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Introducing the Vaquita 2-Light Dimmable Integrated LED Plating Brass Crystal Chandelier, an epitome of luxury and sophistication for your dining room. Crafted with exquisite detail, this chandelier features a dazzling plating brass frame adorned with shimmering crystal accents, exuding opulence and elegance. The integrated LED lights offer both energy efficiency and adjustable brightness, allowing you to create the perfect ambiance for any dining experience. Elevate your dining space with the radiant glow and undeniable allure of the Vaquita Chandelier, a true statement piece that exudes timeless luxury.

"Intrepid conservation detective story." —Nature "A lucid, informed, and gripping account...a must-read." —Science "Passionate...a heartfelt and alarming tale." —Publishers Weekly"Gripping...a well-told and moving tale of environmentalism and conservation." —Kirkus"Compelling." —Library Journal  In 2006, vaquita, a diminutive porpoise making its home in the Upper Gulf of California, inherited the dubious title of world’s most endangered marine mammal. Nicknamed “panda of the sea” for their small size and beguiling facial markings, vaquitas have been in decline for decades, dying by the hundreds in gillnets intended for commercially valuable fish, as well as for an endangered fish called totoaba. When international crime cartels discovered a lucrative trade in the swim bladders of totoaba, illegal gillnetting went rampant, and now the lives of the few remaining vaquitas hang in the balance. Author Brooke Bessesen takes us on a journey to Mexico’s Upper Gulf region to uncover the story. She interviewed townspeople, fishermen, scientists, and activists, teasing apart a complex story filled with villains and heroes, a story whose outcome is unclear. When diplomatic and political efforts to save the little porpoise failed, Bessesen followed a team of veterinary experts in a binational effort to capture the last remaining vaquitas and breed them in captivity—the best hope for their survival. In this fast-paced, soul-searing tale, she learned that there are no easy answers when extinction is profitable. Whether the rescue attempt succeeds or fails, the world must ask itself hard questions. When vaquita and the totoaba are gone, the black market will turn to the next vulnerable species. What will we do then?

When asked to describe her short stories, Edith Pearlman replied that they are stories about people in peculiar circumstances aching to Do The Right Thing. She elaborated with the same wit and intimacy that make her stories a delight to read: “Before I was a writer I was a reader; and reading remains a necessary activity, occupying several joyous hours of every day. I like novels, essays, and biographies; but most of all I like the short story: narrative at its most confiding. “My own work, and particularly the stories in Vaquita, aims at a similar intimacy between writer and reader. My imagined reader wants to know who loves whom, who drinks what, and, mostly, who answers to what summons. Thank Heavens for Spike Lee! Before his movies writers and critics had to natter about moral stances; now I can say with a more tripping tongue that my characters are people in peculiar circumstances, aching to Do The Right Thing if only they can figure out what The Right Thing is. If not, they’ll at least Do Their Own Right Thing Right. “And I’m drawn to heat: sweltering Central American cities; a steamy soup kitchen; Jerusalem in midsummer; the rekindled passion of an old historian; the steady fire of terminal pain. I like solitaires, oddities, charlatans, and children. My characters are secretive; in almost every story somebody harbors a hidden love, dread, regret, or the memory of an insult awaiting revenge. “When I stop writing stories I plan to write letters, short and then shorter. My mother could put three sentences onto a postcard and make the recipient think he’d read a novel. I’m working towards a similar compression.”

When asked to describe her short stories, Edith Pearlman replied that they are stories about people in peculiar circumstances aching to Do The Right Thing. She elaborated with the same wit and intimacy that make her stories a delight to read:“Before I was a writer I was a reader; and reading remains a necessary activity, occupying several joyous hours of every day. I like novels, essays, and biographies; but most of all I like the short story: narrative at its most confiding.“My own work, and particularly the stories in Vaquita, aims at a similar intimacy between writer and reader. My imagined reader wants to know who loves whom, who drinks what, and, mostly, who answers to what summons. Thank Heavens for Spike Lee! Before his movies writers and critics had to natter about moral stances; now I can say with a more tripping tongue that my characters are people in peculiar circumstances, aching to Do The Right Thing if only they can figure out what The Right Thing is. If not, they’ll at least Do Their Own Right Thing Right.“And I’m drawn to heat: sweltering Central American cities; a steamy soup kitchen; Jerusalem in midsummer; the rekindled passion of an old historian; the steady fire of terminal pain. I like solitaires, oddities, charlatans, and children. My characters are secretive; in almost every story somebody harbors a hidden love, dread, regret, or the memory of an insult awaiting revenge.“When I stop writing stories I plan to write letters, short and then shorter. My mother could put three sentences onto a postcard and make the recipient think he’d read a novel. I’m working towards a similar compression.”

The eighty-nine cetacean species that swim our seas and rivers are as diverse as they are intelligent and elusive, from the hundred-foot-long, two-hundred-ton blue whale to the lesser-known tucuxi, ginkgo-toothed beaked whale, and diminutive, critically endangered vaquita. The huge distances these highly migratory creatures cover and the depths they dive mean we catch only the merest glimpses of their lives as they break the surface of the water. But thanks to the marriage of science and technology, we are now beginning to understand their anatomy, complex social structures, extraordinary communication abilities, and behavioral patterns. In this beautifully illustrated guide, renowned marine mammalogist Annalisa Berta draws on the contributions of a pod of fellow whale biologists to present the most comprehensive, authoritative overview ever published of these remarkable aquatic mammals. Opening with an accessible rundown of cetacean biology—including the most recent science on feeding, mating, and communication—Whales, Dolphins, and Porpoises then presents species-specific natural history on a range of topics, from anatomy and diet to distribution and conservation status. Each entry also includes original drawings of the species and its key identifiers, such as fin shape and color, tooth shape, and characteristic markings as they would appear both above and below water—a feature unique to this book. Figures of myth and—as the debate over hunting rages on—figures of conflict since long before the days of Moby-Dick, whales, dolphins, and porpoises are also ecologically important and, in many cases, threatened. Written for general enthusiasts, emergent cetacean fans, and biologists alike, this stunning, urgently needed book will serve as the definitive guide for years to come.