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This should prove to be the definitive work explaining van der Waals forces, how to calculate them and take account of their impact under any circumstances and conditions. These weak intermolecular forces are of truly pervasive impact, and biologists, chemists, physicists, and engineers will profit greatly from the thorough grounding in these fundamental forces. Parsegian has organized his book at three successive levels of mathematical sophistication, to satisfy the needs and interests of readers at all levels of preparation. The Prelude and Level 1 are intended to give everyone an overview in words and pictures of the modern theory of van der Waals forces. Level 2 gives the formulae and a wide range of algorithms to let readers compute the van der Waals forces under virtually any physical or physiological conditions. Level 3 offers a rigorous basic formulation of the theory.

This should prove to be the definitive work explaining van der Waals forces, how to calculate them and take account of their impact under any circumstances and conditions. These weak intermolecular forces are of truly pervasive impact, and biologists, chemists, physicists, and engineers will profit greatly from the thorough grounding in these fundamental forces. Parsegian has organized his book at three successive levels of mathematical sophistication, to satisfy the needs and interests of readers at all levels of preparation. The Prelude and Level 1 are intended to give everyone an overview in words and pictures of the modern theory of van der Waals forces. Level 2 gives the formulae and a wide range of algorithms to let readers compute the van der Waals forces under virtually any physical or physiological conditions. Level 3 offers a rigorous basic formulation of the theory.

Alex Van der Horst. Alejandro PINO ABETO ALEM N Y PALOSANTO 1988Year 1997Top SpruceBack & Sides Rio RosewoodScale Length 650 mmNut width 52 m...

This paperback reprint of a book initially published in 1974 delves into the ideology behind many of Mies van der Rohe's most famous architectural marvels, including the Seagram Building in New York City and the Lake Shore Drive Apartments in Chicago. Van der Rohe, father of the glass and steel modernist skyscraper, affected his field more dramatically than most of his contemporaries. From his earliest years as an apprentice architect in Germany in the first decade of the 20th century, van der Rohe pursued a clear set of ideals about the nature of building. Peter Carter, a student of and later staff architect for van der Rohe, guides readers through his mentor's commitment to structure as the determining factor of form and architecture as an illustration of its civilization. It may seem old hat to today's readers that form follows function, but the notion was very avant-garde during the middle of the century, when van der Rohe was at his height. The book is filled with photographs, building statistics, architectural drawings, and models that paint a clear picture of the philosophy behind these buildings that are such emblems of grace and strength. Quotes from van der Rohe himself--peppered throughout--are particularly insightful: "It is often thought that heaviness is synonymous with strength. In my opinion it is just the opposite." From his high-rise skeleton-frame buildings to landscaping to private homes, this truth is borne out. Mies van der Rohe at Work is perfectly suited for an aficionado of the great architect's work and readers who want to look at and read about great buildings. [192 pages, 300 black-and-white illustrations and biographical chronology] --J.P. Cohen

A deeply researched and surprising new assessment of one the most brilliant artists of Spain’s Golden Age This masterful examination of the life and work of Juan van der Hamen y León (1596-1631) serves as a powerful and novel lens for viewing the artistic life of the Spanish court of the 1620s. Van der Hamen is well known as a gifted still-life painter of the Golden Age, but William B. Jordan shows convincingly that the artist was much more than that. Jordan examines Van der Hamen’s entire output of still lifes and considers for the first time the complete oeuvre of the artist most esteemed by his peers for his versatility—for his portraits, allegories, landscapes, flower paintings, and large-scale works for churches and convents.  Only thirty-five at the time of his death, Van der Hamen was mourned as “the greatest Spaniard of his art.” This lofty assessment has long been dismissed as hyperbole, yet an array newly discovered paintings makes the lament understandable. In this lavishly illustrated book--including many works never published before and others transformed by recent restoration--Jordan presents the results of forty years of probing research and sets Van der Hamen in his proper place among the great masters of Spanish art.

Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.8

Mies van der Rohe: A Critical Biography is a major rewriting and expansion of Franz Schulze’s acclaimed 1985 biography, the first full treatment of the master German-American modern architect. Coauthored with architect Edward Windhorst, this revised edition, three times the length of the original text, features extensive new research and commentary and draws on the best recent work of American and German scholars. The authors’ major new discoveries include the massive transcript of the early-1950s Farnsworth House court case, which discloses for the first time the facts about Mies’s epic battle with his client Edith Farnsworth. Giving voice to dozens of architects who knew and worked with (and sometimes against) Mies, this comprehensive biography tells the compelling story of how Mies and his students and followers created some of the most significant buildings of the twentieth century.    

Penguin 2nd edition paperback vg+

Text: English, Dutch (translation)

Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 2.17

Robert Campin, also known as the Master of Flémalle (c. 1375-1444), and his pupil Rogier van der Weyden (c. 1399-1464) were two of Europe's greatest Northern Renaissance painters, though art history has been slow to catch up with them. Along with Jan and Hubert van Eyck, Campin and van der Weyden are now considered synonymous with the development of Old Netherlandish painting, having given oil painting some of its earliest virtuoso works. Campin's work marks the shift from manuscript painting to Realist painting, both in its subject matter and in the artist's use of oils to mold signature shapes such as brocades or the teardrops on the cheek of a grieving Madonna. "The Mérode Altarpiece" (c. 1425) at The Cloisters in New York is perhaps Campin's best-known painting--but both his and van der Weyden's reputations have fluctuated, as the work of each has been attributed to the other. (When van der Weyden died in 1464 he was the most famous painter in Europe, but today not one painting is decisively attributed to him.) This volume collects more than 50 masterpieces from the most important museums in the world and presents them side by side to encourage direct comparison. No monograph on either artist, or indeed on any early Netherlandish artist, offers such exacting reproduction and examination of this hotly debated body of works.

When you?re in love, the whole world speaks of your beloved. Certainly this is true for Inspector Van der Valk. The beloved is Lucienne Engelbert, the beautiful, troubled daughter of a well known conductor, now orphaned and running riot through Amsterdam. And calling Lucienne to mind is everything and everyone that Van der Valk encounters, from an embittered piano-dealer to a secluded fishing lodge, from a garrulous mechanic to an expensive abandoned car. Clearly, all roads that Van der Valk is traveling lead back to Lucienne. But is love the only connection? Or could Lucienne have something to do with the murder that Van der Valk is investigating?

Working on an anonymous tip and his own intuition, Inspector Van der Valk investigates a murder that was cleverly disguised as heart failure

Mies van der Rohe is one of the most important architects of the Modern movement. But how do Mies ideas on architecture and on the logic of construction relate to his built - and sometimes unbuilt - oeuvre? Mies Van Der Rohe: Space - Material - Detail by Edgar Stach investigates this question based on 14 projects, with a focus on the choice of detail and material. Specially produced three-dimensional drawings provide an easy-to-understand analysis of Mies construction concepts. The projects include Lange and Esters Houses (1927-1930), Tugendhat House (1928-1930), the Barcelona Pavilion (1928-1929), Farnsworth House (1946-1951), Lake Shore Drive (1948-1951), and the New National Gallery (1962-1968). Stach covers several decades of Mies work, including both his German and American creative periods.

Jazz was originally published in 1959, and since then it has become one of the most collectible photography books of the mid-twentieth century, ranking alongside the more widely known work of Christer Strömholm and Robert Frank. Like William Claxton's Jazzlife and Dennis Stock's Jazz Street, van der Elsken's entry into the niche of music photography appeared just before the decisive moment when rock cemented its place as the popular music of choice for young people. It is perhaps the most successful of the era's many photographic attempts to capture the essence of jazz, because it is more than just a succession of musicians' portraits or even a documentary record of performance, but a book that visually echoes the music itself. Van Der Elsken's work is that of both an authentic jazz fan and an experienced creator of photography books, who improvises in ways perfectly hooked in to both fields. Vince Aletti, writing in Artforum in 2000, said, "His jazz photos, made without flash in Amsterdam nightclubs, are gorgeous fields of grain, as moody and soulful as a sax riff," and called Jazz "utterly original."

From 1938 to 1958 Mies van der Rohe planned and built the new campus for the Illinois Institute of Technology in Chicago. Limited funding demanded extreme financial prudence and the imagination of the architect was fired by this challenge. With load-bearing brick walls, skeletal structures constructed out of visible reinforced concrete and steel, Mies created a masterpiece of simple elegance. The clarity and structure of the basic form has proved to be an enduring solution for the various classrooms and laboratories over the years. With concise texts and expressive images, this book captures the essence of these institute buildings which together with the book on Crown Hall, the Department of Architecture at ITT, presents an indispensable documentation of these epoch-making buildings.

German language. 9.09x7.36x1.38 inches. In Stock.

Essays by Wolf Tegethoff, Richard Pommer, and Fritz Neumeyer. Interview with James Ingo Freed. The rich legacy of scholarly and critical reassessments of Mies van der Rohe continues to grow since his centenary in 1986. This book which had its origins in the historic centennial exhibition at the Museum of Modern Art, presents four provocative new writings on Mies augmented by 150 illustrations from MOMA's Mies van der Rohe Archive and other sources. In his insightful introduction, Franz Schulze, author of the acclaimed Mies van der Rohe: A Critical Biography, discusses the reasons why Mies's art and name evokes such a different response today and compares Mies to Frank Lloyd Wright and Le Corbusier in terms of critical fortune. Wolf Tegethoff traces the maturation of Mies's thought during the 1920s, bringing fascinating new research to his examination of this complex European period. Art historian Richard Pommer examines Mies's political ideology and those of other artists of the modern movement in the Weimar years and the first years of the Third Reich. Fritz Neumeyer addresses the issues of tradition and modernity in Mies's life's work through a detailed analysis of several of his earliest buildings. In the concluding piece, architect James Ingo Freed, who studied under Mies at the Illinois Institute of Technology and succeeded him as director of ITT, offers penetrating comments on Mies as an educator and as an architect during his American years. Franz Schulze is Hollender Professor of Art at Lake Forest College. Wolf Tegethoff is Professor at the Zentralinstitut für Kunstgeschichte in Munich. Richard Pommer is Professor of Art History at New York University's Institute of Fine Arts. Fritz Neumeyer is Professor of Architectural Theory at the Technical University, Berlin. James Ingo Freed is a partner in the architectural firm I.M. Pei & Partners. Distributed for the Museum of Modern Art.

Red ink stamp imprint on front end page, otherwise like new.

"Proceedings of the conference 'Microphysical reality and quantum formalism', Urbino, Italy, September 25th-October 3rd, 1985."