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Decorate your home with this faded striped area rug. Featuring animal and stripe patterns for contemporary charm and coastal appeal, this area rug is machine-made from polypropylene for sturdy utility and features medium pile for comfort and fuss-free vacuuming. It will provide a contemporary and coastal feel to any setting. Color: Gray. Pattern: Animal Print.

Decorate your home with this faded striped area rug. Featuring animal and stripe patterns for contemporary charm and coastal appeal, this area rug is machine-made from polypropylene for sturdy utility and features medium pile for comfort and fuss-free vacuuming. It will provide a contemporary and coastal feel to any setting. Color: Silver. Pattern: Animal Print.

Decorate your home with this faded striped area rug. Featuring animal and stripe patterns for contemporary charm and coastal appeal, this area rug is machine-made from polypropylene for sturdy utility and features medium pile for comfort and fuss-free vacuuming. It will provide a contemporary and coastal feel to any setting. Color: Silver. Pattern: Animal Print.

Decorate your home with this faded striped area rug. Featuring animal and stripe patterns for contemporary charm and coastal appeal, this area rug is machine-made from polypropylene for sturdy utility and features medium pile for comfort and fuss-free vacuuming. It will provide a contemporary and coastal feel to any setting. Color: Silver. Pattern: Animal Print.

Decorate your home with this faded striped area rug. Featuring animal and stripe patterns for contemporary charm and coastal appeal, this area rug is machine-made from polypropylene for sturdy utility and features medium pile for comfort and fuss-free vacuuming. It will provide a contemporary and coastal feel to any setting. Color: Gray. Pattern: Animal Print.

Peptide Skinjection Amplified Wrinkle-Fix Serum - PEPTIDE SKINJECTION WRINKLE FREE SERUMBenefitsClinically proven to improve the look of expression lines*Helps to prevent the look of future wrinklesPowered by a 19% Peptide Complex of amplified Matrixyl and ArgirelineBoosted with 10% Argirelox to help prolong the need for your next injectable treatment by up to six monthsKey Ingredients19% Peptide Complex of amplified Matrixyl and Argireline - Visibly helps to reduce and prevent the look of expression lines.10% Argirelox - Helps prolong the need for next injectable treatment by up to 6 months. - Peptide Skinjection Amplified Wrinkle-Fix Serum

Thomas Day (1801-61), a free man of color from Milton, North Carolina, became the most successful cabinetmaker in North Carolina--white or black--during a time when most blacks were enslaved and free blacks were restricted in their movements and activities. His surviving furniture and architectural woodwork still represent the best of nineteenth-century craftsmanship and aesthetics. In this lavishly illustrated book, Patricia Phillips Marshall and Jo Ramsay Leimenstoll show how Day plotted a carefully charted course for success in antebellum southern society. Beginning in the 1820s, he produced fine furniture for leading white citizens and in the 1840s and '50s diversified his offerings to produce newel posts, stair brackets, and distinctive mantels for many of the same clients. As demand for his services increased, the technological improvements Day incorporated into his shop contributed to the complexity of his designs. Day's style, characterized by undulating shapes, fluid lines, and spiraling forms, melded his own unique motifs with popular design forms, resulting in a distinctive interpretation readily identified to his shop. The photographs in the book document furniture in public and private collections and architectural woodwork from private homes not previously associated with Day. The book provides information on more than 160 pieces of furniture and architectural woodwork that Day produced for 80 structures between 1835 and 1861. Through in-depth analysis and generous illustrations, including over 240 photographs (20 in full color) and architectural photography by Tim Buchman, Marshall and Leimenstoll provide a comprehensive perspective on and a new understanding of the powerful sense of aesthetics and design that mark Day's legacy.

The tragic untold story of how a nation struggling for its freedom denied it to one of its own.In 1775, Thomas Jeremiah was one of fewer than five hundred “Free Negros” in South Carolina and, with an estimated worth of £1,000 (about $200,000 in today’s dollars), possibly the richest person of African descent in British North America. A slaveowner himself, Jeremiah was falsely accused by whites—who resented his success as a Charleston harbor pilot—of sowing insurrection among slaves at the behest of the British.Chief among the accusers was Henry Laurens, Charleston’s leading patriot, a slaveowner and former slave trader, who would later become the president of the Continental Congress. On the other side was Lord William Campbell, royal governor of the colony, who passionately believed that the accusation was unjust and tried to save Jeremiah’s life but failed. Though a free man, Jeremiah was tried in a slave court and sentenced to death. In August 1775, he was hanged and his body burned.J. William Harris tells Jeremiah’s story in full for the first time, illuminating the contradiction between a nation that would be born in a struggle for freedom and yet deny it—often violently—to others.

Thomas Day (1801-61), a free man of color from Milton, North Carolina, became the most successful cabinetmaker in North Carolina--white or black--during a time when most blacks were enslaved and free blacks were restricted in their movements and activities. His surviving furniture and architectural woodwork still represent the best of nineteenth-century craftsmanship and aesthetics. In this lavishly illustrated book, Patricia Phillips Marshall and Jo Ramsay Leimenstoll show how Day plotted a carefully charted course for success in antebellum southern society. Beginning in the 1820s, he produced fine furniture for leading white citizens and in the 1840s and '50s diversified his offerings to produce newel posts, stair brackets, and distinctive mantels for many of the same clients. As demand for his services increased, the technological improvements Day incorporated into his shop contributed to the complexity of his designs. Day's style, characterized by undulating shapes, fluid lines, and spiraling forms, melded his own unique motifs with popular design forms, resulting in a distinctive interpretation readily identified to his shop. The photographs in the book document furniture in public and private collections and architectural woodwork from private homes not previously associated with Day. The book provides information on more than 160 pieces of furniture and architectural woodwork that Day produced for 80 structures between 1835 and 1861. Through in-depth analysis and generous illustrations, including over 240 photographs (20 in full color) and architectural photography by Tim Buchman, Marshall and Leimenstoll provide a comprehensive perspective on and a new understanding of the powerful sense of aesthetics and design that mark Day's legacy.

This easy-to-hang wire dispenser allows for fast, twist-free NMSC, MC cable or Flex pulling. Most coil dispensers are too big, cumbersome and expensive. Not this one. The Thomas Wheeler knocks down and sets up in seconds, hangs on a 2x4, in the trusses, above tee bars or on a ladder. Light, simple, rugged and it really words. A great value.

Unread book in perfect condition.

Thomas Merton is the most influential American Catholic author of the twentieth century, called the "most important spiritual writer of the twentieth century." To his legion of followers, he appeared to be a peaceful, contented monk advocating the contemplative life, but in 1966 he was a troubled, lonely monk―sad, demoralized, guilt-stricken, and depressed over past sins. Despite being promoted by the Catholic Church as its great teacher and philosopher, Merton struggled with his irreverent behavior toward women and never having learned how to love, and be loved. Only when the suffering Merton fell madly in love with a student nurse, a forbidden, erotic affair condemned by the Catholic Church, would he discover whether his devotion to God was stronger than his dedication to the woman he called "a miracle in my life." Truly an inspirational story based on Merton's personal journals, new information and sources such as fellow monks, Beneath the Mask of Holiness presents a unique portrayal of the famous man, one never revealed in its entirety before.

A peeling gel that visibly rolls, lifts, and sweeps away dead skin cells when massaged onto skin. It is gentle, irritation-free exfoliant that leaves the skin radiant. It removes impurities and decongests clogged pores for a youthful, radiant look. This product has not been tested on animals. Apply a generous amount on clean dry skin. Gently massage in a circular motion to roll, lift and sweep away dead skin cells. Rinse well with water. Made in the USA All items for external use only.

Let the glow of Christmas become a bright tradition in your home with this First-ever limited-edition Thomas Kinkade Christmas village collection! This welcoming holiday wonderland begins with Issue One featuring the Holiday Bed and Breakfast and FREE Gift Bearers figurine. Soon you'll be basking in the warm glow of Issue Two, Light of Hope Church and a FREE antique car figurine. Additional village buildings, each a separate issue and some with select free figurines and accessories, will follow.A Hawthorne Village exclusive inspired by the work of acclaimed artist Thomas Kinkade, each of these unique Christmas decorations is handcrafted and hand-painted for exceptional realism. You'll love every detail, from the snow that blankets each building to the festive Christmas decorations - even the buildings' textured siding and stonework look real. Plus, every lighted building bears a replica of Thomas Kinkade's signature. Fabulous additions to your collection of unique Christmas decorations or wonderful collectible Thomas Kinkade gifts, but you must hurry! Strong demand is anticipated, so order now!

This book presents a critical reconstruction of the social and political facets of Thomas Hill Green's liberal socialism. It explores the complex relationships Green sees between human nature, personal freedom, the common good, rights and the state. It explores Green's analysis of free exchange, his critique of capitalism and his defence of trade union activity and the cooperative movement. It establishes that Green gives only grudging support to welfarism, which he saw as a conservative mechanism in effect if not conscious design. It is shown that he believes state provision of welfare to be justified only to the extent that peasants and the proletariat lack a culture and institutions which enable them to assert themselves against abusive landlords and capitalists. Ultimately, it is shown that Green’s guiding ideal is the creation of a eudaimonically-enriching kingdom of ends, which favours the creation of a dynamic and free society driven by mass participation through decentralised social and political institutions. This book builds on Colin Tyler’s The Metaphysics of Self-realisation and Freedom (2010), although it can also be read as a freestanding work.

Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: BOOK III. Tin corruption of man'i whole nature, and of all the faculties of his soul by sin; and first of tlie depravation of the understanding, which is full of darkness and blinded, so that it cannot apprehend spirituat things in a due spiritual manner. And the very God of peace sanctify you wholly: and I pray God your whole spirit and said and body be preserved blameless unto the coming of our Lord Jesui Christ.?1 Thes. V. 28. CHAPTER I. wards of the text explained.?That all the faculties of tlie soul, even the mind, are wliolly corrupted, proved from the expressions concerning it in Scripture, and from the equal extent both of sin and grace. These words have no coherence or dependence with the foregoing, for the conclusion of the epistle doth begin with them. They are a prayer for the working and perfecting that sanctification in them unto which he had exhorted, and which God had begun to work. Concerning which you have these things. 1. The author of this sanctification, God, to whom Paul prays to work and perfect it. And in prayer believers use to suit their invocation to God, according to the nature of the blessing they seek for. James i. 5, ' If auy of you lack wisdom, let him ask of God, ' ver. 17, ' the Father of lights.' So if we pray for mercy and comfort, then we are to call upon God, as the Father of mercies and God of all consolation, as Paul doth, 2 Cor. i. 8, ' Blessed be God, even the Father of our Lord Jesus Christ, the Father of mercies, and the God of all comfort.' Yet still we are to use such expressions, both as motives to move God out of his fulness to bestow what we ask, and as a strengthening to our own faith. And accordingly here in the text, when Panl asks sanctification at God's hands, he looks up to him as ' the God of peace.' Sin...

It's up to Thomas to get the Christmas tree for the annual Tidmouth Station Christmas Party. But when a blizzard traps Thomas and the precious Christmas tree it's time for another kind of party--a rescue party! Will the other engines free Thomas in time for the festivities?

Publisher: Dublin : Talbot Press Publication date: 1913 Subjects: Campion, Thomas, 1567-1620 English language -- Versification Notes: This is an OCR reprint. There may be typos or missing text. There are no illustrations or indexes. When you buy the General Books edition of this book you get free trial access to Million-Books.com where you can select from more than a million books for free. You can also preview the book there.

Purchase of this book includes free trial access to www.million-books.com where you can read more than a million books for free. This is an OCR edition with typos. Excerpt from book: BOOK III. Tin corruption of man'i whole nature, and of all the faculties of his soul by sin; and first of tlie depravation of the understanding, which is full of darkness and blinded, so that it cannot apprehend spirituat things in a due spiritual manner. And the very God of peace sanctify you wholly: and I pray God your whole spirit and said and body be preserved blameless unto the coming of our Lord Jesui Christ.?1 Thes. V. 28. CHAPTER I. wards of the text explained.?That all the faculties of tlie soul, even the mind, are wliolly corrupted, proved from the expressions concerning it in Scripture, and from the equal extent both of sin and grace. These words have no coherence or dependence with the foregoing, for the conclusion of the epistle doth begin with them. They are a prayer for the working and perfecting that sanctification in them unto which he had exhorted, and which God had begun to work. Concerning which you have these things. 1. The author of this sanctification, God, to whom Paul prays to work and perfect it. And in prayer believers use to suit their invocation to God, according to the nature of the blessing they seek for. James i. 5, ' If auy of you lack wisdom, let him ask of God, ' ver. 17, ' the Father of lights.' So if we pray for mercy and comfort, then we are to call upon God, as the Father of mercies and God of all consolation, as Paul doth, 2 Cor. i. 8, ' Blessed be God, even the Father of our Lord Jesus Christ, the Father of mercies, and the God of all comfort.' Yet still we are to use such expressions, both as motives to move God out of his fulness to bestow what we ask, and as a strengthening to our own faith. And accordingly here in the text, when Panl asks sanctification at God's hands, he looks up to him as ' the God of peace.' Sin...

Not so long ago, we believed that science was a neutral, value-free quest for Truth. With ‘The Structure of Scientific Revolutions’ (1962), Thomas Kuhn opened science to scrutiny as a social activity. He reduced science to puzzle-solving within belief systems, suggesting that ‘normal’ science was nothing more than dogmatic stability punctuated by occasional revolutions. Sociologists of science went even further, arguing that scientists just ‘negotiate’ their agreements rather than being constrained by mythical ‘facts’. About a decade ago, the ‘Science Wars’ began with counter-attacks from scientists on the sociologists. ‘Thomas Kuhn and the Science Wars’ provides a penetrating analysis of this conflict. It shows how science has become a major contested cultural symbol, and suggests that we need a postmodern, ‘post-normal’ synthesis in which the old debates about ‘problem-solving’ and ‘objectivity’ are transcended. Science is not about demonstrations by experts, but dialogue among stakeholders. This is the new face of science, one which gives Kuhn’s seminal insights new life.