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Memories of the Second World War play an important role in contemporary politics and society across Eastern Europe. One of the most controversial yet least studied pages of Ukraine’s wartime history is that of the Waffen SS ‘Galicia’ Division, whose members are usually portrayed either as war criminals or as freedom fighters. The history of this unit is not limited to the Ukrainian context; it also has relevance throughout Eastern Europe, as well as in Britain, Canada and the USA. In the aftermath of the war, the ‘Galicia’ Division surrendered to British and American troops, but was not repatriated to the USSR, despite Soviet demands. Instead, its members were brought to the UK and eventually allowed to settle in the West, and this unexpected turn of events continues to cause much controversy. This book explores why over 8,000 members of the Waffen SS were allowed to move permanently to the West, by analysing the complex series of events and decisions that characterized the journey of the ‘Galicians’ from capitulation to acceptance into civilian life. Drawing on a rich range of different sources, the book examines the variety of often conflicting narratives created by the Division members, their supporters and their opponents, as well as the continuing influence of these narratives today. In doing so, the book sheds light on the complex processes of memory politics.

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vintage Hohner echo harp Harmonica double sided glockenreine stimmungThis harmonica was made by M. Hohner in Germany, undetermined date. It is an E...

In his book, philosopher and law professor Ken Levy explains why he agrees with most people, but not with most other philosophers, about free will and responsibility. Most people believe that we have both – that is, that our choices, decisions, and actions are neither determined nor undetermined but rather fully self-determined. By contrast, most philosophers understand just how difficult it is to defend this "metaphysical libertarian" position. So they tend to opt for two other theories: "responsibility skepticism" (which denies the very possibility of free will and responsibility) and "compatibilism" (which reduces free will and responsibility to properties that are compatible with determinism). In opposition to both of these theories, Levy explains how free will and responsibility are indeed metaphysically possible. But he also cautions against the dogma that metaphysical libertarianism is actually true, a widespread belief that continues to cause serious social, political, and legal harms. Levy’s book presents a crisp, tight, historically informed discussion, with fresh clarity, insight, and originality. It will become one of the definitive resources for students, academics, and general readers in this critical intersection among metaphysics, ethics, and criminal law. Key features: Presents a unique, qualified defense of "metaphysical libertarianism," the idea that our choices, decisions, and actions can be fully self-determined. Written clearly, accessibly, and with minimal jargon – rare for a book on the very difficult issues of free will and responsibility. Seamlessly connects philosophical, legal, psychological, and political issues. Will be provocative and insightful for professional philosophers, students, and non-philosophers.

William S. Burroughs, the Beat iconoclast turned cultural icon, has been practicing a postmodern voodoo alchemy, via his cut-up and fold-in techniques, that accurately reflects our fragmented, discontinuous experience of a universe that is fluid, undetermined, tangential, and absurd. His novels, once banned and condemned, have over the years earned him membership in the American Academy and Institute for Arts and Letters and the title Commandeur de l'Ordre des Arts et des Lettres in France.Now Robert A. Sobieszek, the Los Angeles County Museum of Art's curator of photography, demonstrates how Burroughs's creative practice extends to and permeates most of the arts, how his work has paralleled and in some cases anticipated significant developments in painting, assemblage, music, sculpture, video, and film. Sobieszek discusses and offers illustrations of Burroughs's extensive body of visual art - including his collages, photomontages, sculptural assemblages, shotgunned paintings, and text-image works - as well as the work of artists with whom Burroughs has either collaborated or had an affinity, including Brion Gysin, Keith Haring, Philip Taaffe, and Robert Rauschenberg.

The aim of this book is to make the study of differential equations enjoyable. Many standard texts use only the method of undetermined coefficients. These methods, however, are laborious and painstaking. In this book we introduce the elegant and powerful operator methods; we use them early and consistently. The student is also exposed to the undetermined coefficients method so that he/she can choose the appropriate method in a given situation. In the same vein, we illustrate the use of Leibniz's theorem to easily find the coefficients when one uses power series methods. Many applications are included, such as determination of orthogonal trajectories, envelopes, discussion of predator-prey and interspecies competition problems. There are ample exercises with answers and hints for solutions where necessary. This book has been extensively class tested.

Odilon Redon was a French symbolist painter, printmaker, draughtsman and pastellist. He describes his work as ambiguous and indefinable: "My drawings inspire, and are not to be defined. They place us, as does music, in the ambiguous realm of the undetermined." Redon's work represents an exploration of his internal feelings and psyche. He himself wanted to "place the visible at the service of the invisible"; thus, although his work seems filled with strange beings and grotesque dichotomies, his aim was to represent pictorially the ghosts of his own mind.

William S. Burroughs, the Beat iconoclast turned cultural icon, has been practicing a postmodern voodoo alchemy, via his cut-up and fold-in techniques, that accurately reflects our fragmented, discontinuous experience of a universe that is fluid, undetermined, tangential, and absurd. His novels, once banned and condemned, have over the years earned him membership in the American Academy and Institute for Arts and Letters and the title Commandeur de l'Ordre des Arts et des Lettres in France.Now Robert A. Sobieszek, the Los Angeles County Museum of Art's curator of photography, demonstrates how Burroughs's creative practice extends to and permeates most of the arts, how his work has paralleled and in some cases anticipated significant developments in painting, assemblage, music, sculpture, video, and film. Sobieszek discusses and offers illustrations of Burroughs's extensive body of visual art - including his collages, photomontages, sculptural assemblages, shotgunned paintings, and text-image works - as well as the work of artists with whom Burroughs has either collaborated or had an affinity, including Brion Gysin, Keith Haring, Philip Taaffe, and Robert Rauschenberg.

The short lives and strange deaths of Marybeth Tinning"s nine children. "Year after year, one af ter another, the babies of Marybeth Tinning died, nine of them over the past fourteen years. The causes were listed variously as natural or undetermined or Sudden Infant Death somehow no one - not the police, nor the coroners, doctors, social workers, or neighbours, not even Mrs. Tinning"s husband - detected something evil in the strange patterns of death"

Who will want me now? It's a heart-wrenching question for teenagers infected with HIV.The number of HIV/AIDS-infected teenagers in the United States is increasing. Nearly 35,000 U.S. teenagers now have AIDS. Far more have been diagnosed with HIV, and an undetermined number have the virus and do not yet know. Each year, some 1,700 young people aged 13 to 24 are diagnosed with the ravaging end result of this infection: AIDS.In this volume, experts who work with HIV/AIDS-infected teenagers examine the psychological and social fallout compounding the frightening medical issues faced by adolescents who've received the diagnosis. Readers share the challenge with teens as they face the stigma of HIV/AIDS and the tough decisions about who to tell of their infection and when to do it. We learn the hard truth about health care, self care, and new treatment options for affected teens. And we read about the heartbreaking end-of-life care issues for dying adolescents. Perhaps most important, the authors offer resources teens and their families can turn to for information and support. And they explain what family, friends, teachers, and other professionals can do to help infected teens maximize their mental health and their quality of life.

Hannes Bok (1914–1964) is considered to be one of the premier fantasy illustrators of the twentieth century. Dying young, he left behind a mostly uncollected array of wonderful and astonishing black-and-white pulp illustrations, a dozen or so dazzling dust jacket covers, and an as-yet-undetermined number of gorgeous color paintings, most of them quickly snapped up early by connoisseurs and still under heavy guard in private collections. And it was only due to the efforts of a few dedicated admirers, who published the first Bok collections, that the richer part of his legacy still survives. But even these early Bok collections are out of print and going for high prices in the collectors' market. As a consequence, none of Bok's artwork is currently available to the general public, and there is still much that has never been reproduced in the first place.Hannes Bok: A Life in Illustration redresses this by bringing back into print not only his out of print artwork but many newly discovered drawings and paintings, reproduced here for the first time. In addition, A Life in Illustration also includes a rich selection of critical and biographical background material, including a nostalgic memoir by Ray Bradbury, incisive tributes by fellow artists, a newly uncovered letter of encouragement by Maxfield Parrish, and Bok's own concise autobiography, as well as his long unavailable essay, "Hannes Bok Looks at Fantasy Art and Illustration," a cogent elaboration of his artistic credo. Hannes Bok: A Life in Illustration could well prove to be the definitive edition honoring his life and work.

This comprehensive text suitable for math, science, and engineering majors, treats standard elementary topics such as undetermined coefficients, systems of differential equations, substitutions and chemical reactions. Students benefit from the conceptual approach, motivated by detailed physical and mathematical examples. Previous exposure to linear algebra or vectors is not assumed: all necessary linear algebra techniques are introduces as needed with respect to systems of differential equations. Early and consistent notation emphasizes the characteristic polynomial, suggests shortcuts such as the exponential shift, and leads to a natural, unified understanding of undetermined coefficients. Expanded treatment of the qualitative theory of linear systems, especially as applied to nonlinear systems, includes new sections on Interacting Populations, Constants of Motion, Lyapunov Functions, and Limit Cycles and Chaos. BASIC computer programs on approximation algorithms illustrate the use of technology in numerical methods.

This panorama is a pictorial view of music instruments starting with older bamboo and other instruments of undetermined age, going on two types of gongs-flat in Northern Luzon and bossed in the South. These two areas may be viewed as pocket cultures comparable to other pocket cultures in Borneo, Sumatra, other islands in Southeast Asia and the mountain regions south of and including Yunnan province of China, thus placing the music of Luzon and Mindanao in a larger geographical context. For example, mouth organs in Borneo and continental Southeast Asia are absent in the Philippines, where, however, separate pipes of panpipes are on occasion still being played by groups of boys among the Kalingga of Luzon. The musical elements of drone and melody identified in two lutes in Borneo or ensembles in Yunnan find examples in two players of the same tube zither in Mindanao and flat gongs in Luzon. The nearly 500 photographs in the book are almost all taken in the field, showing details of making and playing bamboo buzzers, jaw harps, zithers, percussion tubes, flutes and other instruments. Manners of tapping and sliding with the hands on flat gongs differ from beating them with sticks. Examples of big bossed gongs with wide rims (agung) struck with a mallet on the boss and a stick on the rim show affinities with a manner of playing bronze drums in Yunnan. In North Luzon, men and women dancing in circles with outstretched hands distinguish them from solo dancers with minimum body movements in the South.

Exploring the mysteries of the subconscious: The grandfather of surrealism   "My drawings inspire, and are not to be defined. They place us, as does music, in the ambiguous realm of the undetermined." —Redon In reaction to the "narrow-mindedness" of his fellow artists, symbolist painter Odilon Redon (1840-1916) sought to open the door on the invisible. Art, according to the theories of the symbolist movement, should "add to human beauty the nimbus of thought." In his studio, Redon would dedicate his energies, like an alchemist, to the creation of his "black pictures," those barely tangible charcoal drawings teeming with fantasy figures. Gradually, color took hold in his works and Redon applied it with a boldness and imagination that heralded the exprerimental approach of modernism and surrealism. Fallen angels and deformed monsters gave way to a completely different vision that was radiant and serene: the triumph of light over darkness.    About the Series: Each book in TASCHEN’s Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

Exploring the mysteries of the subconscious: The grandfather of surrealism   "My drawings inspire, and are not to be defined. They place us, as does music, in the ambiguous realm of the undetermined." —Redon In reaction to the "narrow-mindedness" of his fellow artists, symbolist painter Odilon Redon (1840-1916) sought to open the door on the invisible. Art, according to the theories of the symbolist movement, should "add to human beauty the nimbus of thought." In his studio, Redon would dedicate his energies, like an alchemist, to the creation of his "black pictures," those barely tangible charcoal drawings teeming with fantasy figures. Gradually, color took hold in his works and Redon applied it with a boldness and imagination that heralded the exprerimental approach of modernism and surrealism. Fallen angels and deformed monsters gave way to a completely different vision that was radiant and serene: the triumph of light over darkness.    About the Series: Each book in TASCHEN’s Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions

In his book, philosopher and law professor Ken Levy explains why he agrees with most people, but not with most other philosophers, about free will and responsibility. Most people believe that we have both – that is, that our choices, decisions, and actions are neither determined nor undetermined but rather fully self-determined. By contrast, most philosophers understand just how difficult it is to defend this "metaphysical libertarian" position. So they tend to opt for two other theories: "responsibility skepticism" (which denies the very possibility of free will and responsibility) and "compatibilism" (which reduces free will and responsibility to properties that are compatible with determinism). In opposition to both of these theories, Levy explains how free will and responsibility are indeed metaphysically possible. But he also cautions against the dogma that metaphysical libertarianism is actually true, a widespread belief that continues to cause serious social, political, and legal harms. Levy’s book presents a crisp, tight, historically informed discussion, with fresh clarity, insight, and originality. It will become one of the definitive resources for students, academics, and general readers in this critical intersection among metaphysics, ethics, and criminal law. Key features: Presents a unique, qualified defense of "metaphysical libertarianism," the idea that our choices, decisions, and actions can be fully self-determined. Written clearly, accessibly, and with minimal jargon – rare for a book on the very difficult issues of free will and responsibility. Seamlessly connects philosophical, legal, psychological, and political issues. Will be provocative and insightful for professional philosophers, students, and non-philosophers.