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Book is in NEW condition. 1.41

Text clean and tight; South Asia In Motion; 8vo 8" - 9" tall; 422 pages

The Triumph of Vulgarity in a thinker's guide to rock 'n' roll. Rock music mirrors the tradition of nineteenth-century Romaniticsm, Robert Patison says. Whitman's "barbaric yawp" can still be heard in the punk rock of the Ramones, and the spirit that inspired Poe's Eureka lives on in the lyrics of Talking Heads. Rock is vulgar, Pattison notes, and vulgarity is something that high culture has long despised but rarely bothered to define. This book is the first effort since John Ruskin and Aldous Huxley to describe in depth what vulgarity is, and how, with the help of ideas inherent in Romaniticism, it has slipped the constraints imposed on it by refined culture and established its own loud arts. The book disassembles the various myths of rock: its roots in black and folk music; the primacy it accords to feeling and self; the sexual omnipotence of rock stars; the satanic predilictions of rock fans; and rock's high-voltage image of the modern Prometheus wielding an electric guitar. Pattison treats these myths as vulgar counterparts of their originals in refined Romantic art and offers a description and justification of rock's central place in the social and aesthetic structure of modern culture. At a time when rock lyrics have provoked parental outrage and senatorial hearings, The Triumph of Vulgarity is required reading for anyone interested in where rock comes from and how it works.

In Baghdad, an enormous monument nearly twice the size of the Arc de Triomphe towers over the city. Two huge forearms emerge from the ground, clutching two swords that clash overhead. Those arms are enlarged casts of those of Saddam Hussein, showing every bump and follicle. The "Victory Arch" celebrates a victory over Iran (in their 8-year long war) that never happened. The Monument is a study of the interplay between art and politics, of how culture, normally an unquestioned good, can play into the hands of power with devastating effects. Kanan Makiya uses the culture invented by Saddam Hussein as a window into the nature of totalitarianism and shows how art can become the weapon of dictatorship.

Buy with confidence! Book is in new, never-used condition 0.58

Get it today for 19.99 $5.99! On Special Sale Until December 1. This HILARIOUS Adult Coloring Book Features: 25 Sweary Coloring Pages Single-Sided Pages At 8.5x11 Perfect gift for yourself or someone with a good sense of humor This one of a kind grown up Christmas coloring book features a naughty version of a holiday Christmas carol, the Twelve Days of Christmas. Prepare to laugh along and you sing and color this traditional holiday jingle. Order now and start this incredibly delightful & impolite journey. You’re going to love it.

The House of Savoy began in the eleventh century with Humbert the Whitehanded and, except for the thirty-four-day kingship of Humbert II, ended with the cession of Victor Emmanuel III in 1946...... Katz surveys the entire history of the dynasty, concentrating especially on the forty-six-year reign of Victor Emmanuel III who was the truest symbol of the House of Savoy.... (from front cover flap)

The House of Savoy began in the eleventh century with Humbert the Whitehanded and, except for the thirty-four-day kingship of Humbert II, ended with the cession of Victor Emmanuel III in 1946...... Katz surveys the entire history of the dynasty, concentrating especially on the forty-six-year reign of Victor Emmanuel III who was the truest symbol of the House of Savoy.... (from front cover flap)

Frank Furness' energy, confidence, brashness, vulgarity, and full-throated love of life vibrate in his architecture. This first biography details his abolitionist upbringing in staid Philadelphia, the horror of war and its translation into aggressive architecture - train stations, banks, and libraries - and illuminates his influence on his century and the world. 200 b/w illustrations

What was the secret of Le Petomane's act that it should have convulsed whole audience for more than twenty years, from 1892 to 1914, and broken all records at the box office?This tribute, a curious blend of vulgarity and filial pride, celebrates the career of a man whose natural endowments enabled him to perform feats that would be dismissed as impossible had they not been witness and vouched for by so many. A best seller in 1967 when it first appeared, this celebration edition, complete with the original, startling photographs, is a timeless memorial to the man who turned a physiological anomaly into a show business phenomenon.A trumpet blast to propel Britain into Europe!

Something is amiss in society. At every level, the populace worships an unholy trinity of aspiration, vulgarity, and self-regard, while qualities such as courtesy and savoir-faire are pushed aside in the name of progress. The Chap Manifesto is a rallying point for the gentleman mired in postmodern confusion. Now, learn how to adjust your gloves with the correct degree of insouciance, how to behave at the revolutionary dinner table, and what items to pack in your anarcho-dandyist toolkit. Once you have mastered the sartorial and behavioral basics, you can move on to more advanced tactics, like The Trouser Semaphore and Random Acts of Common Courtesy. Racily illustrated throughout, this is a ripping Call to Charms.

Rear cover notes: "Walter Crane, artist of Kensington, was a man of many talents, but is possibly best known for his original and charmingly executed designs which made him the leading illustrator of children's books of the Aesthetic Movement period. In the face of the commercial vulgarity and ugliness of Victorian industrialised society, he created a delicate and escapist fairy world which, with its emphasis on spontaneity and mobility of line, and its clever use of background and colour, popularised a completely new style of tasteful book designs, and brought them within reach of everyone. The influence of Crane's work and his highly novel theories of design make him an important figure in nineteenth century art history. Rodney Engen, American-born painter and lecturer, discusses Crane's style and ideas in a study delightfully arranged after Crane's own rules and book design. He includes nearly 100 illustrations, ranging from nursery rhymes and fairytales to tailpieces and borders, mostly full page as Crane designed them, and 16 in the full colour he helped to pioneer. The extensive annotated catalogue is an invaluable aid for both student and specialist." 107 illustrations, including 16 in color.

“Gilbert Sorrentino has long been one of our most intelligent and daring writers. But he is also one of our funniest writers, given to Joycean flights of wordplay, punning, list-making, vulgarity and relentless self-commentary.”—The New York Times“Sorrentino’s ear for dialects and metaphor is perfect: his creations, however brief their presence, are vivid, and much of his writing is very funny and clever, piled with allusions.”—The Washington Post Book WorldBearing his trademark balance between exquisitely detailed narration, ground-breaking form, and sharp insight into modern life, Gilbert Sorrentino’s first-ever collection of stories spans 35 years of his writing career and contains both new stories and those that expanded and transformed the landscape of American fiction when they first appeared in such magazines and anthologies as Harper’s, Esquire, and The Best American Short Stories.In these grimly comic, unsentimental tales, the always-memorable characters dive headlong into the wasteland of urban culture, seeking out banal perversions, confusing art with the art scene, mistaking lust for love, and letting petty aspirations get the best of them. This is a world where the American dream is embodied in the moonlit cocktail hour and innocence passes at a breakneck speed, swiftly becoming a nostalgia-ridden cliché. As Sorrentino says in the title story, “art cannot rescue anybody from anything,” but his stories do offer some salvation to each of us by locating hope, humor, and beauty amidst a prevailing wind of cynical despair.Gilbert Sorrentino has published over 20 books of fiction and poetry, including the classic Mulligan Stew and his latest novel, Little Casino, which was shortlisted for the 2003 PEN/Faulkner Award. After two decades on the faculty at Stanford University, he recently returned to his native Brooklyn.

“There was something about Robert Aldrich's artistic temperament that enabled him to transcend the apparent vulgarity of so many of his motion picutres. Besides the great films, such as Kiss Me Deadly which is certainly one of the finest examples of film noir, are several little-seen or underrated later works such as the revisionist Western, Ulzana's Raid, the gangster love story, The Grissom Gang, or the grim cop picture, Hustle. Aldrich's career has long deserved the detailed evaluation which this book provides.” – Andrew Sarris

If you know someone who loves insults, naughty words, swearing, vulgarity and lewd humor then this is the indecent book for them! 20 word searches with themes eg sex slang, phrases with 'off' and gross substances40 cryptograms to decipher including gross insults and witty ditties.20 medium grade sudoku with pole dancer silhouettes (well, why not?)Some blank pages for working out puzzles or rude doodles - you choose...6" x 9" - because you will need to hide this in a pocket at some pointThe gag gift you've been looking for! (but maybe get yourself a copy as well!!)

Faith healing can be fatal When intrepid octogenarian Emily Pride inherits an island, and the miraculous properties of its "Pixie Falls" healing spring, she is shocked by all the vulgarity. The admission fee, the Gifte Shoppe, the folksy Festival, the neon sign on the pub, all must go! But local opposition runs high, death threats pile up, and Miss Emily's old friend Superintendent Roderick Alleyn arrives just in time to discover a drowned body and a set of murder motives that seem to spring eternal. --This text refers to an out of print or unavailable edition of this title.

Frank Furness' energy, confidence, brashness, vulgarity, and full-throated love of life vibrate in his architecture. This first biography details his abolitionist upbringing in staid Philadelphia, the horror of war and its translation into aggressive architecture - train stations, banks, and libraries - and illuminates his influence on his century and the world. 200 b/w illustrations

Plastics evoke an ambivalent response. Hailed on the one hand as liberating materials of the modern age, with close links to technological advances in photography, film, electronics and computers, plastics, on the other hand, are seen as symbols of vulgarity, inauthenticity and low quality. With 16 essays by Roland Barthes, Jean Baudrillard, Ezio Manzini, Barbara Radice, John Gloag and others, this eye-catching, copiously illustrated anthology charts the varied cultural meanings plastics have acquired. Beginning with the first semi-synthetics used in the 1860s as substitutes for ivory and tortoiseshell, the contributors examine objects ranging from portable irons to dresses and compact-disc players. They identify a late 1950s aesthetic of organic curves and sleek surfaces, pioneered by European product designers, which gave way to today's multiplicity of styles, with plastics proving to be a flexible material well-adapted to postmodernist pluralism. Sparks is a professor at London's Royal College of Art. Copyright 1993 Reed Business Information, Inc.

Continuing to extract the deadliest beings from the dankest corners of the Northwest, 20 Buck Spin summons from the festering swamp-soaked murk the revolting mutation that is Cerebral Rot. Like sewage winding it's way through tunnels below the street, this music reeks with the stench of vulgarity and noxious body fumes. Embalmed in an analog toxic dump, this debut, Odious Descent Into Decay, melts the skin with radioactive brutality and gurgling bursts of punishing cruelty. It's virulent subter

In North London, an all-male bee-hive of inactivity is ruled with a foul mouth and an iron hand by the abusive Max (Paul Rogers) and his brother, the priggish palace eunuch Sam (Cyril Cusack). Rounding out the precision vulgarity of the Homecoming's "situation tragedy" are the sons, punch-drunk demolition man Joey (Terence Rigby) and the magnificent Ian Holm (Lord of the Rings, the Sweet Hereafter) as pimp-smart Lenny. When, under cover of darkness, the prodigal son Teddy (Michael Jayston) bring