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Chicana voices are missing from the psychology of women. Though “Chicana feminisms” have only recently been enumerated, a feminist perspective has long existed in Chicano communities without ever having been explicitly named. Grounded in specific aspects of Chicano culture such as the contested role of La Malinche and the complexities of Marianismo, the distinguishing feature of Chicana feminisms has been their embrace of diversity. Chicanas readily acribe to many feminisms and do not expect there to be only one.Focusing on young women between the ages of 20 and 30, Chicanas Speak Feminisms explores the relationship between Chicana feminism and the lived experiences of Chicanas. What do they see as their day-to-day manifestation of feminist consciousness? What is the relationship between what Chicana feminists propose and their lived experiences as women and as members of other significant social groups? Including rich ethnographic testimony based on questionnaires, in-depth interviews, and shadowing, Hurtado allows the women to speak in their own terms about how they see their femininity, sexuality, gender identity, ethnic/racial identity, and ties to other feminisms and political struggles.

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The early 19th century was a period of acute transition in operatic tradition and style, when time-honored practices gave way to the developing aesthetics of Romanticism, the rise of the tenor overtook the falling stars of the castrati, and the heroic, the masculine, and the feminine were profoundly reconfigured. These transformations resounded in operatic plot structures as well; the happy resolution of the 18th century twisted into a tragic 19th-century finale with the death of the helpless and innocent heroine―and frequently her tenor hero along with her. Female voices which formerly had sung en travesti, or basically in male drag, opposite their female character counterparts then took on roles of the second woman, a companion and foil to the death-bound heroine rather than her romantic partner. In Voicing Gender, Naomi André skillfully traces the development of female characters in these first decades of the century, weaving in and around these changes in voicings and plot lines, to define an emergent legacy in operatic roles.

Excerpts from private diaries, letters, essays, articles, poems, stories, and aesthetic manifestoes reveal the personal and aesthetic issues that have shaped the lives of an impressive cast of creative women, including Judy Chicago, Mary Cassatt, Frida Kahlo, Rosa Bonheur, and Georgia O'Keefe. Each chapter is illustrated with an example (in b&w) of the artist's work. Annotation copyright Book News, Inc. Portland, Or.

Explores the connections between muteness and the complicated acts of survival, testimony, memory, and interpretation, through focused readings of Holocaust fiction by Kosinski, Wiesel, Tournier, Ida Fink, and others.Through new close readings of Holocaust fiction, this book takes the field of Holocaust Studies in an important new direction. Reading a wide range of narratives representing different nationalities, styles, genders, and approaches, Horowitz demonstrates that muteness not only expresses the difficulty in saying anything meaningful about the Holocaust―it also represents something essential about the nature of the event itself. The radical negativity of the Holocaust ruptures the fabric of history and memory, emptying both narrative and life of meaning. At the heart of Holocaust fiction lies a tension between the silence that speaks the rupture, and the narrative forms that attempt to represent, to bridge it.This book argues that the central issues in Holocaust historiography and literary criticism are not simply prompted by the fictionality of imaginative literature―they are already embedded as self-critique in the fictional narratives. While the current critical discourse argues either for or against the unrepresentability of these events (and thus the appropriateness of imaginative literature), this book develops the theme of muteness as the central way in which literary texts explore and provisionally resolve these central issues. Focusing on the problem of muteness helps unfold the ambivalences and ambiguities that shape the way we read Holocaust fiction, and the way we think about the Holocaust itself.

Text clean and tight; Princeton Studies In Political Behavior, 46; 8vo 8" - 9" tall; 232 pages

How is a nation brought into being? In a detailed examination of crucial texts of eighteenth-century American literature, Christopher Looby argues that the United States was self-consciously enacted through the spoken word. Historical material informs and animates theoretical texts by Derrida, Lacan, and others as Looby unravels the texts of Benjamin Franklin, Charles Brockden Brown, and Hugh Henry Brackenridge and connects them to nation-building, political discourse, and self-creation. Correcting the strong emphasis on the importance of print culture in eighteenth-century America, Voicing America uncovers the complex process of early American writers articulating their new nation and reveals a body of literature and a political discourse thoroughly concerned with the power of vocal language.

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An introduction to the theology of art and the art of theology.

On the pages of this poignant volume are fresh verse translations of the biblical psalms by master wordsmith Calvin Seerveld. Voicing God's Psalms contains thirty-seven psalms from the canonical book of Psalms and several psalmic passages from elsewhere in Holy Scripture (both Testaments) -- all strikingly translated by Seerveld from the original Hebrew and Greek languages into idiomatic American English. Seerveld has arranged his carefully crafted psalm translations into thematic clusters under nine progressive headings. He follows half of his translations with singable psalm versifications fashioned to various melodies. In an introduction and an afterword Seerveld sets the biblical psalms in historical context, highlights the rough and tender tenor of God's psalms, and offers concrete suggestions for helping these psalms come alive in our private and public worship today. The accompanying audio CD features oral readings by Seerveld himself of many of the printed psalm translations, interspersed with select versification melodies skillfully played by solo recorder or saxophone. An extraordinary book-and-CD combination, Voicing God's Psalms will help many worship leaders and music directors in preparing liturgies and will inspire many believers in their personal devotions.

Acts of Voicing focuses on the aesthetic, performative, and political significance of the voice, viewed from the perspective of visual art, dance, performance, and theory. The book, which also documents the exhibition of the same title that showed at the Württembergischer Kunstverein Stuttgart and the Total Museum of Contemporary Art in Seoul in 2012, explores the diegetic and performative characteristics of the voice. This relates equally to voices that resist and to voices that are disciplined and seek to discipline, to those that are heard and to those that go unheard. The book also examines the struggle to find one’s voice and the act of getting voices to speak or be silent.

Human Voicing The Luyas - LP 880893010511