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The original 1970 MGM album on CD and Digital for the fi rst time, plus a second disc of rarities and previously unissued songs. Lester Bangs, in Rolling Stone magazine, said the album was, like a labor of love, a salute from a young visionary to an ancient sage. Allen Ginsberg began tuning William Blakes poetry in 1968 (inspired by attending the tumultuous protests at that years Democratic Convention in Chicago), but the origin of the album dates back to a 1948 vision or auditory illumin

Companion audio files are available at www.hmhbooks.com/whattherobinknows A lifelong birder, tracker, and naturalist, Jon Young is guided in his work and teaching by three basic premises: the robin, junco, and other songbirds know everything important about their environment, be it backyard or forest; by tuning in to their vocalizations and behavior, we can acquire much of this wisdom for our own pleasure and benefit; and the birds' companion calls and warning alarms are just as important as their songs.Birds are the sentries—and our key to understanding the world beyond our front door. Unwitting humans create a zone of disturbance that scatters the wildlife. Respectful humans who heed the birds acquire an awareness that radically changes the dynamic. We are welcome in their habitat. The birds don't fly away. The larger animals don't race off. No longer hapless intruders, we now find, see, and engage the deer, the fox, the red-shouldered hawk—even the elusive, whispering wren.Deep bird language is an ancient discipline, perfected by Native peoples the world over. Finally, science is catching up. This groundbreaking book unites the indigenous knowledge, the latest research, and the author's own experience of four decades in the field to lead us toward a deeper connection to the animals and, in the end, a deeper connection to ourselves.

Presented here is the Revised 4th Edition of Vibrational Raindrop Technique! What began in 2011 as a small project in tribute to the genius of Dr. D. Gary Young has developed a robust life of its own, ever growing all over the planet. It now includes three different frequency systems of tuning forks: the original Planetary plus the expanded Sacred Solfeggio, and finally a Pythagorean system. The Planetary frequencies, the Sacred Solfeggio frequencies and the Pythagorean frequencies form a trinity of a whole system. The Sacred Solfeggio frequencies work on the Microcosmic, personal level and can take us to the inner universe deep within ourselves. With the linking frequencies of the Pythagorean (Mesocosmic) frequencies, they assist us to connect to the Macrocosmic level of the Planetary frequencies, which guide us to find our place in the outer universe. The Planetary frequencies, the Sacred Solfeggio frequencies and the Pythagorean frequencies form a trinity of a whole system. The Sacred Solfeggio frequencies work on the Microcosmic, personal level and can take us to the inner universe deep within ourselves. With the linking frequencies of the Pythagorean (Mesocosmic) frequencies, they assist us to connect to the Macrocosmic level of the Planetary frequencies, which guide us to find our place in the outer universe. Additionally, there is an introduction to the world of Raindrop Harmonics which brings other vibrational healing tools to this technique: crystals and gemstones; color light; auricular technique, chakras, and more!

A miraculous machine . . . and a nightmare!Innova, a young gnomish recluse finds himself in a terrible situation. Tried in a gnomish court for an unfortunate accident and sentenced to spend months at the bottom of Mt. Nevermind tuning gnomeflingers, young Innova makes an incredible discovery. The whole gnomish society is changed by one machine that, unlike any other gnomish invention, makes the entire mountain run like clockwork.In the face of this, Commander Halion Khargos of the Knights of Tahkisis must fulfill his Vision, sent to him by the Dark Queen Tahkisis. He must take Mt. Nevermind.Fergus Ryan tells the amazing story of the gnomes of Mt. Nevermind during the upheval of the Chaos War. And because they're gnomes, their adventures are punctuated with two or three explosions.

Frank Zappa could be described as a "pathological contrarian". Far from being a person who aligned himself with the zeitgeist, he was one of rock music's sharpest social critics. In the mid-1960s, as young people were "turning on, tuning in and dropping out" in large numbers, Zappa stood opposed to what he saw as the wasted potential of the hippie movement. This opposition crystalized itself in the third Mothers Of Invention album, We’re Only In It For The Money. Framed as a response to the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band, this album was Zappa’s full-frontal takedown of hippie culture, the parents of the hippie kids and their inability to make even the smallest effort to understand the social change occurring all around them. DISCORPORATE! takes the reader on the road to We’re Only In For The Money, chronicling the studio work of Frank Zappa and the Mothers Of Invention from September 1966 through September 1967, a period during which Zappa assembled not only We’re Only In It For The Money but the second Mothers album Absolutely Free and his first solo album Lumpy Gravy. All of these albums are examined in great detail, including previously-unknown session details and more.

Frank Zappa could be described as a "pathological contrarian". Far from being a person who aligned himself with the zeitgeist, he was one of rock music's sharpest social critics. In the mid-1960s, as young people were "turning on, tuning in and dropping out" in large numbers, Zappa stood opposed to what he saw as the wasted potential of the hippie movement. This opposition crystalized itself in the third Mothers Of Invention album, We’re Only In It For The Money. Framed as a response to the Beatles’ Sgt. Pepper’s Lonely Hearts Club Band, this album was Zappa’s full-frontal takedown of hippie culture, the parents of the hippie kids and their inability to make even the smallest effort to understand the social change occurring all around them. DISCORPORATE! takes the reader on the road to We’re Only In For The Money, chronicling the studio work of Frank Zappa and the Mothers Of Invention from September 1966 through September 1967, a period during which Zappa assembled not only We’re Only In It For The Money but the second Mothers album Absolutely Free and his first solo album Lumpy Gravy. All of these albums are examined in great detail, including previously-unknown session details and more.