8 products were found matching your search for VAGA in 1 shops:

In the first decades of the sixteenth century, the pictorial arts arrived at an unprecedented level of perfection. That, at least, was a widespread perception among artists and their audiences in central Italy. Imitation, according to the artistic literature of the period, was a productive means of continuing the perfections of a predecessor. In Michelangelo’s Mirror reconsiders the question of Italian mannerism, focusing on the idea of imitation in the works of such artists as Perino del Vaga, Daniele da Volterra, and Pellegrino Tibaldi.Michelangelo was praised as an unsurpassable ideal, and more than any other artist he received the flattering epithet divino. As the cult around him grew, however, a different discourse arose. With the unveiling of the Sistine Last Judgment in 1541, Michelangelo stood accused of having set artifice above the sacred truth he was meant to serve, effectively making an idol of his art. Hansen examines the work of three of the master’s most talented followers in the light of this critical backlash. He argues that their choice to imitate Michelangelo was highly self-conscious and related to the desire to construct their own artistic identities, either by associating their work directly with the ideal paradigm (Daniele), through irony and displacement (Perino), or by incorporating both approaches (Tibaldi).

Unread book in perfect condition.

Entre los teóricos del derecho se recurre a menudo a la afirmación de que los principios serían normas vagas y genéricas Sobre la vaguedad de las normas han sido publicados numerosos estudios, pero en lo que concierne a la genericidad se sabe poco o nada y con frecuencia es confundida con la generalidad Este volumen pretender colmar esta laguna Pero éste es sólo el punto de partida de un análisis semiótico bastante más complejo que lleva a una revisitación de la noción de discrecionalidad y a mostrar que no todas las normas genéricas deben ser consideradas principios

Il catalogo della mostra - pubblicato dalla nostra Casa Editrice - descrive attraverso affreschi, dipinti e suppellettili provenienti dai piu importanti musei nazionali ed internazionali, insieme al grande affresco di Castel Sant'Angelo di Perin Del Vaga (meta XVI secolo) uno dei miti piu affascinanti dell'antichita: la favola di Amore e Psiche narrata da Apuleio nell'Asino D'Oro (II sec. D.C). Il volume si compone di 11 saggi e 76 schede divise in quattro sezioni: le radici del mito, le personificazioni di Eros e Psiche, i patimenti dell'anima, la coppia divina e la Fabula di Apuleio; la favola di Amore e Psiche nel Rinascimento; la scena della lampada: il fascino irresistibile dell'amore misterioso ed in fine il revival romantico della favola in epoca neoclassica. Un percorso di grande valore artistico, ricco di significati simbolici che si sviluppano dall'antichita a Canova documentando questo straordinario mito.

Entre los teóricos del derecho se recurre a menudo a la afirmación de que los principios serían normas vagas y genéricas Sobre la vaguedad de las normas han sido publicados numerosos estudios, pero en lo que concierne a la genericidad se sabe poco o nada y con frecuencia es confundida con la generalidad Este volumen pretender colmar esta laguna Pero éste es sólo el punto de partida de un análisis semiótico bastante más complejo que lleva a una revisitación de la noción de discrecionalidad y a mostrar que no todas las normas genéricas deben ser consideradas principios

Greyhound to Vagas is the esceptionally well written story of a young woman who came out of the backwoods of West Virginia to make her way by grit and hard work through preparing meals for passengers between buses at the Greyhound bus station in Bowlng Green, Kentucky, through a gambling casino-restaurant combination in Miami, to a run-in with Fidel Castro when he tried to confiscate her casino in Havana, all the way to Las Vagas where she, with her husband, established a popular casino and ran a popular casino and restaurant and was one of the founders of Commander's Palace before her death by murder in 1974. Her onlychild, a son, became a highly respected lawyer in Bowling Green and later was elected to the Kentucky Supreme Court where he served for five years. This well-researched, sensitively written book brings to life the amazing life and passion of a brave, entrepeneurial lady in a time when women were not taken seriously in the business world.

Il catalogo della mostra - pubblicato dalla nostra Casa Editrice - descrive attraverso affreschi, dipinti e suppellettili provenienti dai piu importanti musei nazionali ed internazionali, insieme al grande affresco di Castel Sant'Angelo di Perin Del Vaga (meta XVI secolo) uno dei miti piu affascinanti dell'antichita: la favola di Amore e Psiche narrata da Apuleio nell'Asino D'Oro (II sec. D.C). Il volume si compone di 11 saggi e 76 schede divise in quattro sezioni: le radici del mito, le personificazioni di Eros e Psiche, i patimenti dell'anima, la coppia divina e la Fabula di Apuleio; la favola di Amore e Psiche nel Rinascimento; la scena della lampada: il fascino irresistibile dell'amore misterioso ed in fine il revival romantico della favola in epoca neoclassica. Un percorso di grande valore artistico, ricco di significati simbolici che si sviluppano dall'antichita a Canova documentando questo straordinario mito.

Lestat el vampiro vaga a traves del tiempo y el espacio. Sus mas de doscientos años en el reino de la noche le han dado una fuerza y un conocimiento que estan mas alla de lo humanamente posible. Ahora, Lestat cree que ya ha agotado la fuente del conocimiento y que solo le queda vivir las noches con la mayor placidez posible. Pero una oscura presencia lo persigue, y el poder de Lestat es insuficiente / In the fifth Vampire Chronicle, Lestat is searching for Dora, the beautiful and charismatic mortal daughter of a drug lord. Dora has moved Lestat like no other mortal ever has, and he cannot get her out of his visions. At the same time, he is increasingly aware that the Devil knows who he is and wants something from him. While torn betwen his vampire world and his passion for Dora, Lestat is sucked in by Memnoch, who claims to be the Devil himself. Memnoch presents Lestat with unimagined opportunities: to witness creation, to visit purgatory, to be treated like a prophet. Lestat faces a choice between the Devil or God. Whom does he believe in? Who does he serve? What are the element of religious belief? Lestat finds himself caught in a whirlpool of the ultimate choice.