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Jimmy's garden on the Lower East Side of Manhattan―an assortment of stones and garbage bags, five tires, a chair, a skid, a refrigerator shelf, some ailanthus trees and goldfish, a wooden fence, and a pond with water carried by hand from a nearby fire hydrant―was recently bulldozed by the city. Jimmy then disappeared. Anna's garden is surrounded by a tall chainlink fence and filled with a menagerie of dolls and stuffed animals. The animals are whole, the dolls are maimed. Anna is a recluse who speaks to no one. The neighbors say she was in a concentration camp as a child. Gardens have always been associated with wealth and leisure, viewed as an addition to home. In this remarkable book a landscape architect and a photographer show us, in word and pictures, gardens built by homeless or impoverished New York City inhabitants. Like traditional gardens, these spaces are designed for pleasure, social activity, or private retreat. Unlike traditional gardens, they are connected to a more active and ephemeral use of the land.  Transitory gardens speak the language of our times: here we find the reuse of nearly everything discarded, a sparing use of water and plant materials, an economical treatment of space, and a penchant for icons, toys, flags, and symbols of freedom and nationality. The gardens expand our definition of what makes a garden and what its design means for its creator. Diana Balmori's commentary and Margaret Morton's photographs combine with the garden-makers' own descriptions to encourage us to take note of gardens grown in unlikely places, on abandoned, littered lots, bounded by debris. By focusing on what homeless people make not for material comfort but from social and spiritual need, the book offers insight into both the meaning of landscape and the place of a garden in the life of an individual under duress.

The Transitory State Stefan Goldmann - CD 827170099128

Jimmy's garden on the Lower East Side of Manhattan - an assortment of stones and garbage bags, five tires, a chair, a skid, a refrigerator shelf, some ailanthus trees and goldfish, a wooden fence, and a pond with water carried by hand from a nearby fire hydrant - was recently bulldozed by the city. Jimmy then disappeared.Anna's garden is surrounded by a tall chainlink fence and filled with a menagerie of dolls and stuffed animals. The animals are whole, the dolls are maimed. Anna is a recluse who speaks to no one. The neighbors say she was in a concentration camp as a child.Gardens have always been associated with wealth and leisure, viewed as an addition to home. In this remarkable book a landscape architect and a photographer show us, in word and pictures, gardens built by homeless or impoverished New York City inhabitants. Like traditional gardens, these spaces are designed for pleasure, social activity, or private retreat. Unlike traditional gardens, they are connected to an active and ephemeral use of the land.Transitory gardens speak the language of our times: here we find the reuse of nearly everything discarded, a sparing use of water and plant materials, an economical treatment of space, and a penchant for icons, toys, flags, and symbols of freedom and nationality. The gardens expand our definition of what makes a garden and what its design means for its creator. Diana Balmori's commentary and Margaret Morton's photographs combine with the gardenmakers' own descriptions to encourage us to take note of gardens grown in unlikely places, on abandoned, littered lots, bounded by debris. By focusing on what homeless people make not for material comfort but from social and spiritual need, the book offers insight into both the meaning of landscape and the place of a garden in the life of an individual under duress.

Explores the link between mathematics and ontology.This book continues Alain Badiou’s project to posit an integral link between mathematics and ontology. Originally published as part of a trilogy in 1998, Briefings on Existence engages the ideas of Deleuze, Spinoza, Plato, Aristotle, and Kant and outlines how the philosophical inquiry into Being and existence converges with the possible world topology of category theory. Set against the background of a multiplication of gods that can be declared dead (the gods of religions, metaphysics, and poetry), Badiou argues that the extension of these events has fallen short of accomplishing its collective promise, but can be achieved through the mathematical understanding of ontology. After several remarkable decades of theoretical invention, French philosophy stands at a crossroads, and Badiou’s egalitarian materialism is one of its strongest calls forward.

A prominent European line up (feat. a.o. Philip Catherine) led by Dutchman Jasper van't Hof and Charlie Mariano (see also his MPS solo outing "Helen 12 Trees") presents a Jazz/Rock must-have. Proof is here: non-symmetrical metres can groove like hell!

Jim Jarmusch assembled an extraordinary international cast of actors for these transitory tales of urban displacement and existential angst, all staged as encounters between cabbies and their fares. Spanning time zones, continents, and languages, Night on Earth traverses through scenes of uproarious comedy and nocturnal poetry.

"Sometimes I surprise myself. I am always looking for some mysterious in-between place where ideas and images come together to show me a new, exciting path to follow." -- Elizabeth SandvigMuch of Elizabeth Sandvig's work has dealt with the transitory and fragile qualities of nature. Using materials that include cast polyester resin, aluminum and polyester screen, nylon thread, and silicon gels, she has emphasized a sense of layered transparency, creating a shifting visual energy affected by light and position.Throughout her career Sandvig has painted her version of Edward Hick's nineteenth-century fantasy, The Peaceable Kingdom. The Hicks theme is, as she observed, "an excellent excuse to paint animals," but it is also an ordering principle, an opportunity to make marks that matter, amplified by orchestrated tones. Her animals owe allegiance only to the function their figures serve in fields of colored light.Born in Seattle, Elizabeth Sandvig is one of the Pacific Northwest's most respected artists. She has been artist-in-residence at the Pilschuck Glass School adn the Centrum Foundation, and she has taught generations how to make monoprints and woodcuts. She has been represented by the Francine Seders Gallery since 1966.

This book will fill an immediate and obvious gap. The numbers of students in higher education is increasing rapidly and collectively they form a vas, fragmented and transitory society-diverse,hedonistic,largely anti-church, yet open to exploring life meaning. The opportunities for ministry are unlimited and this very practical resource aims to equip everyone ministering among this age group. It begins with an illuminating analysis of student culture and then offers practical guidance on worship, prayer, and mission among students, the ministry of welcome and hospitality, pastoral care and spiritual development, prophetic engagement with current issues, working effectively with interfaith colleagues and, the care of college staff as well as students. An all-round and essential resource.

“A reinvigorated, modern approach to a reality-based philosophy.” —Kirkus ReviewsOf all the religions, creeds, and self-help manifestos the world has produced, most concentrate on how to achieve salvation in aspects other than the here-and-now, with our lives merely transitory testing grounds for a higher realm or our actions guided so that we maximize life in a state of 'enlightened hedonism,' consuming rapaciously but really achieving not much at all. But there's one philosophy that provides a concrete foundation for living well, for living 'a good life' in this world. Stoicism. "A Better Human" looks at what the Stoic philosophers said and did, how it impacted their lives by increasing their tranquility, joy, and success, and it uses a mixture of personal experience and pop-culture storytelling to show how the Stoic lifestyle can impact you, today, here and now.

Humor at its best is a somewhat fluid and transitory element, but most books about it are illustrated with hardened old jokes from the comic papers, or classic witticisms jerked out of their context. Max Eastman, in this work, avoids this catastrophe by quoting mainly from contemporary American humor. This is not an anthology in that selections have been made with a view to making a point rather than covering the field. The purpose of Eastman's fabled work is to make the reader laugh. Since his early school days, it has seemed to him that textbooks are wrongly written in that they are conducted in a way which ignores the natural operation of the mind. As a result, the opinion is universal, and under the circumstances a fact, that in order to learn anything you have to study. Since this introduction to humor is itself near to writing a textbook, Eastman uses the very text he constructs to illustrate the manner in which textbooks should be written. Examination and classification of the kinds of humorous experience upon the basis of a theory is a science. As such, this work offers a fair chance to illustrate a method of instruction. However, the distinction between a good joke and a bad one will not prevent the reader from making bad jokes nor enable one to make good ones. There is an artistic and playful element that simply cannot be taught. Enjoyment of Laughter presents a total view of the science of laughter and draws upon some of the great American humorists to do so.

Sinister Resonance begins with the premise that sound is a haunting, a ghost, a presence whose location is ambiguous and whose existence is transitory. The intangibility of sound is uncanny – a phenomenal presence in the head, at its point of source and all around. The close listener is like a medium who draws out substance from that which is not entirely there.The history of listening must be constructed from the narratives of myth and fiction, 'silent' arts such as painting, the resonance of architecture, auditory artefacts and nature. In such contexts, sound often functions as a metaphor for mystical revelation, forbidden desires, formlessness, the unknown, and the unconscious. As if reading a map of hitherto unexplored territory, Sinister Resonance deciphers sounds and silences buried within the ghostly horrors of Arthur Machen, Shirley Jackson, Charles Dickens, M.R. James and Edgar Allen Poe, Dutch genre painting from Rembrandt to Vermeer, artists as diverse as Francis Bacon and Juan Munoz, and the writing of many modernist authors including Virginia Woolf, Samuel Beckett, and James Joyce.

New major leagues have sprung up throughout the history of baseball, both long-term successes (the American and National leagues) and the transitory, of which the Federal League (1914-15) and the Mexican League (1946) were two. Some leagues were born of noble motives (the Union Association, 1884, to abolish the reserve clause); others, farcical (the Global League, 1969). And many were stillborn, never playing that first inning (such as the Continental League, 1959-60). Here is their history and an analysis of the conditions that determined success or failure. Listed in Ron Kaplan's 501 Baseball Books Funs Must Read Before They Die

A compelling novel of hope, love, and loss set in the startlingly beautiful landscape of AntarcticaCapricious, the nature of ice; as impetuous as faithless deeds. So easy to forget that sea ice is only a veneer, inherently flawed, skin-deep as desire, so transitory as to be scattered out to sea, displaced by ocean, dispersed by wind—gone in the lapse of a day.Freya has come to Antarctica ostensibly to undertake a photographic expedition to retrace Frank Hurley's iconic photographs—but also to escape a stifling relationship. Once she is there, though, living in the cramped and close confines of Davis Station, the extraordinary world of Antarctica gets under her skin and she starts to unfurl, finding her world change in ways she would never previously had thought possible. Weaving in a vivid recreation of Douglas Mawson's ill-fated 1911–1914 Antarctic expedition into the contemporary story of a woman coming to terms with the end of her marriage, this is a poetic, multi-stranded novel of present and past, hope and tragedy, love and loss. It is not only a love story and a heart-stopping, intensely moving polar adventure story, but also a story of place, bringing to vivid life the extraordinary landscape of Antarctica, the frozen continent that intrigues us all.

Most primary deviation is of transitory significance and involves a fairly insignificant punishment. Extreme Deviance focuses on behavior, beliefs, and traits that are so serious as to generate, in the words of Edwin Lemert, secondary deviation. Editors Erich Goode and D. Angus Vail tunnel to the core of the subject by emphasizing a set of central lessons, offering edgy, pedagogically dramatic illustrations of principles that are contained in no other collection of readings. The book is complete with vocabularies of motive, deviance neutralization, the acquisition of a deviant identity, and the formation of a deviance subculture.

The installation "Electric Earth," debuted at the 1999 Venice Biennale, brought international recognition to the video and media artist Doug Aitkin. In the piece, a dancer roams a transitory realm of wasted landscapes. Aitken, whose protagonists are usually natural landscapes and cityscapes, here links the electrified structures of our urban world with the nervous system of the human body. The piece, with its pop-surrealist overtones, also reveals Aitken's roots as a director of music videos. This artist's book, laid out in a landscape format, presents fascinating views of natural and urban lanscapes and structures from the video. Gijs van Tuyl, in his essay, writes, "You don't have to look through it passively from A to Z...it offers up a space in which the reader can move freely...in order to create a story in the here and now, in the flow of time."

Society for Psychical Research; nor has he ever had anything more than a transitory and skeptical interest in psychic phenomena of any character. He is a newspaper man whose privilege and pleasure it is to present the facts in relation to some phenomena which he does not attempt to classify nor to explain, but which are virtually without precedent in the record of occult manifestations. The mystery of Patience Worth is one which every reader may endeavor to solve for himself. The sole purpose of this narrative is to give the jjsible truth, the physical evidence, so to speak, the things that can be seen and that are therefore susceptible of proof by ocular demonstration.(Typographical errors above are due to OCR software and don't occur in the book.)About the Publisher Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at www.forgottenbooks.org

Laid Off, Laid Low provides a sobering portrait of the ailing American labor system and the social and political consequences of increasing job insecurity. It proves that the health of the labor market is not a transitory issue brought low by the factors of recession, but a serious concern reflecting deep structural problems in American society. In this book, economists, sociologists, and public policy and political scientists reveal how the American labor market has grown particularly problematic for new job-seekers, trends that are not obvious when averaging the entire population. The contributors to this volume focus instead on changing job patterns between generations, which show that the job prospects for young Americans are more short-term than their predecessors, and that white-collar managers, once members of the most privileged sector, are now experiencing a faster negative rate of change. As this book makes clear, Americans will soon face epic job losses, irreversible trends in downward mobility, and long-lasting economic insecurity-politically polarizing outcomes that will cause even more anxiety among families. Encompassing a number of different disciplines, the prominent scholars of Laid Off, Laid Low provide a full analysis of today's most pressing economic issues. Contributors: Sheldon Danziger and Ben Keys: "Unemployment Risk among Low Wage Workers: 1970-2000"; Hank Farber: "Employment Insecurity: The Decline in Worker-Firm Attachment in the United States"; Elizabeth Jacobs and Katherine Newman: "Rising Angst? Change and Stability in Perceptions of Insecurity"; Philipp Rehm: "Partisan Politics and Labor Market Risks"; Ann Huff Stevens: "Holding Firm: The Stability of Long-Term Employment in the US, 1969-2004"

In Nietzsche's Coming God, the author demonstrates that the "destructive" and "nihilistic" side of Nietzsche's thought was in fact only a hammer that Nietzsche used in order to destroy the "millenarian lies" of Judeo-Christianity, a necessary - albeit transitory - stage that preceded his ultimate creation: the Superman, an incarnation of the god in the making... the coming god.Contrary to popular belief, Nietzsche was both a free spirit and a deeply spiritual thinker who welcomed the death of the false god - the god who curses and denies life - not as an end in itself, but as a prelude to the rebirth of the divine. Indeed, although Nietzsche was an avowed atheist, he was also "the most pious of the godless," as he described himself in Thus Spoke Zarathustra. Nietzsche dreamt of, and augured, a new mode of divinity and a new hope for mankind which, having rejected both religious obscurantist dogma as well as Cartesian rationalist dogma, would be the search for eternal self-perfection and self-overcoming. The death of the god of monotheism thus paved the way for a new, pantheistic and pagan vision of the divine, heralding a "god to come" beyond good and evil, a god who affirms and blesses life. Nietzsche's coming god is none other than Dionysus reborn, or the redemption of the divine.

Stories reflect Creole way of life during the transitory post-Civil War period.

Nonlinear Optics is an advanced textbook for courses dealing with nonlinear optics, quantum electronics, laser physics, contemporary and quantum optics, and electrooptics. Its pedagogical emphasis is on fundamentals rather than particular, transitory applications. As a result, this textbook will have lasting appeal to a wide audience of electrical engineering, physics, and optics students, as well as those in related fields such as materials science and chemistry. Key Features* The origin of optical nonlinearities, including dependence on the polarization of light* A detailed treatment of the quantum theory of the nonlinear susceptibility* An explication of dressed-atomic states of two-level atoms* A complete development of spontaneous and stimulated light scattering* A clear discussion of the photorefractive effect* An introduction to applications including laser frequency modification, optical phase conjugation, optical bistability, and propagation of optical soliton