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This is a book on Rumi’s life, his poetry, his thought, and his influence. Rumi’s work forms one of the pillars of the Sufi orders, particularly the Mevlevi order, better known in the West as the Whirling Dervishes. In this book Rumi emerges not only as a spiritual master, but also as a fully human being grounded firmly in the Koran and in classical Islamic mysticism.The light of the Divine Sun, in its Beauty and Majesty, manifested itself for Rumi through the person of Shams of Tabriz. Transformed by this light, consumed by this fire, Mowlana Rumi saw the world in a new light. Everywhere he perceived God’s Grandeur and his Grace.The book also discusses the theological premises upon which Rumi’s work rests, his attitude to the problems of free will and predestination, and his analysis of the mystical stages and stations. The book not only gives a very rich analysis of Rumi’s language and poetical art, but also a picture of medieval Konya, whose features the mystical poet transforms and transfigures.

A study of numerology in Elizabethan poetry, with some background studies which base the subject in classical learning, the works of Dante and Petrarch, and the esoteric traditions of the humanists. The central assumption of numerological criticism is that there exist works written in this tradition which show a correspondence between structure and meaning on a numerical plane; that is, one in which the number of the constituent parts (lines, stanzas, sonnets in a sequence) expresses a major aspect of the meaning. For instance parts of the whole can be arranged to represent months of the year and so on. Such structures of time and the triumphal form, in which the most important 'sovereign' element is placed at the centre, are the two main numerological patterns discussed by Dr Fowler. Critics have tended to regard numerology as an isolated phenomenon, rare after the Middle Ages but Dr Fowler demonstrates its persistence in the works of Spenser, Sidney, Chapman, Shakespeare, Donne, Jonson, Dryden and others.

Unread book in perfect condition.

A study of numerology in Elizabethan poetry, with some background studies which base the subject in classical learning, the works of Dante and Petrarch, and the esoteric traditions of the humanists. The central assumption of numerological criticism is that there exist works written in this tradition which show a correspondence between structure and meaning on a numerical plane; that is, one in which the number of the constituent parts (lines, stanzas, sonnets in a sequence) expresses a major aspect of the meaning. For instance parts of the whole can be arranged to represent months of the year and so on. Such structures of time and the triumphal form, in which the most important 'sovereign' element is placed at the centre, are the two main numerological patterns discussed by Dr Fowler. Critics have tended to regard numerology as an isolated phenomenon, rare after the Middle Ages but Dr Fowler demonstrates its persistence in the works of Spenser, Sidney, Chapman, Shakespeare, Donne, Jonson, Dryden and others.

This is a book on Rumi's life, his poetry, his thought, and his influence. Rumi's work forms one of the pillars of the Sufi orders, particularly the Mevlevi order, better known in the West as the Whirling Dervishes. In this book Rumi emerges not only as a spiritual master, but also as a fully human being grounded firmly in the Koran and in classical Islamic mysticism.The light of the Divine Sun, in its Beauty and Majesty, manifested itself for Rumi through the person of Shams of Tabriz. Transformed by this light, consumed by this fire, Mowlana Rumi saw the world in a new light. Everywhere he perceived God's Grandeur and his Grace.The book also discusses the theological premises upon which Rumi's work rests, his attitude to the problems of free will and predestination, and his analysis of the mystical stages and stations. The book not only gives a very rich analysis of Rumi's language and poetical art, but also a picture of medieval Konya, whose features the mystical poet transforms and transfigures.

used trade paperback edition. lightly shelfworn, corners perhaps slightly bumped. pages and binding are clean, straight and tight. there are no marks to the text or other serious flaws.

This is a book on Rumi’s life, his poetry, his thought, and his influence. Rumi’s work forms one of the pillars of the Sufi orders, particularly the Mevlevi order, better known in the West as the Whirling Dervishes. In this book Rumi emerges not only as a spiritual master, but also as a fully human being grounded firmly in the Koran and in classical Islamic mysticism.The light of the Divine Sun, in its Beauty and Majesty, manifested itself for Rumi through the person of Shams of Tabriz. Transformed by this light, consumed by this fire, Mowlana Rumi saw the world in a new light. Everywhere he perceived God’s Grandeur and his Grace.The book also discusses the theological premises upon which Rumi’s work rests, his attitude to the problems of free will and predestination, and his analysis of the mystical stages and stations. The book not only gives a very rich analysis of Rumi’s language and poetical art, but also a picture of medieval Konya, whose features the mystical poet transforms and transfigures.

As the Roman empire declined and 'fell', contemporary glorification of the emperor's triumphal rulership reached new heights, strewing traces of the empire's perennial victory across the physical and mental landscape of late antiquity. In this, the first comprehensive study of how a great imperial ceremony actually developed and how it influenced both the eastern and western heirs to the Roman legacy, the Roman triumph's resurgence and afterlife is documented from the Tetrarchy to the end of the Macedonian dynasty in Byzantium and to Charlemagne's successors in the early medieval West. This perspective shows that celebrations of the ruler's victory experienced unceasing change in ritual form and content and that these changes mirrored broader trends in the development of society and the monarchy. At the same time, it casts new light on the late Roman origins of the trappings of early medieval kingship. Far from the imperial capital, the cult of triumphal rulership permeated local elites, as commanders in the provinces imitated the supreme victor by staging triumphs of their own, and the new Germanic kings followed suit. Classicists, medievalists, Byzantinists, specialists of art and ritual will find here new data and approaches to a central problem in the transformation of the Roman Empire which culminated in the new civilization by Byzantium and the Germanic Kingdoms.

As the Roman empire declined and 'fell', contemporary glorification of the emperor's triumphal rulership reached new heights, strewing traces of the empire's perennial victory across the physical and mental landscape of late antiquity. In this, the first comprehensive study of how a great imperial ceremony actually developed and how it influenced both the eastern and western heirs to the Roman legacy, the Roman triumph's resurgence and afterlife is documented from the Tetrarchy to the end of the Macedonian dynasty in Byzantium and to Charlemagne's successors in the early medieval West. This perspective shows that celebrations of the ruler's victory experienced unceasing change in ritual form and content and that these changes mirrored broader trends in the development of society and the monarchy. At the same time, it casts new light on the late Roman origins of the trappings of early medieval kingship. Far from the imperial capital, the cult of triumphal rulership permeated local elites, as commanders in the provinces imitated the supreme victor by staging triumphs of their own, and the new Germanic kings followed suit. Classicists, medievalists, Byzantinists, specialists of art and ritual will find here new data and approaches to a central problem in the transformation of the Roman Empire which culminated in the new civilization by Byzantium and the Germanic Kingdoms.

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New research and discussion continues to cast greater illumination on the life of the Savior. This collection of highly accessible essays by respected, prominent LDS scholars delves into aspects of the Savior's life and ministry from the Mount of Transfiguration to his triumphal entry at Jerusalem. More than a scriptural commentary, the essays draw from the latest research to develop the historical and social context surrounding these events, offering a more complete view of what actually transpired. Improve your understanding of why crowds became increasingly polarized in their reactions to Jesus Christ, and discover a new wealth of information about the Savior.

Note: Former Library Book with few minor markings

In shrink wrap. Looks like an interesting title!

With SACD.

The sole recalls the famous triumphal arch of London, but the look is decidedly more modern. Marble is the ideal shoe for urban explorers who want to stand out with style without sacrificing the comfort of a sneaker. Upper with Logo inserts on the back Removable insole 40 mm sole 10 mm insole

The sole recalls the famous triumphal arch of London, but the look is decidedly more modern. Marble is the ideal shoe for urban explorers who want to stand out with style without sacrificing the comfort of a sneaker. Upper with Logo inserts on the back Removable insole 40 mm sole 10 mm insole

The sole recalls the famous triumphal arch of London, but the look is decidedly more modern. Marble is the ideal shoe for urban explorers who want to stand out with style without sacrificing the comfort of a sneaker. Upper with Logo inserts on the back Removable insole 40 mm sole 10 mm insole

The sole recalls the famous triumphal arch of London, but the look is decidedly more modern. Marble is the ideal shoe for urban explorers who want to stand out with style without sacrificing the comfort of a sneaker. Upper with Logo inserts on the back Removable insole 40 mm sole 10 mm insole

The sole recalls the famous triumphal arch of London, but the look is decidedly more modern. Marble is the ideal shoe for urban explorers who want to stand out with style without sacrificing the comfort of a sneaker. Upper with Logo inserts on the back Removable insole 40 mm sole 10 mm insole

Marble sneakers by Alexander Smith for women, featuring a modern look inspired by the famous triumphal arch in London. Ideal for urban explorers who want to stand out with style without compromising on comfort. Made of leather with logo inserts on the back. Removable insole, 40 mm sole, 10 mm insole. Color: Ivory Copper.