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Almost universally, newly independent states seek to affirm their independence and identity by making the production of new maps and atlases a top priority. For formerly colonized peoples, however, this process neither begins nor ends with independence, and it is rarely straightforward. Mapping their own land is fraught with a fresh set of issues: how to define and administer their territories, develop their national identity, establish their role in the community of nations, and more. The contributors to Decolonizing the Map explore this complicated relationship between mapping and decolonization while engaging with recent theoretical debates about the nature of decolonization itself.   These essays, originally delivered as the 2010 Kenneth Nebenzahl, Jr., Lectures in the History of Cartography at the Newberry Library, encompass more than two centuries and three continents—Latin America, Africa, and Asia. Ranging from the late eighteenth century through the mid-twentieth, contributors study topics from mapping and national identity in late colonial Mexico to the enduring complications created by the partition of British India and the racialized organization of space in apartheid and post-apartheid South Africa. A vital contribution to studies of both colonization and cartography, Decolonizing the Map is the first book to systematically and comprehensively examine the engagement of mapping in the long—and clearly unfinished—parallel processes of decolonization and nation building in the modern world.

Dr. Keith A. Mathison is one of postmillennialism's leading proponents. He describes his eschatological vision: "...postmillennialism teaches that the thousand years of Revelation 20 occurs prior to the Second Coming...An essential doctrine of postmillennialism is that prior to the Second Coming, the messianic kingdom will grow until it has filled the whole earth" (Postmillennialism: An Eschatology of Hope, pp. 10, 191). But in his book, When Shall These Things Be?, Mathison concedes, "As far as Paul knew, Christ could have returned in his lifetime" (p. 194). If Christ could have returned within Paul's lifetime, how could there have been enough time for an enormous millennium culminating in the messianic kingdom filling the whole earth? If you find this tremendous inconsistency disturbing, The Twilight of Postmillennialism will be of interest to you. Within its pages, numerous specious arguments proposed by leading advocates of postmillennialism and amillennialism are exposed as fatally flawed. You will be outraged as you witness Mathison and Dr. Kenneth L. Gentry, Jr. distorting simple pronouns in desperate attempts to prove their points. If you are a postmillennialist, prepare for a crisis of belief as Michael A. Fenemore decisively disproves postmillennialism's lynchpin teaching that Matthew 24 should be divided into fulfilled and unfulfilled sections. You may not know whether to laugh or cry as Kurt M. Simmons exposes the ill-conceived theory of "unfolding eschatology" proposed by Dr. Richard L. Pratt, Jr. Authors have been quoted extensively, so reading their books first is not required. The Twilight of Postmillennialism was written to be of value to all Christians, including those with a limited understanding of post/amillennialism. Three articles in the appendices present powerful evidence precluding ALL eschatological systems that place the second coming of Christ in the future leaving full-preterism as the only option.

Ever since a Native American prepared a paper "charte" of the lower Colorado River for the Spaniard Hernando de Alarcón in 1540, Native Americans have been making maps in the course of encounters with whites. This book charts the history of these cartographic encounters, examining native maps and mapmaking from the pre- and post-contact periods.G. Malcolm Lewis provides accessible and detailed overviews of the history of native North American maps, mapmaking, and scholarly interest in these topics. Other contributions include a study of colonial Aztec cartography that highlights the connections among maps, space, and history; an account of the importance of native maps as archaeological evidence; and an interpretation of an early-contact-period hide painting of an actual encounter involving whites and two groups of warring natives.Although few original native maps have survived, contemporary copies and accounts of mapmaking form a rich resource for anyone interested in the history of Native American encounters or the history of cartography and geography.

Almost universally, newly independent states seek to affirm their independence and identity by making the production of new maps and atlases a top priority. For formerly colonized peoples, however, this process neither begins nor ends with independence, and it is rarely straightforward. Mapping their own land is fraught with a fresh set of issues: how to define and administer their territories, develop their national identity, establish their role in the community of nations, and more. The contributors to Decolonizing the Map explore this complicated relationship between mapping and decolonization while engaging with recent theoretical debates about the nature of decolonization itself.   These essays, originally delivered as the 2010 Kenneth Nebenzahl, Jr., Lectures in the History of Cartography at the Newberry Library, encompass more than two centuries and three continents—Latin America, Africa, and Asia. Ranging from the late eighteenth century through the mid-twentieth, contributors study topics from mapping and national identity in late colonial Mexico to the enduring complications created by the partition of British India and the racialized organization of space in apartheid and post-apartheid South Africa. A vital contribution to studies of both colonization and cartography, Decolonizing the Map is the first book to systematically and comprehensively examine the engagement of mapping in the long—and clearly unfinished—parallel processes of decolonization and nation building in the modern world.

Maps from virtually every culture and period—from Babylonian world maps to Saul Steinberg’s famous New Yorker cover illustration, “View of the World from 9th Avenue”—convey our tendency to see our communities as the center of the world (if not the universe) and, by implication, as superior to anything beyond these immediate boundaries. Mapping has long been a tool by which ruling bodies could claim their entitlement to lands and peoples. It is this aspect of cartography that James R. Akerman and a group of distinguished contributors address in The Imperial Map.Critically reflecting on elements of mapping and imperialism from the late seventeenth century to the early twentieth century, the essays discuss the nature of the imperial map through a series of case studies of empires, from the Qing dynasty of China, to the Portuguese empire in South America, to American imperial pretensions in the Pacific Ocean, among others. Collectively, the essays reveal that the relationship between mapping and imperialism, as well as the practice of political and economic domination of weak polities by stronger ones, is a rich and complex historical theme that continues to resonate in our modern day.  

First edition. With a late 19th century map of North America glued to front free endpaper. With the bookplate and pencil signature of Gavin Bridson. xi, 177 pages. cloth, dust jacket.. small 4to..

The Birds of North Central Texas is the culmination of a seven-year study by Warren M. Pulich, who set out to assess and evaluate the avifauna within the 25,000-square-mile area rather than to produce a field guide. With the aid of trusted observers, the author has compiled information on arrival and departure dates and peak numbers during migration for approximately 400 species.Texas' large variety of bird species is due to the convergence of four vegetation zones in the north central region of the state. In effect, species predominating in the moister eastern portions of the region mingle with species inhabiting the mesquite and cacti of the dry western reaches of the study area. The presence of the Dallas–Fort Worth metroplex and its numerous birders and visitors has ensured volumes of data for sorting and study.Ornithology students, visiting naturalists, environmentalists, and dedicated birders will find this book a valuable aid to understanding more clearly the status of birds in north central Texas.

Richard Brookhiser wrote his first cover story for National Review at age fourteen, and became the magazine's youngest senior editor at twenty-three. William F. Buckley Jr. was Brookhiser's mentor, hero, and admirer; within a year of Brookhiser's arrival at the magazine, Buckley tapped him as his successor as editor-in-chief. But without warning, the relation ship soured one day, Brookhiser returned to his desk to find a letter from Buckley unceremoniously informing him you will no longer be my successor.”Brookhiser remained friends and colleagues with Buckley despite the breach, and in Right Time, Right Place he tells the story of that friendship with affection and clarity. At the same time, he provides a delightful account of the intellectual and political ferment of the conservative resurgence that Buckley nurtured and led.Witty and poignant, Right Time, Right Place tells the story of a young man and a political movement coming of age and of the man who inspired them both.

Updated from the original version published in 1974, Search for the Beloved Community examines the thinking of Martin Luther King Jr. and the influences that shaped it. Late co-author Kenneth L. Smith was one of King's seminary professors. His firsthand knowledge of King's seminary studies provides the background for an incisive analysis of the influences of the Christian tradition and of Mahatma Gandhi upon this outstanding leader.

Updated from the original version published in 1974, Search for the Beloved Community examines the thinking of Martin Luther King Jr. and the influences that shaped it. Late co-author Kenneth L. Smith was one of Kings seminary professors. His firsthand knowledge of Kings seminary studies provides the background for an incisive analysis of the influences of the Christian tradition and of Mahatma Gandhi upon this outstanding leader.

Thirty years after the greatest legislative triumphs of the civil rights movement, overcoming racism remains what Martin Luther King, Jr., once called America’s unfinished “work of democracy.” Why this remains true is the subject of Ben Keppel’s The Work of Democracy. By carefully tracing the public lives of Ralph Bunche, Kenneth B. Clark, and Lorraine Hansberry, Keppel illuminates how the mainstream media selectively appropriated the most challenging themes, ideas, and goals of the struggle for racial equality so that difficult questions about the relationship between racism and American democracy could be softened, if not entirely evaded.Keppel traces the circumstances and cultural politics that transformed each individual into a participant-symbol of the postwar struggle for equality. Here we see how United Nations ambassador Ralph Bunche, the first African American to receive the Nobel Peace Prize, came to symbolize the American Dream while Bunche’s opposition to McCarthyism was ignored. The emergence of psychologist and educator Kenneth B. Clark marked the ascendancy of the child and the public school as the leading symbols of the civil rights movement. Yet Keppel details how Clark’s blueprint for “community action” was thwarted by machine politics. Finally, the author chronicles the process by which the “American Negro” became an “African American” by considering the career of playwright Lorraine Hansberry. Keppel reveals how both the journalistic and the academic establishment rewrote the theme of her prizewinning play A Raisin in the Sun to conform to certain well-worn cultural conventions and the steps Hansberry took to reclaim the message of her classic.The Work of Democracy uses biography in innovative ways to reflect on how certain underlying cultural assumptions and values of American culture simultaneously advanced and undermined the postwar struggle for racial equality.

Thirty years after the greatest legislative triumphs of the civil rights movement, overcoming racism remains what Martin Luther King, Jr., once called America’s unfinished “work of democracy.” Why this remains true is the subject of Ben Keppel’s The Work of Democracy. By carefully tracing the public lives of Ralph Bunche, Kenneth B. Clark, and Lorraine Hansberry, Keppel illuminates how the mainstream media selectively appropriated the most challenging themes, ideas, and goals of the struggle for racial equality so that difficult questions about the relationship between racism and American democracy could be softened, if not entirely evaded.Keppel traces the circumstances and cultural politics that transformed each individual into a participant-symbol of the postwar struggle for equality. Here we see how United Nations ambassador Ralph Bunche, the first African American to receive the Nobel Peace Prize, came to symbolize the American Dream while Bunche’s opposition to McCarthyism was ignored. The emergence of psychologist and educator Kenneth B. Clark marked the ascendancy of the child and the public school as the leading symbols of the civil rights movement. Yet Keppel details how Clark’s blueprint for “community action” was thwarted by machine politics. Finally, the author chronicles the process by which the “American Negro” became an “African American” by considering the career of playwright Lorraine Hansberry. Keppel reveals how both the journalistic and the academic establishment rewrote the theme of her prizewinning play A Raisin in the Sun to conform to certain well-worn cultural conventions and the steps Hansberry took to reclaim the message of her classic.The Work of Democracy uses biography in innovative ways to reflect on how certain underlying cultural assumptions and values of American culture simultaneously advanced and undermined the postwar struggle for racial equality.

Great performances, groundbreaking instruction and unprecedented play-along opportunities highlight this three-disc pack featuring top LA studio drummer Russ Miller. He performs with top musicians including Steve Gadd, Steve Smith, Jeff Hamilton, Rick Marotta, Zoro, Johnny Rabb, JR Robinson, Akira Jimbo and Wolfgang Haffner. The DVD includes demonstrations and explanations of musical concepts and drumming techniques, plus interviews and exclusive documentary footage. The package also includes th

Del Hall stands as one of the few journalists able to chart their careers through the milestones and icons of the late twentieth century -- the civil rights movement, Vatican II, the Beatles' arrival in the United States, Martin Luther King, Jr., John F. Kennedy, the1968 Chicago Riots, the Vietnam War, the rise and fall of the Berlin Wall. Hall's humble beginnings on the gritty downtown streets of Depression-era New Orleans proved an ample launching pad for a six-decade profession documenting key moments in world affairs, all while staying ahead of the many technological shifts that revolutionized news media. With the aid of previously unpublished photographs and stills, critically acclaimed geographer and author Richard Campanella turns the focus around to the Emmy Award--winning photojournalist and presents the life of a quiet observer who captured critical episodes in American history. From Hall's start in New Orleans at WWL-TV covering lunch-counter sit-ins and the integration of schools in the Ninth Ward to his lauded work for CBS News, filming Walter Cronkite, 60 Minutes, and Charles Kuralt, Campanella commemorates Hall's remarkable contributions to journalism as the field expanded from print to television.This visually captivating and lively biography follows Hall as he is chased by the Ku Klux Klan, shot at by the Viet Cong, journeys to Moscow to cover President Nixon's historic visit, and almost dies in a helicopter crash at the America's Cup race. Campanella traces the life of a tireless documentarian and pioneer who not only photographed history as it happened, but also filmed one of the first full-color TV documentaries and redefined nonlinear computerized editing.The Photojournalism of Del Hall: New Orleans and Beyond, 1950s--2000s serves as a testament to the immense impact of the oft-overlooked and uncredited role of the cameraman, rightfully placing Del Hall in the vanguard of the profession.

Del Hall stands as one of the few journalists able to chart their careers through the milestones and icons of the late twentieth century -- the civil rights movement, Vatican II, the Beatles' arrival in the United States, Martin Luther King, Jr., John F. Kennedy, the1968 Chicago Riots, the Vietnam War, the rise and fall of the Berlin Wall. Hall's humble beginnings on the gritty downtown streets of Depression-era New Orleans proved an ample launching pad for a six-decade profession documenting key moments in world affairs, all while staying ahead of the many technological shifts that revolutionized news media. With the aid of previously unpublished photographs and stills, critically acclaimed geographer and author Richard Campanella turns the focus around to the Emmy Award--winning photojournalist and presents the life of a quiet observer who captured critical episodes in American history. From Hall's start in New Orleans at WWL-TV covering lunch-counter sit-ins and the integration of schools in the Ninth Ward to his lauded work for CBS News, filming Walter Cronkite, 60 Minutes, and Charles Kuralt, Campanella commemorates Hall's remarkable contributions to journalism as the field expanded from print to television.This visually captivating and lively biography follows Hall as he is chased by the Ku Klux Klan, shot at by the Viet Cong, journeys to Moscow to cover President Nixon's historic visit, and almost dies in a helicopter crash at the America's Cup race. Campanella traces the life of a tireless documentarian and pioneer who not only photographed history as it happened, but also filmed one of the first full-color TV documentaries and redefined nonlinear computerized editing.The Photojournalism of Del Hall: New Orleans and Beyond, 1950s--2000s serves as a testament to the immense impact of the oft-overlooked and uncredited role of the cameraman, rightfully placing Del Hall in the vanguard of the profession.

This is a moving and important memoir of a district officer in Northern Rhodesia, from his arrival in the territory in 1944 and through the momentous period leading to Zambian independence. It includes a spell as Kenneth Kaunda's 'gaoler' during which a personal friendship grew up and flourished, and ends with an appointment to the President's Office in post-independence Zambia. It is the story of British colonial administration-the 'daily round' of a district officer's life-the nationalist struggle and the formative period of an independent African state and, most importantly, one of close and enduring friendship.

Kenneth Atkinson tells the exciting story of the nine decades of the Hasmonean rule of Judea (152 - 63 BCE) by going beyond the accounts of the Hasmoneans in Josephus in order to bring together new evidence to reconstruct how the Hasmonean family transformed their kingdom into a state that lasted until the arrival of the Romans. Atkinson reconstructs the relationships between the Hasmonean state and the rulers of the Seleucid and the Ptolemaic Empires, the Itureans, the Nabateans, the Parthians, the Armenians, the Cappadocians, and the Roman Republic. He draws on a variety of previously unused sources, including papyrological documentation, inscriptions, archaeological evidence, numismatics, Dead Sea Scrolls, pseudepigrapha, and textual sources from the Hellenistic to the Byzantine periods.Atkinson also explores how Josephus's political and social situation in Flavian Rome affected his accounts of the Hasmoneans and why any study of the Hasmonean state must go beyond Josephus to gain a full appreciation of this unique historical period that shaped Second Temple Judaism, and created the conditions for the rise of the Herodian dynasty and the emergence of Christianity.

This is a moving and important memoir of a district officer in Northern Rhodesia, from his arrival in the territory in 1944 and through the momentous period leading to Zambian independence. It includes a spell as Kenneth Kaunda's 'gaoler' during which a personal friendship grew up and flourished, and ends with an appointment to the President's Office in post-independence Zambia. It is the story of British colonial administration-the 'daily round' of a district officer's life-the nationalist struggle and the formative period of an independent African state and, most importantly, one of close and enduring friendship.

Newly Re-mastered in HD! Horror legends Vincent Price (The Oblong Box), Christopher Lee (The Crimson Cult), Peter Cushing (Madhouse) and John Carradine (The Sentinel) star as the screen's greatest gruesome foursome! When a young novelist, Kenneth Magee (Desi Arnaz, Jr., Billy Two Hats) spends a night at Baldpate Manor to win a bet that he can turn a best-selling novel in 24 hours, he gets more than he bargained for. The grizzly Grisbane clan arrives to celebrate the 40th anniversary of a ghoulis

Henry Louis Gates, Jr., gives us a sumptuously illustrated landmark book tracing African American history from the arrival of the conquistadors to the election of Barack Obama. Informed by the latest, sometimes provocative scholarship and including more than seven hundred images—ancient maps, fine art, documents, photographs, cartoons, posters—Life Upon These Shores focuses on defining events, debates, and controversies, as well as the signal achievements of people famous and obscure. Gates takes us from the sixteenth century through the ordeal of slavery, from the Civil War and Reconstruction through the Jim Crow era and the Great Migration; from the civil rights and black nationalist movements through the age of hip-hop to the Joshua generation. By documenting and illuminating the sheer diversity of African American involvement in American history, society, politics, and culture, Gates bracingly disabuses us of the presumption of a single “black experience.” Life Upon These Shores is a book of major importance, a breathtaking tour de force of the historical imagination.