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352 pages. 8.00x5.25x1.00 inches. In Stock.

Admit it: you want to be cool. Cool is a destination: everyone else has arrived, but you can't seem to catch up. Cool is a security blanket: you wear it ragged and hide beneath its tatters. Cool is a coping mechanism: you're leaning on it, and it keeps breaking down on you. Sooner or later, you'll count yourself among the uncool: in those moments when everybody gets the joke but you, when the new kid's swagger leaves you self-conscious, when your friends invite you to do what you swore you'd never do. In those moments God sees you and calls you blessed. In Blessed Are the Uncool Paul Grant deconstructs the cultural phenomenon of cool, an ever-elusive, exclusionary act of perpetual rebellion for rebellion's sake. A life spent chasing after cool is exposed for the fickle, fruitless and ultimately inauthentic life that it is. In its place God offers you community: where exclusion is replaced with love, rebellion is redeemed with hope, and your longings are answered with faith that in Christ, God is reconciling this uncool world to himself.

THE JAM WERE THE RUNTS WHO BECAME KINGS. Initially derided by New Wavers for being uncool suburbanites, Paul Weller, Bruce Foxton and Rick Buckler unexpectedly proceeded to fulfil every promise ever made by punk as they took social protest and cultural authenticity to the top of the charts. The three-piece from Woking, Surrey racked up 18 hits, among them the timeless likes of In the City, Down in the Tube Station at Midnight, Going Underground and Town Called Malice. Their classic albums included Setting Sons and Sound Affects. Yet their musical excellence was only the half of it: they prided themselves on remaining accessible to their fans, disdaining Americanisation and spurning commercial compromise. Although it was a blow to their army of followers, their split at the end of 1982 was hailed as the perfect illustration of their integrity: a bowing out at the top, regardless of financial temptation. Their story, though, was more complicated and sometimes less honourable than how it appeared from the outside, with the group’s vaunted values contrasted by private recrimination and duplicity. Sean Egan has spoken to a raft of insiders to provide the definitive Jam biography. Via access to recording producers, music label staff and all three members of the Jam, he has uncovered the full truth about a remarkable band. “... Sean Egan has written the most definitive telling of the story to date ... the book perfectly captures the era and ardent fanaticism that The Jam evoked during their reign while also offering insightful commentary on the music” —Classic Pop

Nelson wakes up on his birthday to discover that he has gained ninja powers overnight! This funny, heavily-illustrated series from Anh Do is action packed, with an appealingly grounded heart.Nelson's a nerd. Unfit, uncool . . . totally awkward! But when he wakes up on his tenth birthday, he discovers he's a NINJA!THE LAST NINJA ON EARTH!How's he going to SAVE THE WORLD when he can't even get his undies on the right way?

The unprecedented mainstreaming of the global pornography industry is transforming the sexual politics of intimate and public life, popularizing new forms of hardcore misogyny, and strongly contributing to the sexualization of children. Yet, challenges to the industry continue to be dismissed as uncool, antisex, and moral panic. Unmasking the lies behind the selling of porn as entertainment, this book reveals the shocking truths of an industry that trades in violence, crime, and degradation while discussing topics such as racism in gay male porn, the use of animals in porn, child pornography, and BDSM (bondage, dominance, sadism, and masochism). Fearless and controversial, this examination will challenge the current view of pornography.

Ever been stuck with a friend who’s totally uncool—and worried that it will rub off on you? Welcome to Camp Wildwood! It’s Dragon’s first day, and his buddy would LIKE to show him a good time. But Dragon doesn’t seem to fit in with the boys and girls. He overturns the boat, ruins the puppet show, and even sets the tent on fire. Then, just as his buddy is about to give up, Dragon comes through in a pinch. This sweet, funny picture book teaches an important lesson about the true meaning of friendship—and in accepting the strengths and weaknesses of others.

Britain gave railways to the world, yet its own network is the dearest (definitely) and the worst (probably) in Western Europe. Trains are deeply embedded in the national psyche and folklore—yet it is considered uncool to care about them. For Matthew Engel the railway system is the ultimate expression of Britishness. It represents all the nation's ingenuity, incompetence, nostalgia, corruption, humor, capacity for suffering, and even sexual repression. To uncover its mysteries, Engel has traveled the system from Penzance to Thurso, exploring its history and talking to people from politicians to platform staff. Along the way Engel finds the most charmingly bizarre train in Britain, the most beautiful branch line, the rudest railway man, and—after a quest lasting decades—an individual pot of strawberry jam. Eleven Minutes Late is both a polemic and a paean, and it is also very funny.

`I was spotty, wore an anorak, had biro-engraved flared blue jeans with "purple" and "Sabbath" written on the thighs, and rode an ear-splittingly uncool moped. Oh yes, and I wanted to be a drummer...' Bruce Dickinson - Iron Maiden's legendary front man - is one of the world's most iconic singers and songwriters. But there are many strings to Bruce's bow, of which larger-than-life lead vocalist is just one. He is also an airline captain, aviation entrepreneur, motivational speaker, beer brewer, novelist, radio presenter, film scriptwriter and an international fencer: truly one of the most unique and interesting men in the world. In What Does this Button Do? Bruce contemplates the rollercoaster of life. He recounts - in his uniquely anarchic voice - the explosive exploits of his eccentric British childhood, the meteoric rise of Maiden, summoning the powers of darkness, the philosophy of fencing, brutishly beautiful Boeings and firmly dismissing cancer like an uninvited guest. Bold, honest, intelligent and funny, this long-awaited memoir captures the life, heart and mind of a true rock icon, and is guaranteed to inspire curious souls and hard-core fans alike.

In Sean & David's Long Drive he careered around Australia with his laconic pal David in a retro Ford Falcon. In Drive Thru America he and David cruised the States in a very uncool Chrysler Neon.Now Australian humorist Sean Condon is married and living in Amsterdam - jobless, homeless, careless and Dave-less. In My 'Dam Life he casts a witty, watchful and wonderfully self-deprecating eye over his expat experience of laziness and leisure, dreams and destiny in the Venice of the North.With his uncanny ability to seek out the absurd in everyday life, Sean finds plenty of targets in a city of hemp and high culture, canals and bicycles, idiosyncratic plumbing and internationally unrenowned cuisine. My 'Dam Life strikes a hilarious chord with anyone who has followed their dream of starting a new life abroad.

THE JAM WERE THE RUNTS WHO BECAME KINGS. Initially derided by New Wavers for being uncool suburbanites, Paul Weller, Bruce Foxton and Rick Buckler unexpectedly proceeded to fulfil every promise ever made by punk as they took social protest and cultural authenticity to the top of the charts. The three-piece from Woking, Surrey racked up 18 hits, among them the timeless likes of In the City, Down in the Tube Station at Midnight, Going Underground and Town Called Malice. Their classic albums included Setting Sons and Sound Affects. Yet their musical excellence was only the half of it: they prided themselves on remaining accessible to their fans, disdaining Americanisation and spurning commercial compromise. Although it was a blow to their army of followers, their split at the end of 1982 was hailed as the perfect illustration of their integrity: a bowing out at the top, regardless of financial temptation. Their story, though, was more complicated and sometimes less honourable than how it appeared from the outside, with the group’s vaunted values contrasted by private recrimination and duplicity. Sean Egan has spoken to a raft of insiders to provide the definitive Jam biography. Via access to recording producers, music label staff and all three members of the Jam, he has uncovered the full truth about a remarkable band. “... Sean Egan has written the most definitive telling of the story to date ... the book perfectly captures the era and ardent fanaticism that The Jam evoked during their reign while also offering insightful commentary on the music” —Classic Pop