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Mark Berry explores the political and religious ideas expounded in Wagner's Ring through close attention to the text and drama, the multifarious intellectual influences upon the composer during the work's lengthy gestation and composition, and the wealth of Wagner source material. Many of his writings are explicitly political in their concerns, for Wagner was emphatically not a revolutionary solely for the sake of art. Yet it would be misleading to see even the most 'political' tracts as somehow divorced from the aesthetic realm; Wagner's radical challenge to liberal-democratic politics makes no such distinction. This book considers Wagner's treatment of various worlds: nature, politics, economics, and metaphysics, in order to explain just how radical that challenge is. Classical interpretations have tended to opt either for an 'optimistic' view of the Ring, centred upon the influence of Young Hegelian thought - in particular the philosophy of Ludwig Feuerbach - and Wagner's concomitant revolutionary politics, or for the 'pessimistic' option, removing the disillusioned Wagner-in-Swiss-exile from the political sphere and stressing the undoubtedly important role of Arthur Schopenhauer. Such an 'either-or' approach seriously misrepresents not only Wagner's compositional method but also his intellectual method. It also sidelines inconvenient aspects of the dramas that fail to 'fit' whichever interpretation is selected. Wagner's tendency is not progressively to recant previous 'errors' in his oeuvre. Radical ideas are not completely replaced by a Schopenhauerian world-view, however loudly the composer might come to trumpet his apparent 'conversion'. Nor is Wagner's truly an Hegelian method, although Hegelian dialectic plays an important role. In fact, Wagner is in many ways not really a systematic thinker at all (which is not to portray him as self-consciously unsystematic in a Nietzschean, let alone 'post-modernist' fashion). His tendency, rather, is agglomerative,

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In this era of superheated rhetoric and vitriolic exchanges between the leaders of Iran and Israel, the threat of nuclear violence looms. But the real roots of the enmity between the two nations mystify Washington policymakers, and no promising pathways to peace have emerged. This book traces the shifting relations among Israel, Iran, and the United States from 1948 to the present, uncovering for the first time the details of secret alliances, treacherous acts, and unsavory political maneuverings that have undermined Middle Eastern stability and disrupted U.S. foreign policy initiatives in the region. Trita Parsi, a U.S. foreign policy expert with more than a decade of experience, is the only writer who has had access to senior American, Iranian, and Israeli decision makers. He dissects the complicated triangular relations of their countries, arguing that America’s hope for stability in Iraq and for peace in Israel is futile without a correct understanding of the Israeli-Iranian rivalry. Parsi’s behind-the-scenes revelations about Middle East events will surprise even the most knowledgeable readers: Iran’s prime minister asks Israel to assassinate Khomeini, Israel reaches out to Saddam Hussein after the Gulf War, the United States foils Iran’s plan to withdraw support from Hamas and Hezbollah, and more. This book not only revises our understanding of the Middle East’s recent past, it also spells out a course for the future. In today’s belligerent world, few topics, if any, could be more important.  

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While the Great War raged across the trench-lined battlefields of Europe, a hidden conflict took place in the distant hinterlands of the turbulent Mexican Republic. German officials and secret-service operatives plotted to bring war to the United States through an array of schemes and strategies, from training a German-Mexican army for a cross-border invasion, to dispatching saboteurs to disrupt American industry, and planning for submarine bases on the western coast of Mexico. Bill Mills tells the true story of the most audacious of these operations: the German plot to launch clandestine sea raiders from the Mexican port of Mazatlán to disrupt Allied merchant shipping in the Pacific. The scheme led to a desperate struggle between German and American secret agents in Mexico. German consul Fritz Unger, the director of a powerful trading house, plotted to obtain a salvaged Mexican gunboat to supply U-boats operating off Mexico and to seize a hapless tramp schooner to help hunt Allied merchantmen. Unger’s efforts were opposed by a colorful array of individuals, including a trusted member of the German secret service in Mexico who was also the top American spy, the U.S. State Department’s senior officer in Mazatlán, the hard-charging commander of a navy gunboat, and a draft-dodging American informant in the enemy camp. Full of drama and intrigue, Treacherous Passage is the first complete account of the daring German attempts to raid Allied shipping from Mexico in 1918.  

Book is in NEW condition. 0.63

TREACHEROUS TRAPS (5E) is an incredible resource for game masters looking to get more out of their dungeon design. Contained within are over 250 pre-built traps ranging in level and lethality, so that you can always find the perfect trap to challenge your players. Also included is a random trap generator, consisting of 50 trap triggers and 50 trap effects that, when combined, create up to 2,500 different combinations. Along with the tips and tricks for using traps, puzzles, and riddles in your fantasy games, Treacherous Traps is the perfect accessory for any dungeon architect! Hardcover RPG Sourcebook. Full color. 173 pages. 5th Edition Compatible. Tabletop roleplaying game.

In this second charming novel in the Pie Shop cozy mystery series, a modern-day Lothario is shot dead, and it’s up to Maggie to clear her aunt and partner-in-pie from the suspect list.It’s Christmastime at Pie in the Sky, Aunt Clara’s pie shop, and she has a new beau, Donald Wickerson, who loves her Marvelous Mince Pies. Unfortunately, it seems that this holiday, Donald might only be interested in Aunt Clara for her money. Ryan and Maggie research his background and find he’s had several wives who met with unfortunate “accidents” that left him wealthier. Now they have to convince Aunt Clara that her boyfriend is after more than just her pie recipes. When Donald stumbles into Pie in the Sky and dies after being shot, Aunt Clara is devastated—and also a suspect, since everyone in Durham knows about Donald from Ryan’s newspaper article. Now Maggie and Ryan will have to prove that someone else in the long list of people he’d wronged finally got the courage to end his life.

Having inexplicably nabbed the Duke of Kesgrave, twenty-six-year-old spinster Beatrice Hyde-Clare is determined to marry him at once and no amount of handwringing from anxious family members, worried friends and well-meaning acquaintances will convince her to delay. Except...maybe she is a little swayed by her uncle’s efforts to make amends for treating her with cold indifference during her childhood. And her aunt’s concern about the growing scandal around her unfortunate habit of unmasking murderers in the middle of society events isn’t entirely unfounded.And then there’s the truly unfathomable appearance on her doorstep of the former Miss Brougham, the spiteful heiress whose cruel taunts derailed Bea’s social career. Remarkably, the society matron has a mystery to solve and knows Bea is the only person who can help her. A dead grandfather, a missing jewel, a cryptic letter, an opportunity to condescend to her archnemesis—the case seems simple enough.And yet somehow it all goes terribly, horribly wrong.

Mark Berry explores the political and religious ideas expounded in Wagner's Ring through close attention to the text and drama, the multifarious intellectual influences upon the composer during the work's lengthy gestation and composition, and the wealth of Wagner source material. Many of his writings are explicitly political in their concerns, for Wagner was emphatically not a revolutionary solely for the sake of art. Yet it would be misleading to see even the most 'political' tracts as somehow divorced from the aesthetic realm; Wagner's radical challenge to liberal-democratic politics makes no such distinction. This book considers Wagner's treatment of various worlds: nature, politics, economics, and metaphysics, in order to explain just how radical that challenge is. Classical interpretations have tended to opt either for an 'optimistic' view of the Ring, centred upon the influence of Young Hegelian thought - in particular the philosophy of Ludwig Feuerbach - and Wagner's concomitant revolutionary politics, or for the 'pessimistic' option, removing the disillusioned Wagner-in-Swiss-exile from the political sphere and stressing the undoubtedly important role of Arthur Schopenhauer. Such an 'either-or' approach seriously misrepresents not only Wagner's compositional method but also his intellectual method. It also sidelines inconvenient aspects of the dramas that fail to 'fit' whichever interpretation is selected. Wagner's tendency is not progressively to recant previous 'errors' in his oeuvre. Radical ideas are not completely replaced by a Schopenhauerian world-view, however loudly the composer might come to trumpet his apparent 'conversion'. Nor is Wagner's truly an Hegelian method, although Hegelian dialectic plays an important role. In fact, Wagner is in many ways not really a systematic thinker at all (which is not to portray him as self-consciously unsystematic in a Nietzschean, let alone 'post-modernist' fashion). His tendency, rather, is agglomerative,

Treacherous Beauty is the first popular biography of an eighteenth-century society girl named Peggy Shippen—close friend of a British spymaster and wife of Benedict Arnold—and how she was instrumental to the treasonous plot to sabotage the American Revolution.

Kanno Suga and Kaneko Fumika were both found guilty on different occasions in 1911 and 1926 of conspiring to assassinate the Japanese emperor. Kanno was executed and Kaneko hanged herself whilst in prison, but both women maintained their defiance of the state even in the face of death.Through examination of their own life stories and writings, Helene Bowen Raddeker brings to life the women's own interpretations of their lives and their attitudes to death, with the associations of political martyrdom, heroism and notions of immortality. She finds that their self-presentations became weapons in an ideological war of words about social and political realities and their deaths were a means of self-empowerment within their historical context.

Kanno Suga and Kaneko Fumika were both found guilty on different occasions in 1911 and 1926 of conspiring to assassinate the Japanese emperor. Kanno was executed and Kaneko hanged herself whilst in prison, but both women maintained their defiance of the state even in the face of death.Through examination of their own life stories and writings, Helene Bowen Raddeker brings to life the women's own interpretations of their lives and their attitudes to death, with the associations of political martyrdom, heroism and notions of immortality. She finds that their self-presentations became weapons in an ideological war of words about social and political realities and their deaths were a means of self-empowerment within their historical context.

Treacherous Texts collects more than sixty literary texts written by smart, savvy writers who experimented with genre, aesthetics, humor, and sex appeal in an effort to persuade American readers to support woman suffrage. Although the suffrage campaign is often associated in popular memory with oratory, this anthology affirms that suffragists recognized early on that literature could also exert a power to move readers to imagine new roles for women in the public sphere. Uncovering startling affinities between popular literature and propaganda, Treacherous Texts samples a rich, decades-long tradition of suffrage literature created by writers from diverse racial, class, and regional backgrounds. Beginning with sentimental fiction and polemic, progressing through modernist and middlebrow experiments, and concluding with post-ratification memoirs and tributes, this anthology showcases lost and neglected fiction, poetry, drama, literary journalism, and autobiography; it also samples innovative print cultural forms devised for the campaign, such as valentines, banners, and cartoons. Featured writers include canonical figures as well as writers popular in their day but, until now, lost to ours.Includes writings by:· Sojourner Truth· Elizabeth Cady Stanton· Frederick Douglass· Fanny Fern· Harriet Beecher Stowe· Djuna Barnes· Charlotte Perkins Gilman· Marianne Moore· Sui Sin Far· Edna St. Vincent Millay· Gertrude SteinAnd many others.

450 pages. Arabic language. 9.45x6.69x1.13 inches. In Stock.