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In the final volume, Arendt focuses on the two genuine forms of the totalitarian state in history-the dictatorships of Bolshevism after 1930 and of National Socialism after 1938. Index.

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The totalitarian systems that arose in the twentieth century presented themselves as secular. Yet, as A. James Gregor argues in this book, they themselves functioned as religions. He presents an intellectual history of the rise of these political religions, tracing a set of ideas that include belief that a certain text contains impeccable truths; notions of infallible, charismatic leadership; and the promise of human redemption through strict obedience, selfless sacrifice, total dedication, and unremitting labor. Gregor provides unique insight into the variants of Marxism, Fascism, and National Socialism that dominated our immediate past. He explores the seeds of totalitarianism as secular faith in the nineteenth-century ideologies of Ludwig Feuerbach, Moses Hess, Karl Marx, Friedrich Engels, Giuseppe Mazzini, and Richard Wagner. He follows the growth of those seeds as the twentieth century became host to Leninism and Stalinism, Italian Fascism, and German National Socialism―each a totalitarian institution and a political religion.

Examination of Eastern Europe as communism fell: what was the cost of the totalitarian state? what is necessary for the rebirth of freedom? has Marxism been finally discredited?

Examination of Eastern Europe as communism fell: what was the cost of the totalitarian state? what is necessary for the rebirth of freedom? has Marxism been finally discredited?

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

“How could such a book speak so powerfully to our present moment? The short answer is that we, too, live in dark times, even if they are different and perhaps less dark, and “Origins” raises a set of fundamental questions about how tyranny can arise and the dangerous forms of inhumanity to which it can lead.”   Jeffrey C. Isaac, The Washington PostHannah Arendt's definitive work on totalitarianism and an essential component of any study of twentieth-century political historyThe Origins of Totalitarianism begins with the rise of anti-Semitism in central and western Europe in the 1800s and continues with an examination of European colonial imperialism from 1884 to the outbreak of World War I. Arendt explores the institutions and operations of totalitarian movements, focusing on the two genuine forms of totalitarian government in our time—Nazi Germany and Stalinist Russia—which she adroitly recognizes were two sides of the same coin, rather than opposing philosophies of Right and Left. From this vantage point, she discusses the evolution of classes into masses, the role of propaganda in dealing with the nontotalitarian world, the use of terror, and the nature of isolation and loneliness as preconditions for total domination.

Jazz and Totalitarianism examines jazz in a range of regimes that in significant ways may be described as totalitarian, historically covering the period from the Franco regime in Spain beginning in the 1930s to present day Iran and China. The book presents an overview of the two central terms and their development since their contemporaneous appearance in cultural and historiographical discourses in the early twentieth century, comprising fifteen essays written by specialists on particular regimes situated in a wide variety of time periods and places. Interdisciplinary in nature, this compelling work will appeal to students from Music and Jazz Studies to Political Science, Sociology, and Cultural Theory.

The totalitarian systems that arose in the twentieth century presented themselves as secular. Yet, as A. James Gregor argues in this book, they themselves functioned as religions. He presents an intellectual history of the rise of these political religions, tracing a set of ideas that include belief that a certain text contains impeccable truths; notions of infallible, charismatic leadership; and the promise of human redemption through strict obedience, selfless sacrifice, total dedication, and unremitting labor. Gregor provides unique insight into the variants of Marxism, Fascism, and National Socialism that dominated our immediate past. He explores the seeds of totalitarianism as secular faith in the nineteenth-century ideologies of Ludwig Feuerbach, Moses Hess, Karl Marx, Friedrich Engels, Giuseppe Mazzini, and Richard Wagner. He follows the growth of those seeds as the twentieth century became host to Leninism and Stalinism, Italian Fascism, and German National Socialism―each a totalitarian institution and a political religion.

In the course of World War II, the Republic of Latvia was occupied and annexed by the USSR in June of 1940. A year of sovietization was followed by four years of another occupation (1944-1945)- this time by the army of Hitler's Third Reich. After Germany's defeat, the Soviet occupation returned, lasting for the next forty-five years. The book is a documentary history of the presence of these two totalitarian "great powers" on Latvia's soil, the administrations they created, the policies they implemented, and the institutions of control they developed. Containing some previously published documents (mostly concerning the German occupation), the bulk of the collection consists of the English-language translations of documents from the much longer Soviet period. The latter ended up in the national archives of Latvia after the collapse of the USSR and the renewal of Latvian independence. A particularly noteworthy component of the Soviet-era documents are the internal reports (often marked "top secret") of the Soviet-era Latvian KGB, the internal memoranda of the Central Committee of the Latvian Communist Party, and the correspondence between the Latvian Party and its Moscow superiors. The subjects covered include the behavior of the Soviet army on Latvian soil, the sovietization of the Latvian economy, control over churches, punishment of dissidents, dealing with the Latvian émigré community, the treatment of the so-called "national communists," and the successful drive for independence from 1987 onward.

Jazz and Totalitarianism examines jazz in a range of regimes that in significant ways may be described as totalitarian, historically covering the period from the Franco regime in Spain beginning in the 1930s to present day Iran and China. The book presents an overview of the two central terms and their development since their contemporaneous appearance in cultural and historiographical discourses in the early twentieth century, comprising fifteen essays written by specialists on particular regimes situated in a wide variety of time periods and places. Interdisciplinary in nature, this compelling work will appeal to students from Music and Jazz Studies to Political Science, Sociology, and Cultural Theory.

In essays written jointly by specialists on Soviet and German history, the contributors to this book rethink and rework the nature of Stalinism and Nazism and establish a new methodology for viewing their histories that goes well beyond the now-outdated twentieth-century models of totalitarianism, ideology, and personality. Doing the labor of comparison gives us the means to ascertain the historicity of the two extraordinary regimes and the wreckage they have left. With the end of the Cold War and the collapse of the Soviet Union, scholars of Europe are no longer burdened with the political baggage that constricted research and conditioned interpretation and have access to hitherto closed archives. The time is right for a fresh look at the two gigantic dictatorships of the twentieth century and for a return to the original intent of thought on totalitarian regimes - understanding the intertwined trajectories of socialism and nationalism in European and global history.

Modernism and Totalitarianism evaluates a broad range of post-1945 scholarship. Totalitarianism, as the common ideological trajectory of Nazism and Stalinism, is dissected as a synthesis of three modernist intellectual currents which determine its particular, inherited character.

The Papacy in the Age of Totalitarianism, 1914-1958 examines the most momentous years in papal history. Popes Benedict XV (1914-1922), Pius XI (1922-1939), and Pius XII (1939-1958) faced the challenges of two world wars and the Cold War, and threats posed by totalitarian dictatorships like Italian Fascism, German National Socialism, and Communism in Russia and China. The wars imposed enormous strains upon the unity of Catholics and the hostility of the totalitarian regimes to Catholicism lead to the Church facing persecution and martyrdom on a scale similar to that experienced under the Roman Empire and following the French Revolution. At the same time, these were years of growth, development, and success for the papacy. Benedict healed the wounds left by the 'modernist' witch hunt of his predecessor and re-established the papacy as an influence in international affairs through his peace diplomacy during the First World War. Pius XI resolved the 'Roman Question' with Italy and put papal finances on a sounder footing. He also helped reconcile the Catholic Church and science by establishing the Pontifical Academy of Sciences and took the first steps to move the Church away from entrenched anti-Semitism. Pius XI continued his predecessor's policy of the 'indigenisation' of the missionary churches in preparation for de-colonisation. Pius XII fully embraced the media and other means of publicity, and with his infallible promulgation of the Assumption in 1950, he took papal absolutism and centralism to such heights that he has been called the 'last real pope'. Ironically, he also prepared the way for the Second Vatican Council.

An inventive, wholly original look at the complex psyche of Eastern Europe in the wake of the revolutions of 1989 and the opening of the communist archives.    In the tradition of Timothy Garton Ash’s The File, Yale historian and prize-winning author Marci Shore draws upon intimate understanding to illuminate the afterlife of totalitarianism.  The Taste of Ashes spans from Berlin to Moscow, moving from Vienna in Europe’s west through Prague, Bratislava, Warsaw and Bucharest to Vilnius and Kiev in the post-communist east. The result is a shimmering literary examination of the ghost of communism – no longer Marx’s “specter to come” but a haunting presence of the past.    Marci Shore builds her history around people she came to know over the course of the two decades since communism came to an end in Eastern Europe: her colleagues and friends, once-communists and once-dissidents, the accusers and the accused, the interrogators and the interrogated, Zionists, Bundists, Stalinists and their children and grandchildren.  For them, the post-communist moment has not closed but rather has summoned up the past: revolution in 1968, Stalinism, the Second World War, the Holocaust.  The end of communism had a dark side.  As Shore pulls the reader into her journey of discovery, reading the archival records of people who are themselves confronting the traumas of former lives, she reveals the intertwining of the personal and the political, of love and cruelty, of intimacy and betrayal. The result is a lyrical, touching, and sometimes heartbreaking, portrayal of how history moves and what history means.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

These thirteen articles provide theoretical and historically informed analyses of the powerful currents that are shaping the late twentieth-century political and cultural landscape.