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You can enhance your astronomical viewing experience with the Baader Ultrashort 2" Eyepiece Clamp, a premium accessory designed for 3.3" SCT visual backs. This durable and high-quality clamp is engineered by Baader Planetarium, a leader in the production of superior optical equipment, ensuring that you receive a product that meets the highest standards of sturdiness and reliability.The Baader Ultrashort 2" Eyepiece Clamp boasts an ultrashort 12mm back focus, allowing for precision mounting onto the Carl Zeiss M68 System thread. With M68 male threads on both sides, this versatile clamp seamlessly integrates into a series of M68 extension rings. This feature enables it to function as a robust 2" eyepiece holder for eyepiece projection, ensuring a secure and stable connection for your observations.Moreover, the clamp's design accommodates the FFC 4x Fluorit-Barlow into the light path, enhancing magnification without sacrificing image quality. It also provides the perfect mounting solution for the Baader Telecentric System 2x or 4x, expanding your viewing capabilities.Constructed to support heavy equipment, the Ultrashort clamp M68 is the ideal choice for coupling H-alpha filters or CCD cameras to your telescope. It is compatible with all Baader Steeltrack and 3.5" Hyperion focusers, making it a user-friendly addition to your astronomical toolkit.Choose the Baader Ultrashort 2" Eyepiece Clamp for a specialized and targeted solution that promises to elevate your stargazing sessions with its exceptional build and performance. Whether you're an amateur astronomer or a seasoned sky-watcher, this eyepiece clamp is an indispensable component for anyone looking to optimize their telescope setup.

When it comes to professional film production, the Irix Cine Production Set is a comprehensive solution, offering a range of five high-quality lenses designed to meet the diverse needs of any film set. This set is the cornerstone of any production, providing a consistent visual aesthetic across the entire range. The lenses not only enhance the quality of your footage but also streamline your post-production process by preserving intricate details and vibrant colors. The Irix Cine 15mm T2.6 lens is an ideal choice for capturing wide-angle shots. Its unique ability to attach filters makes it an excellent option for landscape or cityscape photography. The Irix Cine 21mm T1.5 lens is your ultimate tool for capturing stunning opening shots. This wide, distortion-free lens is perfect for tight locations where shooting from a distance isn't feasible, such as events or weddings. Its T1.5 aperture allows for a beautiful bokeh effect, isolating your subject against a soft, out-of-focus background.The Irix Cine 30mm T1.5 lens is an excellent medium shot lens, perfect for capturing more of your subject while leaving some extra space around them. On a crop sensor, it functions similarly to a 45mm lens, making it an ideal portrait lens.The Irix Cine 45mm T1.5 lens is a favorite among Irix users, embodying the distinctive "Irix look". Its T1.5 aperture allows for shooting in various light conditions, and its sharpness across the whole range enables you to capture stunning beauty shots wide open.The Irix Cine 150mm T3.0 Macro 1:1 lens is specifically designed for macro work, allowing for unparalleled detail in your shots. Whether you're shooting food, product shots, or nature, the 150mm lens delivers exceptional detail preservation that will impress your clients or audience.The set also includes an Irix round Filter case that can hold up to 4 Irix Edge Magnetic Mount System Filters. Its water-resistant and water-repellent fabric, combined with sealed zippers, provides excellent protection from dust and moisture. The interior is lined with a soft, filter-friendly fabric to prevent scratching.The set also includes three Irix Edge MMS filters: CPL SR, UV SR, and ND8 SR. These filters are designed specifically for Irix Cine Lenses and offer excellent contrast and sharpness. They are color neutral and resistant to mechanical damage, thanks to their Super Resistant (SR) optical glass. They also feature moisture and dirt repellent nano-coatings for easy maintenance.The Irix Cine Lens Case by Nanuk is a dedicated case designed to hold up to 5 Irix Cine lenses and has a specially designed slot for the Irix MMS filters. It is waterproof, dustproof, and MIL-SPEC certified, ensuring your lenses are protected in any condition.All Irix lenses in this set preserve contrast, color, and sharpness across the whole set. They have similar weight and size, which avoids the need for rebalancing a tripod, steadicam, or gimbal when swapping lenses. The 15mm, 30mm, 45mm, and 150mm...

Be at the forefront of media production with the Media Composer/Production Pack Software Upgrade Add-On, tailored for the educational sector. Elevate your audiovisual projects with this sophisticated suite, designed to infuse your work with professional-grade visual effects, accelerated color grading, and optimized audio. This advanced software package is the ultimate enhancement for editors and video professionals aiming to achieve top-tier production quality in their media endeavors.The Media Composer/Production Pack (2nd gen) is a comprehensive collection of over 700 presets and 53 of NewBlue's premier plug-ins and creative tools. With this innovative bundle, you can craft dazzling 2D and 3D video effects, construct epic animated titles, and incorporate eye-catching transitions seamlessly within Media Composer. The included Titler Pro 4 empowers you to create dynamic titles, while ColorFast streamlines your color grading workflow. Stabilize shaky footage with the Stabilizer, and execute flawless green-screen composites with Chroma Key Pro.The iZotope Insight component of this upgrade is a game-changer for audio analysis and metering, providing you with the tools to optimize and troubleshoot soundtracks with precision. Additionally, the iZotope RX Loudness Control ensures your audio mixes comply with all loudness standards in a fraction of the time. This essential tool is crafted for audio/video post-production and broadcast workflows, offering intelligent audio signal processing through an intuitive interface.Squeeze 11 Standard New License is also part of this high-quality pack, enabling you to render media formats swiftly for web, smartphone, and disc player playback. Lastly, SpeedLooks Studio LINEAR revolutionizes color correction with its one-click filmic looks, simplifying the grading process for Rec. 709 and DSLR footage. This tool is perfect for enhancing the visual appeal of sports, news, commercials, corporate, wedding, and music videos.Choose the Media Composer/Production Pack Software Upgrade Add-On for its educational focus and upgrade capabilities, and transform your media composition and production with this all-encompassing, professional software solution.

Give your projects the professional look and sound quality they need to make the biggest impact. Media Composer / Production Pack (2nd gen) includes a host of complementary software tools that enable you to create stunning visual effects and titles, accelerate color grading and optimize audio and video-quickly and easily. It's the must-have secret weapon for any editor or video professional looking to achieve the highest production value in any project. Amplify Design dazzling 2D and 3D video effects, epic animated titles and eye-catching transitions directly in Media Composer. This powerful bundle includes over 700 presets across 53 of NewBlue's top-selling plug-ins and creative tools, including Titler Pro 4, ColorFast, Stabilizer, Chroma Key Pro and more. iZotope Insight Optimize and troubleshoot soundtracks with an extensive set of audio analysis and metering tools. iZotope RX Loudness Control Ensure your audio mixes adhere to all loudness standards-faster than real time. Designed for audio/video post production and broadcast workflows, this essential tool combines intelligent audio signal processing with an easy-to-use interface to take the guesswork out of audio optimization. Squeeze 11 Standard New License Quickly render a wide variety of media formats for play on the web, smartphones and disc players. SpeedLooks Studio LINEAR Create beautiful filmic looks with a simple click using a single LUT. Designed for quick color correction and no-hassle grading, this real-time plug-in makes it easy to enhance all Rec. 709 and DSLR footage. It's ideal for perfecting sports, news, commercials, corporate, wedding and music videos.

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Get ready for an in-depth exploration into the aesthetics of what makes a great mix! David Gibson's unique approach to mixing gives you a visual representation of the dynamics of the sounds involved in creating a musical mix. Through this three-dimensional, colorful explanation, you are introduced to a framework that will help you understand everything that an engineer does-- enabling you to not only recognize what you like, but how to achieve it in your studio. Expand your recording techniques by learning what your recording equipment does and how it all works together in a simple, visual manner. From bluegrass to big band, new age to heavy metal, classical to hip-hop, jazz to rap, and alternative rock to techno, Gibson has mapped out everything that can be done to create various effects in all standard mixes. Once you have a perspective on what can be done, you have the power to be truly creative on your own: to make art out of technology.

VISUAL STORYTELLING: VIDEOGRAPHY AND POST PRODUCTION IN THE DIGITAL AGE SECOND EDITION combines a thorough exploration of essential storytelling concepts with detailed instruction in practical technical skills. Without limiting its focus to a particular range of equipment, applications, or technology, this engaging text covers the key concepts, aesthetics, and techniques of single-camera field production and post production, and includes real-life stories and suggestions from working professionals. The accompanying website illustrates and expands on text concepts with pedagogically sound interactive learning modules as well as the capability to download high definition video footage for editing exercises.

Packed with colour film stills, exclusive pre-production artwork and behind-the-scenes production images, this landmark book celebrates the production designer's contribution to visual storytelling on screen. It illuminates the visual concepts behind familiar screen spaces and unpicks how and why they are so effective in conveying character and story.Seven case studies, developed from exclusive interviews with world-renowned designers, reveal the concepts behind some of the most engaging imagery on screen and establish a dialogue around the shared language of visual storytelling. Jane Barnwell offers a new methodology for evaluating the designer's work on screen through five categories of analysis: space, interiors and exteriors, light, colour and set decorating. All of which combine to create the visual concept evident in the final screen image and together provide a model for the analysis of production design.Practical exercises and examples of real world projects walk you through the design process from breaking down the script and developing initial ideas to identifying a coherent conceptual vision. If you are a filmmaker, Production Design for Screen will inspire and guide you in your own work.

David Gibson uses 3D visual representations of sounds in a mix as a tool to explain the dynamics that can be created in a mix. This book provides an in-depth exploration into the aesthetics of what makes a great mix. Gibson’s unique approach explains how to map sounds to visuals in order to create a visual framework that can be used to analyze what is going on in any mix. Once you have the framework down, Gibson then uses it to explain the traditions that have be developed over time by great recording engineers for different styles of music and songs. You will come to understand everything that can be done in a mix to create dynamics that affect people in really deep ways. Once you understand what engineers are doing to create the great mixes they do, you can then use this framework to develop your own values as to what you feel is a good mix. Once you have a perspective on what all can be done, you have the power to be truly creative on your own – to create whole new mixing possibilities. It is all about creating art out of technology. This book goes beyond explaining what the equipment does – it explains what to do with the equipment to make the best possible mixes.

Television Field Production and Reporting provides a comprehensive introduction to the art of video storytelling. Endorsed by the National Press Photographers Association, this book focuses on the many techniques and tools available in today’s digital landscape, including how drones and miniaturized technology can enrich the storytelling process. The new edition of Television Field Production and Reporting is an absolute must in this visually oriented, rapidly changing field. At its core, visual storytelling helps transmit information, expose people to one another, and capture and communicate a sense of experience in unforgettable ways. This edition reflects, through practitioners' eyes, how to achieve those goals and excel as a professional, whatever the medium at hand, even as changing technology revises the storyteller’s toolkit. This edition emphasizes digital and emerging media, and includes new color photography relevant to contemporary visual storytelling and reporting. It also features important updates regarding digital media law which affect anyone who records and/or disseminates digital media content, whether in private, on television, the web, via social networking sites, or in commercial venues. The seventh edition of Television Field Production and Reporting stresses the mastery of innovative storytelling practices in video programming as far ranging as electronic press kits, multi-camera production, stylized programs, corporate video, raw documentaries, and real time cinéma vérité.

In our current screen-saturated culture, we take in more information through visual means than at any point in history. The computers and smart phones that constantly flood us with images do more than simply convey information. They structure our relationship to information through graphical formats. Learning to interpret how visual forms not only present but produce knowledge, says Johanna Drucker, has become an essential contemporary skill.Graphesis provides a descriptive critical language for the analysis of graphical knowledge. In an interdisciplinary study fusing digital humanities with media studies and graphic design history, Drucker outlines the principles by which visual formats organize meaningful content. Among the most significant of these formats is the graphical user interface (GUI)--the dominant feature of the screens of nearly all consumer electronic devices. Because so much of our personal and professional lives is mediated through visual interfaces, it is important to start thinking critically about how they shape knowledge, our behavior, and even our identity.Information graphics bear tell-tale signs of the disciplines in which they originated: statistics, business, and the empirical sciences. Drucker makes the case for studying visuality from a humanistic perspective, exploring how graphic languages can serve fields where qualitative judgments take priority over quantitative statements of fact. Graphesis offers a new epistemology of the ways we process information, embracing the full potential of visual forms and formats of knowledge production.

David Gibson uses 3D visual representations of sounds in a mix as a tool to explain the dynamics that can be created in a mix. This book provides an in-depth exploration into the aesthetics of what makes a great mix. Gibson’s unique approach explains how to map sounds to visuals in order to create a visual framework that can be used to analyze what is going on in any mix. Once you have the framework down, Gibson then uses it to explain the traditions that have be developed over time by great recording engineers for different styles of music and songs. You will come to understand everything that can be done in a mix to create dynamics that affect people in really deep ways. Once you understand what engineers are doing to create the great mixes they do, you can then use this framework to develop your own values as to what you feel is a good mix. Once you have a perspective on what all can be done, you have the power to be truly creative on your own – to create whole new mixing possibilities. It is all about creating art out of technology. This book goes beyond explaining what the equipment does – it explains what to do with the equipment to make the best possible mixes.

VISUAL STORYTELLING: VIDEOGRAPHY AND POST PRODUCTION IN THE DIGITAL AGE combines a thorough exploration of essential storytelling concepts with detailed instruction in practical technical skills. Without limiting its focus to a particular range of equipment, applications, or technology, this engaging text covers the key concepts, aesthetics, and techniques of single-camera field production and post production. It includes an abundance of unique images, useful learning tools, and real-life stories and suggestions from working experts. The accompanying DVD illustrates and expands on text concepts, with relevant video and audio footage for editing exercises.

Packed with colour film stills, exclusive pre-production artwork and behind-the-scenes production images, this landmark book celebrates the production designer's contribution to visual storytelling on screen. It illuminates the visual concepts behind familiar screen spaces and unpicks how and why they are so effective in conveying character and story.Seven case studies, developed from exclusive interviews with world-renowned designers, reveal the concepts behind some of the most engaging imagery on screen and establish a dialogue around the shared language of visual storytelling. Jane Barnwell offers a new methodology for evaluating the designer's work on screen through five categories of analysis: space, interiors and exteriors, light, colour and set decorating. All of which combine to create the visual concept evident in the final screen image and together provide a model for the analysis of production design.Practical exercises and examples of real world projects walk you through the design process from breaking down the script and developing initial ideas to identifying a coherent conceptual vision. If you are a filmmaker, Production Design for Screen will inspire and guide you in your own work.

The Visual Dictionary of Pre-press & Production is a concise and comprehensive introduction to the world of print and production. Containing textual and visual defintitions for over 250 pre-press and production terms, this book is an invaluable reference tool for all students and practitioners of graphic design, typography, illustration and visual communication subjects. From practical terms such as Accents, Bitmap and Color calibration, to styles and finishes such as Canadian and half-Canadian, Perfect Bound and TCF (Totally Chlorine Free), this book contains both modern terminology and the traditional terms still in current usage.

Get ready for an in-depth exploration into the aesthetics of what makes a great mix! David Gibson's unique approach to mixing gives you a visual representation of the dynamics of the sounds involved in creating a musical mix. Through this three-dimensional, colorful explanation, you are introduced to a framework that will help you understand everything that an engineer does-- enabling you to not only recognize what you like, but how to achieve it in your studio. Expand your recording techniques by learning what your recording equipment does and how it all works together in a simple, visual manner. From bluegrass to big band, new age to heavy metal, classical to hip-hop, jazz to rap, and alternative rock to techno, Gibson has mapped out everything that can be done to create various effects in all standard mixes. Once you have a perspective on what can be done, you have the power to be truly creative on your own: to make art out of technology.

Production Design: Visual Magic is a hands-on guide to the craft of production design and art direction, told from inside the craft by author Peg McClellan. You will learn the basics of the job responsibilities and the setup of the art department, and then delve into a day-to-day breakdown of the job itself from the hiring of your team, to set walk-throughs with the director and producers, to juggling script, location and actor changes, and everything in between. Case studies, interviews, and quotes from successful Production Designers fill out the practical instruction and provide inspiration, while colourful photos and illustrations of storyboards, set designs, graphics, and props from award-winning films and television bring the job to life.

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