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How the global tea industry influenced the international economy and the rise of mass consumerismTea has been one of the most popular commodities in the world. For centuries, profits from its growth and sales funded wars and fueled colonization, and its cultivation brought about massive changes―in land use, labor systems, market practices, and social hierarchies―the effects of which are with us even today. A Thirst for Empire takes an in-depth historical look at how men and women―through the tea industry in Europe, Asia, North America, and Africa―transformed global tastes and habits. An expansive and original global history of imperial tea, A Thirst for Empire demonstrates the ways that this powerful enterprise helped shape the contemporary world.

How the global tea industry influenced the international economy and the rise of mass consumerismTea has been one of the most popular commodities in the world. Over centuries, profits from its growth and sales funded wars and fueled colonization, and its cultivation brought about massive changes―in land use, labor systems, market practices, and social hierarchies―the effects of which are with us even today. A Thirst for Empire takes a vast and in depth historical look at how men and women―through the tea industry in Europe, Asia, North America, and Africa―transformed global tastes and habits and in the process created our modern consumer society.As Erika Rappaport shows, between the seventeenth and twentieth centuries the boundaries of the tea industry and the British Empire overlapped but were never identical, and she highlights the economic, political, and cultural forces that enabled the British Empire to dominate―but never entirely control―the worldwide production, trade, and consumption of tea. Rappaport delves into how Europeans adopted, appropriated, and altered Chinese tea culture to build a widespread demand for tea in Britain and other global markets and a plantation-based economy in South Asia and Africa. Tea was among the earliest colonial industries in which merchants, planters, promoters, and retailers used imperial resources to pay for global advertising and political lobbying. The commercial model that tea inspired still exists and is vital for understanding how politics and publicity influence the international economy.An expansive and original global history of imperial tea, A Thirst for Empire demonstrates the ways that this fluid and powerful enterprise helped shape the contemporary world.

How the global tea industry influenced the international economy and the rise of mass consumerismTea has been one of the most popular commodities in the world. For centuries, profits from its growth and sales funded wars and fueled colonization, and its cultivation brought about massive changes―in land use, labor systems, market practices, and social hierarchies―the effects of which are with us even today. A Thirst for Empire takes an in-depth historical look at how men and women―through the tea industry in Europe, Asia, North America, and Africa―transformed global tastes and habits. An expansive and original global history of imperial tea, A Thirst for Empire demonstrates the ways that this powerful enterprise helped shape the contemporary world.

World-renowned boatbuider Tony Fleming, founder of Fleming Yachts, tells his life story in this memoir. Fleming came of age during the twilight of the British Empire, and was in turns a miner, surveyor and police official before entering the trade that was to make him famous. There are fascinating stories about life in Africa and Asia at a time that now seems far removed, and far more innocent, than our own. Even more fascinating is Fleming's account of how he lost his job at age 50 and, with literally nothing but brains and determination, went on to found his own company. This is an inspiring story and well worth reading to show what a man can achieve when he sets his mind to it.

Richard I, the Lionheart, remains forever (and perhaps wrongly) the mythical king of England who preferred to wage war than to rule over his empire. The familiar epithet conveys all the principal features of his indomitable character: courage, valor, prowess, the pursuit of glory, the thirst for fame, generosity in war and peace, a sense of honor combined with a sort of haughty dignity made up of both arrogance and pride. In this book, Jean Flori examines both Richard's role as prince and king in history, and also analyses the different and sometimes controversial elements which, for the chroniclers of his day, helped to make Richard a true model of chivalry.Among the questions addressed are: What influences formed his character and determined his behavior, real or assumed? Why did the image of Richard as a king who was also a knight so quickly and so soon supplant all others, creating a quasi-definitive point of reference? Why did Richard deliberately, it would appear, choose to present himself in this chivalric guise and disseminate this image of himself by what we would today call a media campaign, using all the methods then at his disposal, limited perhaps but by no means ineffective? Last but not least, what is the historical and ideological significance of the choice and, even more, success of this image, which has been adopted by history and disseminated by legend, an image based on historical accounts and documents in which history and legend are sometimes inextricably interwoven? The first part of the book takes a straightforward chronological approach to Richard's life, from his birth in 1157, through conflict with his father, Henry II, and his brothers, to his coronation and his years of crusading and fighting the French; culminating in his death in battle in 1199. The second part analyses Richard's image in relation to medieval chivalry.

The second novel in the "enthralling" (Midwest Book Review) Annals of Drakis fantasy epicThe Rhonas Empire of the elves is built upon an unquenchable thirst for conquest. The elves control the Aether—the mystical substance that fuels their magic. And one use of this Aether is to compel total obedience on the part of the slaves drawn from the races they have defeated.   But there are legends that tell of an age when humans and the other slave races were free, ruling powerful empires of their own. Tales carried down from generation to generation speak of a hero who will lead an uprising against the empire. That hero, so the stories say, will be a human named Drakis.   When a captive dwarf called Jugar works Aer magic to destroy the Aether wells of the Western Provinces, it signals the start of a rebellion straight out of legend. In the ensuing chaos, the warrior-slave named Drakis, along with a small group of fellow slaves, flees—lured on by a melody that coils itself around his mind and conjures disturbing visions of dark wings, claws, iridescent scales, and fire.   Pursued by the Rhonas Iblisi Inquisitors, this desperate band of fugitives makes its way across the ocean only to find a desolated, seemingly lifeless land. Following the melody he alone can hear, Drakis stumbles on the incredible truth: dragons are real.   Attacked by these fierce, fire-breathing beings, the group escapes through a fold that opens into the remains of a once-great empire. Cut off from the world they know, can they survive the dangers of this treacherous realm, and find a way back to those they left behind—bringing the truth of the legends to the army of the rebellion even now being raised in the name of Drakis?

Lew Wallace's classic novel, subtitled A Tale of the Christ, is abridged for easy reading. Follow the story of the young Jew Ben-Hur, who thirsts for revenge against the hated Roman Empire--until he meets another young Jew named Jesus.

Within a period of only eleven years, Alexander the Great conquered the largest empire the ancient world had ever known. Stretching from Greece in the West to India in the East, Alexander's conquests were the result of his brilliant military strategies, thirst for power, and desire to spread the culture and ideas of Greece. This handsomely illustrated graphic

Richard I, the Lionheart, remains forever (and perhaps wrongly) the mythical king of England who preferred to wage war than to rule over his empire. The familiar epithet conveys all the principal features of his indomitable character: courage, valor, prowess, the pursuit of glory, the thirst for fame, generosity in war and peace, a sense of honor combined with a sort of haughty dignity made up of both arrogance and pride. In this book, Jean Flori examines both Richard's role as prince and king in history, and also analyses the different and sometimes controversial elements which, for the chroniclers of his day, helped to make Richard a true model of chivalry.Among the questions addressed are: What influences formed his character and determined his behavior, real or assumed? Why did the image of Richard as a king who was also a knight so quickly and so soon supplant all others, creating a quasi-definitive point of reference? Why did Richard deliberately, it would appear, choose to present himself in this chivalric guise and disseminate this image of himself by what we would today call a media campaign, using all the methods then at his disposal, limited perhaps but by no means ineffective? Last but not least, what is the historical and ideological significance of the choice and, even more, success of this image, which has been adopted by history and disseminated by legend, an image based on historical accounts and documents in which history and legend are sometimes inextricably interwoven? The first part of the book takes a straightforward chronological approach to Richard's life, from his birth in 1157, through conflict with his father, Henry II, and his brothers, to his coronation and his years of crusading and fighting the French; culminating in his death in battle in 1199. The second part analyses Richard's image in relation to medieval chivalry.