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Very Good +. 4to - over 9¾" - 12" tall. First edition bound in black cloth, errata slip laid-in loose. A fine copy in dj with a couple of tiny short edge tears.

This book's novel approach shows how to order John Wesley's unsystematic practical theology around what and how he valued as a person and as a Christian. It applies philosophical value theory to John Wesley's theology, specifically the axiological theory developed by Robert S. Hartman,

This book's novel approach shows how to order John Wesley's unsystematic practical theology around what and how he valued as a person and as a Christian. It applies philosophical value theory to John Wesley's theology, specifically the axiological theory developed by Robert S. Hartman,

In the voluminous and unsystematic notebooks that the artist Sam Francis kept throughout his life, an array of highly introspective and short writings appear alongside his records of dreams, lists of paints to be prepared, possible titles for paintings, quotations from books being read, and reminders about the minutiae of the day.Sam Francis did not craft these short stanzas and phrases of self-examination as fixed literary objects. Impossible to categorize within any single genre, they are thoughts that needed to be written down for the most personal of reasons. Like the unfixed and contradictory region of interiority itself, the mode of expression is both precise and elliptical, abbreviated but utterly expansive. The method and the temper reflect his love of the poetry of Holderlin, the psychic cosmology of Jung, the fragments of Heraclitus, and the writings of Nietzsche and of William Blake, especially their most aphoristic works.These writings reveal a temperament that was inventive in the extreme, convinced that the action of creating should never be confined merely to a canvas but be incorporated within every aspect of living.The edition is illustrated with Sam Francis's rarely reproduced self-portraits and mandalas, which he used as interconnected modes of personal reflection and generation. The book concludes with an afterword by Pontus Hulten.

Our new Timeline program will enable students to master a total of 60 events over the course of four years (3rd-6th grades). History is a very unsystematic subject, and time is very abstract. Students need a timeline that they memorize, build on, and recite every year--and Memoria Press is bringing it to you! This Composition & Sketchbook gives the students space to record the important people and places of each event as well as a description and a drawing.

A long-awaited catalog to the British Museum's large and important collection of Gandhara sculpture. Formed mainly from early unsystematic acquisitions by soldiers garrisoning the Northwest Frontier and further enriched from some of the first excavations, the British Museum's collection is - with the collections at Peshawar, Lahore, Taxila, Chandigarh, Calcutta, Paris, Rome and Berlin - one of the principal sources for widespread academic activity that Gandhara studies have become. This catalog is the first publication by a museum of so large a body of the material: besides cult images and reliefs, it also includes reliquaries. After a substantial introduction, 680 objects, all illustrated, are individually described, where possible with comparisons and literary references. The book also contains an exhaustive bibliography, as well as concordances and indexes.

This volume is Mounier's final definition of personalism. First published less than a year before his death in 1950, it is a beautifully written, clear yet unsystematic statement of personalism.