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Gaston Bachelard (1884 -1962) is one of the most famous philosophers of the French 20th century, leaving a huge body of writing stretching from his first publication in 1928 right up to the time of his death. His subject matter was diverse - to date, the texts chosen for translation into English have reflected his 'literary critical' writing career, but there remains an impressive body of untranslated work on the philosophy of science. He held the chair of History of Philosophy of Science at La Sorbonne. Bachelard's work has and retains a profound influence in the French-speaking world. His writing career as a whole can be understood as a meditation on science in the context of human being and the creative, 'poetic' side of human nature, featuring restless reformulations of psychoanalysis and phenomenology . Dialectic of Duration addresses the nature of time, taking issue specifically with Henri Bergson's notion of duration, or 'lived' time, as found in Bergson's Duration and Simultaneity and Matter and Memory. For Bachelard, contra Bergson, the experience of lived time was fractured, interrupted, not 'single' and continuous; he argues that there is no one underlying thread - that time is multiple and discrete. This had and has crucial significance for the debate between Bergson and the physics of Relativity. This first time English translation has been undertaken by Bachelard scholar Dr Mary McAllester Jones of Strathclyde University, whose Gaston Bachelard - Subversive Humanist has done much to broaden Bachelard's English-language reputation. The introduction is by Dr Cristina Chimisso.

After miraculously surviving a jump from his burning plane, RAF pilot Peter Carter (David Niven) encounters the American radio operator (Kim Hunter) to whom hes just delivered his dying wishes and, face-to-face on a tranquil English beach, the pair fall in love. When a messenger from the afterlife arrives to correct the clerical error that spared his life, Peter must mount a fierce defense for his right to stay on earthpainted by production designer Alfred Junge and cinematographer Jack Cardif

Defines British, American, and Australian words and phrases that have developed as colloquialisms, jargon, dialect, vulgarities, curses, or accepted euphemisms.

Is Ebonics really a dialect or simply bad English? Do women and men speak differently? Will computers ever really learn human language? Does offensive language harm children? These are only a few of the issues surrounding language that crop up every day. Most of us have very definite opinions on these questions one way or another. Yet as linguists Donna Jo Napoli and Vera Lee-Schoenfeld point out in this short and thoroughly readable volume, many of our most deeply held ideas about the nature of language and its role in our lives are either misconceived or influenced by myths and stereotypes.Language Matters provides a highly informative tour of the world of language, examining these and other vexing and controversial language-related questions. Throughout, Napoli and Lee-Schoenfeld encourage and lead the reader to use common-sense and everyday experience rather than preconceived notions or technical linguistic expertise. Both their questions and their conclusions are surprising, sometimes provocative, and always entertaining.This thoroughly revised second edition updates the book with a new co-author, and includes new chapters on language and power, language extinction, and what it is linguists actually do. Language Matters is sure to engage both general readers and students of language and linguistics at any level.

"Most of the contributions strongly project the authors' perceptions of the role of race on their subjects, and essays should elicit lively discussions in the classroom."—CHOICE Frederick Douglass liked to say of West Indian boxer Peter Jackson that "Peter is doing a great deal with his fists to solve the Negro question." His comment reflects the possibilities for social transformation that he saw in the emerging modern sports culture. Indeed, as the twentieth century developed, sports have become an important cultural terrain over which various racial groups have contested, defined, and represented their racial, national, and inter-ethnic identities. Sports Matters brings critical attention to the centrality of race within the politics and pleasures of the massive sports culture that developed in the U.S. during the past century and a half. The contributors collected here address such issues as popular representations of blacks in sports. They consider baseball—from Nisei players in Oregon to Mexican-Americans in Los Angeles. And they look at the use of warrior imagery in representations of Native American athletes and the evolution of black expressive style within basketball. Sports Matters challenges our presumptions about sports, illuminating in the process the complexities of race and gender as they relate to popular culture. Contributors include Amy Bass, John Bloom, Annie Gilbert Coleman, Gena Caponi, Montye Fuse, Randy Hanson, Michiko Hase, George Lipsitz, Keith Miller, Sharon O'Brien, Connie Razza, Sam Regalado, Greg Rodriguez, Julio Rodriguez, Michael Willard, and Henry Yu.

White coats, Bunsen burners, beakers, flasks, and pipettes―the furnishings of the chemistry laboratory are familiar to most of us from our school days, but just how did these items come to be the crucial tools of science? Examining the history of the laboratory, Peter J. T. Morris offers a unique way to look at the history of chemistry itself, showing how the development of the laboratory helped shape modern chemistry.             Chemists, Morris shows, are one of the leading drivers of innovation in laboratory design and technology. He tells of fascinating lineages of invention and innovation, for instance, how the introduction of coal gas into Robert Wilhelm Bunsen’s laboratory led to the eponymous burner, which in turn led to the development of atomic spectroscopy. Comparing laboratories across eras, from the furnace-centered labs that survived until the late eighteenth century to the cleanrooms of today, he shows how the overlooked aspects of science―the architectural design and innovative tools that have facilitated its practice―have had a profound impact on what science has been able to do and, ultimately, what we have been able to understand.