, the letters provide a revealing glimpse into their individual careers in the realms of literature and music, as they document a web of mutual friendships and the vibrant artistic community of the early twentieth century. The editors' notes contextualize this valuable exchange and add a layer of richness and accessibility. The volume will interest readers, critics, and scholars in music, literature, avant garde arts and modern culture more generally.

Virgil's Aeneid, an epic which tells the story of Aeneas' flight from burning Troy, his adventures on the high seas and eventual arrival in Italy, thereby founding the Roman race, is one of the most influential works of Roman literature. This edition of the first two books is designed for those who have completed an introductory course in Latin and aims to help such users to enjoy one of Latin literature's greatest masterpieces. The text is accompanied by a running vocabulary, learning vocabulary, full grammatical help and notes. Essays at the end of each passage are designed to encourage appreciation of Virgil's plot-handling, poetic art and rich understanding of humanity, and there are references throughout to the most helpful modern thinking about the poem and its significance. No other intermediate text is so carefully designed to provide all the help that is needed to make reading Virgil a pleasure.

Virgil Finlay left behind thirty-five years of fantasy and science-fiction art-work - and a reputation as the most meticulous pulp magazine illustrator of his generation. Finlay sold his first professional drawings to Weird Tales magazine in 1935 and within a year he had established himself as the finest artist in his field. Throughout the 1930's, 40s and 50s, Finlay reigned supreme as the acknowledged master of black-and-white fantasy, science fiction and horror illustration.Women of the Ages offers the best of Finlay's artwork - exquisite line drawings, which display the jewel-like rendering of Finlay's painstaking technique. Women of the Ages features ravishing illustrations from the pages of Weird Tales, Famous Fantastic Mysteries, Startling Stories, American Weekly and many others. This lavish cornerstone collection showcases the work of a unique 20th century artist.

This book by one of the preeminent Virgil scholars of our day is the first comprehensive study of ekphrasis in Virgil’s final masterpiece, the Aeneid. Virgil uses ekphrasis―a self-contained aside that generates a pause in the narrative to describe a work of art or other object―to tell us something about the grander text in which it is embedded, says Michael C. J. Putnam. Individually and as a group, Virgil’s ekphrases enrich the reader’s understanding of the meaning of the epic. Putnam shows how the descriptions of works of art, and of people, places, and even animals, provide metaphors for the entire poem and reinforce its powerful ambiguities.Putnam offers insightful analyses of the most extensive and famous ekphrases in the Aeneid―the paintings in Juno’s temples in Carthage, the Daedalus frieze, and the shield of Aeneas. He also considers shorter and less well known examples―the stories of Ganymede, the Trojan shepherd swept into the sky by an amorous Jupiter; the fifty daughters of Danaus, ordered by their father to kill their husbands on their wedding night; and Virgil’s original tale of a domesticated wild stag whose killing sparks a war between Trojans and Italians. These ekphrases incorporate major themes of the Aeneid, an enduring formative text of the Western tradition, and provide a rich variety of interpretive perspectives on the poem.

Thirteen critical essays on Virgil and his works.

Virgil's Aeneid, an epic which tells the story of Aeneas' flight from burning Troy, his adventures on the high seas and eventual arrival in Italy, thereby founding the Roman race, is one of the most influential works of Roman literature. This edition of the first two books is designed for those who have completed an introductory course in Latin and aims to help such users to enjoy one of Latin literature's greatest masterpieces. The text is accompanied by a running vocabulary, learning vocabulary, full grammatical help and notes. Essays at the end of each passage are designed to encourage appreciation of Virgil's plot-handling, poetic art and rich understanding of humanity, and there are references throughout to the most helpful modern thinking about the poem and its significance. No other intermediate text is so carefully designed to provide all the help that is needed to make reading Virgil a pleasure.

One of The New York Times Best Entertaiment Gifts of 2019New York Magazine's Most Giftable Coffee-Table Books of 2019From street fashion to high culture, the work of Virgil Abloh, a celebrated multihyphenate artist, is showcased in this book.For Abloh, the museum catalogue is another opportunity to "question everything." This monograph, produced in close collaboration with the artist himself, explores his creative output in a three-books-in-one format. The catalogue section offers an overview of Abloh's interdisciplinary practice by Michael Darling and features essays and interviews with key voices in art, fashion, design, and architecture, including Taiye Selasi, Lou Stoppard, Michael Rock, Samir Bantal, Rem Koolhaas, and Anja Aronowsky Cronberg. In the archives section, more than 1,800 never-before-seen images pulled from the artist's personal files reveal the remarkable breadth of his influences and collaborations. And the index cross references the catalogue plates--Abloh's works--with his projects and process, using a vocabulary of themes developed by Abloh. This book is designed with Swiss binding. When opened the front cover lays completely flat and is not attached to the front pages of the book. The binding also intentionally exposes the spine of the bound book and the raw boards used for the case (cover).Published with Museum of Contemporary Art Chicago

The poet Virgil remains the most significant and influential figure in Latin literature, and this expanded and updated Companion covers his life, work, and reception from antiquity to the present. The Aeneid, the Eclogues, the Georgics, and the Appendix Vergiliana are all discussed, as are art, history, politics, and philosophy; Virgil's literary style is carefully explored along with poetic traditions before and since, and chapters engage with his poems and their reception from perspectives including intertextuality, narratology, gender theory, philology and historicism. Leading authors cover topics from translations and commentaries to genre, authority, and characterisation, providing revised and updated recommendations for further reading. This volume is an accessible introduction to Virgil and his legacy for students and teachers, while also providing wide-ranging and in-depth investigations that will appeal to scholars of classical literature and other disciplines.

In Book I of the "Aeneid", Aeneas is shipwrecked on the coast of North Africa, near where the Phoenician queen Dido is building a city that will become Carthage. Aeneas and Dido meet. Their doomed love is set against Aeneas' destiny as founding father of Rome. Edited by Keith Maclennan, this volume makes Virgil's work more accessible to today's students, by setting it in its literary and historical context and taking account of the most recent scholarship and critical approaches to Virgil. The edition includes a full introduction which covers Virgil's life and writings, his literary predecessors, a summary of the epic poem's plot, an exploration of Rome, Carthage and Dido's role, explanation of the metre, and some notes on translating and reading the poem. As well as the introduction, the volume contains the original Latin text, in-depth annotation to explain language and content, a glossary and a comprehensive vocabulary list.

A beautiful verse translation of the classic work with thirteen classic drawings.