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In Tracking King Kong Cynthia Erb charts the cultural significance of the character of King Kong, from the early 1930s, when Merian C. Cooper and Ernest B. Schoedsack's classic film King Kong was first released, to Peter Jackson's 2005 remake. Although King Kong has received much academic attention over the past twenty-five years, the bulk of these analyses deal with the film's human characters rather than Kong himself. In this revised edition of an influential study, Erb argues that King Kong is a particular kind of cultural outsider who represents a cross-penetration of American notions of exoticism and monstrosity. Tracking King Kong considers problems such as race and gender in the King Kong tradition, as well as historical, international, and contemporary audience and fan responses to this classic film and its popular protagonist.Erb begins her examination of King Kong in the 1930s, when the original film was produced and released, extending through the 1970s, when the film and its hero reached the height of their cultural visibility in a remake by Dino De Laurentiis, and concluding with a look at Peter Jackson's version in 2005. The book includes a detailed production history of the original 1933 film based on primary historical and archival sources; a genre study examining Kong's relations to horror, jungle adventure, and travel documentary genres; an analysis of Kong's influence on the Japanese film Godzilla; and a look at sequels, remakes, and spinoffs related to King Kong, such as Mighty Joe Young. Erb also analyzes Jackson's remake of King Kong, to determine how and why Jackson revised the main character, casting him as a melancholy hero. The revised edition of Tracking King Kong updates a groundbreaking study of King Kong as the iconic character enters the twenty-first century. Scholars of film and television studies as well as general readers interested in film and popular culture will appreciate this significant volume.

In Tracking King Kong Cynthia Erb charts the cultural significance of the character of King Kong, from the early 1930s, when Merian C. Cooper and Ernest B. Schoedsack's classic film King Kong was first released, to Peter Jackson's 2005 remake. Although King Kong has received much academic attention over the past twenty-five years, the bulk of these analyses deal with the film's human characters rather than Kong himself. In this revised edition of an influential study, Erb argues that King Kong is a particular kind of cultural outsider who represents a cross-penetration of American notions of exoticism and monstrosity. Tracking King Kong considers problems such as race and gender in the King Kong tradition, as well as historical, international, and contemporary audience and fan responses to this classic film and its popular protagonist.Erb begins her examination of King Kong in the 1930s, when the original film was produced and released, extending through the 1970s, when the film and its hero reached the height of their cultural visibility in a remake by Dino De Laurentiis, and concluding with a look at Peter Jackson's version in 2005. The book includes a detailed production history of the original 1933 film based on primary historical and archival sources; a genre study examining Kong's relations to horror, jungle adventure, and travel documentary genres; an analysis of Kong's influence on the Japanese film Godzilla; and a look at sequels, remakes, and spinoffs related to King Kong, such as Mighty Joe Young. Erb also analyzes Jackson's remake of King Kong, to determine how and why Jackson revised the main character, casting him as a melancholy hero. The revised edition of Tracking King Kong updates a groundbreaking study of King Kong as the iconic character enters the twenty-first century. Scholars of film and television studies as well as general readers interested in film and popular culture will appreciate this significant volume.

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Those who follow German contemporary painting are tracking, most often, the evolution of the Leipzig School and Dresden Pop. Among the essential, independent talents who fall into neither category is Cologne-based artist painter Peter Zimmermann, born in 1956. Zimmermann has been working since the late 1980s on paintings that question contemporary visuality. His work, no matter how conceptual in its subject matter, is full of seductive sensuality. The Book Cover Paintings transcribe art books onto the canvas, reflecting their own art historical roots. The flowing forms of his Blob Paintings parse new media, distorting photographs on the computer and transferring them to canvas. Zimmermann's work has been the subject of solo shows in Los Angeles, Miami, New York, Paris, Berlin, and London, and is in the collection of The Museum of Modern Art. In March 2007, it was exhibited at The Happy Lion Gallery, Los Angeles.

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Peter Jongman, a Dutch investigator, is tracking down an ex-Nazi whose latest atrocity is selling unsuspecting victims into slavery.

Swedish guitar player Peter H Nilsson has been in the musical business for many years in different bands in and extensive touring in his home country. In 2016 Nilsson started to work in his studio tracking new ideas for an album and in June 2017 all songs were done. Nilsson was at the same time looking for a singer and found what he was looking for via the world's leading music production marketplace Soundbetter: Chris Biano from Nashville, Tennessee and started to discuss the possibility t

Paperback 1984. 19.5x13cm. 236 pages. SPINE HAS LIGHT CREASING. Clean & tight book. No inscriptions. Dispatched ROYAL MAIL FIRST CLASS with TRACKING next working day or sooner securely boxed in cardboard. ref D136. Three Six Seven. Memoirs of a Very Important Man. A Novel by Peter Vansittart. Published in 1984 by Robin Clark, London

Magnetoencephalography (MEG) is an exciting brain imaging technology that allows real-time tracking of neural activity, making it an invaluable tool for advancing our understanding of brain function. In this comprehensive introduction to MEG, Peter Hansen, Morten Kringelbach, and Riitta Salmelin have brought together the leading researchers to provide the basic tools for planning and executing MEG experiments, as well as analyzing and interpreting the resulting data. Chapters on the basics describe the fundamentals of MEG and its instrumentation, and provide guidelines for designing experiments and performing successful measurements. Chapters on data analysis present it in detail, from general concepts and assumptions to analysis of evoked responses and oscillatory background activity. Chapters on solutions propose potential solutions to the inverse problem using techniques such as minimum norm estimates, spatial filters and beamformers. Chapters on combinations elucidate how MEG can be used to complement other neuroimaging techniques. Chapters on applications provide practical examples of how to use MEG to study sensory processing and cognitive tasks, and how MEG can be used in a clinical setting. These chapters form a complete basic reference source for those interested in exploring or already using MEG that will hopefully inspire them to try to develop new, exciting approaches to designing and analyzing their own studies. This book will be a valuable resource for researchers from diverse fields, including neuroimaging, cognitive neuroscience, medical imaging, computer modelling, as well as for clinical practitioners.

Magnetoencephalography (MEG) is an exciting brain imaging technology that allows real-time tracking of neural activity, making it an invaluable tool for advancing our understanding of brain function. In this comprehensive introduction to MEG, Peter Hansen, Morten Kringelbach, and Riitta Salmelin have brought together the leading researchers to provide the basic tools for planning and executing MEG experiments, as well as analyzing and interpreting the resulting data. Chapters on the basics describe the fundamentals of MEG and its instrumentation, and provide guidelines for designing experiments and performing successful measurements. Chapters on data analysis present it in detail, from general concepts and assumptions to analysis of evoked responses and oscillatory background activity. Chapters on solutions propose potential solutions to the inverse problem using techniques such as minimum norm estimates, spatial filters and beamformers. Chapters on combinations elucidate how MEG can be used to complement other neuroimaging techniques. Chapters on applications provide practical examples of how to use MEG to study sensory processing and cognitive tasks, and how MEG can be used in a clinical setting. These chapters form a complete basic reference source for those interested in exploring or already using MEG that will hopefully inspire them to try to develop new, exciting approaches to designing and analyzing their own studies. This book will be a valuable resource for researchers from diverse fields, including neuroimaging, cognitive neuroscience, medical imaging, computer modelling, as well as for clinical practitioners.

Hardcover and jacket. 1984. St. Martin Press, N.Y. With An Introductory essay by George or Well. Foreword by Peter Haining. Jacket have some worn on edges, The book is tight shape, a very Good condition. No marks or names inside. Fast shipping and free tracking number. Cja 529.