29 products were found matching your search for Tolkien JRR Nachrichten aus in 2 shops:

The standard hardcover edition of the second volume of The Lord of the Rings includes a large format fold-out map. Frodo and his Companions of the Ring have been beset by danger during their quest to prevent the Ruling Ring from falling into the hands of the Dark Lord by destroying it in the Cracks of Doom. They have lost the wizard, Gandalf, in a battle in the Mines of Moria. And Boromir, seduced by the power of the Ring, tried to seize it by force. While Frodo and Sam made their escape, the rest of the company was attacked by Orcs. Now they continue the journey alone down the great River Anduin -- alone, that is, save for the mysterious creeping figure that follows wherever they go.

From the 1910s to the 1970s, author and linguist J. R. R. Tolkien worked at creating plausibly realistic languages to be used by the creatures and characters in his novels. Like his other languages, Sindarin was a new invention, not based on any existing or artificial language. By the time of his death, he had established fairly complete descriptions of two languages, the "elvish" tongues Quenya and Sindarin. He was able to compose poetic and prose texts in both, and he also constructed a lengthy sequence of changes for both from an ancestral "proto-language," comparable to the development of historical languages and capable of analysis with the techniques of historical linguistics.In A Gateway to Sindarin, David Salo has created a volume that is a serious look at an entertaining topic. Salo covers the grammar, morphology, and history of the language. Supplemental material includes a vocabulary, Sindarin names, a glossary of terms, and an annotated list of works relevant to Sindarin. What emerges is an homage to Tolkien's scholarly philological efforts.

A new death for the old world, winds of industrial change that gust across green hills and dales, machines and callous hearts that dig deep into the ecosystems of Earth as trees crash upon the shrinking forest floors and ecological devastation is visited upon the land. This is the darkest hour of Middle-earth as presented in J.R.R. Tolkien's The Lord of the Rings - how curiously all of this resembles our reality, and the environmental crisis that threatens the modern world... This new study, in a clear and engaging tone, explores and unfolds the environmental dimension of Tolkien's work and worldview, not only in terms of the themes observable in his masterwork The Lord of the Rings, but also across his wider fiction, essays and private papers. With discerning recourse to the work of leading ecologists and eco-thinkers, this book argues that Tolkien - in his unfolding narratives of machine against nature, where regimes of power ruthlessly move against the land - holds up a mirror to the ecological crisis of the primary world and offers a vivid depiction of (and thus a warning against) where the reckless abandonment of concern for the green face of the planet may lead. Tolkien, Campbell argues, by virtue of his consistent adherence to such striking and compelling environmental themes, was a visionary defender of nature who, before the emergence of any organised Green Movement, may have anticipated the scale of the environmental emergency that was yet to dawn. In the exploration of Tolkien's green themes and the critical analysis of his tales of Middle-earth and wider fiction, Campbell re-evaluates Tolkien as a contemporary writer, and offers new insights into Tolkien's work and new perspectives on the literature of the fantastic.

"It is precisely against the darkness of the world that comedy arises, and it is best when that is not hidden." With these words Tolkien replied to Rayner Unwin's comments upon first reading Book 1 of Lord of the Rings. Rayner had not commented on the comedy of Book 1 but on the overpowering effect of "the struggle between darkness and light", as he put it, and that omission disappointed Tolkien. If this was the response of Tolkien's famous first reviewer, it is not surprising that academic studies have also tended to overlook or disregard both the presence of humour in Tolkien's work and the effect of his work to inspire humour in readers' and artists' responses. Laughter in Middle-earth: Humour in and around the Works of JRR Tolkien more than compensates for this critical oversight. From onomastic studies and parody, to historical, literary, and social contexts, a history of illustrations, textual interpretations, heroic forms of defiant laughter, and then to a reminiscence of the Inklings' tastes in humour, these scholarly articles analyse the broad range of comedy which arises against the darkness of the world in Tolkien's narratives. As well, interspersed between these studies are numerous comic illustrations, some of which appear in print for the first time, from well-known Tolkien illustrators. As Eru is reported saying, in a typically egregious internet appropriation of Tolkien, "There is no joke that hath not its uttermost source in me." This book demonstrates that humour is truly a significant aspect of Middle-earth and its influences. Eru, like Tolkien himself, could, indeed laugh.

This is not only a masterpiece because of its popularity but also an outstanding example of excellent craftsmanship in bookbinding and illustration. A real treasure!

If you are a "fan" of the fantasy books by Tolkien, C.S.Lewis, Charles Williams or Chesterton, then this is a book worth reading. It is a collection of essays by various authorities in literature, myth and theology. A couple of the contributors were acquainted with either Tolkien or Lewis. The central thesis running through this collection of essays is that mythic symbols found in folk-tales and religious rituals, all express a common, fundamental human yearning for healing and a return to a "lost paradise". The essayists draw on insights from religious phenomenology, Jungian analysis, Christian theology and literary interpretation to tease out the potent mythic symbols found in the writings of Tolkien, Lewis, Chesterton and Williams. Lewis, Williams and Tolkien were associated with one another as drinking partners in an informal literary club known as The Inklings. The essayists "test" their thesis about the power of myth to reveal our search for meaning through the novels of the Inklings. The essayists take us a step further to consider the Christian world-view that informed and shaped the writings of Tolkien, Lewis, Williams and Chesterton. Although a couple of the essays are slightly "dated", any one interested in fantasy literature would find the thesis very absorbing. It should be useful not merely to students of english literature but also to the general reader who might like to know more about the backdrop to The Lord of the Rings, Narnia, etc. Certainly a book to add to your list for reading if you enjoyed the novels!

"It is precisely against the darkness of the world that comedy arises, and it is best when that is not hidden." With these words Tolkien replied to Rayner Unwin's comments upon first reading Book 1 of Lord of the Rings. Rayner had not commented on the comedy of Book 1 but on the overpowering effect of "the struggle between darkness and light", as he put it, and that omission disappointed Tolkien. If this was the response of Tolkien's famous first reviewer, it is not surprising that academic studies have also tended to overlook or disregard both the presence of humour in Tolkien's work and the effect of his work to inspire humour in readers' and artists' responses. Laughter in Middle-earth: Humour in and around the Works of JRR Tolkien more than compensates for this critical oversight. From onomastic studies and parody, to historical, literary, and social contexts, a history of illustrations, textual interpretations, heroic forms of defiant laughter, and then to a reminiscence of the Inklings' tastes in humour, these scholarly articles analyse the broad range of comedy which arises against the darkness of the world in Tolkien's narratives. As well, interspersed between these studies are numerous comic illustrations, some of which appear in print for the first time, from well-known Tolkien illustrators. As Eru is reported saying, in a typically egregious internet appropriation of Tolkien, "There is no joke that hath not its uttermost source in me." This book demonstrates that humour is truly a significant aspect of Middle-earth and its influences. Eru, like Tolkien himself, could, indeed laugh.

A new death for the old world, winds of industrial change that gust across green hills and dales, machines and callous hearts that dig deep into the ecosystems of Earth as trees crash upon the shrinking forest floors and ecological devastation is visited upon the land. This is the darkest hour of Middle-earth as presented in J.R.R. Tolkien's The Lord of the Rings - how curiously all of this resembles our reality, and the environmental crisis that threatens the modern world... This new study, in a clear and engaging tone, explores and unfolds the environmental dimension of Tolkien's work and worldview, not only in terms of the themes observable in his masterwork The Lord of the Rings, but also across his wider fiction, essays and private papers. With discerning recourse to the work of leading ecologists and eco-thinkers, this book argues that Tolkien - in his unfolding narratives of machine against nature, where regimes of power ruthlessly move against the land - holds up a mirror to the ecological crisis of the primary world and offers a vivid depiction of (and thus a warning against) where the reckless abandonment of concern for the green face of the planet may lead. Tolkien, Campbell argues, by virtue of his consistent adherence to such striking and compelling environmental themes, was a visionary defender of nature who, before the emergence of any organised Green Movement, may have anticipated the scale of the environmental emergency that was yet to dawn. In the exploration of Tolkien's green themes and the critical analysis of his tales of Middle-earth and wider fiction, Campbell re-evaluates Tolkien as a contemporary writer, and offers new insights into Tolkien's work and new perspectives on the literature of the fantastic.

137 Seiten Gebundenes Buch mit Original-Schutzumschlag. Buch ist neu, aus priv. Vorbesitz, ungelesen. ISBN: 9783100004093 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Deutsch Gewicht in Gramm: 418

"This is the story of J.R.R. Tolkien, an ordinary man with an extraordinary imagination who became one of the world's most beloved authors"--Front jacket flap.

"Tolkien's Rings is a literary detective work about JRR Tolkien's inspiration and sources".

A comprehensive, sumptuously illustrated reference guide by David Day, to all the living creatures - races, flora and fauna - that inhabited JRR Tolkien's Middle-earth and Undying Lands. A Tolkien Bestiary is scholarly, definitive and enchantingly beautiful, identifying, analysing and describing 129 separate races. Included are a map, a chronology of all the ages, a general index and a special index referring readers back to Tolkien's original works for the stories of the races described in the Bestiary.

Hither Shore Band 4, das Jahrbuch 2007 der Deutschen Tolkien Gesellschaft e.V., dokumentiert das Tolkien Seminar der DTG zum Thema "Tolkiens kleinere Werke" (Mai 2007, Jena) sowie weitere Forschungsarbeiten aus der DTG und ihrem direkten Umfeld. Der Band enthält neben 12 Tagungsbeiträgen (in Deutsch bzw. Englisch) u.a. 15 Rezensionen zu aktuellen Veröffentlichungen der internationalen Tolkienforschung.

Oversized illustrated hardback edition of the second part of JRR Tolkien's epic masterpiece, The Lord of the Rings, fully reset and featuring full-page watercolour paintings by award-winning artist, Alan Lee. Celebrated Tolkien artist Alan Lee's lavishly illustrated volume tells the story of Frodo and the Companions of the Ring who have been beset by danger during their quest to prevent the Ruling Ring from falling into the hands of the Dark Lord by destroying it in the Cracks of Doom. They have lost the wizard, Gandalf, in the battle with an evil spirit in the Mines of Moria; and at the Falls of Rauros, Boromir, seduced by the power of the Ring, tried to seize it by force. While Frodo and Sam made their escape the rest of the company were attacked by Orcs. Now they continue their journey alone down the great River Anduin -- alone, that is, save for the mysterious creeping figure that follows wherever they go.

Marking 70 years since publication, the definitive edition of JRR Tolkien's first book, sporting a facsimile of his original cover design and complete with fold-out maps and his own drawings and paintings. Bilbo Baggins enjoys a quiet and contented life, with no desire to travel far from the comforts of home; then one day the wizard Gandalf and a band of dwarves arrive unexpectedly and enlist his services -- as a burglar -- on a dangerous expedition to raid the treasure-hoard of Smaug the dragon. Bilbo's life is never to be the same again. Seldom has any book been so widely read and loved as J.R.R. Tolkien's classic tale, 'The Hobbit'. Since its first publication in 1937 it has remained in print to delight each new generation of readers all over the world, and its hero, Bilbo Baggins, has taken his place among the ranks of the immortals: Alice, Pooh, Toad!

Lord of the Brush is the biography of an artist who has had a major impact on the world through his illustrations of JRR Tolkien's world. This is the story of a young man who, with little encouragement, stays true to his vision and becomes an international celebrity with his art. John's story is brought to life with over 100 of his beautiful illustrations. The story is further dramatised with the music of Howard Shore and his Suite for Richard, performed by the London Philharmonic Orchestra.

Compact Disc. JRR Tolkiens legacy of short stories which inhabit the realm of The Hobbit, The Lord of the Rings and The Silmarillion, on CD for the first time. Unfinished Tales is a collection of narratives ranging in time from the Elder Days of Middle-earth to the end of the War of the Ring, and provides those who have read The Lord of the Rings with a whole collection of background and new stories from the twentieth centurys most acclaimed popular author.The book concentrates on the realm of Middle-earth and comprises such elements as Gandalfs lively account of how it was that he came to send the Dwarves to the celebrated party at Bag-End, the emergence of the sea-god Ulmo before the eyes of Tuor on the coast of Beleriand, and an exact description of the military organization of the Riders of Rohan.Unfinished Tales also contains the only story about the long ages of Numenor before its downfall, and all that is known about such matters as the Five Wizards, the Palantiri and the legend of Amroth. The tales were collated and edited by JRR Tolkiens son and literary heir, Christopher Tolkien, who provides a short commentary on each story, helping the reader to fill in the gaps and put each story into the context of the rest of his fathers writings. JRR Tolkiens legacy of short stories which inhabit the realm of The Hobbit, The Lord of the Rings and The Silmarillion, on CD for the first time. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Henry Gee, Senior editor for what many have called the most important magazine in science today - Nature - has written a spellbinding, fun, and accessible book explaining the scientific basis for how all that wizardy, sorcery, and magic really works in JRR Tolkien's fantasy epic, The Lord of the Rings and his other fictional books featuring Middle-earth. The author explores just how elves might be able to see much further than humans, why Frodo's sword turns blue at the sight of evil orcs, how the rings of power do their thing, and just about every other conundrum or piece of 'elvish magic' that have puzzled and delighted Tolkien fans for years. Throughout, Gee makes the point that science, fantasy , and nature are really more similar than one might think. Gee writes in a popular tone and style, fully explaining all science concepts and convincingly demonstrating how Tolkien's world of fantasy makes sense in a very real - scientific - way.

Come face to face with Smaug the Magnificent, the most realistic, breathtaking and destructive dragon ever to appear on screen, in this gallery of exclusive images that tell the story of how he was created.Smaug is possibly the most memorable character in JRR Tolkien’s The Hobbit: a huge, malevolent, fire-breathing, talking dragon! But while he makes quite an impact in the book, in Peter Jackson’s film adaptation he is definitely the most spectacular creature ever to appear on screen.So how did the filmmakers manage to take the dragon that has lived in millions of readers’ imaginations and turn him into a totally unique and unforgettable living, breathing character?The answer can be found in Smaug: Unleashing the Dragon. Packed with stunning, exclusive new images, it reveals how he grew out of thousands of detailed and fantastical concept designs into the beast that is unleashed in awesome digital glory.Compiled by the Academy Award™-winning teams at Weta Digital and Weta Workshop, who provide fascinating insights telling the story of the dragon’s creation, this is the perfect companion for every fan who was blown away by Smaug, the Magnificent!

Much like Greek and Roman mythology, Norse myths are still with us. Famous storytellers from JRR Tolkien to Neil Gaiman have drawn their inspiration from the long-haired, mead-drinking, marauding and pillaging Vikings. Their creator is a thirteenth-century Icelandic chieftain by the name of Snorri Sturluson. Like Homer, Snorri was a bard, writing down and embellishing the folklore and pagan legends of medieval Scandinavia. Unlike Homer, Snorri was a man of the world—a wily political power player, one of the richest men in Iceland who  came close to ruling it, and even closer to betraying it... In Song of the Vikings, award-winning author Nancy Marie Brown brings Snorri Sturluson’s story to life in a richly textured narrative that draws on newly available sources.