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Often blurred or with only one element rendered sharply, clinging to the margin of the composition, Uta Barth's deceptively simple photographs of ordinary, ambiguous places are both elegant and challenging. Walls, windows, patches of light on a rug, the glow of an out-of-focus glance toward the horizon: all these provoke phenomenological reflections on perception and subjectivity, often suspending a viewer in the midst of the customary attempt to make sense of what is being seen, to reduce it to an accessible package of associations and meaning. "Certain expectations are unfulfilled: expectations of what a photograph normally depicts, of how we are supposed to read the space in the image, of how a picture normally presents itself on the wall," Barth has said. "This kind of questioning and reorientation is the point of entry and discovery, not only in a cognitive way, but in an almost visceral, physical and personal sense." This comprehensive monographic volume presents a definitive overview of Barth's works, fully illustrated with more than 300 full-color reproductions, spanning from her earliest photographs to her most recent. New texts by Russell Ferguson, former Chief Curator of the Hammer Museum in Los Angeles; Holly Myers, art critic and writer; and renowned scholar Jonathan Crary provide critical perspectives on the work of this visionary artist.Born in Berlin in 1958, and now resident in Los Angeles, Uta Barth is represented in the collections of The Museum of Modern Art, The Metropolitan Museum of Art, the Guggenheim, the Whitney, the Museum of Contemporary Art, Los Angeles and the Tate in London. In 2007 Barth was named a Broad Art Foundation Fellow.

Let the UTA Universal Binocular to Tripod Mount for EL, SLC & EL Range Binoculars elevate your viewing experience. This lightweight and flexible accessory is meticulously designed to enhance the functionality of your SWAROVSKI OPTIK binoculars. Its user-friendly design harmoniously integrates with your equipment, offering a range of useful add-ons to customize your binoculars to your personal needs. The UTA's universal tripod adapter, compatible with Arca-Swiss, is engineered for effortless mounting on SWAROVSKI OPTIK tripods. This innovative accessory is not just a simple add-on, but a key component that brings stability and comfort to your viewing experience. Its flexible design concept allows easy attachment of the entire EL family, the EL Range, and the SLC 42 to the tripod. Experience the difference with the UTA Universal Binocular to Tripod Mount, a perfect blend of style, functionality, and user-friendly design for your SWAROVSKI OPTIK binoculars.

SPECS Product Name Tremolo Arm Description Ultralite Tremolo Arm The UTA20 Ultralite Tremolo Arm achieved a significant reduction in weight...

[Uta Utai 15] Singles Best 1993-2007 (IMPORT) Kazuyoshi Saito - CD 4988002546244

Rising star Uta Barth is one of the most exciting and innovative artist/photographers in the world today-her enigmatic and beguiling images have again and again transfixed art audiences from London to Los Angeles. Barth's work draws its strength from its blurring of the familiar and strange, bringing the viewer to a liminal space between the two. It is in this space that Barth begins her investigation into the very nature of perception, where the epistemological importance of such formal qualities as lighting and composition becomes astoundingly evident. Uta Barth: In Between Spaces is the first comprehensive book on Barth's oeuvre, presenting a carefully selected survey of her works, and as such is a must-have for viewers, collectors and students attracted to contemporary art and photography. The poetic resonance, radical intelligence and sheer beauty of Barth's pictures are given perfect illustration in this book, designed with the artist herself. Uta Barth's work is represented in numerous public and private collections worldwide, including the Museum of Modern Art, the Metropolitan Museum of Art, the Guggenheim Museum, and the Whitney Museum of American Art in New York; the Tate Gallery, London; the Museum of Contemporary Art, Chicago; and the Museum of Contemporary Art, Los Angeles. She has had solo exhibitions in Los Angeles, New York, London, San Francisco, and Stockholm.

In 2011, Blind Spot magazine launched Blind Spot Series, publishing small-format, limited-run artist’s books that present concise suites of images from single bodies of work by important contemporary artist-photographers. The newest in this series is Los Angeles–based Uta Barth’s stunning To Draw with Light, featuring 46 color photographs from the acclaimed . . . and to draw a bright white line with light and Compositions of Light on White series (recently exhibited at the Art Institute of Chicago, 1301PE in Los Angeles and Tanya Bonakdar Gallery in New York) alongside new works created specifically for the book. According to essayist Paul Soto’s recent review in Art in America, these works are especially remarkable because they include, for the first time, traces of the artist’s body as she arranges the elements within her photographs--the gauzy curtains in front of her sundrenched windowsill, or the light which projects through her window blinds to create floating geometric monochromes upon her closet doors.

Uta Barth's photographs take the opposite approach to the Dusseldorf school of photographers, recording her subjects in objective archival detail, while natural environments are often out of focus, perversely cropped and empty of any foreground subject.

With indistinct, painterly compositions of light and pale color, Uta Barth once again takes the viewer along on her interior journey. ...and of time is part of an installation commissioned by the J. Paul Getty Museum and curated by Lisa Lyons. Dimension: 81/2 x 91/4 inches, 34 color reproductions, Exhibition Catalog.

Uta Barth aims her camera at the everyday places that are ignored or overlooked, taking note of the incidental and the passage of time, while being deeply engaged with looking at nothing. Included here are photographs from the series nowhere near, ...end of time, and white blind (bright red).

Uta Barth aims her camera at the everyday places that are ignored or overlooked, taking note of the incidental and the passage of time, while being deeply engaged with looking at nothing. Included here are photographs from the series nowhere near, ...end of time, and white blind (bright red).

Since 1994, Uta Barth has been creating a series of photographs which consist of blurred images generated by focusing the camera on an unoccupied foreground. These unframed, empty, but lushly seductive images present only background information, implying the absence of subjects, and referring to the function of images as containers of information and the role of the viewer in reading that information. This book is a faithful reproduction of the long out-of-print catalogue which was published on the occasion of Barth's first major museum exhibition at the Museum of Contemporary Art, Los Angeles, in 1996.

Signed by artist. First Edition, MoCA, 1995. Paperback, 56 pages with 24 color plates. In near fine condition, clean and unmarked, Signed and dated (1995) by Uta Barth in black felt pen on title page.

Actors, directors, and teachers now have the opportunity to study with the legendary actress and teacher Uta Hagen for the first time on DVD. Shot over the course of two years, the interaction between Ms. Hagen and the actors and audience puts the viewer right in the room. All ten of her celebrated Object Exercises are clarified and performed. Jack Lemmon, Whoopi Goldberg and Christine Lahti, among others - all former students - recall their classes with Ms. Hagen and her enduring influence on their work. As Ms. Hagen herself states, "When I believe that there is a human being in action up there, in that moment, alive - right there - then I get spellbound. When you really achieve that understanding of human nature, the ability to place yourselves in the shoes of another human being and reveal that life onstage, is to me the ultimate experience." 2 DVDS, 200 MINUTES TOTAL! Uta Hagen has received the Tony and Drama Critics Awards for her roles in Odets' The Country Girl and Albee's Who's Afraid of Virginia Woolf. She won an Obie Award for her role in Mrs. Klein and was awarded a Tony for Special Lifetime Achievement and the National Endowment for the Arts Medal of Honor. "Because I love the theater, and believe it to be not only the actor's training but testing ground, it is with great pleasure that I recommend this set." - Meryl Streep "Here is Ms. Hagen at her extraordinary best - witty, compassionate, inspired and inspiring. Will watching this make you a better actor, director or teacher? Yes, yes and yes!" - David Hyde Pierce "How fortunate that Hagen's teaching has been captured on film ... This is an important work." - Library Journal "It is absolutely required viewing." - Richard Brown, Professor of Humanities, New York University

Containing selections from a project in three parts-shown concurrently in Los Angeles, New York, and Stockholm-Nowhere Near exists as a sort of cinema in flux, a photographic investigation into perception and time that resists any will-to-narrate. Presented in mainly in diptychs and triptychs of precisely uniform dimension, every picture here features essentially the same subject-a large window in the artist's home with a view overlooking her yard. Some images focus on the view through the window: into the yard, at a tree, or off into the distance. Others are focused on the window itself or some component thereof: rain streaks, fingerprints, dust. Still others reflect the interior of the space. The sum effect is one of displacement-of the artist/viewer relationship, of the senses, and of subjectivity itself.

At last the dressage world has a sensible means of reconciling classical idealism with show-ring aspirations! Uta Gräf has made a name for herself as a trailblazer in the international dressage scene, advocating for a method of combining the highest levels of performance with natural horse care and conscientious training. The system she uses has proven to turn talented prospects into happy athletes, while transforming not-so-perfect” dressage horses into willing and able partners.In these pages, Gräf shares her schooling exercises, as well as the techniques she uses to incorporate groundwork, long-lining, trail riding, creative play, bombproofing, and turnout in her training program. The result is dressage that makes reaching your riding goals look and seem easy even effortless while ensuring a healthy, contented horse.