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Unread book in perfect condition.

This natural diamond pavé band offers beautiful sparkle, whether paired with an engagement ring or added to a ring stack. It's crafted with care in bright 14-karat white gold.

Ceramic mug with angular body and flecked gray exterior (color interior) . Features glossy color interior . Made of 100% Ceramic Stoneware . Dishwasher safe; however we recommend hand washing all imprinted products

This natural diamond pavé band offers beautiful sparkle, whether paired with an engagement ring or added to a ring stack. It's crafted with care in warm 14-karat yellow gold.

Solid hardwood 8u studio rack. Sapele with alder stripe. Can also be made to order any size.

Used, in very good condition with original box - Akai Timbre Wolf Analog 4-Voice Polyphonic Synthesizer. Unoriginal power supply included. Some wea...

NLC Timbre & Timbre8 hp, White PanelFresh build, tested, and fully functionalReverse power protection installed, comes with power cableBuilt wi...

Shop Used Gear with Perfect CircuitFully tested and guaranteed to be 100% functionalGet peace of mind with best-in-class optional accidental damag...

Perfect Aesthetic and working condition

Timbres Of Ice" is another raised treasure from the Klaus Schulze cosmos! Re-Issue of the album which was part of the limited and long exhausted 2002 5CD boxsets Contemporary Works II". "The Lonely Dead Of Midnight" is dominated by an acoustic guitar. "They Shut Him Out Of Paradise" is a typical long Schulze track. Last track "Die Prophezeiung erfllt sich" is a long sample.

Vinyl LP pressing. 2009 release from Canadian singer/songwriter Taylor Kirk (AKA Timber Timbre). Kirk is another worldly soul, creating stirring, haunting songs that evoke imagery both dark and stunning and has earned a reputation as a spellbinding and dynamic performer. Over the course of two previous records (2006's Cedar Shakes and 2007's Medicinals), and spellbinding performances in support of Great Lake Swimmers and Ohbijou, Kirk has earned a devout following. Kirk describes his music as 'G

New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

UsedNice classic vintage synth soundsComes with carry bagVery good conditionNote: The product specs added below are not added by Music Go Round. ...

Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Henry Brant’s new guide to orchestration is, in fact, the result of his lifelong work as a conductor, composer, and teacher; its first page written in the 1940s, and its final page written in 2005. In observation of other orchestration texts throughout his life, Brant realized that many were incomplete, in that they gave instructions based on hoped-for evocations of mystic visions rather than the actual, practical qualities of instruments. Textures and Timbres focuses on the study of acoustic instrumental tone-qualities, offering comprehensive systematic procedures for balancing and mixing them, both in harmonic and linear contexts. The lessons and inspiration shared in this text span Brant’s entire career, from his work in commercial radio to his orchestration classes at the Juilliard School and orchestrations of numerous Hollywood film scores. Textures and Timbres: An Orchestrator’s Handbook is an absolutely vital tool for the conductor.

During the performing arts centre boom of the last 25 years, too many public performing arts centres opened to acid critical reviews and public disappointment. Yet, some, like Bing Thom Architect's Chan Centre project in Vancouver, British Columbia, have succeeded well beyond reasonable expectations. More than just an architecture book, Scale + Timbre is the biography of a building, and the story of its designers' passions and obsessions. From the Hong Kong meeting - where a Chinese immigrant turned tycoon started the ball rolling by making the largest gift to a cultural organization in Canada's history - to the Centre's opening night, Scale + Timbre tells the tales and reveals the struggles behind making a great public building possible.

The Relentless Pursuit of Tone: Timbre in Popular Music assembles a broad spectrum of contemporary perspectives on how "sound" functions in an equally wide array of popular music. Ranging from the twang of country banjoes and the sheen of hip-hop strings to the crunch of amplified guitars and the thump of subwoofers on the dance floor, this volume bridges the gap between timbre, our name for the purely acoustic characteristics of sound waves, and tone, an emergent musical construct that straddles the borderline between the perceptual and the political. Essays engage with the entire history of popular music as recorded sound, from the 1930s to the present day, under four large categories. "Genre" asks how sonic signatures define musical identities and publics; "Voice" considers the most naturalized musical instrument, the human voice, as racial and gendered signifier, as property or likeness, and as raw material for algorithmic perfection through software; "Instrument" tells stories of the way some iconic pop music machines-guitars, strings, synthesizers-got (or lost) their distinctive sounds; "Production" then puts it all together, asking structural questions about what happens in a recording studio, what is produced (sonic cartoons? rockist authenticity? empty space?) and what it all might mean.

The Relentless Pursuit of Tone: Timbre in Popular Music assembles a broad spectrum of contemporary perspectives on how "sound" functions in an equally wide array of popular music. Ranging from the twang of country banjoes and the sheen of hip-hop strings to the crunch of amplified guitars and the thump of subwoofers on the dance floor, this volume bridges the gap between timbre, our name for the purely acoustic characteristics of sound waves, and tone, an emergent musical construct that straddles the borderline between the perceptual and the political. Essays engage with the entire history of popular music as recorded sound, from the 1930s to the present day, under four large categories. "Genre" asks how sonic signatures define musical identities and publics; "Voice" considers the most naturalized musical instrument, the human voice, as racial and gendered signifier, as property or likeness, and as raw material for algorithmic perfection through software; "Instrument" tells stories of the way some iconic pop music machines-guitars, strings, synthesizers-got (or lost) their distinctive sounds; "Production" then puts it all together, asking structural questions about what happens in a recording studio, what is produced (sonic cartoons? rockist authenticity? empty space?) and what it all might mean.

Unread book in perfect condition.

Unread book in perfect condition.