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From a world-renowned cultural historian, an original look at the hidden commonalities among Fascism, Nazism, and the New DealToday Franklin Delano Roosevelt's New Deal is regarded as the democratic ideal, the positive American response to an economic crisis that propelled Germany and Italy toward Fascism. Yet in the 1930s, shocking as it may seem, these regimes were hardly considered antithetical. Now, Wolfgang Schivelbusch investigates the shared elements of these three "new deals" to offer a striking explanation for the popularity of Europe's totalitarian systems. Returning to the Depression, Schivelbusch traces the emergence of a new type of state: bolstered by mass propaganda, led by a charismatic figure, and projecting stability and power. He uncovers stunning similarities among the three regimes: the symbolic importance of gigantic public works programs like the TVA dams and the German autobahn, which not only put people back to work but embodied the state's authority; the seductive persuasiveness of Roosevelt's fireside chats and Mussolini's radio talks; the vogue for monumental architecture stamped on Washington, as on Berlin; and the omnipresent banners enlisting citizens as loyal followers of the state.Far from equating Roosevelt, Hitler, and Mussolini or minimizing their acute differences, Schivelbusch proposes that the populist and paternalist qualities common to their states hold the key to the puzzling allegiance once granted to Europe's most tyrannical regimes.

Strymon Volante Magnetic Echo Machine (Demo Deal)Three Magnetic Delay Types, Spring Reverb, Looper, and More Delivering truly exceptional sound qu...

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From the author of "Perfume", "The Double Bass" and "The Pigeon", this collection of stories includes: "Amnesia in Litteris", in which the author recounts how few of the books in his library he can remember; and "Depth Wish", in which a promising young painter takes her notices too much to heart.

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This book describes the beginning and development of unemployment reform until the New Deal. As a consequence of large scale industrialization after the Civil War, joblessness could no longer be understood to be caused by a character defect, but had to be ascribed to societal forces. It became clear to the concerned that traditional remedial measures could not adequately cope with the problem. By the time of the entry of the United States into World War I reformist thinking had devised the major instruments that were later employed in dealing with unemployment. After the war and during most of the 1920s these instruments underwent thorough examination and refinement, and the early years of the Great Depression saw their tentative use. At the eve of the New Deal a well reasoned and experimentally tried group of social instruments was available. The book essentially refutes a social control explanation for this process and stresses the progressive motivation of the reformers involved.

This is an omnibus consisting of the first three novels in the award-winning "Myron Bolitar" series. Myron's career as a pro-basketball player is cruelly cut short when he suffers a vicious knee injury. And, after a period of rehabilitation, he decides to turn his hand to Sports Agenting - a la Jerry Maguire. But it's a vicious, cutthroat business and full of dangerous sharks who would like nothing more than to take a bite out of our fledgling hero. Combining a wry wit with some moments of surprising darkness, these novels contain all the elements of the very best of modern crime writing, and while slightly different to Harlan's stand-alone novel, will be lapped by all his new readers.

*DEAL BREAKER* Investigator and sports agent Myron Bolitar is poised on the edge of the big-time. So is Christian Steele, a rookie quarterback and Myron's prized client. But when Christian gets a phone call from a former girlfriend, a woman who everyone, including the police, believes is dead, the deal starts to go sour. Suddenly Myron is up against the dark side of his business - where image and talent make you rich, but the truth can get you killed. *DROP SHOT* Valerie Simpson is a young female tennis star with a troubled past who's now on the verge of a comeback and wants Myron as her agent. Myron couldn't be happier - he's also got the hottest male tennis star, Duane Richwood, on his books. That is, until Valerie is murdered in broad daylight at the U.S. Open and Myron's number one client becomes the number one suspect. As Myron begins to investigate he uncovers hidden truths and soon realises that these secrets are not only dangerous, they're deadly. *FADE AWAY* Myron Bolitar once had a promising career as a sportsman, until an accident forced him to quit. After a spell in the FBI he now runs his own business. Then Myron is approached to find Greg Downing, a fellow sports star who has vanished, before news of his disappearance gets out. In Greg's house Myron finds blood in the basement. And when he discovers the body of a woman, he begins to unravel the strange, violent world of a national hero gone wrong, as he comes face-to-face with a past he can't re-live, and a present he may not survive.

From the author of "Perfume", "The Double Bass" and "The Pigeon", this collection of stories includes: "Amnesia in Litteris", in which the author recounts how few of the books in his library he can remember; and "Depth Wish", in which a promising young painter takes her notices too much to heart.

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Ingeborg Bachmann ranks among the best known postwar Austrian authors. Critical acclaim for her poetic works thrust her into the literary limelight when she appeared on the cover of 'Der Spiegel' in 1954. Since then, interest in Bachmann's work, both as the subject of scholarly inquiry and as an element of popular culture, has continued. She can be considered on a par with such authors as Sylvia Plath and Virginia Woolf.

Three Worlds of Relief examines the role of race and immigration in the development of the American social welfare system by comparing how blacks, Mexicans, and European immigrants were treated by welfare policies during the Progressive Era and the New Deal. Taking readers from the turn of the twentieth century to the dark days of the Depression, Cybelle Fox finds that, despite rampant nativism, European immigrants received generous access to social welfare programs. The communities in which they lived invested heavily in relief. Social workers protected them from snooping immigration agents, and ensured that noncitizenship and illegal status did not prevent them from receiving the assistance they needed. But that same helping hand was not extended to Mexicans and blacks. Fox reveals, for example, how blacks were relegated to racist and degrading public assistance programs, while Mexicans who asked for assistance were deported with the help of the very social workers they turned to for aid. Drawing on a wealth of archival evidence, Fox paints a riveting portrait of how race, labor, and politics combined to create three starkly different worlds of relief. She debunks the myth that white America's immigrant ancestors pulled themselves up by their bootstraps, unlike immigrants and minorities today. Three Worlds of Relief challenges us to reconsider not only the historical record but also the implications of our past on contemporary debates about race, immigration, and the American welfare state.

Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

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The Grateful Dead are perhaps the most legendary American rock band of all time. For thirty years, beginning in the hippie scene of San Francisco in 1965, they were a musical institution, the original jam band that broke new ground in so many ways. From the music to their live concert sound systems and fan recordings, they were forward-thinking champions of artistic control and outlaw artists who marched to the beat of their own drums.In the New York Times bestseller Deal, Bill Kreutzmann, one of their founding members and drummer for every one of their over 2,300 concerts has written an unflinching and wild account of playing in the greatest improvisational band of all time. Everything a rock music fan would expect is here, but what sets this apart is Bill's incredible life of adventure that was at the heart of the Grateful Dead experience. This was a band that knew no limits and Bill lived life to the fullest, pushing the boundaries of drugs, drums and high times, through devastating tragedy and remarkable triumph.But at this book's beating heart is the music--theirs and others. Some of the greatest musicians and concerts were a part of the Grateful Dead's career, from sharing the stage with Janis Joplin, Bob Dylan, and The Who, to playing in the Acid Tests, The Monterey Pop Festival, Woodstock and Altamont. Bill's life is a chronicle of American music and pop culture history and his epic personal journey is one of sonic discovery and thrilling experiences.

In Musical Form, Forms, and Formenlehre, three eminent music theorists reflect on the fundamentals of "musical form." They discuss how to analyze form in music and question the relevance of analytical theories and methods in general. They illustrate their basic concepts andc oncerns by offering some concrete analyses of works by Mozart (Idomeneo Overture, Jupiter Symphony) and Beethoven (First and Pastoral Symphony, Egmont Overture, and Die Ruinen von Athen Overture).The volume is divided into three parts, focusing on Caplin's "theory of formal functions," Hepokoski's concept of "dialogic form," and Webster's method of "multivalent analysis" respectively. Each part begins with a basic essay by one of the three authors. Subsequently, the two opposing authors comment on issues and analyses they consider to be problematic or underdeveloped, in a style that ranges from the gently critical to the overtly polemical. Finally, the author of the initial essay is given the opportunity to reply to the comments, and to further refine his own fundamental ideas on musical form.

Truit Hickman is a small-time crook doing life in a California prison for the murder of his mother. But now Hickman is claiming that his confession was coerced. Enter Secada â Scoutâ Llevar, the gorgeous Internal Affairs detective who partners up with LAPD detective Shane Scully to investigate the claim.What began as a routine review is turning into something far more complicatedâ and deadly. Because some things, once started, cannot be stoppedâ ¦ Now the Hickman case is spiraling out of control as gang violence, rivaling cops, political heavyweights, and Shaneâ s dangerous attraction to Scout threaten to put an abrupt end to the investigation. And their lives.

In Musical Form, Forms, and Formenlehre, three eminent music theorists reflect on the fundamentals of "musical form." They discuss how to analyze form in music and question the relevance of analytical theories and methods in general. They illustrate their basic concepts andc oncerns by offering some concrete analyses of works by Mozart (Idomeneo Overture, Jupiter Symphony) and Beethoven (First and Pastoral Symphony, Egmont Overture, and Die Ruinen von Athen Overture).The volume is divided into three parts, focusing on Caplin's "theory of formal functions," Hepokoski's concept of "dialogic form," and Webster's method of "multivalent analysis" respectively. Each part begins with a basic essay by one of the three authors. Subsequently, the two opposing authors comment on issues and analyses they consider to be problematic or underdeveloped, in a style that ranges from the gently critical to the overtly polemical. Finally, the author of the initial essay is given the opportunity to reply to the comments, and to further refine his own fundamental ideas on musical form.

368 pages. 9.00x6.00x0.83 inches. In Stock.