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Unread book in perfect condition.

German language. 7.64x4.96x0.63 inches. In Stock.

Ein Instrumentenbauer im19. Jahrhundert. Abhandlungen der Akademieder Wissenschaften zu Göttingen. Göttingen, Vandenhoeck & Ruprecht 2005. 321 S., OLeinenband Sehr gutes Exemplar.

This fascinating and beautifully illustrated book on the work of Francis Bacon, one of the 20th century’s greatest painters, takes an in-depth look at his trademark motif of figures imprisoned within ghostly frames. Arguably one of the most influential and original painters of the 20th century, Francis Bacon painted haunting portraits that employed themes of crucifixion, torment, and isolation. Incorporating the insights of The Logic of Sensation, French philosopher Gilles Deleuze’s seminal criticism of Bacon’s work, this volume highlights Bacon’s approach to space as one of the defining forces of his work. By organizing the spatial and dramatic structure of his compositions with barely visible cubic or elliptical cages, his figures become trapped in a kind of invisible room. This sense of confinement creates a direct, unsettling impression on the viewer, and further emphasizes the painter’s dark vision. This book features stunning reproductions of 40 large-scale paintings, including Study for a Portrait (1952), Chimpanzee (1955), Three Studies of the Male Back (1970), and Sand Dune (1983) as well as a selection of rarely exhibited works on paper. This book also contains a series of essays that explore the range of variation in Bacon’s use of isolating constructions over a period of nearly 50 years, as well as the nature of his painting technique and compositions.

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 0.63

191 S. : zahlr. Ill., graph. Darst. ; 23 x 25 cm, 899 g + 1 DVD-Video, Orig.-Pappband. Text dt. und engl. In diesem Werk sind grundlegende und spezielle Anfangs und Abschlussmöglichkeiten für Klöppelspitzen dargestellt. Saubere unauffällige Anfänge und unsichtbares Zusammenfügen ist für Anfänger und Fortgeschrittene wichtig.