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The first half of the twentieth century witnessed a growing interest in America's folk heritage, as Americans began to enthusiastically collect, present, market, and consume the nation's folk traditions. Examining one of this century's mostprominent "folk revivals--the reemergence of Southern Appalachian handicraft traditions in the 1930s--Jane Becker unravels the cultural politics that bound together a complex network of producers, reformers, government officials, industries, museums, urban markets, and consumers, all of whom helped to redefine Appalachian craft production in the context of a national cultural identity. Becker uses this craft revival as a way of exploring the construction of the cultural categories "folk" and "tradition." She also addresses the consequences such labels have had on the people to whom they have been assigned. Though the revival of domestic arts in the Southern Appalachians reflected an attempt to aid the people of an impoverished region, she says, as well as a desire to recapture an important part of the nation's folk heritage, in reality the new craft production owed less to tradition than to middle-class tastes and consumer culture--forces that obscured the techniques used by mountain laborers and the conditions in which they worked.

Though he died at the age of thirty-four, the Muscogee (Creek) poet, journalist, and humorist Alexander Posey (1873–1908) was one of the most prolific and influential American Indian writers of his time. This volume of nine stories, five orations, and nine works of oral tradition is the first to collect these entertaining and important works of Muscogee literature. Many of Posey’s stories reflect trickster themes; his orations demonstrate both his rhetorical prowess and his political stance as a “Progressive” Muscogee; and his works of oral tradition reveal his deep cultural roots. Most of these pieces, which first appeared between 1892 and 1907 in Indian Territory newspapers and magazines, have since become rarities, many of the original pieces surviving only as single clippings in a few archives. While Muscogee oral tradition greatly influenced Posey’s prose, his work was also infused with the Euro-American influences that formed much of his literary education. As this collection demonstrates, Posey used his knowledge of Euro-American literature and history to help write works that championed his own people at a time of profound oppression at the hands of the United States government. Posey’s vivid literary style merges rich regional humor with Muscogee oral tradition in a way that makes him a unique figure in American Indian literature and politics. Chinnubbie and the Owl brings these works of great literary, cultural, and historical value to a new generation of readers.

For several decades G. W. Bowersock has been one of our leading historians of the classical world. This volume collects seventeen of his essays, each illustrating how the classical past has captured the imagination of some of the greatest figures in modern historiography and literature. The essays here range across three centuries, the eighteenth to the twentieth, and are divided chronologically. The great Enlightenment historian Edward Gibbon is in large part the unifying force of this collection as he appears prominently in the first four essays, beginning with Bowersock's engaging introduction to the methods and genius behind The Decline and Fall of the Roman Empire. Gibbon's profound influence is revealed in subsequent essays on Jacob Burckhardt, the nineteenth-century scholar famous for his history of the Italian Renaissance but whose work on late antiquity is only now being fully appreciated; the modern Greek poet Constantine Cavafy, whose annotations on Gibbon's Decline and Fall tell us much about his own historical poems; and finally W. H. Auden, whose poem and little known essay "The Fall of Rome" were, in quirky ways, tributes to Gibbon. The collection reprints Auden's poem and essay in full. The result is a rich survey of the early modern and modern uses of the classical past by one of its most important contemporary commentators.

This volume collects four core works by one of the world's leading authorities. Put together in a representative volume, they provide an understanding of the Sikh individual, historical community, and religion.

Though he died at the age of thirty-four, the Muscogee (Creek) poet, journalist, and humorist Alexander Posey (1873–1908) was one of the most prolific and influential American Indian writers of his time. This volume of nine stories, five orations, and nine works of oral tradition is the first to collect these entertaining and important works of Muscogee literature. Many of Posey’s stories reflect trickster themes; his orations demonstrate both his rhetorical prowess and his political stance as a “Progressive” Muscogee; and his works of oral tradition reveal his deep cultural roots. Most of these pieces, which first appeared between 1892 and 1907 in Indian Territory newspapers and magazines, have since become rarities, many of the original pieces surviving only as single clippings in a few archives. While Muscogee oral tradition greatly influenced Posey’s prose, his work was also infused with the Euro-American influences that formed much of his literary education. As this collection demonstrates, Posey used his knowledge of Euro-American literature and history to help write works that championed his own people at a time of profound oppression at the hands of the United States government. Posey’s vivid literary style merges rich regional humor with Muscogee oral tradition in a way that makes him a unique figure in American Indian literature and politics. Chinnubbie and the Owl brings these works of great literary, cultural, and historical value to a new generation of readers.

The wolf is tricked by Red Riding Hood into strangling her grandmother and is subsequently arrested. Sleeping Beauty and Cinderella do not live happily ever after. And the fairies are saucy, angry, and capricious. Fairy Tales for the Disillusioned collects thirty-six tales, many newly translated, by writers associated with the decadent literary movement, which flourished in France in the late nineteenth century. Written by such creative luminaries as Charles Baudelaire, Anatole France, and Guillaume Apollinaire, these enchanting yet troubling stories reflect the concerns and fascinations of a time of great political, social, and cultural change. Recasting well-known favorites from classic French fairy tales, as well as Arthurian legends and English and German tales, the updated interpretations in this collection allow for more perverse settings and disillusioned perspectives―a trademark style and ethos of the decadent tradition.In these stories, characters puncture the optimism of the naive, talismans don't work, and the most deserving don’t always get the best rewards. The fairies are commonly victims of modern cynicism and technological advancement, but just as often are dangerous creatures corrupted by contemporary society. The collection underlines such decadent themes as the decline of civilization, the degeneration of magic and the unreal, gender confusion, and the incursion of the industrial. The volume editors provide an informative introduction, biographical notes for each author, and explanatory notes throughout.Subverting the conventions of the traditional fairy tale, these old tales made new will entertain and startle even the most disenchanted readers.

On Collecting examines the nature of collecting both in Europe and among people living within the European tradition elsewhere.Susan Pearce looks at the way we collect and what this tells us about ourselves and our society. She also explores the psychology of collecting: why do we bestow value on certain objects and how does this add meaning to our lives? Do men and women collect differently? How do we use objects to construct our identity?This book breaks new ground in its analysis of our relationship to the material world.

For over three decades, those for whom religion is a path of discovery and questioning have found insight in the pages of Parabola. This thoughtful anthology collects the magazine’s best writings on Hinduism, featuring articles from Coomaraswamy, Easwaran, Aurobindo, Yogananda, and 20 other authors who vividly explore what it means to follow in this tradition. The collection combines poetry and folklore with incisive interviews and cogent essays on topics such as the search for self, attention and remembrance, transformational knowledge, and worldly and divine works. A lavish, full-color, 16-page set of plates brilliantly conveys the rich variety within the tradition. From full works of great intricacy to passages of pure insight, The Inner Journey: Views from the Hindu Tradition spans the tradition’s greatest trends. For readers looking for an introduction to Hinduism or those seeking to expand their knowledge of it, the journey in this book inspires and enlightens.

An authentic guide to the festive, mouthwatering sweets of Southern Italy, including regional specialties that are virtually unknown in the US, as well as variations on more popular desserts such as cannoli, biscotti, and gelato. As a follow-up to her acclaimed My Calabria, Rosetta Costantino collects 75 favorite desserts from her Southern Italian homeland, including the regions of Basilicata, Calabria, Campania, Puglia, and Sicily. These areas have a history of rich traditions and tasty, beautiful desserts, many of them tied to holidays and festivals. For example, in the Cosenza region of Calabria, Christmas means plates piled with grispelle (warm fritters drizzled with local honey) and pitta 'mpigliata (pastries filled with walnuts, raisins, and cinnamon). For the feast of Carnevale, Southern Italians celebrate with bugie ("liars"), sweet fried dough dusted in powdered sugar, meant to tattle on those who sneak off with them by leaving a wispy trail of sugar. With fail-proof recipes and information on the desserts' cultural origins and context, Costantino illuminates the previously unexplored confectionary traditions of this enchanting region.

Collects the novels, stories, poems, essays, memoirs, diaries, and letters of more than 170 writers--American, English, Canadian, and others writing in English

This volume collects four core works by one of the world's leading authorities. Put together in a representative volume, they provide an understanding of the Sikh individual, historical community, and religion.

For several decades G. W. Bowersock has been one of our leading historians of the classical world. This volume collects seventeen of his essays, each illustrating how the classical past has captured the imagination of some of the greatest figures in modern historiography and literature. The essays here range across three centuries, the eighteenth to the twentieth, and are divided chronologically. The great Enlightenment historian Edward Gibbon is in large part the unifying force of this collection as he appears prominently in the first four essays, beginning with Bowersock's engaging introduction to the methods and genius behind The Decline and Fall of the Roman Empire. Gibbon's profound influence is revealed in subsequent essays on Jacob Burckhardt, the nineteenth-century scholar famous for his history of the Italian Renaissance but whose work on late antiquity is only now being fully appreciated; the modern Greek poet Constantine Cavafy, whose annotations on Gibbon's Decline and Fall tell us much about his own historical poems; and finally W. H. Auden, whose poem and little known essay "The Fall of Rome" were, in quirky ways, tributes to Gibbon. The collection reprints Auden's poem and essay in full. The result is a rich survey of the early modern and modern uses of the classical past by one of its most important contemporary commentators.

For over three decades, those for whom religion is a path of discovery and questioning have found insight in the pages of Parabola. This thoughtful anthology collects the magazine’s best writings on Christianity, featuring articles from Thomas Merton, Elaine Pagels, Philip Zaleski, Thomas Keating, and 20 other authors who vividly explore what it means to be a Christian. The collection combines poetry and folklore with incisive interviews and cogent essays on topics such as the search for self, attention and remembrance, transformational knowledge, and worldly and divine works. A lavish, full-color, 16-page set of plates brilliantly conveys the rich variety within the tradition. From full works of great intricacy to passages of pure insight, The Inner Journey: Views from the Christian Tradition spans the tradition’s greatest trends. For readers looking for an introduction to Christianity or those seeking to expand their knowledge of it, the journey in this book inspires and enlightens.

The first half of the twentieth century witnessed a growing interest in America's folk heritage, as Americans began to enthusiastically collect, present, market, and consume the nation's folk traditions. Examining one of this century's mostprominent "folk revivals--the reemergence of Southern Appalachian handicraft traditions in the 1930s--Jane Becker unravels the cultural politics that bound together a complex network of producers, reformers, government officials, industries, museums, urban markets, and consumers, all of whom helped to redefine Appalachian craft production in the context of a national cultural identity. Becker uses this craft revival as a way of exploring the construction of the cultural categories "folk" and "tradition." She also addresses the consequences such labels have had on the people to whom they have been assigned. Though the revival of domestic arts in the Southern Appalachians reflected an attempt to aid the people of an impoverished region, she says, as well as a desire to recapture an important part of the nation's folk heritage, in reality the new craft production owed less to tradition than to middle-class tastes and consumer culture--forces that obscured the techniques used by mountain laborers and the conditions in which they worked.

The Ibanez guiding philosophy for acoustics, a modern approach to acoustic guitar tradition, extends quite naturally to their acoustic bass collect...

Autumn woolen coat – I collect tapestry paintings since I am in Czech Republic. It’s my passion and I can always use them somewhere. I found in them connection with Asian culture, the tradition of needlework and handwork. Every piece is original, unique and it perfectly fit on this woollen coat. It closes with one magnetic button form the front and the tapestry painting looks amazing on your back. You can wear the tapestry painting in the front too. It fits perfectly with trousers and turtleneck. It’s one size and unique thing. Hand wash only

Autumn woolen coat – I collect tapestry paintings since I am in Czech Republic. It’s my passion and I can always use them somewhere. I found in them connection with Asian culture, the tradition of needlework and handwork. Every piece is original, unique and it perfectly fit on this woollen coat. It closes with one magnetic button form the front and the tapestry painting looks amazing on your back. You can wear the tapestry painting in the front too. It fits perfectly with trousers and turtleneck. It’s one size and unique thing. Hand wash only

As a follow-up to her acclaimed My Calabria, Rosetta Costantino collects 75 favorite desserts from her Southern Italian homeland, including the regions of Basilicata, Calabria, Campania, Puglia, and Sicilia. These areas have a history of rich traditions and tasty, beautiful desserts, many of them tied to holidays and festivals. For example, in the Cosensa region of Calabria, Christmas means plates piled with grispelle (warm fritters drizzled with local honey) and pitta 'mpigliata (pastries filled with walnuts, raisins, and cinnamon). For the feast of Carnevale, Southern Italians celebrate with bugie ("liars")--sweet fried dough dusted in powdered sugar, meant to tattle on those who sneak off with them by leaving a wispy trail of sugar. With fail-proof recipes and information on the desserts' cultural origins and context, Costantino illuminates the previously unexplored confectionary traditions of this enchanting region. 224 pages Hardcover Published by Random House Imported

Truth & Soul is proud to present the second volume of our Fallin Off the Reel compilation on double long playing vinyl. In keeping with T&S tradition when we get enough singles out we get them together onto a comp for the people who collect CDs and digital files. Also in keeping with T&S tradition, when we get to two volumes we choose of our favorite tunes from both and press them on a double vinyl release. This combo of Vol 3 and 4 contains 26 tracks on 4 sides with songs from Lee Fields & Expr

Collects tales from three rich traditions of storytelling, following the migration of stories via the slave trade during the Plantation Era and highlighting such characters as Bruh Fox, Anansi Spider, and Cunnie Rabbit.