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Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

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Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

192 pp., 6 tables. A perfect copy. - Summary: The specialised language of fashion draws the research interest of linguists and semioticians as well as communication experts and fashion historians. This volume contributes to advancing the knowledge of crucial aspects in the language of fashion that still need deep investigation. It brings together contributions that shed light on the morphological, lexical, pragmatic, and cultural aspects of the language of fashion, without ignoring cognitive and semiotic phenomena. The diversity of topics and perspectives of the chapters presented here testifies to the variety and vitality of scientific research in the complex and multifaceted language of fashion. - Contents: Insights into the Language of Fashion. By Way of Introduction (Annalisa Baicchi / Stefania Biscetti) -- The Lexicalization of the Idea of Fashion in Later Medieval Britain (Louise Sylvester) -- Nominal Constructs in Fashion and Costume: Names and Nouns as Modifiers (Silvia Cacchiani) -- 'Fashion'-based (pseudo-)Anglicisms in Spanish Women's Fashion Magazines (Isabel Balteiro) -- Underwear as overwear: Spatial Particles in English Fashion Compounds (Elisa Mattiello) -- The Political Language of Fashion (Anna Romagnuolo) -- "It's never 'just a trouser!'": Bipartire Garment Nouns as Singulars in the Language of Fashion (Stefania Biscetti) -- Clothes We Dress In. The Conceptualisation of Fashion Terms (annalisa baicchi). ISBN 9783034344289 Sprache: Englisch Gewicht in Gramm: 349

Roland Barthes, widely regarded as one of the most subtle and perceptive critics of the 20th Century, was particularly fascinated by fashion and clothing. The Language of Fashion brings together all Barthes' untranslated writings on fashion.The Language of Fashion presents a set of remarkable essays, revealing the breadth and insight of Barthes' long engagement with the history of clothes. The essays range from closely argued essays laying down the foundations for a structural and semiological analysis of clothing to a critical analysis of the significance of gemstones and jewellery, from an exploration of how the contrasting styles of Courrges and Chanel replayed the clash between ancient and modern to a discussion of the meaning of hippy style in Morocco, and from the nature of desire to the role of the dandy and colour in fashion.Constantly questioning, always changing, Barthes' ideas about clothes and fashion remain to provoke another generation of readers seeking to understand not only the culture of fashion but the fashion of culture.

Learning a new discipline is similar to learning a new language; in order to master the foundation of fashion design, you must first master the basic building blocks of its language - the definitions, function, and usage. The Language of Fashion Design provides students and fashion designers with the basic elements of fashion design, divided into twenty-six easy-to-comprehend chapters. This visual reference includes an introductory, historical view of the elements, as well as an overview of how these elements can and have been used across multiple design disciplines. Whether you're new to the field or have been a fashion designer for years, you'll want to flip through the pages of this book throughout your career and use it as the go-to reference for inspiration, ideas, and reminders of how a strong knowledge of the basics allows for meaningful, memorable, and beautiful fashion that extends beyond trends. This comprehensive learning tool is the one book you'll want as a staple in your library.

Learning a new discipline is similar to learning a new language; in order to master the foundation of fashion design, you must first master the basic building blocks of its language - the definitions, function, and usage. The Language of Fashion Design provides students and fashion designers with the basic elements of fashion design, divided into twenty-six easy-to-comprehend chapters. This visual reference includes an introductory, historical view of the elements, as well as an overview of how these elements can and have been used across multiple design disciplines. Whether you're new to the field or have been a fashion designer for years, you'll want to flip through the pages of this book throughout your career and use it as the go-to reference for inspiration, ideas, and reminders of how a strong knowledge of the basics allows for meaningful, memorable, and beautiful fashion that extends beyond trends. This comprehensive learning tool is the one book you'll want as a staple in your library.

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Unread book in perfect condition.

Unread book in perfect condition.

The 20th century saw fashion evolve from an exclusive Parisian salon business catering for the wealthy elite into a global industry employing millions, with new trends whisked into stores before the last model has even left the catwalk.Along the way, the signature silhouettes of each era evolved beyond recognition. For women, House of Worth crinolines gave way to Vionnet’s bias-cut gowns, Dior’s New Look to Quant’s Chelsea Look, Halston’s white suit to Frankie B.’s low-rise jeans. In menswear, ready-made suits signaled the demise of bespoke tailoring, long before Hawaiian shirts or skinny jeans entered the game.20th-Century Fashion offers a retrospective of the last hundred years of style via 400 fashion advertisements from the Jim Heimann Collection. The images trace not only the changing trends but also the evolution in their marketing and audience, as fashion was adopted into popular culture and the mass market, decade by decade. An in-depth introduction and illustrated timeline detail the style-makers and trendsetters, and how historic events, design houses, retailers, films, magazines, and celebrities shaped the way we dressed―then and now.

This book is a study of how African slave and freed women used their fashion and style of dressing as a symbol of resistance to slavery and accommodation to white culture in pre and post-emancipation society. Africans brought aspects of their culture such as folklore, music, language, religion and dress with them to the Americas. The African cultural features were retained and nurtured in Jamaica because they guaranteed the survival of Africans and their descendants against European attempts at cultural annihilation. This book illuminates the complexities of accommodation and resistance, showing that these complex responses are not polar opposites, but melded into each other. In addition, the Language of Dress reveals the dynamics of race, class and gender in Jamaican society, the role of women in British West Indian history and contributes to ongoing interest in the history of women and in the history of resistance.

Mert Alas, born in Turkey, and Marcus Piggott, born in Wales, met in 1994, at a party on a pier in Hastings, England. Piggott asked Alas for a light, the pair got talking, and rapidly discovered they had plenty in common, not least a love of fashion. Three years later, the duo now known as Mert and Marcus had moved into a derelict loft in East London, converted it into a studio, and had their first collaborative photographic work published in Dazed & Confused.These days, Mert and Marcus shape the global image of such renowned brands as Giorgio Armani, Roberto Cavalli, Fendi, Miu Miu, Gucci, Yves Saint Laurent, Givenchy, and Lancôme, and public figures including Lady Gaga, Madonna, Jennifer Lopez, Linda Evangelista, Gisele Bündchen, Björk, Angelina Jolie, and Rihanna. Their photographs encompass a wide range of styles and influences but are renowned particularly for their use of digitized augmentation of images, and a fascination for strong, sexually charged, confident female subjects: “powerful women, women with a meaning, a you-don’t-have-to-talk-or-move-too-much-to-tell-who-you-are kind of woman.”Bringing our best-selling Collector’s Edition to an affordable, compact format, this collection explores the unique vision of a creative partnership that has defined and redefined standards for glamour, fashion, and luxury. Approximately 300 images from the megawatt Mert and Marcus portfolio are accompanied by an introduction by Charlotte Cotton.First published as a TASCHEN Collector’s Edition, now available as an affordable, compact edition

Caves to Cathedrals: Visual Arts in Ancient and Medieval Texts is a compilation of primary sources that help clarify or contextualize artistic production in the pre-modern Western world. A wide array of ancient and medieval visual culture is explored, including fashion, stage scenery, and other types of display such as triumphal and funerary processions, a lavish dinner party, and gladiatorial games.  The diverse readings include an eyewitness account of the eruption of Mount Vesuvius, a thorough description of the process of mummification, and instructions on how to make a stained glass window. In the fully revised second edition there are dozens of new readings that explore such topics as royal tents, calligraphy, the role of women in the arts, and the Bayeux tapestry. With the addition of an introduction to the manuscript tradition, this edition also features several contemporary authors, such as John Keats, Friedrich Nietzsche, and D.H. Lawrence, who found inspiration in the ancient world.  Engaging and carefully chosen, the readings in this book bring the past to life. Caves to Cathedrals is an ideal textbook companion for the first half of Western art history survey, and the new readings make it suitable for Roman, ancient Greek, and medieval art courses.Lee Ann Turner is a professor in the Art Department at Boise State University, where she has taught survey of Western art since 1996. There, she initiated the first history of art degree in the state of Idaho. She received her Ph.D. in classical archaeology from the University of Pennsylvania, where she also studied Latin and ancient Greek. She was a fellow of the American School of Classical Studies in Athens and has participated in either archaeological programs or field projects in Cyprus, Greece, Rome, and Crete.

Browse through 5,000 of Samuel Johnson's extraordinary contributions to the English language. You know you're not looking up ordinary definitions when you read that a lexicographer is "a writer of dictionaries: a harmless drudge". Many of the words have gone completely out of fashion (abecedarian, billingsgate, clapperclaw, yux, and zeugma), but once you see their meanings, you may want to bring them back.

The "Unified Modeling Language User Guide" is the first of two UML works written by the creators of UML. This book will introduce the core 80% of UML, approaching it in a layered fashion and providing numerous examples of its application. The title is suitable for developers unfamiliar with UML or with modeling in general.

Designed for students with only a basic knowledge of linguistics, this leading textbook provides a clear and practical introduction to phonology, the study of sound patterns in language. It teaches in a step-by-step fashion the logical techniques of phonological analysis and the fundamental theories that underpin it. This thoroughly revised and updated edition teaches students how to analyze phonological data, how to think critically about data, how to formulate rules and hypotheses, and how to test them. New to this edition: · Improved examples, over 60 exercises and 14 new problem sets from a wide variety of languages encourage students to practise their own analysis of phonological processes and patterns · A new and updated reference list of phonetic symbols and an updated transcription system, making data more accessible to students · Additional online material includes pedagogical suggestions and password-protected answer keys for instructors

More than one hundred years after the introduction of the Reformation, the clergy in Rostock set out to reform the spiritual and moral life of the city and fashion it into a new Zion. Disappointed with the results of the Lutheran Reformation, their reform efforts were less concerned with confessional purity than with the practice of Christian piety. The resulting reform movement in Rostock became one of the most vigorous in 17th century Germany.Jonathan Strom examines the consequences of the Reformation, the clergy's social and economic status, the career path of a typical pastor, and the theological basis of the office of ministry. He recounts the practical reforms sought by the clergy in Rostock after the Thirty Years War. He further analyzes the theological proposals of the four principal reformers in Rostock, Joachim Schroder, Johannes Quistorp the Younger, Theophil Grossgebauer, and Heinrich Muller.Against many of the major trends of the confessional age in which the state assumed ever greater control over the ecclesiastical apparatus and a bureaucratization of the clergy occurred, the Rostock clergy sought to widen the scope of their authority within the city and assert their independence. They had, however, only limited success in implementing their reforms. The ideas of the Rostock reformers would decisively influence Pietist leaders such as Philipp Jakob Spener and August Hermann Francke. Their history extends our understanding of the function of the Protestant clergy in the post-Reformation era and offers a new estimation of Lutheran orthodoxy on the eve of the Pietist movement.

Mario Testino is recognized as the ultimate fashion photographer of his generation but his pictures of Kate Moss transcend fashion. The result of two decades of extraordinary friendship, and phenomenal glamour, this iconic collaboration is an intimate insight into the lives and minds of two of the world’s definitive style leaders.This book follows the journey of this exceptional fashion partnership, from early days backstage at the shows to behind-the-scenes glimpses of the groundbreaking editorials they continue to produce for the world’s most respected magazines. Of the 100-plus images, many photographs have been chosen from Testino’s private archive and are published here for the first time. They are accompanied by a foreword by Testino and an exclusive essay by Kate Moss.

Alison Lurie, the Pulitzer Prize - winning novelist, is our savvy guide and interpreter on this tour through the history of fashion, providing unique insights into how changing sex roles, political upheavals, and class structure have influenced costume. Whether she is describing the enormous amount of clothing worm by early Victorian women or illuminating the significance of the long robes worn throughout the centuries by again men to connote eminence, her analysis is playful, clever, and always on target.